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Afrofilipino
LP (Item 5040) Salsoul, 1975 — Condition: Near Mint-
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An amazing crossover moment of the 70s Latin scene! During the 60s Joe Bataan had been experimenting with the many different mode of Latin Soul – crossing over styles in a way that not only reflected his complicated roots, but which also tried to break Latin music out of the small uptown market it was getting locked into. On the album before this one, Joe coined the term Salsoul, which he used to describe his unique mix of salsa and soul – which on this record also gets a bit of an infusion of disco, which was a brilliant move by Joe, and broke the album out of the ghetto, onto dancefloors around the world. The centerpiece of the record is Joe's funky cover of Gil Scott-Heron's classic "The Bottle" – but just about every track is great, and there's loads of excellent titles like "Chico & The Man", "Women Don't Want To Love Me", "X-Rated Symphony", "When You're Down (Funky Mambo)", and remakes of older Latin Soul tunes "What Good Is A Castle" and "Ordinary Guy". © 1996-2024, Dusty Groove, Inc.
Near Mint - (minus)
- Black vinyl that may show a slight amount of dust or dirt.
- Should still be very shiny under a light, even with slight amount of dust on surface.
- One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
- May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
- May have some slight marks from aging of the paper sleeve on the vinyl.
- Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.
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