This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
With Pony Poindexter on alto saxophone, Harold Land on tenor saxophone, Buddy Montgomery on piano, Monk Montgomery on bass, and Louis Hayes and Tony Bazley on drums, . CD
A strange little record, but a great one too – a posthumous album that took older Wes Montgomery sides and souped them up a bit after his death! The core material here is quartet recordings done in 1965 – Montgomery's guitar in a hip group with Wynton Kelly on piano, Paul Chambers on ... CD
With grooves this great, the house must have been full – and the album's a gem of an early live date by Wes Montgomery, recorded in Berkeley with a quartet that includes Johnny Griffin on tenor, Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums! The tunes have a nicely ... CD
Tracks include "Movin Wes - Parts 1 & 2", "Green Peppers", "Boss City", "Impressions", "In And Out", "Willow Weep For Me", and "Bumpin" – 16 tracks in all. CD
A great pairing – one who barely recorded together, but always made magic when they did! The vibe here is different than the Evans/Getz date on Verve in the mid 60s – partly because of the live setting, but maybe also because the group is Bill's – with Eddie Gomez on bass and ... CD
Bill Evans on pinao, Eddie Gomez on bass, and Marty Morell on drums. Titles include "Very Early", "Waltz For Debby", "Quiet Now", "Elsa", "Someday My Prince Will Come", "Sareen Jurer", and "What Are You Doing The Rest Of Your ... CD
Includes music by King Oliver's Creole Jazz Band and the Red Onion Jazz Babies and features Johnny Dodds, Baby Dodds, and Sidney Bechet. 25 tracks total. CD
2 lost sessions from early 60s tenor titan Wild Bill Moore – an R&B inflected player who only cut a few sides on his own, all of them a unique mix of jazz with some of the more screaming R&B saxophone tendencies! This set brings together two albums that feature Bill rocking with a ... CD
An overlooked gem from Rollins – and a record that has him playing with a bit of an electric feel, in a style that's similar to some of Joe Henderson's early 70s Milestone sessions! Similar to Henderson's albums, George Cables plays a bit of electric piano on the set – grooving nicely ... CD