This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout.
This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
One of Archie Shepp's most fragile and most beautiful albums – a set of mellower tunes dedicated to John Coltrane, played on tenor and soprano sax with support from a trio that includes Albert Dailey on piano, Reggie Workman on bass, and Charlie Persip on drums! The album's a real standout ... CD
A wonderful album for all those folks who ever crabbed about Shepp going back "inside" during the late 70s! The record is straight jazz – not as righteous as Attica Blues or some of the other Impulse albums, yet done with a wonderfully soulful quality that shows that even without a ... CD
One of the best dates ever as a leader from trumpeter Joe Wilder – and one of the few to have a really relaxed, open sort of format! Joe's not tied up in gimmicks or larger groups here – and he really sparkles in the company of a quartet that features Hank Jones on piano, Wendell ... CD
A nice early 70s session from Charles Mingus – and in interesting one, to boot – finding the legendary bassist in Japan leading his own group and Toshiyuki Miyama and his New Herd Orchestra! Mingus's American players included Bobbie Jones on tenor and clarinet, Eddie Preston on trumpet. ... CD
An incredibly strong set by McCoy Tyner – one of his best late 60s sides for Blue Note – and a record that really hints at the majesty he'd attain on record in the 70s! The album features Tyner's piano at the head of a large group that includes Lee Morgan on trumpet, Julian Priester on ... CD
With Wes Anderson on alto sax, Todd Williams on tenor sax, Marcus Roberts on piano, Reginald Veal and Robert Hurst on bass, and Herlin Riley and Jeff Watts on drums. CD
Beautifully laidback blowing from the great Ben Webster – captured here in perfect late 50s formation, with wonderful rhythm support from the Oscar Peterson Trio! The tunes aren't super-long, but still have a relatively open feel – possibly improvised in the studio, with a mellow but ... CD
A great tribute to the late bassist Jimmy Blanton – served up by his old boss Duke Ellington, working here on piano alongside the bass of Ray Brown! This spare piano/bass session is a rarity in Duke's catalog – and it's a real later gem that captures the warmth and imagination of the ... CD