This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
An excellent early album from Millie Jackson – recorded in a southern soul style in New York and Muscle Shoals, but a lot hipper than most of the rest of the female soul that was coming out of the south at the time. For one thing, Millie was a bad mamma singer – rapping hard and ... LP, Vinyl record album
One of two classic live albums that Maze cut during the 80s – even more proof that the Maze style of soul music was not only thriving, but succeeding strongly outside the studio, and regardless of airplay and album sales! The general groove is very similar to the band's classic work from the ... LP, Vinyl record album
After leaving Stax, Ike seemed to be trying to turn himself into more of a Barry White-style artist – with more emphasis on original tracks about love and loving, instead of his older method of transforming pop hits into little baroque symphonies. On a record like this, the approach meant ... LP, Vinyl record album
Possibly the greatest moment ever from Sister Sledge – a set that has the Philly quartet teaming with the Chic team of Nile Rodgers and Bernard Edwards! Rodgers' guitar brings in a hell of a groove to the record – that choppy, skittish sound that made Chic such a favorite at the time ... LP, Vinyl record album
The last set of duets from the team of Marvin Gaye and Tammi Terrell – and a sublime set of tracks that really stretches their partnership even further than before! It's no secret that Terrell was Marvin's favorite partner in the studio – and you can really hear his strong feeling for ... LP, Vinyl record album
A hot little collection of Lee's best New Orleans soul from the late 60s – chunky groovers that really have a lot of punch in the beat, most of which were originally produced by Allen Toussaint! The tracks are nearly all perfect – with a dark, descending groove that sounds unlike ... LP, Vinyl record album
Titles include "Walk Away From Love", "Ain't Too Proud To Beg", "Everything's Coming Up Love", "(I Know) I'm Losing You", "My Whole World Ended (The Moment You Left Me)", "You're My Piece Of Mind", "My Girl", "Just Let Me ... LP, Vinyl record album
The sound's a bit different, but the man himself has lost none of his charm – the legendary Isaac Hayes, stepping out here near the end of the 80s, in all of his mature, masculine power! Instrumentation definitely marks the date of recording – Ike's got more synth than piano or ... LP, Vinyl record album
A rare non-Blue Note 60s date as a leader from Stanley Turrentine – recorded for Impluse when his (then) wife Shirley Scott was contracted to the label – and featuring the talents of both players on some very groovy tracks! The quartet features both Stan's tenor and Shirley's Hammond ... LP, Vinyl record album