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Bare Wires
LP (Item 491274) London, 1968 — Condition: Near Mint- Gatefold
$16.99 ...
LP, Vinyl record album
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Another great step forward for the legendary John Mayall – proof that he was never just content to copy American blues modes, and always willing to bring something new to the table! Although steeped in sounds from the delta on up to Chicago, the record's also got a hipper, almost trippier feel at times too – long-winding interplay between the guitar and organ, and some slow-building rhythms that shake off blues stereotypes, and mark Mayall as having an equal ear for forward-thinking 60s rockers. The group here is great – with Mick Taylor on guitar, Henry Lowther on cornet, Chris Mercer on tenor, and Dick Heckstall-Smith on tenor and soprano sax – all playing in a freely creative mode that stands the test of time surprisingly well Titles include "I'm A Stranger", "Harley Quits", "Killing Time", "Sandy", "She's Too Young", and "No Reply". © 1996-2024, Dusty Groove, Inc.
(Stereo blue label pressing with Bell Sound/SF etch. Cover has light aging, but is nice overall.)
(Stereo blue label pressing with Bell Sound/SF etch. Cover has light aging, but is nice overall.)
Near Mint - (minus)
- Black vinyl that may show a slight amount of dust or dirt.
- Should still be very shiny under a light, even with slight amount of dust on surface.
- One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
- May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
- May have some slight marks from aging of the paper sleeve on the vinyl.
- Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.
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