Black Renaissance (Harry Whitaker) : Body Mind & Spirit (CD) -- Dusty Groove is Chicago's Online Record Store
Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Body Mind & Spirit

CD (Item 486162) Luv N' Haight, 1976 — Condition: Used
Out Of Stock

CD

✈
Also available
Black Renaissance (Harry Whitaker) — Body Mind & Spirit (180 gram pressing) ... LP 28.99
A spiritual jazz classic – one of the rarest albums of its type from the 70s! This legendary session was recorded by Roy Ayers' keyboardist Harry Whitaker – working here as the leader of the Black Renaissance group, a one-shot ensemble that featured Woody Shaw on trumpet, Azar Lawrence on saxes, Buster Williams on bass, and Mtume on percussion. The session was cut in New York in 1976, but only issued on a rare album that came out briefly in Japan. Yet somehow, the quality of the work and the depth of soulfulness have created a strong aura about the session – making it an oft-cited influence by a generation of DJs and soul jazz listeners. The album only features 2 long tracks – both of them strong ensemble numbers that build modally searching grooves in a Strata East-like style, peppered with voices, both sung and spoken, in a hip, socially conscious mode. Both tracks – "Black Renaissance" and "Magic Ritual" are excellent, on a par with the best 70s spiritual soul jazz!  © 1996-2024, Dusty Groove, Inc.
(Out of print.)

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We only use the grade "Used CD" for non-new CDs. This all-encompassing grade was chosen it because we only buy and offer used CDs in the best possible condition.

When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we will describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.

All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can request a return for a full refund.


You might be interested


David Matthews

Shoogie Wanna Boogie
Kudu/King (Japan), 1976. Used
One of the slickest of Dave Matthews' funk records from the 70s – but still pretty darn nice! Matthews was the mainman behind the legendary funk group The Grodeck Whipperjenny, and a key arranger in James Brown's sound of the Polydor years – but by this time, he moved into smoother ... CD
Sound Hills (Japan), 2005. Used
A really loving tribute to bassist Jimmy Woode – the American bassist who was a key player on the European scene of the 60s and 70s – remembered for his great work in the Clarke-Boland Big Band and a number of other great groups! The performance here has bassist Reggie Johnson sitting ... CD
Avid (UK), Late 1940s/1950s. Used 2CD
A really unique little record – one that has Louis Armstrong playing and telling the story of his music! CD

Badal Roy, Geoff Warren, & Marcello Sebastiani

Frammenti D'Anima
FMR (UK), 2006. Used
Badal Roy on tablas and percussion, Geoff Warren on concert and alto flutes and Marcello Sebastiani on double bass. CD

Cover Girls

Here It Is
Epic, 1992. Used
(Out of print.) CD
Atlantic, 1949/1953. Used
Essential New Orleans piano from Professor Longhair – an artist who was neither a professor, nor a man with much hair! The chrome-domed pianist had a huge influence on the sound of New Orleans R&B and soul to come – as he played in a triplet-heavy way that was rooted in blues, but ... CD
 



⇑ Top