Michael Carvin : First Time (LP, Vinyl record album) -- Dusty Groove is Chicago's Online Record Store
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First Time

LP (Item 476403) Muse, 1986 — Condition: Near Mint-
There's a nice sense of urgency on this album from Michael Carvin – a sort of soulful fire and creative energy that shows that his work was still burning strongly in the 80s! The set's almost more of a 70s session at heart – a no-nonsense record that's filled with the best post-Coltrane influences, and a bit of a Wayne Shorter vibe at times – no limits in the expressions of the players, but always a strong sense of unity, and solos that are never too overindulgent. Players include John Stubblefield and Ron Bridgewater on tenor – each getting two tracks apiece – Claudio Roditi and Cecil Bridgewater on trumpets, again on different tracks – Frank Lace on trombone, Onaje Allen Gumbs on piano, and David Williams on bass – all driven strongly by Carvin's great work on drums. Titles include "Dear Trane/Dear Hippo With Green Shoes On", "Night In Tunisia", "MR", and "Caravan" – mostly all taken in long versions.  © 1996-2024, Dusty Groove, Inc.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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