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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A great mid 50s recording by one of the greatest pairings in popular jazz of the time – the twin-trombone lead work of JJ Johnson and Kai Winding, both players who'd come from differing backgrounds, but who created a wonderful new sound together! The interplay between the trombones on ... LP, Vinyl record album
Funky mid 70s Herbie Hancock – one his funkiest albums of the era! Herbie plays a host of cool keyboards – like Fender Rhodes, Arp, and clavinet – and he's joined by a group that includes just about all of the Headhunters – including Paul Jackson on bass and Mike Clarke on ... LP, Vinyl record album
An overlooked gem in the Dave Brubeck Columbia catalog – and a very hip set of "Eastern" tinged tracks! The album's theme is obvious from the title – as Dave pens a set of tracks reflecting his experiences on recent visits to Japan – but the sound and the style moves ... LP, Vinyl record album
The classic debut of a young Wynton Marsalis – cut after a stretch when Wynton was working with Art Blakey, and had really sharpened his chops! The record's a wonderful return to straight jazz tradition for Columbia – but it also has some modern moments too – proof that the ... LP, Vinyl record album
A collection of tunes featuring Roy Eldridge, led by Teddy Hill, Fletcher Henderson, Teddy Wilson, and Mildred Bailey, plus some tunes as leader with Scoops Carry, Joe Eldridge, Dave Young, Teddy Cole, John Collins, Truck Parham, and Zutty Singleton. LP, Vinyl record album
The future is now! Or at least it seemed to be back in 1983 when Herbie teamed up with Bill Laswell to record this classic album of computer-driven keyboard grooves! Whatever you might think of the music, the record was a genius move for Herbie – who was kind of flopping around in a number ... LP, Vinyl record album
One of Handy's important mind-expanding sets from the late 60s – a classic album with his group that featured a young Michael White on violin and Mike Nock on piano. White's work on the album is especially striking – very different from many other players in jazz, using the instrument ... LP, Vinyl record album
Breakneck live work from Miles Davis – and proof that his famous 60s quintet wasn't only just about mellow and spacious sounds! The set was recorded at the same concert as the album My Funny Valentine – and while that one's mostly ballads, this one's mostly high tempo numbers that skip ... LP, Vinyl record album
An incredible document of late 60s America – composed and conducted by Gary McFarland, in a style that's much more ambitious than any of his other work! The album's fully titled "America The Beautiful: An Account Of Its Disappearance" – and features "movements" ... LP, Vinyl record album
A wonderful quartet session from the young alto genius Jackie McLean – recorded for Blue Note in the 60s, but not issued until many years later! That issue doesn't stop the set from being a classic killer, though – as the group features the stunning Sonny Clark on piano, still very ... LP, Vinyl record album