This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout.
This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Eddie continues the funky groove begun on Instant Funk, and smoothed out over albums like I Need Some Money – and although jazz fans probably gave him hell for going this way, we think this is actually a pretty darn great album! The record takes all of Eddie's experimentation with groovy ... LP, Vinyl record album
No real dates or notes on the cover, but the album appears to include some of Eddie's excellent early work for the Vee Jay label – a wonderful blend of soul jazz and slightly experimental phrasing, and the kind of groundbreaking material that got Eddie noticed very early on in his career. ... LP, Vinyl record album
One of Eddie's groovier Varitone albums, and a record that has a very electric sound to it! At times, Eddie's electric sax is so off-beat that you'd think he was playing a synthesizer instead of a sax, but in true Harris form, he always keeps it funky, and even the weird sounds have a great groove ... LP, Vinyl record album
Killer stuff – and an amazing album that not only showcases the varitone sax talents of Eddie Harris, but also features some fantastic arrangements by Chicago soul genius Charles Stepney! Harris plugs in right from the start – blowing an electric sax that comes up with some groovy ... LP, Vinyl record album
No blues at all – despite the title – and a great set of tracks that showcases the southside Chicago tenor roots of Clarence Wheeler! The album's a bit different than the first two Wheeler albums for Atlantic – in that the group's slightly bigger, and more 70s electric overall ... LP, Vinyl record album
This session shouldn't work, but it does – and beautifully! By all means, an album that includes Diz, Art Blakey, Monk, and Sonny Stitt playing together should be a first-rate snoozer, with hackneyed performances of common-denominator material that they can all get their hooks around – ... LP, Vinyl record album
Charles Mingus at Carnegie Hall – but playing here with relaxed and intimate feel that's not what you might expect from the staid setting! The album features 2 long tracks – both done in more of a jam session mode than any other Charles Mingus recordings we can think of. Both numbers ... LP, Vinyl record album
An early standout set from Ornette Coleman – and a record that features him blowing on tenor, instead of his usual alto – as you might guess from the title! In a way, Ornette's playing on tenor is almost freer than his alto work – a bit more open-ended and exploratory, stretching ... LP, Vinyl record album
A beautiful fusion of Joe Zawinul's roots in the groups of Miles Davis and Cannonball Adderley – a set with some of the far-reaching jazz ideas of the former, and much of the soulful subtleties of the latter! The album features Joe on electric piano throughout, playing alongside Herbie ... LP, Vinyl record album
Great lost work from Ornette Coleman – material recorded in New York and LA during the years 1959 through 1961 – never issued at the time, but pulled together in this wonderful package at the start of the 70s! Although not recorded as an official album, the record stands easily with ... LP, Vinyl record album
Pianist Walter Chiles and bassist Clarend Pettiford were 2 parts ofa smokin' little combo that grooved in the sort of jazz/pop style shared by similar groups like Young Holt Unlimited. Most of the tracks have some vocals, but they're sung in kind of a groovy loungey way, as the trio grooves along ... LP, Vinyl record album