Soultown Symphony : Soultown Symphony Plays The Best Of The Detroit Sound (LP, Vinyl record album) -- Dusty Groove is Chicago's Online Record Store
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Soultown Symphony Plays The Best Of The Detroit Sound

LP (Item 36747) Anvil, Late 60s — Condition: Near Mint-
A pretty tasty album of instrumentals – all Motown, as you'd expect by the title, and all played by the Soultown Symphony, a side project of Wes Farrell and Joe Renzetti. The band have a similar style to the Jazz Rock Symposium – another Renzetti group on Anvil – with driving rock-heavy instrumentation set amidst larger orchestrations with strings and Motown-esque arrangements. The record's not totally funky – but there's a nice hard soul sock on many tracks, more so than on the original versions of some of the songs it covers. Titles include "What Becomes Of The Broken Hearted", "Love Child", "Stop! In The Name Of Love", "A Place In The Sun", and "My Whole World Ended".  © 1996-2024, Dusty Groove, Inc.
(White label promo. Cover has light surface wear and an ink stamp.)

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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