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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One of the best entries in the Commodore Series on Mainstream – a collection of obscure mid 50s recordings by flute and tenor player Frank Wess, done in small group settings with a variety of players that include some of his bandmates in the Basie group! There's a more tightly arranged feel ... LP, Vinyl record album
One of the most distinct early dates from reedman Charles McPherson – a unique "with strings" session recorded as a tribute to Billie Holiday – and with a style that shows off sides of McPherson's playing that wouldn't show up on other records for years to come! The album's ... LP, Vinyl record album
Gene Krupa, Charlie Ventura, Shorty Rogers, & Othe
A great document of an early all-star jazz concert – recorded at Town Hall by a young Bob Shad – who's clearly working here in the same live territory as producer Norman Granz! There's a great sense of variety going on here – and the record's maybe worth it alone for an excellent ... LP, Vinyl record album
A surprisingly great little record from Clark Terry – filled with warmth, humor, and some really great grooves! The core of the album is the track "Mumbles", one that's based around Terry kind of slurring a scat vocal to a jazzy 60s groove. The track was a minor hit at the time, ... LP, Vinyl record album
A sweet funky 80s set from trumpeter Donald Byrd – a record done after his 70s run at Blue Note with producer Larry Mizell, but in a groove that's equally great in its own sort of way! Isaac Hayes is the producer on the set, and also plays a lot of Fender Rhodes, plus piano, vibes, and ... LP, Vinyl record album
A stunner of an album – light years ahead of Phil's earlier work in America – a bit funky at times, with some really open-ended modern sounds! The album features Phil with his incredible European Rhythm Machine – a group that includes Gordon Beck on electric piano, Henri Texier ... LP, Vinyl record album
A sweet early 60s set by Herbie Mann! After cutting a very successful side at the Gate in 1962, Herbie returns with an even broader approach to the groove – working here with players that include Ahmed Abdul-Malik, Dave Pike, Ray Mantilla, and Ray Barretto, on a set of long tracks that have ... LP, Vinyl record album
The trombone sound of Kai Winding is firmly in place – as he solos in the lead of a septet, with 4 extra trombones in the mix to give the record a nice bass-y sound! Arrangements are by a number of members of the band, and players include Wayne Andre, Carl Fontana, Jack Franklin, and Kenny O' ... LP, Vinyl record album
Some of the earliest work as a leader by Charlie Mariano – 2 early 50s 10" LPs, compiled back to back on one LP! Even at this early stage, Charlie's got a sound that's extremely strong – blowing alto sax with a soulfulness that was rarely heard on the instrument, using a strong ... LP, Vinyl record album
A well-done reissue of Charlie Parker's classic work on the Dial label – for this volume featuring material recorded on October 28th, 1947, in New York City. Players include Miles Davis, Duke Jordan, Tommy Potter, and Max Roach – and the set features master and alternate takes of tunes ... LP, Vinyl record album