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Thelonious Himself
LP (Item 355305) Riverside, 1957 — Condition: Very Good$33.99 ...
LP, Vinyl record album
Originally: 39.99
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Thelonious Monk — Thelonious Himself ... CD 3.99
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Thelonious Monk — Thelonious Himself ... CD 3.99
Thelonious Monk — Thelonious Himself (Keepnews collection – with bonus tracks) ... CD 6.99
A classic outing of solo piano by Thelonious Monk – a format that wasn't used often, but which always made for some really compelling work! Monk in this mode is often different than the bolder leader of a trio or larger group – and there's a more introspective quality to the record that we really like – a sound that's sometimes tentative, then sometimes pushing forward with strength – almost more human than on some of his other efforts of the late 50s. John Coltrane makes a surprising appearance on the last track – "Monk's Mood" – and other titles include "April In Paris", "Ghost Of A Chance", "Functional", "I'm Getting Sentimental Over You", "I Should Care", "'Round Midnight", and "All Alone". © 1996-2024, Dusty Groove, Inc.
(Blue label pressing, RLP 12-235, with microphone logo & deep groove. Cover has surface wear & aging, some pen on the back.)
(Blue label pressing, RLP 12-235, with microphone logo & deep groove. Cover has surface wear & aging, some pen on the back.)
Very Good
- Vinyl can have some dirt, but nothing major.
- May not shine under light, but should still be pretty clean, and not too dirty.
- May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
- May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
- This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.
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