Don Cherry : Mu Second Part (LP, Vinyl record album) -- Dusty Groove is Chicago's Online Record Store
Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Mu Second Part

LP (Item 32906) BYG/Actuel (France), 1969 — Condition: Near Mint-
Gatefold
Don Cherry really breaks out here on his classic Mu sessions from France – using the new freedoms of post-68 Paris to explore themes at a level that would set the tone for generations to come! The album's very spare, and very improvised – with Cherry on pocket trumpet, piano, and wooden flute – plus a bit of percussion too – alongside drummer Ed Blackwell, who's equally unbridled – showing a huge evolution since the time both he and Don spent in the group of Ornette Coleman! There's a few echoes of the global elements that Cherry would later embrace more strongly in the 70s – but the core energy here is mostly improvised jazz, handled at a level that really makes a lot better use of the freedom than some of Don's contemporaries. Titles on this second part include "Bamboo Night", "The Mysticism Of My Sound", "Psycho Drama", "Smiling Faces Going Places", "Teo Teo Can", and "Dollar Brand/Spontaneous Composing/Exert Man On The Moon".  © 1996-2024, Dusty Groove, Inc.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



You might be interested


Jelly Roll Morton

Archive Of Jazz Vol 6
BYG (France), 1923/1924. Very Good+
(Cover has light wear and a few small strips of clear tape.) LP, Vinyl record album
BYG (France), Mid 20s. Very Good+
(70s issue in a flip-back cover, with wear on the bottom 'flap' on the back, and some gloss separation.) LP, Vinyl record album

John Coltrane

Coltranology Vol 1 (BYG)
BYG (Japan), 1961. Near Mint-
One of numerous posthumous live sides, capturing a great early 60s performance by Trane in a quintet setting. Eric Dolphy joins the classic quartet of Tyner, Jones, Workman and Trane for a lenghty reading of "My Favorite Things" and the contemplative numbers "Blue Train", " ... LP, Vinyl record album
BYG (France), 1920s. Near Mint-
With selections by The Wolverine Orchestra, Jungle Kings, The Stomp Six, Jelly Roll Morton, Fats Waller, Dixie-Land Thumpers, and Duke Ellington & His Washingtonians. LP, Vinyl record album

John Coltrane

Live In Paris Volume 1
BYG/Affinity (UK), 1962. Sealed
A wonderful live set, recorded in Paris in 1962 – and featuring the quartet with McCoy Tyner, Jimmy Garrison, and Elvin Jones. The set features three long Coltrane standards – "Impressions", "Afro Blue", and "Naima" – all done in that beautiful ... LP, Vinyl record album

Brian Auger

Straight Ahead
RCA, 1974. Very Good+
Long lean groovers from Brian Auger and the Oblivion Express group – recorded with a slightly freer feel than some of the group's earlier albums, and an approach that has them stretching out nicely! Brian still sings a bit on some tracks, but there seems to be more of a focus than before on ... LP, Vinyl record album
Blue Note, 1967. Very Good+ Gatefold
One of Duke Pearson's funkiest sessions ever, and a hard swinging big band set with a great late 60s feel! The group is all-class all the way – with players that include Pearson, Bob Cranshaw, Mickey Roker, Marvin Stamm, Julian Priester, Frank Foster, and Jerry Dodgion – and the tracks ... LP, Vinyl record album

Bunky Green

Transformations
Vanguard, 1977. Very Good+
Funky Bunky from Chicago, with backing from Al Dailey on piano, Billy Butler and Carl Lynch on guitar, Wilbur Bascomb on bass, Jimmy Johnson on drums, Al Chalk on percussion, and Jeff Bova on ARP string ensemble and ARP 2600. The sound's quite different from his Cadet albums – but not bad ... LP, Vinyl record album

Gabor Szabo

Nightflight
Mercury, 1976. Very Good+
Wonderful 70s work from Gabor Szabo – a record that has him picking up a bit more of a soulful undercurrent, while still keeping all his great guitar work nicely upfront! The album has Gabor recording at the legendary Sigma Sound Studios – with help from Philly soul arrangers Richie ... LP, Vinyl record album

Chico Hamilton

Dealer
Impulse, Mid 60s. Very Good+ Gatefold
Wonderfully groovy work from drummer Chico Hamilton – one of his hip 60s albums for Impulse, done in a style that's completely different than his work of the 50s! Here, Chico's clearly in love with a modal groove, and also sets things up with more romping rhythms that are upbeat in a way he ... LP, Vinyl record album

Eddie Harris

Is It In
Atlantic, 1974. Very Good+
One of Eddie's groovier Varitone albums, and a record that has a very electric sound to it! At times, Eddie's electric sax is so off-beat that you'd think he was playing a synthesizer instead of a sax, but in true Harris form, he always keeps it funky, and even the weird sounds have a great groove ... LP, Vinyl record album

Laid Back

Keep Smiling
Sire, 1983. Sealed
It takes a record like this one to remind us just what a magical crossover time the post-disco, post-punk days of the early 80s could be! Take two white guys from Denmark – Tim Stahl and John Guldberg – give them a drum machine and some funky beats, and out comes the breakdance classic ... LP, Vinyl record album
 



⇑ Top