About Product Images
This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.![Enlarge](javascript:show_product_image("https://cdn1.dustygroove.org/images/products/g/giuffr_jimm_freefallp_101b.jpg"); "View larger image")
Free Fall
LP (Item 28639) Columbia, 1963 — Condition: Very Good+
Related searches
An incredible batch of freely crafted tracks from Jimmy Giuffre's legendary early 60s trio! The group features Steve Swallow on bass and Paul Bley on piano, and the two young modernists were a perfect match of Giuffre's ever-developing ideas of freedom and harmony. The music is beautiful – with a sound that's like nothing else we can describe, and an approach that's free floating (or free falling), but never directionless, and never overindulgent. Perfectly measured, with a strong sense of melody and rhythm, even amidst the more outside moments. Titles include "Propulsion", "Threewe", "Dichotomy", "Man Alone", and "Divided Man". © 1996-2024, Dusty Groove, Inc.
(2 eye mono pressing. Cover has some light wear, but this is a great copy.)
(2 eye mono pressing. Cover has some light wear, but this is a great copy.)
Very Good + (plus)
- Vinyl should be very clean, but can have less luster than near mint.
- Should still shine under a light, but one or two marks may show up when tilted.
- Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
- This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
- May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.
You might be interested
Miles Davis
Four & More – Recorded Live In ConcertColumbia, 1964. Very Good+
Breakneck live work from Miles Davis – and proof that his famous 60s quintet wasn't only just about mellow and spacious sounds! The set was recorded at the same concert as the album My Funny Valentine – and while that one's mostly ballads, this one's mostly high tempo numbers that skip ... LP, Vinyl record album
Freddie Hubbard
WindjammerColumbia, 1976. Very Good+
A great post-CTI session from Freddie Hubbard – one that has him blowing over sweet arrangements from Bob James, who manages to keep things full, yet soulful throughout! There's a lot of instrumentation backing Freddie up for the date – full horns, strings, and even a bit of chorus ... LP, Vinyl record album
Earl Hines
Piano Moods (10 inch LP)Columbia, 1950. Very Good+
(Cover has aging and light surface wear.) LP, Vinyl record album
Woody Herman
Sequence In Jazz (10 inch LP)Columbia, Late 40s. Very Good+
Features important compositions by Ralph Burns – played by a group that includes Flip Phillips on tenor, Bill Harris on trombone, Shorty Rogers on trumpet, and Burns on piano! LP, Vinyl record album
Miles Davis
Bitches BrewColumbia, 1969. Very Good+ 2LP Gatefold
One of the few cases in jazz where an oft-played classic still resonates with power! The record itself is a key cap to Miles Davis' already-groundbreaking years of the 60s – a bold step forward, not just for his nascent electric sound, but also for jazz in general – and the benchmark ... LP, Vinyl record album
Freddie Hubbard
Super BlueColumbia, 1978. Near Mint-
A sweet late 70s set from Freddie Hubbard – a slight move away from some of his highly-electric sides of the CTI years, yet one that still has some of the most soulful qualities of that work! Freddie's trumpet has a nicely spacious quality throughout – one that's flowing, and almost ... LP, Vinyl record album
Duke Ellington
Festival SessionColumbia, 1959. Near Mint-
Duke Ellington in fine fine form – working here in a selection of tunes played at jazz festivals in 1959 – a very good year for the Ellington Orchestra! The styles here are a mix of older Duke modes and some of the more sophisticated modernism of his late 50s years – and ... LP, Vinyl record album
Dave Brubeck
Time Out (Columbia Jazz Masterpieces pressing)Columbia, 1959. Near Mint-
Easily the crowning moment of genius for the legendary Dave Brubeck Quartet – the moment when all things came together magically, and the group somehow elevated themselves to a whole new level in jazz! At the time of the set, Brubeck, Paul Desmond, and the rest had already been making plenty ... LP, Vinyl record album
Teo Macero & Bob Prince
What's New? – New Jazz From Teo Macero & Bob PrinceColumbia, 1956. Near Mint-
A rare album as a leader from Teo Macero – one of the driving forces behind some of the key Miles Davis albums on Columbia Records – and other great jazz on that label too! Although Teo Macero is probably best known as Columbia's jazz producer during their successful early 60s run with ... LP, Vinyl record album
Miles Davis
Miles AheadColumbia, 1957. Near Mint-
A masterful meeting of two 50s modern jazz talents – the trumpet of Miles Davis balanced with the arrangements of Gil Evans – with results that have made the album one of Miles' greatest ever! The sound here is completely sublime – as Davis gets all chromatic and spooky over ... LP, Vinyl record album
Jimmy Smith
MonsterVerve, 1965. Very Good+ Gatefold
Totally cool Jimmy Smith album that has him playing a lot of funky groovy versions of TV and Film themes, like "Goldfinger", "Theme From The Munsters", "Theme From Man With the Golden Arm", and "Theme From Bewitched". Oliver Nelson leads a large band and ... LP, Vinyl record album
Thelonious Monk
Unique Thelonious MonkRiverside, 1956. Very Good+
The session's billed as "very personal treatments of great standards" – and it's a great twist on familiar material, all given the Thelonius touch! There's less of Monk's creative composition and angular group arrangements going on here – and instead, the album's almost a ... LP, Vinyl record album
