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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A killer album from Sonny Rollins' prime 60s years at RCA – almost a return to basics, but always with that edge that makes Rollins stand out way more than most of his contemporaries – a subtle balance between straight and modern that really makes the album crackle! The album features ... LP, Vinyl record album
Nice album that contains a mid-50s session recorded by Rollins for Prestige – with a quintet that includes the Clifford Brown-Max Roach ensemble, with Rollins filling in the tenor spot. Richie Powell's on piano, and the whole group has a very tight "roots of hardbop" sort of sound. ... LP, Vinyl record album
If worktime was like this for us, you'd catch us showing up on the job early every day – but sadly, nothing at our office can match the brilliance of early Sonny Rollins here – a sharp-edged genius that perfectly illustrates why he was one of the greatest players on his horn for many ... LP, Vinyl record album
Early Rollins work for Prestige – recorded between 1951 and 1954, in a variety of settings! Like a lot of the other Milestone 2LP sets issued in the 70s, this album collects tracks from a number of sessions, restoring recordings to the order they were recorded in rather than how they were ... LP, Vinyl record album
One of Sonny's brilliant west coast sessions for Contemporary – records that shouldn't sparkle as much as they do, but which actually stand with his best work of the 50s! Sonny's blowing in front of a session of "leaders" that includes Hampton Hawes, Barney Kessel, Leroy Vinnegar, ... LP, Vinyl record album
Key recordings from Sonny's breakout year of 1954 – tracks from 2 different sessions, brought together into one album that packs a hell of a punch! The modernist Rollins tenor is at its early peak here – fresh, bold, and highly creative – yet equally concerned with the role of ... LP, Vinyl record album
Trad jazz tunes played by a group led by Newport Jazz Fest impresario George Wein, and featuring players that include Ruby Braff, Marshall Brown, Bud Freeman, Pee Wee Rusell, and Bill Takas. Titles include "The Bends Blues", "Ja-Da", "Keepin Out Of Mischief Now", and ... LP, Vinyl record album
Art Blakey, without any Jazz Messengers – but still coming through loud and clear, thanks to help from a unique group that features Sonny Stitt on tenor, McCoy Tyner on piano, and Art Davis on bass! The album's still got all the hardbop charm of Blakey's best Blue Note dates, but also feels ... LP, Vinyl record album
The title's exploding with Mingus, and the album is too – a completely classic effort for Impulse Records that's easily one of Charles' best of the 60s! Things are reigned in somewhat from the Mingus years at Atlantic or Candid, but the sound is still great – almost more focused than ... LP, Vinyl record album
One of our favorite albums ever from John Coltrane – but a record that's sometimes eclipsed by the genius of A Love Supreme! The feel here is very similar to that one – long tracks that introduce a new mode of searching, spiritual jazz for the 60s – one that's performed by a core ... LP, Vinyl record album
The famous 50s team of JJ Johnson and Kai Winding are reunited strongly here – after working alone for several years on their own projects! The groove here is a bit more open and less arranged than some of the pair's earlier projects – mostly just two trombones in the lead, soloing ... LP, Vinyl record album
A landmark album of vocal jazz – and one of the few sessions that John Coltrane ever cut with a singer! In a way, the album's more Hartman's than it is Coltrane's – given that Johnny's warm, mellow style of singing isn't as free and open as Trane at his most adventurous – but at ... LP, Vinyl record album