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Raw Root

LP (Item 20177) Atlantic, 1974 — Condition: Near Mint-
Also available
Harold Alexander — Raw Root ... CD 3.99

A blend of jazz funk and rawer informed grooves from Harold Alexander – and actually a step into more polished vibes thanks to some Arif Mardin arrangements and a new home at Atlantic Records! Although some of the earlier records cut by reed player Harold Alexander may have been more accurately described with the title Raw Root, this one stands up a lot better today than we remembered it! It has a pretty tight electric sound, and good Atlantic soul grooves running through it – with Alexander on flutes & saxes, Joe Boner in on keyboards, Ricard Davis on bass and Brian Beaks on drums on the bulk of it, with altered personnel on "De Black Musician" and "Lady Euphoria" (which also include vocals by Tequila). Soulful backing vocals credited to Something Different and some guitar by Junior Hanson and some spacey synth by Billy Allessi. Other tracks include "Country Soul", "Raw Root", "New York Sister", and "Street Life".  © 1996-2020, Dusty Groove, Inc.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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