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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Early work by singer Beverly Kenny – a great 50s jazz vocalist who never got her due, but who managed to make some pretty fine records at the time! This album's one of them, and features backings from Ralph Burns – not as dark and moody as some of his other work of the 50s, and in a ... LP, Vinyl record album
A cool session for Decca that has Carmen McRae's vocals flowing out wonderfully amidst some very haunting backings! The sound here is a bit unusual – given that the groups are headed by accordion Mat Mathews and pianist Dick Katz – both of whom have a good ear for unusual phrasing, and ... LP, Vinyl record album
Something of a concept album from Jeri Southern – a record of familiar tunes, but all strung together as "the story of a love affair", and set to backings by Gus Levene! The approach here is a bit like some of the Sinatra Capitol sides of the mid 50s – with a really unified ... LP, Vinyl record album
Early sides by Nat King Cole, recorded in the pre-Capitol years – and done in a mixture of vocal and instrumental modes, with trio backing that featured Oscar Moore on guitar and Wesley Prince on bass. The tunes are still very much solid early Nat at his best – a lightly blended mix of ... LP, Vinyl record album
A lovely vocal chorus album, with kind of a mix of Sunshine Pop and easy modes – all set to arrangements by Al Ham! Titles include "Quentin's Theme", "Jean", "Sweet Caroline", "Yesterday When I Was Young", "My Cherie Amour", "Everybody's ... LP, Vinyl record album
(Original German pressing. Cover has light ringwear, some yellowing from age and some spotty blemishes, bent corners, and some gloss separation around the edges in back.)LP, Vinyl record album
Pretty darn cool stuff from one of the greatest jazz singers around! This one was Mark's first album, cut a long time ago when he was a wee lad – as you'll see by the photo on the cover. The arrangements are by Ralph Burns, and they're pretty darn hip – and although the style is more ... LP, Vinyl record album
The first Riverside album by Bev Kelly – an obscure ice-blond singer from the late 50s, with a sound that's much more in keeping with some of the vocalists on the Bethlehem label, than the few singers who cut sides for Riverside. Bev's got the great fortune to be working here with Jimmy ... LP, Vinyl record album