Sonny Criss : Go Man! (LP, Vinyl record album) -- Dusty Groove is Chicago's Online Record Store
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Go Man!

LP (Item 18039) Imperial, 1956 — Condition: Near Mint-
A great little album that's as hip as its cover image – one of 3 seminal mid 50s recordings for Imperial by LA altoist Sonny Criss! At this point in his career, Criss had a sharp-edged sound that could easily rival the best work by Sonny Stitt or Charlie Parker on the alto sax – but he also had a groove that was a bit more spacious, and a tone that was slightly more raspy – a wonderful quality that we can only describe as Criss-esque, recorded perfectly in the Imperial studios! The group here is a tight quartet – with Sonny Clark on piano, Leroy Vinnegar on bass, and Lawrence Marable on drums – and Criss' solos are brilliant throughout! Titles include "Wailin With Joe", "The Man I Love", "Blues For Rose", "Blue Prelude", and "Summertime".  © 1996-2024, Dusty Groove, Inc.
(Japanese King pressing, with obi – K18P 9254. Obi has a rip on the back, held with tape – but this is a great copy!)

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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