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Andrew Nathaniel White III

LP (Item 17488) Andrew's Music, 1971 — Condition: Used
(€- || £- || ¥-) (approx.)

An album of solo reed work from the enigmatic Andrew White – a brilliant talent who was part of the DC jazz scene in the 60s and 70s – but who chose to remain out of the limelight, releasing intimate albums like this on his own record label! The album's got a very unique sound – as White blows a variety of reed instruments (tenor, alto, oboe), sometimes in overdubbed modes, which makes for a very cool approach – one that's as haunting as it is spiritual, and a tremendous demonstration of White's unique vision. The titles are mostly White originals – like "Eugly's Tune", "Theme", "Sacred Blues", and "Rim Shot" – and there's also a nice version of Wayne Shorter's "ESP".  © 1996-2018, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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