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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Pure wonderfulness from Dave Mackay & Vicky Hamilton – one of the hippest duos ever to record a jazz record! The duo are a bit like Jackie & Roy at their best – in that Dave plays piano (including a bit of Fender Rhodes) and sings duet vocals with Vicky Hamilton in a sweetly ... LP, Vinyl record album
Very cool work from Anita O'Day – a session cut with Jimmy Giuffre arrangements, in a style that's a bit different than some of her other 50s work for Verve! Jimmy brings a nice touch of modernism to the record – casting the horns in ways that show his own love of creative colors and ... LP, Vinyl record album
This is Mel Torme's best-ever album, and it's one that we'd recommend to anyone who likes jazz vocals at all – even if you can't usually stand Mel! The Velvet Fog is backed by a great 10-piece group, led by the great Marty Paich, and featuring excellent west coast players like Pete Candoli, ... LP, Vinyl record album
(Mono Verve pressing with deep groove. Vinyl has light sleeve marks. Cover has light surface wear & aging, small splits on the top seam & spine.)LP, Vinyl record album
One of the few small group sessions from vocalist Betty Roche – a singer who was known for her work with Duke Ellington, but who sounds even better in this setting! Betty's got a style that's warmly raspy – a bit more edge than some of the cooler vocalists on the Bethlehem label at the ... LP, Vinyl record album
A nice moody one from Nat's later years – with arrangements by Gordon Jenkins, and unusual titles that include "No I Don't Want Her", "Where Did Everybody Go", "If Love Ain't There", "Someone To Tell It To", and "I Keep Goin Back To Joe's". LP, Vinyl record album
A collection of recordings accompanied by Dale Sherman and his orchestra in 1965, The Joe Williams Trio with Harold Mabern, Herbert Brown, and Robert Thompson in 1966, and with Ray Bloch and his orchestra from 1962 through 1964. LP, Vinyl record album
Long lean groovers from Brian Auger and the Oblivion Express group – recorded with a slightly freer feel than some of the group's earlier albums, and an approach that has them stretching out nicely! Brian still sings a bit on some tracks, but there seems to be more of a focus than before on ... LP, Vinyl record album
One of Duke Pearson's funkiest sessions ever, and a hard swinging big band set with a great late 60s feel! The group is all-class all the way – with players that include Pearson, Bob Cranshaw, Mickey Roker, Marvin Stamm, Julian Priester, Frank Foster, and Jerry Dodgion – and the tracks ... LP, Vinyl record album