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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A surprisingly rich soundtrack for this famous Andy Warhol horror film – one of his key cinematic collaborations with Paul Morrissey! Claudio Gizzi's music is way more than schlock, or even the usual horror bag – as he mixes light orchestrations with these spare instrumental passages ... LP, Vinyl record album
A real standout effort from ex-Animal Alan Price – not just because it was the soundtrack for a film in which he starred, but also because it features some of his hippest tracks to date! Price has a great post-60s feel here that's a bit like the territory Georgie Fame was hitting at the time ... LP, Vinyl record album
A tremendous little soundtrack – even if you've seen it a million times! Simon & Garfunkel always had a really dark quality to their music, but it never seemed to show as much on the pop charts as it did when used brilliantly by Mike Nichols in this important film. Their tunes emerge in ... LP, Vinyl record album