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(Vinyl has a heated edge but plays great. Cover has a cutout hole.)
Very Good
Vinyl can have some dirt, but nothing major.
May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Sure it was a hit, but it's also a great track too – complete with lots of production twists and turns from Trevor Horn, as well as impeccable string arrangements from Anne Dudley! USA remix is actually a "dub version" – one that really cuts the song up a lot, and almost ... 12-inch, Vinyl record
(Cover has light wear and aging, bumped corners, small blemish spots, center split in the top seam, and a small tear in the opening.)12-inch, Vinyl record
Sampler from the Stretch Armstrong compilation, with "What's Poppin" by Havoc, "Stand Up" by FT, "Moi" by Labba, "Make Em Jealous" by Lazy, "Son Gotta Eat" by The Reepz, and "Touch Ground" by Royal Flush. 12-inch, Vinyl record