Charlie Parker/Dizzy Gillespie/Charles Mingus/Bud Powell/Max Roach : Jazz At Massey Hall – The Quintet (Debut) (LP, Vinyl record album) -- Dusty Groove is Chicago's Online Record Store
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Jazz At Massey Hall – The Quintet (Debut)

LP (Item 16230) Debut, 1953 — Condition: Very Good+
Temporarily Out Of Stock

LP, Vinyl record album

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Charlie Parker/Dizzy Gillespie/Charles Mingus/Bud Powell/Max Roach — Jazz At Massey Hall – The Quintet ... CD 2.99
A legendary live performance, and one that's often billed as a high moment in the history of bebop – a special concert-only group that brings together five key bop heavyweights – Charlie Parker on alto, Dizzy Gillespie on trumpet, Bud Powell on piano, Charles Mingus on bass, and Max Roach on drums – all coming together in a unique one-off performance! The set was recorded up in Canada, and represents one of the first widely-circulated live recordings of a straight bop set – different than some of the mix of styles you'd get on a JATP record, with long tracks that really show the nonstop creative energy that shifts between the players. The original vinyl release broke the concert out into two records – and this is the quintet material, with titles that include "Perdido", "Salt Peanuts", "All The Things You Are", "Wee", and "Hot House".  © 1996-2024, Dusty Groove, Inc.
(80s OJC pressing.)

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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