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May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A great batch of early work from Burt Bacharach – one of the first albums to be issued under his own name, and proof that Mr B was head and shoulders above most of the other arrangers and composers of his time! At some level, the style here is a bit more traditional than some of Burt's later ... LP, Vinyl record album
One of Henry Mancini's grooviest LPs from the 70s – a mixture of tight large arrangements with a smooth funky edge, similar to some of his best soundtrack work at the time! The rhythm section is great – with Harvey Mason on drums and Joe Sample on keyboards, and guitar by David T ... LP, Vinyl record album
A record that boasts a strange image of Arthur Lyman on the front – one that almost makes him look a bit thuggish, despite the affection promised in the title! (A bit of rough trade, perhaps?) The tunes themselves are a love-centered batch of exotic instrumentals – most with "love ... LP, Vinyl record album
(Black label stereo pressing in the die-cut gatefold cover, with light wear and aging, and lightly bent front panel with the top portion torn off and missing.)LP, Vinyl record album
One of Arthur Lyman's first LPs –- a brilliant set of percussively grooving tracks, modulated at a low tempo, and recorded in the Henry J. Kaiser aluminum dome in Hawaii with a sound that inspired countless other exotic groups. Art plays vibes, and is augmented by percussion and piano, plus ... LP, Vinyl record album
The frenzied piano of Carmen Cavallaro gets a nice does of Latin rhythms on this set – and the set's a great example of the way that cocktail piano and Latin were strongly linked in the New York scene of the 50s! Carmen's style here is certainly different than that of Joe Loco, Noro Morales, ... LP, Vinyl record album
A strange 60s chapter in the career of trumpeter Chet Baker – but one that we sure like a heck of a lot! These sides were recorded as an answer to the big success of Herb Alpert & The Tijuana Brass over at A&M Records – and for the sessions, Chet's trumpet was backed by jaunty, ... LP, Vinyl record album
Very groovy stuff from Cugie! It's the late 60s, and he's got more of a pop Latin groove than earlier – and lays down some nice peppy covers of pop material, plus a few other Latin standards. Not exactly Latin soul – but not that far off, either. Includes a great version of "Samb ... LP, Vinyl record album
(Limited tour edition on 180 gram coloured vinyl, in a hardbound booklet cover with slipcase. Inner sleeves have center splits at the bottom seam. Outer case has very light surface wear.)LP, Vinyl record album