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This is what it says, that the record is still held fast in shrink-wrap.
We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't
look original, or if the record seems to have undergone some damage over time,
we'll probably take it out of the wrapper to ensure that it's in good shape —
which is why we don't have more of these. In some cases the shrink-wrap may be
torn in spots, but if it's not possible the record has been taken out and played,
the record will still qualify as "Sealed".
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A lost European performance from Bud Powell – recorded in Stockholm relatively late in his life, but on some nicely long tracks that really let Powell stretch out on the piano! There's a nice degree of echo in the recording – and we mean that not as a cover up for poor sound quality, ... LP, Vinyl record album
The album's way more than just a sense of "interpretations" – because with Bud Powell at the helm, everything here is remade anew! The album's possibly the most focused of Powell's mid 50s sides for Verve – George Duviver on bass and Art Taylor on drums – and features ... LP, Vinyl record album
A collection of Bud's work for Verve – put together as a memorial album after Bud's passing in 1966. The tracks are nearly all from the 50s, but also fetaure a few numbers from 1949 – with Bud playing solo on 3 tracks, and in various trios on others – alongside players that ... LP, Vinyl record album
One of the few rare non-trio recordings done by Powell from around this time. He plays with a trio (Paul Chambers bass, Art Taylor drums) on the whole first side of the record, but the group's then joined by Curtis Fuller for all of side 2. Fuller's deep trombone makes for a different twist, and a ... LP, Vinyl record album
One of the first-ever full length collections of work from bop piano legend Bud Powell – a record with a seminal Blue Note cover image, and the well-earned "Amazing" in the title! Powell's in great form throughout – very much at that restless, effortless best of his early ... LP, Vinyl record album
A great little record, and one that shows just why Blue Note chose to put "amazing" in the title of every Bud Powell album they released! The set's a live one, done at Birdland – and Bud's working here with a trio that features the young Sam Jones on bass and Philly Joe Jones on ... LP, Vinyl record album
The second half of the legendary Jazz At Massey Hall performance from 1953 – a set that features the core rhythm trio, without Charlie Parker and Dizzy Gillespie – a killer lineup that has Bud Powell on piano, Charles Mingus on bass, and Max Roach on drums! The tunes are a bit shorter ... LP, Vinyl record album
Bud's second LP for Blue Note – a firey batch of trio tracks that feature George Duvivier on bass and Art Taylor on drums – some of Powell's best work from the time, and a nearly all-classic set of bop piano tracks! The album's nothing fancy on the outset, but Powell and the trio ... LP, Vinyl record album
One of a trio of fantastic performances recorded by tenor giant Dexter Gordon at the Zurich Jazz Festival in 1975 – a set that has him blowing with all that late-life brilliance he brought to his best European recordings of the time! Yet also, possibly because of the festival setting, there's ... LP, Vinyl record album
Features Tom Harrell on trumpet and flugelhorn, Bob Rockwell on tenor sax, Hal Galper on piano, Steve Gilmore on bass, and Bill Goodwin on drums. LP, Vinyl record album