This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A bit later than Ramsey Lewis' classic electric sides for Columbia Records in the 70s, but still a pretty great little album – and one that mixes mellow grooves on Fender Rhodes with a nice dose of acoustic piano – in a style that's a bit like Rodney Franklin at the time, but ... LP, Vinyl record album
Jazzy and classy – and one of the first of Ramsey's albums to feature him working with larger arrangements instead of the usual trio. In this case, the whole thing was arranged and conducted by Richard Evans – with a spacey hip sound that's not too far from some of Ramsey's later work ... LP, Vinyl record album
Easily one of Ramsey Lewis' most successful records – featuring the hit soul jazz style that he forged with the Young/Holt rhythm combo, honed to perfection before a live crowd at The Lighthouse in Hermosa Beach. The record's a key part of Ramsey's live recorded output – showing the ... LP, Vinyl record album
A set of classic Ramsey Lewis recordings with his trio of Eldee Young and Redd Holt, all of which were recorded during the 60s for Argo/Chess, but not released until this set in 1972. The tracks all came from the same live set that spawned the group's hit single version of "Hang On ... LP, Vinyl record album
A late 60s groover from the second Ramsey Lewis trio – the one that features Cleveland Eaton on bass and Maurice White on drums, both doing a pretty great job of filling the spot vacated by Eldee Young and Red Holt! The album's a live one, cut in the successful mode of Ramsey's records with ... LP, Vinyl record album
A collection of Ramsey's work on Cadet/Argo that focuses mostly on the groovy uptempo tracks from the mid 60s – when Lewis had cracked the pop instrumental charts with soulful versions of bigger hits. Titles include "The In Crowd", "Function At The Junction", "Soul ... LP, Vinyl record album
Sweet electric funk from Ramsey Lewis! The album's one of his best from the 70s – and it's got Ramsey on Fender Rhodes, electric harpsichord, and other keyboards, grooving away in an open-ended 70s mode that still retains all the heavy soul of his classic work for Chess. Morris Jennings ... LP, Vinyl record album
Although Ramsey first scored big with his spare trio recordings during the late 50s, by this point in his career, Cadet were wisely playing with his sound a lot, adding in new elements to keep things fresh and soulful. Such is the case with this album, which has Ramsey's second trio (with ... LP, Vinyl record album
A real standout in the Stan Getz catalog of the 70s – a session of mostly spare duets with pianist Jimmy Rowles, done in a way that really breaks from the format of Stan's other work of the time! Rowles here has a raspy warmth that brings out new voicings in Getz's tenor – an ... LP, Vinyl record album
A 2LP set that features some great early groovers from George Benson – cut for Columbia back in the late 60s, when George was fresh out of Jack McDuff's classic combo, and grooving on his own with the help of organist Lonnie Smith. These tracks have gotten pretty hard to find on vinyl over ... LP, Vinyl record album
An excellent live outing from pianist Denny Zeitlin – recorded at the height of his early powers! The session's got a freshly new conception to piano-based jazz – a style that resonates nicely with the best 60s work of Steve Kuhn or Keith Jarrett, sharing some of the tenderness of the ... LP, Vinyl record album
Features very early work with Chris Powell & His Blue Flames – on "Ida Red" and "I Come From Jamaica" – plus 3 longer Philly sides from 1956, with Billy Root on tenor and Sam Dockery on piano – on titles that include "Walkin", "Donna Lee" ... LP, Vinyl record album