Andre Williams & Velvet Hammer : Whip Your Booty – Rare & Unreleased Soul Funk & Dance Jams 1967-1977 (LP, Vinyl record album) -- Dusty Groove is Chicago's Online Record Store
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Whip Your Booty – Rare & Unreleased Soul Funk & Dance Jams 1967-1977

LP (Item 123690) Soul Tay Shus/Tuff City, 1970s — Condition: Near Mint-
Just Sold Out!

LP, Vinyl record album

❔
Rare 70s funk from Andre Williams – one of the maddest funky artists of all time! These tunes are quite different from Andre's raw R&B of the 50s, and his funky 45s of the 60s – more in a tight ensemble groove, with a P-Funky approach that has weird vocals colliding with heavy basslines, sweet keyboards, and tight groove overall. The tracks were recorded in Chicago and Detroit – most with vocals by The Velvet Hammer – and titles include "I Don't Need Mary (Juana)", "The Vow", "I Betcha Gonna Like It", "There's A Party", "Man To Woman, Woman To Man", "I Wanna Be Your Show", and the "blue" and "red" versions of the instrumental track "The Velvet Groove"! CD includes the bonus tracks "Impossible" and "Call Me".  © 1996-2024, Dusty Groove, Inc.
(Early 00s pressing.)

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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