Billy Paul : Feelin' Good At The Cadillac Club (Philadelphia International) (LP, Vinyl record album) -- Dusty Groove is Chicago's Online Record Store
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Feelin' Good At The Cadillac Club (Philadelphia International)

LP (Item 11545) Gamble/Philadelphia International, 1968 — Condition: Very Good+
An excellent early album from Billy Paul – done in a mode that's quite different than his bigger hits of the 70s! The record's almost more of a jazz outing, but with a definite soulful twist – done in this righteous mode that's not unlike some of the best Nina Simone material from the same time – in a way that really shows some of the deeper strains in Billy's style. Billy's singing with a small piano trio, and his voice is rich and soulful in a way that you don't always get on his later recordings – quite powerful even with limited backings, at a level that really blows us away. The set's nearly all covers, but Billy's interpretations are fantastic, and he turns the tracks into something completely different than you're used to – in the same way that Nina Simone and Isaac Hayes were doing at the time with contemporary hits. Tracks include "Bluesette", "That's Life", "Feelin' Good", "Just In Time", and the Kenny Gamble original, "Missing You".  © 1996-2024, Dusty Groove, Inc.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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