A fantastic late 60s set from John Lee Hooker – one that has the legend working in a mode that echoes some of the funkier soul styles of the time, but with a vibe that's still very much in the best spirit of his classic work! The groove is slightly amped up by the electric bass of Eddie Taylor and tight drums of Al Duncan, but the session just features a quartet – with the mighty Phil Upchurch on second guitar next to John's lead – and Hooker delivering some fantastic vocals throughout! Titles include "Hot Spring Water (parts 1 & 2)", "Backbiters & Syndicaters", "Mr Lucky", "Cry Before I Go", "I'm Standing In Line", "The Motor City Is Burning", "Want Ad Blues", and "I Can't Stand To Leave You". CD

A masterpiece of hard and heavy funk – from one of the best bands of the early 70s! The Nite Liters were a legendary funky combo that provided the backing for some of New Birth's best albums – but on their own, they were even funkier, and had a sound that was part JBs, part Meters, and all funky! This album may well be the group's best – their last for RCA, and a set that really has them honing their edge incredibly. The drums are amazing, the keyboards great, and the horns have this quality that's both complex, yet right on the money – making for a richness in sound that really sets the group apart from their contemporaries. A few singers from The New Birth provide chorus vocals on a few tracks – but most of the set is instrumental, and the record's one we'd gladly stack next to our Meters albums on Josie or JBs classics on People. Every track's a gem – and titles include "Drumology", "Excuse Me While I Do My Thing", "Serenade for a Jive Turkey", "Happy Hooker", "Craaashing", "Damn", "Pee-Foul", and a sweet cover of "Valdez in the Country" that's been sampled at least once over the years! CD

A really unique album from the great John Lee Hooker – done for the mostly-soul Wand Records label, and with a feel that's quite different than some of Hooker's other records! There's a distinctly jazzy undercurrent running through the record at times – sometimes with some moody, soulful elements bubbling underneath John's lead vocals and guitar on the mellow tracks – or at other times with a fuller sense of arrangements, a bit like you might find on 60s work on the Duke/Peacock label blues sessions. Hooker's in fine form throughout – and seems to open up nicely in the setting – and a few tracks are a bit more stripped-down, with a slightly rootsy feel. Titles include "Don't Want Nobody Else", "Crazy Mixed Up World", "Little Dreamer", "Seven Days", "Don't Be Messing With My Bread", "Storming On The Deep Blue Sea", and "Lost Everything". CD