One of our favorite tracks from the early 80s, with a sort of beeping, bouncing good time boogie track and back and forth rhymes from the Crash Crew over top. 12-inch, Vinyl record

... LP, Vinyl record album

... 12-inch, Vinyl record

... LP, Vinyl record album

The amazing first album from Big Star – a set that came out of nowhere, made hardly a ripple on the charts, yet went onto crash in big waves of sound for generations to come! The style here is unlike thing else before – hardly what you'd expect from the group's Memphis roots or Alex Chilton's previous performances – yet the group's music has become a generation-defining sound in the way it blends southern inflections with harder rock influences, and a lean, gritty quality that's arguably in a late 70s space between punk and power pop. Every element is wonderful – guitars that are powerful, but never indulgent – vocals that are moving, but never overly emotive – and a balance between sensitive and searing moments that even The Replacements could never hope to match. A landmark all the way through – with tracks that include "Feel", "Ballad Of El Goodo", "In The Street", "The India Song", "When My Baby's Beside Me", "Give Me Another Chance", "Don't Lie To Me", "Thirteen", "Watch The Sunrise", and "Try Again". LP, Vinyl record album

A lasting tribute to Brownie! The album was released some years after Brown died, and is comprised of songs from his 1955 album Clifford Brown With Strings, plus a few tracks from other recording sessions from that year before his death. The players include Richie Powell (Bud Powell's brother who also died in the crash with Brown),piano; Max Roach on drums and Harold Land and Sonny Rollins on tenor sax. Brown's original composition "Sandu" and Richie Powell's own "Time" are included as well as "Yesterdays," "Cherokee (Indian Love Song)," "Willow Weep for Me" and an unusual version of "Take the A Train." LP, Vinyl record album

Lean later work from Philippe Doray and his anti-social associates – material that draws heavily on some of the cold wave electronics of the early part of the 80s, and which also has some of the playful presence of the German new wave too! The music is definitely out of time – very different than anything recorded in the French mainstream of the mid-80s – and delivered with a style that clearly knows the darker reaches of the sonic spectrum, but which never lingers there too long. Doray handles a variety of keyboards and synth, and since both straight and with a vocoder – alongside contributions from others on guitars, keyboards, saxes, and flute. Titles include "Flash Back", "Le Petit Geant", "Aurora Day (edit)", "Choc D'Amour", "Le Composant Compositeur", and "Secoue Le Flipeur". LP, Vinyl record album

Some of the most tripped-out music ever from The Holy Modal Rounders – and that's saying a lot, given the nature of the group! This unique early album on ESP features two side-long tracks – both of which are mini-suites of sort, and filled with odd sounds, weird themes, and a strange mixture of hippie instrumentation and sci-fi experimentation! The group for the record is a quartet – with the core combo of Peter Stampfel on violin and vocals and Steve Weber on guitar, augmented by playwright Sam Shephard on drums and Lee Crabtree on piano and organ – plus extra vocals from the trio of Antonia, Barbara, & Wendy. The music is in the best free-thinking style of other rock on the ESP label in the 60s – and titles include "Jimmy & Crash Survey The Universe" and "The Second-Hand Watch". LP, Vinyl record album

Some of the most tripped-out music ever from The Holy Modal Rounders – and that's saying a lot, given the nature of the group! This unique early album on ESP features two side-long tracks – both of which are mini-suites of sort, and filled with odd sounds, weird themes, and a strange mixture of hippie instrumentation and sci-fi experimentation! The group for the record is a quartet – with the core combo of Peter Stampfel on violin and vocals and Steve Weber on guitar, augmented by playwright Sam Shephard on drums and Lee Crabtree on piano and organ – plus extra vocals from the trio of Antonia, Barbara, & Wendy. The music is in the best free-thinking style of other rock on the ESP label in the 60s – and titles include "Jimmy & Crash Survey The Universe" and "The Second-Hand Watch". LP2 features Live In 1965 – Some of the earliest music ever from The Holy Modal Rounders – a rare live performance from 1965, recorded at the Chess Mate nightclub in Detroit, and featuring only the duo of Peter Stampfel and Steve Weber! The music here is a bit more folksy and a bit less trippy than some of the Rounders' later recordings, but it still shows a decidedly left-field approach – not just in the subjects of the tunes, but also in the way the guitar, banjo, and fiddle are used – almost as additional voices at times, instead of conventional folk instrumentation. Titles include "Crowley Waltz", "Black Eyed Suzy", "My Mind Capsized", "Fishin Blues", "Rum Mountain", "Random Canyon", "Skin Game", "Indian War Whoop", and "Flop Eared Mule". LP, Vinyl record album

The amazing first album from Big Star – a set that came out of nowhere, made hardly a ripple on the charts, yet went onto crash in big waves of sound for generations to come! The style here is unlike thing else before – hardly what you'd expect from the group's Memphis roots or Alex Chilton's previous performances – yet the group's music has become a generation-defining sound in the way it blends southern inflections with harder rock influences, and a lean, gritty quality that's arguably in a late 70s space between punk and power pop. Every element is wonderful – guitars that are powerful, but never indulgent – vocals that are moving, but never overly emotive – and a balance between sensitive and searing moments that even The Replacements could never hope to match. A landmark all the way through – with tracks that include "Feel", "Ballad Of El Goodo", "In The Street", "The India Song", "When My Baby's Beside Me", "Give Me Another Chance", "Don't Lie To Me", "Thirteen", "Watch The Sunrise", and "Try Again". LP, Vinyl record album

A pair of really unusual albums from Mike Cooper – presented here in a single package, one record on vinyl, one on CD! The core set, Life & Death In Paradise, is one of the last in a run of classics that Cooper gave the world at the start of his career – and has really unusual collaborations with members of the London jazz scene – including bassist Harry Miller, saxophonist Mike Osborne, and drummer Louis Moholo! The jazz component of the record is small – this is definitely acoustic singer/songwriter material, not the work the musicians might have issued on the Ogun label – but the set does represent a really nice shift for Cooper, and a great setting for the kind of offbeat songs he does so well. Titles include "Critical Incidents", "OMM Coda", "Suicide De Luxe", "Black Night Crash", "Rocket Summer", and the long "Life & Death In Paradise" suite. The LP package also features a bonus CD with material from many years later – a live acoustic set recorded in Milan in 2018, showing Cooper still as a hell of a talent, with an even more complex understanding of the acoustic guitar – matched by his own unique vocalizations on some of the best tracks. Titles include "Peach Trees", "In Moments Of Reverie", "Lord Franklin", "Sage & Thyme", and "Industrial Hazard". LP, Vinyl record album

There's no stopping the double-dee jay power of Clint Eastwood and General Saint – as they pair together here on a classic album that's every bit as great as their Two Bad DJ set! The mix of voices trading back and forth is wonderful, especially over the laidback rhythms of the set – bridging some early digital modes with a warmth that comes from the way the pair interact – almost more down to earth than a solo dee jay might have, as the duo have a conversational vibe that gets past occasional hyperbole in the solo format. Also interesting is the way the pair can update older themes with a very contemporary vibe – in a set list that includes "Rock With Me", "Vote For We", "Nuclear Crisis", "Shame & Scandal", "Stop Jack", "True Vegetarian", "Everything Crash", "Monkey Man", and "Happy". LP, Vinyl record album

Great work from one of the most under-rated tenor players of the 60s! Jimmy Forrest was an excellent player who made only a handful of recordings at the time – but he blows with a deep confidence that should have made him one of the biggest new stars on the scene. This set's one of Jimmy's best, and features his laidback tenor in a quartet with Joe Zawinul on piano, shortly before Zawinul hooked up with Cannonball Adderley. The tracks are short, but the interplay between Forrest and Zawinul is tasty – a bit like the album made by Joe and Coleman Hawkins – and the rest of the group features Tommy Potter on bass and Clarence Johnston on drums. Titles include "Bolo Blues", "Crash Program", "By The River Saint Marie", and "I Cried For You". LP, Vinyl record album

Titles include "Let Them Say"," Hello Carol", "Skokian", "Put Yourself In My Place", "Everythng Crash", "No More Heartaches", and "Bangarang". LP, Vinyl record album

Bubblegum glam badassery from Suzi Quatro – her namesake and possibly best album – leading off with the killer "48 Crash" and barely letting up from there! Punchy, arse kicking and catchy rock & roll from a real 70s pioneer! It's a ridiculous shame that on our shores, Suzi is better remembered for Happy Days than this damned record! Other tracks include "Glycerine Queen", "Shine My Machine", "I Wanna Be Your Superman", "All Shook Up", "Skin Tight Skin", "Get Back Mama", "Shakin All Over" and more. LP, Vinyl record album

A less tense and caustic Roots than the crew that hit us on the majority of Rising Down a couple years earlier – and this one's as strong of an album as they've delivered since moving over to Def Jam. In truth, we were a little scared when we saw some of the guests credited – Monsters Of Folk, John Legend, Joanna Newsom and other headscratchers on top of more likely collaborators such as Phonte, Blu, Peedi Peedi and Dice Raw – it gets over very, very well here! How I Got Over is a Roots effort through and through, with contemplative and soulful tracks that simmer and stew in tried and true fashion. The tracks with those indie rock guests turn out to be among the Roots-iest tracks on the record. Believe that! So you can rest easy, the Roots are The Roots here, just what we wanted and just what we get! Includes "A Peace Of Light" feat Amber Coffman, Angel Deradoorian & Haley Dekle, "Walk Alone" feat Truck North, PORN & Dice Raw, "Now Or Never" with Phonte & Dice Raw, "Dear God 2.0" with Monsters Of Folk, "The Day" feat Blu, Phonte & Patty Crash, "Doin It Again", "Tunnel Vision" and more. LP, Vinyl record album

Really wonderful work from Towa Tei – an artist who's lost none of the charms that first made us fall in love with him when he was a member of Deee Lite! As with his earlier solo material, this set's got a wonderful combination of sounds, samples, and styles – that quality that has Towa maybe bringing forward some of the best spirits of the initial Japanese electro pop generation, but fused with a more dynamic sense of rhythm that he picked up while part of the scene in New York in the early 90s! All the elements crash together with non-stop action and a real sense of sonic delight – and titles include "Beautiful", "My Baby", "Sea Change", "Immunitas", "Ear Candy", "Hold On", and "OPA". LP, Vinyl record album

Includes "Nothing's Special" with Rosalia and "Tales From The Crash Stratrum" with Elizabeth Fraser. 12-inch, Vinyl record

With "Shut Down" written by Darby Crash. 7-inch, Vinyl record

Sweet electronic grooves from the great Yan Tregger – French sound library composer and all-around electric genius – equally well-skilled at making the best sort of sounds in both the analog and digital generations! As you'll hear in the set, the collection brings together some of Treggers best from both generations – and there's a wonderfully unified feel to the whole batch of cuts, despite the space of almost 20 years – as Tregger showcases the best sort of cosmic clubby sounds that made him such a pioneer of outer space-styled funk! Titles include "Slow Zoom", "Chandigargh", "The Crash", "Deo Volente", "Passage Of The Red Sea", "Creative Blow", "Zodiac", "Gold Calf Dance", and "Pavilion Des Reves". LP, Vinyl record album

The final album from Betty Davis – and a killer cap to her stunning run of female funk classics in the 70s! The album was recorded at the end of the decade, but has a sharpness that's every bit as great as her earlier work for the Island and Just Sunshine labels – grooves that are more than sharp enough to match that raspy edge in Betty's vocals – given support with instrumentation that's a lot more mid 70s funk than some of the more disco-oriented productions in mainstream soul at the time! There's a fullness to the record that sometimes recalls Labelle at their best, or maybe even solo work from Nona Hendryx – but as always, Betty is very much her own woman, and opens up some new doors on a few mellow cuts or jazzier moments that come as a nice surprise, and which balance out the album in a great way. The set features work from Herbie Hancock on keyboards and Alphonse Mouzon on drums – and titles include "Quintessence Of Hip", "She's A Woman", "I've Danced Before", "I Need A Whole Lot Of Love", "Hangin Out In Hollywood", "Crashin From Passion", "You Take Me For Granted", and "No Good At Falling In Love". LP, Vinyl record album

A fab bunch of ska and rocksteady numbers, one of those compilations that Trojan has oddly let go out of print. 18 great tracks, including "Big Bamboo" by Lord Creator, "Latin Goes Ska", "Beardman Ska", "Street Corner" and "Ball O Fire" by the Skatalites, "hallelujah" by the Maytals, "Garden Of Love" and "Let George Do It" by Don Drummond, "Rough & Tough" by Stranger Cole, "Shame & Scandal" by Peter Tosh & The Wailers, "Bonanza Ska" by Carlos Malcolm, "Dance Crasher" by Alton Ellis, "Rudie Bam Bam" by the Clarnedonians, "Ska Jam" by Tommy McCook & The Supersonics, "Doctor Dick" by Lee Perry & The Soulettes, "Owe Me No Pay Me" by the Ethiopians, "Independence Ska" by Baba Brooks and "Don't Be A Rude Boy" by the Rulers. LP, Vinyl record album

The final album from Betty Davis – and a killer cap to her stunning run of female funk classics in the 70s! The album was recorded at the end of the decade, but has a sharpness that's every bit as great as her earlier work for the Island and Just Sunshine labels – grooves that are more than sharp enough to match that raspy edge in Betty's vocals – given support with instrumentation that's a lot more mid 70s funk than some of the more disco-oriented productions in mainstream soul at the time! There's a fullness to the record that sometimes recalls Labelle at their best, or maybe even solo work from Nona Hendryx – but as always, Betty is very much her own woman, and opens up some new doors on a few mellow cuts or jazzier moments that come as a nice surprise, and which balance out the album in a great way. The set features work from Herbie Hancock on keyboards and Alphonse Mouzon on drums – and titles include "Quintessence Of Hip", "She's A Woman", "I've Danced Before", "I Need A Whole Lot Of Love", "Hangin Out In Hollywood", "Crashin From Passion", "You Take Me For Granted", and "No Good At Falling In Love". LP, Vinyl record album

... LP, Vinyl record album

A great Tony Bennett LP – very different than others from the time (or any time!) in that the format pairs the master vocalist with the "who's who" of drummers and percussionists of the late 50s – including Art Blakey, Jo Jones, Candido, and Sabu. The sound is as majestic and crashing as you'd imagine, and cuts include "Let's Begin", "Love For Sale", "Crazy Rhythm", and "Let's Face the Music and Dance". A great LP, and one of his best. If you've ever doubted Tony's committment to jazz, check this one out, and be pleasantly surprised! LP, Vinyl record album

A lost album from 70s funk diva Betty Davis – and one that's every bit as essential as her music released back in the day! The set was recorded hot on the heels of Betty's classic Nasty Gal album – but it's got a groove that's almost more in the territory of her first two records on the Just Sunshine label – very hard, heavy, freaky, and fuzzy – with lots of sharp-edged guitar licks wrapped up around Davis' badass vocals – which have just as much attitude as ever! It's not clear why the album never saw the light of day back in the 70s, but it's an essential follow-up to Davis key classics – undeniably funky music by one of the most unique figures ever in soul – the kind of set that would have been a bomb, had it dropped in the 70s – and which will have an even greater impact when let loose in the 21st Century. Titles include "Stars Starve You Know", "Bottom Of The Barrel", "Crashin From Passion", "Whorey Angel", "It's So Good", "Is It Love Or Desire", "Bar Hoppin", and "Let's Get Personal". LP, Vinyl record album

A lost album from 70s funk diva Betty Davis – and one that's every bit as essential as her music released back in the day! The set was recorded hot on the heels of Betty's classic Nasty Gal album – but it's got a groove that's almost more in the territory of her first two records on the Just Sunshine label – very hard, heavy, freaky, and fuzzy – with lots of sharp-edged guitar licks wrapped up around Davis' badass vocals – which have just as much attitude as ever! It's not clear why the album never saw the light of day back in the 70s, but it's an essential follow-up to Davis key classics – undeniably funky music by one of the most unique figures ever in soul – the kind of set that would have been a bomb, had it dropped in the 70s – and which will have an even greater impact when let loose in the 21st Century. Titles include "Stars Starve You Know", "Bottom Of The Barrel", "Crashin From Passion", "Whorey Angel", "It's So Good", "Is It Love Or Desire", "Bar Hoppin", and "Let's Get Personal". LP, Vinyl record album

Here's a guy with a great gimmick – whistling! Jack Smith was a youngster, but he could blow with the best of them – whistling his way through the massive international pop hit "I Was Kaiser Bill's Batman" – a tune that's as groovy as it sounds, with a crashing goofy approach that's really really great! Smith wets his whistle on 11 other tracks on this one and only album – mixing in a bunch of cool arrangements from Ivor Raymonde that have a nice 60s Brit feel. Titles include "I Was Kaiser Bill's Batman", "Song Of The Steppes", "Happy Wanderer", "Union Jack", and "Early One Morning". LP, Vinyl record album

The crashing waves of the Pacific coast hardly seem like the serene setting you might want for the vibes of Cal Tjader – but this album works surprisingly well, and offers up Cal's combo in a Monterey live date, before the jazz festival really got going strong! The group's one that matches his best early albums for Fantasy – piano from Lonnie Hewitt, soulful bass from Al McKibbon, and some great Latin percussion from Mongo Santamaria and Willie Bobo! Paul Horn also joins the group on flute – blowing with lyrical lines that fit the sound wonderfully, adding a whole new dimension to the music. Many tracks are longer than usual for the Fantasy years – and titles include "Walkin With Wally", "Doxie", and "Afro Blue". LP, Vinyl record album

The first album that Momus recorded for Creation Records – a label that provided him with a much stronger springboard than before – which was perfect for the way the singer blended very offbeat lyrics with compelling mainstream songcraft! Momus was always very different than most of the Brit 80s scene in which he worked – influenced strongly by the French work of singer/songwriters like George Brassens, Jacques Brel, and Serge Gainsbourg – but graced with a very British wit, which made for an especially biting style that worked well with the themes of his songs. Momus has a vocal style that's maybe somewhere in Donovan territory, but sharper – and he draws from a variety of European song modes, fitted to the situation of each individual songs – as you'll hear on classics like "Situation Comedy Blues", "Three Wars", "The Gatecrasher", "Flame Into Being", and the Serge Gainsbourg-like "Closer To You". LP, Vinyl record album

A unique concert album from Dionne Warwick – proof that her talents weren't always restricted to Burt Bacharach arrangements in the studio! The setting is the classy Olympia Theater in Paris, and the style is a bit more open than on Dionne's studio albums – with less material by Bacharach & David than before, and a wider range of tunes that not only includes a few songs sung in French, but also a duet with Parisian popper Sacha Distel! The audience is oddly mic'ed up very high in the mix at times – crashing into the start of most tunes with the ferocity of radio static or a swarm of bees – but Warwick quickly takes over with her own vocals once the songs get going. Titles include "I Love Paris", "C'Est Si Bon", "Walk On By", "You'll Never Get To Heaven", "O Yeah Yeah Yeah", "The Good Life", "La Vie En Rose", and "What'd I Say". LP, Vinyl record album

What we once thought might've been a short-lived, if rewarding east coast team up of Wu Tang's Inspectah Deck and Boston heroes 7L & Esoteric has gone on to be one of the longest running later career supergroups this side of Run The Jewels! Old and mid school styled funky/sci-fi/vintage comic book style like we haven't heard since Doom left us, paired with some icey cool bits of synth and other and fresh touches on the production side – nicely setting up Deck's rhymes, still spitting sharp and smart after all these years. Includes "Czarchimedes' Death Day", "Blast Off", "All That For A Drop Of Blood", "Mama's Basement", "Frenzy In A Far Off Land" with Frankie Pulitzer, "Czarsenic", Gate Crasher" with Logic, "Sirens" and "Helicopter" Godfather Don & Kool Keith and more. LP, Vinyl record album

A lost album from 70s funk diva Betty Davis – and one that's every bit as essential as her music released back in the day! The set was recorded hot on the heels of Betty's classic Nasty Gal album – but it's got a groove that's almost more in the territory of her first two records on the Just Sunshine label – very hard, heavy, freaky, and fuzzy – with lots of sharp-edged guitar licks wrapped up around Davis' badass vocals – which have just as much attitude as ever! It's not clear why the album never saw the light of day back in the 70s, but it's an essential follow-up to Davis key classics – undeniably funky music by one of the most unique figures ever in soul – the kind of set that would have been a bomb, had it dropped in the 70s – and which will have an even greater impact when let loose in the 21st Century. Titles include "Stars Starve You Know", "Bottom Of The Barrel", "Crashin From Passion", "Whorey Angel", "It's So Good", "Is It Love Or Desire", "Bar Hoppin", and "Let's Get Personal". LP, Vinyl record album

A great lost one! "Runaway People" has a great funky sound – and one that's very different than some of Dyke's other boiler-plate funk numbers. The cut begins with rolling guitars, building into a nice strong wave, which then crashes and rolls through the whole song! 7-inch, Vinyl record

Early work from Yma Sumac – with that moody mix of other worldly vocals and semi-Latin instrumentation that made her a popular one with the early exotic crowd. Yma runs up and down the vocal scale, while Moises Vivanco leads the band in a set of crashing dramatic orchestrations with a Peruvian feel. Tracks include "Sunray Surita", "Mamallayi", "No Es Vida", "Ccori Canastitay", and "Kon Tiki". LP, Vinyl record album

American grooves go Kingston – as the set features a wonderful assortment of funk and soul classics, all delivered here in reggae-styled versions! The approach is similar to the material featured in the older Reggae Disco collection from Soul Jazz – but the mix of modes here is much more expansive – so that you'll get some cuts that are very heavy in a New York clubby groove, while others are much more Jamaican in approach – and have an American soul tune bending down towards more reggae-oriented territory. As always with Soul Jazz, the choice of cuts is wonderful – and includes "Move On Up" by Devon Russell, "Caught You In A Lie" by Derrick Harriott, "Young Hearts Run Free" by Hortense Ellis, "Wanna Be Startin Somethin" by Ed Watson & Brass Circle, "For The Love Of You" by Bill Campbell, "Flight To Jamaica" by Crashers, "Fool's Paradise" by Valerie Harrison, "Reasons" by Seventh Extension, "Don't Let Love Get You Down" by Pete Campbell & The Sunshine Girls, "In The Rain" by Webby Jay, and "Just A Groove" by Glen Adams Affair. LP, Vinyl record album

Beat Happening's brilliant second album – raw, beautiful and timeless indie pop at its late 80s best! It's stunning how many underground rock bands still try their damnedest to sound like Beat Happening – but Calvin, Heather and Bret make it sound easy! It's certainly more full sounding than their debut, but it's still got a perfect less is more. Raw drums, barely chiming guitars and plaintive voices elevate naive little gems to the the avant pop heavens. Includes "Indian Summer", "Bewitched", "Hangman", "Crashing Through", "Cat Walk", "Midnight A Go-Go", and "The This Many Boyfriends Club". LP, Vinyl record album