Way more than just a simple version of work from Porgy & Bess – and instead, a key collaboration between Miles Davis and Gil Evans – done with a sound that really transforms the tunes! True, the work here is all based on George Gershwin's original compositions – but through ... (Jazz) read moreLP, Vinyl record album
(Recent mono 180 gram pressing, still sealed with hype stickers.)
Way more than just a simple version of work from Porgy & Bess – and instead, a key collaboration between Miles Davis and Gil Evans – done with a sound that really transforms the tunes! True, the work here is all based on George Gershwin's original compositions – but through ... (Jazz) read moreCD
Miles Davis —
Quiet Nights ... LP Columbia, 1963. Near Mint- ...
Out Of Stock
Moody magic from Miles Davis and Gil Evans – one of the pair's most perfectly poised albums together, and a set with a slight bossa nova undercurrent! Evans' shimmering horn patterns are in fine form here – complicated, but never in cold and too-modern ways – just the right sort ... (Jazz) read moreLP, Vinyl record album
Moody magic from Miles Davis and Gil Evans – one of the pair's most perfectly poised albums together, and a set with a slight bossa nova undercurrent! Evans' shimmering horn patterns are in fine form here – complicated, but never in cold and too-modern ways – just the right sort ... (Jazz) read moreCD
Thelonious Monk may have written the title tune, but Miles Davis makes it all his own here – blowing with a subtle moody magic that makes the album one of his true treasures from the early Columbia Records years! John Coltrane's along on tenor sax – helping Davis expand the sound the ... (Jazz) read moreCD
Thelonious Monk may have written the title tune, but Miles Davis makes it all his own here – blowing with a subtle moody magic that makes the album one of his true treasures from the early Columbia Records years! John Coltrane's along on tenor sax – helping Davis expand the sound the ... (Jazz) read moreLP, Vinyl record album
(70s stereo pressing PC 8649. Cover has light ring wear and aging.)
Thelonious Monk may have written the title tune, but Miles Davis makes it all his own here – blowing with a subtle moody magic that makes the album one of his true treasures from the early Columbia Records years! John Coltrane's along on tenor sax – helping Davis expand the sound the ... (Jazz) read moreCD
Thelonious Monk may have written the title tune, but Miles Davis makes it all his own here – blowing with a subtle moody magic that makes the album one of his true treasures from the early Columbia Records years! John Coltrane's along on tenor sax – helping Davis expand the sound the ... (Jazz) read moreCD
A key point in the development of the Miles Davis sound of the 60s – his first album to feature work from Herbie Hancock, Ron Carter, and Tony Williams – augmented by some equally nice work on other tracks from Victor Feldman and Frank Butler! The sound here is beautifully spare – ... (Jazz) read moreCD
A key point in the development of the Miles Davis sound of the 60s – his first album to feature work from Herbie Hancock, Ron Carter, and Tony Williams – augmented by some equally nice work on other tracks from Victor Feldman and Frank Butler! The sound here is beautifully spare – ... (Jazz) read moreLP, Vinyl record album
(Mono 2 eye pressing. Cover has light surface wear and a large spot of marker in the upper corner.)
A beautiful collaboration between Miles Davis and the great Gil Evans – and perhaps the most perfectly realized of all their projects! The album's got a wonderfully unified feel – as it begins with long compositions that have a distinct Spanish-tinge (and not a Latin-tinge, which is an ... (Jazz) read moreCD
A beautiful collaboration between Miles Davis and the great Gil Evans – and perhaps the most perfectly realized of all their projects! The album's got a wonderfully unified feel – as it begins with long compositions that have a distinct Spanish-tinge (and not a Latin-tinge, which is an ... (Jazz) read moreLP, Vinyl record album
(70s stereo pressing – PC 8271. Cover has light edge wear, faint ring wear.)
A beautiful collaboration between Miles Davis and the great Gil Evans – and perhaps the most perfectly realized of all their projects! The album's got a wonderfully unified feel – as it begins with long compositions that have a distinct Spanish-tinge (and not a Latin-tinge, which is an ... (Jazz) read moreLP, Vinyl record album
(Special mono version – pressed up on 180 gram vinyl!)
A beautiful collaboration between Miles Davis and the great Gil Evans – and perhaps the most perfectly realized of all their projects! The album's got a wonderfully unified feel – as it begins with long compositions that have a distinct Spanish-tinge (and not a Latin-tinge, which is an ... (Jazz) read moreCD
A beautiful collaboration between Miles Davis and the great Gil Evans – and perhaps the most perfectly realized of all their projects! The album's got a wonderfully unified feel – as it begins with long compositions that have a distinct Spanish-tinge (and not a Latin-tinge, which is an ... (Jazz) read moreCD
The tenor sax here makes the album a standout – as John Coltrane still works with Miles Davis on 2 tracks for the record, but Blue Note stalwart Hank Mobley joins in on the rest! The approach is similar to that of the classic Coltrane/Davis years – and in a way, the record's kind of a ... (Jazz) read moreLP, Vinyl record album
(70s pressing, PC 8456. Cover has light ring & edge wear, small split on the spine.)
The tenor sax here makes the album a standout – as John Coltrane still works with Miles Davis on 2 tracks for the record, but Blue Note stalwart Hank Mobley joins in on the rest! The approach is similar to that of the classic Coltrane/Davis years – and in a way, the record's kind of a ... (Jazz) read moreCD
The tenor sax here makes the album a standout – as John Coltrane still works with Miles Davis on 2 tracks for the record, but Blue Note stalwart Hank Mobley joins in on the rest! The approach is similar to that of the classic Coltrane/Davis years – and in a way, the record's kind of a ... (Jazz) read moreLP, Vinyl record album
The tenor sax here makes the album a standout – as John Coltrane still works with Miles Davis on 2 tracks for the record, but Blue Note stalwart Hank Mobley joins in on the rest! The approach is similar to that of the classic Coltrane/Davis years – and in a way, the record's kind of a ... (Jazz) read moreCD
(Early MoFi pressing – disc manufactured by Sanyo, Japan.)
Miles Davis —
Sorcerer ... CD Columbia/Legacy, 1967. New Copy ...
Out Of Stock
Another bold new direction for the legendary Miles Davis Quintet of the 60s – a set that has some of the angular styles of earlier albums, but also a bit more of the flowing grace to come in the electric years! A key illustration of this is the leadoff track "Prince Of Darkness" ... (Jazz) read moreCD
Miles Davis —
Sorcerer ... CD Columbia/Legacy, 1967. Used ...
Temporarily Out Of Stock
Another bold new direction for the legendary Miles Davis Quintet of the 60s – a set that has some of the angular styles of earlier albums, but also a bit more of the flowing grace to come in the electric years! A key illustration of this is the leadoff track "Prince Of Darkness" ... (Jazz) read moreCD
Miles Davis —
Sorcerer ... LP Columbia, 1967. Near Mint- ...
$54.99
Another bold new direction for the legendary Miles Davis Quintet of the 60s – a set that has some of the angular styles of earlier albums, but also a bit more of the flowing grace to come in the electric years! A key illustration of this is the leadoff track "Prince Of Darkness" ... (Jazz) read moreLP, Vinyl record album
(70s pressing – PC 9532. Cover has minimal wear but looks great overall.)
Another bold new direction for the legendary Miles Davis Quintet of the 60s – a set that has some of the angular styles of earlier albums, but also a bit more of the flowing grace to come in the electric years! A key illustration of this is the leadoff track "Prince Of Darkness" ... (Jazz) read moreLP, Vinyl record album
Another bold new direction for the legendary Miles Davis Quintet of the 60s – a set that has some of the angular styles of earlier albums, but also a bit more of the flowing grace to come in the electric years! A key illustration of this is the leadoff track "Prince Of Darkness" ... (Jazz) read moreCD
Miles Davis in the early 80s – but still sounding pretty darn great, and somehow managing to take some of his best elements from the 70s and refine them into a slightly more focused groove! The tracks here are shorter than before – no side-long jams at all – but they definitely ... (Jazz) read moreCD
Miles Davis in the early 80s – but still sounding pretty darn great, and somehow managing to take some of his best elements from the 70s and refine them into a slightly more focused groove! The tracks here are shorter than before – no side-long jams at all – but they definitely ... (Jazz) read moreCD
(1996 Japanese Master Sound pressing – includes obi!)
A masterful tribute from one bad cat to another – and easily one of Miles Davis' greatest electric albums ever! The album's got a powerful, epic sort of feel – a renewed focus after the looser style of Bitches Brew, and the 70s live albums – and one that mixes a deeper funky ... (Jazz) read moreCD
A masterful tribute from one bad cat to another – and easily one of Miles Davis' greatest electric albums ever! The album's got a powerful, epic sort of feel – a renewed focus after the looser style of Bitches Brew, and the 70s live albums – and one that mixes a deeper funky ... (Jazz) read moreCD
A masterful tribute from one bad cat to another – and easily one of Miles Davis' greatest electric albums ever! The album's got a powerful, epic sort of feel – a renewed focus after the looser style of Bitches Brew, and the 70s live albums – and one that mixes a deeper funky ... (Jazz) read moreLP, Vinyl record album
A much different album than you might expect from the cover – hardly the funky 70s set implied by the Big Fun-styled cover – and instead a lost slice of work from his groundbreaking late 60s years! The set was recorded in 1967, but unissued until Miles late 70s time away from the ... (Jazz) read moreCD
A much different album than you might expect from the cover – hardly the funky 70s set implied by the Big Fun-styled cover – and instead a lost slice of work from his groundbreaking late 60s years! The set was recorded in 1967, but unissued until Miles late 70s time away from the ... (Jazz) read moreLP, Vinyl record album
(Original pressing. Cover has minimal wear, tiny split on the top seam.)
A much different album than you might expect from the cover – hardly the funky 70s set implied by the Big Fun-styled cover – and instead a lost slice of work from his groundbreaking late 60s years! The set was recorded in 1967, but unissued until Miles late 70s time away from the ... (Jazz) read moreCD
A much different album than you might expect from the cover – hardly the funky 70s set implied by the Big Fun-styled cover – and instead a lost slice of work from his groundbreaking late 60s years! The set was recorded in 1967, but unissued until Miles late 70s time away from the ... (Jazz) read moreCD
Miles Davis —
We Want Miles ... LP Columbia, 1982. Near Mint- 2LP Gatefold ...
Out Of Stock
Excellent live work from the start of the 80s – very different than the full-on electric jams of Miles Davis concert performances from the early 70s – and at a level that shows that Miles was really finding a way forward with at great new groove! There's a nice sense of open space on ... (Jazz) read moreLP, Vinyl record album
Excellent live work from the start of the 80s – very different than the full-on electric jams of Miles Davis concert performances from the early 70s – and at a level that shows that Miles was really finding a way forward with at great new groove! There's a nice sense of open space on ... (Jazz) read moreCD
(1996 Japanese pressing in a heavy gatefold sleeve – includes obi.)
Early 80s live work from Miles Davis – done at a level that's a nice change from some of his studio work of the time! If you've ever heard Miles in a live setting like this from the decade, you know that such recordings are a great reminder of the way he can really deliver an extended solo ... (Jazz) read moreLP, Vinyl record album
Loads of material from this famous pair – issued on albums that include Jazz Track, Round Midnight, Milestones, Kind Of Blue, Someday My Prince Will Come, Miles & Monk At Newport – and lots of other obscure compilation tracks and unissued numbers! (Jazz) CD
(First pressing in the beautiful metal slipcover – in nice shape!)
Loads of material from this famous pair – issued on albums that include Jazz Track, Round Midnight, Milestones, Kind Of Blue, Someday My Prince Will Come, Miles & Monk At Newport – and lots of other obscure compilation tracks and unissued numbers! (Jazz) CD
A fantastic presentation of legendary live material from the team of Miles Davis and John Coltrane – taken from the last concert tour the pair ever did together, and presented here with beautifully stunning sound! The European dates in 1960 were all part of a larger Jazz At The Philharmonic ... (Jazz) read moreCD
A rare early side of Miles Davis – recorded in postwar Paris in the company of Tadd Dameron! The group's a quintet – with Miles on trumpet and Tadd on piano – and although the overall vibe certainly shows a lot of bop generation spirit, there's also a strong indication of the ... (Jazz) read moreLP, Vinyl record album
(70s pressing. Cover has light wear, clear tape on the spine.)
A slightly misleading record – but a great one nonetheless! From the title and cover, you might imagine that Thelonious Monk and Miles Davis were sharing the stage together at the Newport Jazz Festival – but instead, the album actually features separate performances by each artist ... (Jazz) read moreCD
A slightly misleading record – but a great one nonetheless! From the title and cover, you might imagine that Thelonious Monk and Miles Davis were sharing the stage together at the Newport Jazz Festival – but instead, the album actually features separate performances by each artist ... (Jazz) read moreCD
Fantastic mellow soul from Tyrone Davis – a great reminder that his vocals were still some of the burningest in 70s soul – sounding especially great in a record like this! Side one of the album's especially great – an all-mellow side that almost acts like some mini-suite of love ... (Soul) read moreLP, Vinyl record album
Great work from Tyrone Davis' under-recognized years at Columbia Records – a wonderful set of mature modern soul numbers that really let the singer find a whole new groove! The whole thing's nicely free of any sort of commercial overtones – and instead, the album has Davis really ... (Soul) read moreLP, Vinyl record album
A late 70s gem from Tyrone's years on Columbia Records – one that shows both sides of his talents for the label! The set starts out with an extended clubby groover called "Get On Up (Disco)" – a bumping sort of number that's clearly trying to push him into Johnnie Taylor ... (Soul) read moreLP, Vinyl record album
Gimmicky titles, but some of Doris Day's best album work of the 50s! Both records feature Doris singing to backings by Paul Weston – mostly in an easy mode on the "night" record, and a bit more driving and jazzy on the "day" album. Titles include "Gone With The ... (Now Sound) read moreCD
Beautiful work from singer Doris Day – and a record that may well be her jazziest for Columbia – thanks to backing from the Andre Previn trio! The pianist is still at the height of his early jazz powers here – able to solo boldly when needed, but almost more equipped as a painter ... (Vocalists) read moreCD
Includes "La Mer", "Clair De Lune", "Prelude A L'apres Midi D'un Faune", "Danse", "Reverie", "Dances Sacree Et Profane" and "Nocturnes". (Classical) LP, Vinyl record album
Joey's on the Hammond B3 – with horn work from Houston Person, Grover Washington, Kirk Whalum, and Illinois Jacquet on tenor sax – plus special guest Jack McDuff on second Hammond organ! (Jazz) CD
Joey DeFrancesco —
Part III ... CD Columbia, 1991. Used ...
Out Of Stock
Includes the tracks "Dr. Jekyll", "The End Of A Love Affair", "O.E.I.", "Rhythm-A-Ning", "Wookie's Corner", "What I See", "Don't Stop Me Now", "If I Were A Bell", "Waltz For Dad", "Blue In Green", ... (Jazz) read moreCD
Delaney & Bonnie —
D&B Together ... LP Columbia, 1972. Very Good+ ...
Out Of Stock
Great work from this wonderful duo – almost as much deep soul as roots rock – arranged and produced by Delaney Bramlett, with some great help in the studio! Titles include "Groupie", "Only You Know & I Know", "Country Life", "I Know Something Good ... (Rock) read moreLP, Vinyl record album
(Mono 6 eye Masterworks pressing with deep groove. Cover has some surface wear and yellowing from age.)
Milton DeLugg —
Add-A-Part Jazz ... LP Columbia, 1950s/1960s. Near Mint- ...
Out Of Stock
With Tony Mottola on guitar, Don Lamond on drums, Milton Delugg on accordion, Hank Jones and Bernie Leighton on pano, Phil Bodna on clarinet and saxophone, Milt Hinton on bass, and Billy Butterfield on trumpet. (Jazz) LP, Vinyl record album
Derek Trucks Band —
Songlines ... CD Columbia, 2006. Used ...
Temporarily Out Of Stock
Johnny Desmond —
Blue Smoke ... LP Columbia, 1960. Near Mint- ...
Out Of Stock
With Tony Mottola on guitar and Bob Haggart on bass. (Vocalists) LP, Vinyl record album
(Mono 6 Eye pressing with deep groove and Demonstration sticker. Cover has a split spine with some yellowed tape remnants, some splitting extending into the top seam, some wear and aging, and price sticker remnants.)
Al Di Meola —
Casino ... LP Columbia, 1978. Very Good+ ...
Out Of Stock
Casino has a smaller, tighter lineup than some of Al DiMeola's other records of the time, but the overall sound is still pretty far-reaching – thanks to a mix of keyboards from Barry Miles, and a blistering array of acoustic and electric guitars from Al himself! Steve Gadd propels the group ... (Jazz) read moreLP, Vinyl record album
A set that features DiMeola moving into some very dynamic territory – jamming out heavy on a mix of electric and acoustic guitars, with additional help from Paco DeLucia on acoustic at points. The instrumentation also features heavy electric piano from Jan Hammer, other keyboards from Barry ... (Jazz) read moreCD
(Out of print.)
Al Di Meola —
Elegant Gypsy ... LP Columbia, 1977. Very Good- ...
Temporarily Out Of Stock
A set that features Al DiMeola moving into some very dynamic territory – jamming out heavy on a mix of electric and acoustic guitars, with additional help from Paco DeLucia on acoustic at points. The instrumentation also features heavy electric piano from Jan Hammer, other keyboards from ... (Jazz) read moreLP, Vinyl record album
(Includes the printed inner sleeve. Cover has light wear, corner bends.)
A real 70s standout from guitarist Al Di Meola – and that's saying a lot, given the strength of most of his albums from the decade! The record's one that broke Al's talents out to so many different groups – yet never in a way that waters down his sound, nor dims his genius for a solo. ... (Jazz) read moreLP, Vinyl record album
Guitarist Al Di Meola works here to really live up to the "splendido" title of the album – majestically bringing together all the best elements and influences he worked with in the 70s – including his love of Spanish guitar! The album's got this great balance of acoustic and ... (Jazz) read moreCD
Al Di Meola —
Splendido Hotel ... LP Columbia, 1980. Near Mint- 2LP Gatefold ...
Out Of Stock
Guitarist Al Di Meola works here to really live up to the "splendido" title of the album – majestically bringing together all the best elements and influences he worked with in the 70s – including his love of Spanish guitar! The album's got this great balance of acoustic and ... (Jazz) read moreLP, Vinyl record album
With Jan Hammer on keyboards, Steve Gadd on drums, Anthony Jackson on bass, Mingo Lewis on percussion, and Victor Godsey on 2nd keyboards. (Jazz) LP, Vinyl record album
Dion does folk rock – bits of blues, tender balladry, and some sweeping arrangements, too – although folk purists would take a torch to it, of course, the mix of grandly arranged pop with songs from the folk and blues canon is a actually quite his a lot of unselfconscious fun! It's a ... (Rock) read moreLP, Vinyl record album
Roger Lewis on baritone and soprano saxophone and percussion, Lionel Batiste on bass drum and percussion, Jenell Marshall on drums and percussion, Kevin Harris on tenor saxophone and percussion, Efrem Towns on trumpet, and Gregory Davis on trumpet, vocals and percussion. (Jazz) CD
Dirty Dozen Brass Band —
Voodoo ... CD Columbia, 1989. Used ...
Out Of Stock
Includes the songs "It's All Over Now", "Voodoo", "Oop Pop A Dah", "Gemini Rising", "Moose The Mooche", "Don't Drive Drunk", "Black Drawers/Blue Piccolo", and "Santa Cruz". (Jazz) CD
Willie Dixon —
Big Three Trio ... CD Columbia, Late 40s/Early 50s. Used ...
Out Of Stock
Very early pre-Chess work from bassist Willie Dixon – heard here in his cool Big Three Trio – a hip jump blues group with almost a west coast vibe at times – presented here on some rare 78rpm material recorded for Columbia, including a few unreleased tracks! (Blues) CD
A long-overdue recognition of the blues contributions of Willie Dixon – a set that pulls him out of the indie ghetto and pushes him firmly into the mainstream with this key release on Columbia Records! Yet despite that placement, the style is nicely down home – a strong recreation of ... (Blues) read moreCD
Willie Dixon —
I Am The Blues ... LP Columbia (Italy), 1970. New Copy (reissue)...
Out Of Stock
A long-overdue recognition of the blues contributions of Willie Dixon – a set that pulls him out of the indie ghetto and pushes him firmly into the mainstream with this key release on Columbia Records! Yet despite that placement, the style is nicely down home – a strong recreation of ... (Blues) read moreLP, Vinyl record album
A long-overdue recognition of the blues contributions of Willie Dixon – a set that pulls him out of the indie ghetto and pushes him firmly into the mainstream with this key release on Columbia Records! Yet despite that placement, the style is nicely down home – a strong recreation of ... (Blues) read moreLP, Vinyl record album
With Amerie, Baby, Foxy Brown, and Nas on "Too Much For Me"; Fat Joe, Raekwon, and Scarface on "I Never Liked Ya Ass"; and E-A-Ski, Kam, and MC Ren on "Westside Driveby". (Hip Hop) 12-inch, Vinyl record
Ned Doheny —
Prone ... CD Columbia/Sony (Japan), 1977. Used ...
Out Of Stock
Maybe our favorite record ever from 70s mellow rock maestro Ned Doheny – thanks to production from Steve Cropper and arrangements from Jimmie Haskell – both of whom give the record a super-soulful sound! Ned's always had this blue-eyed style that's gotten him equal play on both sides ... (Rock) read moreCD
Dr Feelgood —
Malpractice ... LP Columbia, 1977. Very Good+ ...
Out Of Stock