Walter Wanderley opens up wonderfully on both organ and electric harpsichord here – going for a very different sound than on his earlier records, and with plenty of great late 60s CTI touch
es! The music is as heavenly as you might guess from the title – a dreamy recasting of Brazilian bossa modes with some of the sunnier 60s touch
es of the A&M scene – all wrapped together with impeccable arrangements both from Deodato and Wanderley himself. The record mixes a bit of strings with a sweet chorus of flutes and just a bit of trumpet – all undercut by some snapping rhythms that include a bit of percussion from Airto, plus occasional chorus vocals sung by Flora Purim and Stella Stevens! The mix of players, modes and sounds here is really wonderful – and makes for a unique album that propels the older 60s bossa sound firmly towards the more sophisticated modes of the 70s – all at a level that Wanderley never hit again in the studio! Titles include great versions of Marcos Valle's "Proton, Electron, Neutron", Egberto Gismonti's "O Sonho (Moondreams)", Luiz Gonzaga's "Asa Branca", and Young-Holt Unlimited
's classic "Soulful Strut" – plus "Penha", "L'Amore Dice Ciao", "5:30 Plane", and "Mirror Of Love".