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Exact matches: 1
Exact matches1
CD, LP, Vinyl record album cover art
Unlimited TouchYes, We're Ready ... LP
Prelude, 1983. Near Mint- ... $9.99
Pretty great stuff from Unlimited Touch – grooving here in a sound that's got a bit more of an 80s feel than their previous album, but which still works well for their dual-female vocal lead style. There's a bit of an electro "wheeet" in some of the tracks, but the vocals and the songwriting are still in a tightly soulful mode. Titles include "Love Explosion", "Your Love Is Serious", "No One Can Love Me", and a remake of "Yes, I'm Ready". LP, Vinyl record album
(Cover has a promo stamp and a large name in marker. Labels have some pen.)
Possible matches: 2
Possible matches2
CD, LP, Vinyl record album cover art
Black Light OrchestraTouch Me Take Me (original, disco mix) ... 12-inch
RCA, 1977. Very Good+ ... $4.99
A gliding Italian disco number from the well-named Black Light Orchestra – a group who use strings over rhythms in a way that's a bit like Love Unlimited Orchestra – but with a groove that's a bit more compressed, and which relies here on some strong conga at the bottom! There's a warmth to the tune that we really like – and the disco mix on the flip has a bit more of a driving rhythm. 12-inch, Vinyl record
(Canadian pressing.)

Possible matches3
CD, LP, Vinyl record album cover art
✨✧ MFSBLove Is The Message ... LP
Philadelphia International, 1973. Used ... Temporarily Out Of Stock
A key moment for the Philly soul scene of the 70s – and the first album to feature the MFSB backing group as a solo act on their own! The ensemble were responsible for key sounds on countless soul singles of the time – yet also find a way to soar beautifully on their own – in a sweet instrumental groove that matches the strength of Barry White's Love Unlimited Orchestra, and which was definitely a key inspiration for the sound of the Salsoul Orchestra! There's definitely a bit of early disco in the mix, but the style's more uptempo east coast overall – that pre-disco groove that was going down in the clubs – with larger strings added to a core group of funky rhythm players. Gamble & Huff production make the whole thing sparkle, and arrangements are by Vince Montana, Bobby Martin, and Jack Faith – on titles that include "Love Is The Message", "Cheaper To Keep Her", "TSOP", "Zack's Fanfare", "Touch Me In The Morning", and "My One & Only Love". LP, Vinyl record album
(Cover has a sticker spot & some wear.)
Partial matches: 4
Partial matches4
CD, LP, Vinyl record album cover art
✨✧ Bumblebee UnlimitedSting Like A Bee ... CD
RCA (Japan), 1979. New Copy ... $13.99
One of the biggest releases of the 70s from the underground dancefloor team of Patrick Adams and Greg Carmichael – a duo best known for their cutting-edge work on their own P&P label – but who still sound equally great here on a much bigger label! As with the P&P grooves, the tracks here are long and space – and filled with cool touches on keyboards and electronics – way different than most major label vocals, and hipper than you might guess from the cover! The grooves get nice and funky at points, and in addition to keyboards from Adams and Carmichael, the set also features vocals from Donna Green and Leroy Burgess. Nice all the way through – and tracks include "Lady Bug", "I Love You", "Honey Bun", "Space Shuttle Ride", and "I Got A Big Bee". CD
(Part of the Disco Fever 40 series!)

Partial matches5
CD, LP, Vinyl record album cover art
RogerMany Facets Of Roger/Saga Continues/Unlimited (plus bonus tracks) ... CD
Warner/Robinsongs (UK), Mid 80s. New Copy 2CD ... $11.99
A trio of albums from Roger – with bonus tracks too! On the first album, there's Many Facets Of Roger – and they're all pretty darn funky! From this vantage point, all we can think of is that Roger Troutman must have had some sort of crystal ball to see into the hip hop sampling future – either that, or he was busy cooking up west coast gangster funk drones in some secret So Cal laboratory! Whatever the case, though, the record's a classic in the Troutman/Zapp catalog – and features a sparkling west coast take on electro – offered up with lots of popping basslines, snapping electric kickdrums, and a truckfull of vocoder! There's also some pretty nice guitar in the mix – especially on the good jazzy groover "Chunk Of Sugar", which sounds like it's from a completely different record. Other tracks include "Maxx Axe", "Do It Roger", "So Ruff, So Tuff", and "Blue". The Saga Continues finds Roger still rocking his trademark effects laden vocals and vamping guitar work into the middle of the decade – with even tighter syncopated percussion, funky keys, and sharp synth bursts – sailing in a killer groove throughout! Roger produced the record along with Larry Troutman – and they bring in Maceo Parker for a horn solo and Ohio Player Billy Beck for keyboards as well! Tracks include a vocoder funk reading of Wilson Pickett's "Midnight Hour", plus "In The Mix", "Play Your Guitar Brother Roger", "The Break Song", "I Keep Trying", "Bucket Of Blood", "T C Song", and "Girl Cut It Out". Unlimited has Roger going for a sound that's maybe even more electro than some of his earlier solo work, at a level that really seems to be pushing the Zapp sound further for the 80s! The style is funky, but touched with lots of elements that have wended their way from indie hip hop up to mainstream soul – all at a level that later acts might fuse together with a bit more warmth, but which still has the starker feel of electro soul in Troutman's hands. Titles include "Thrill Seekers", "I Want To Be You Man", "I Really Want to Be You Man", "Night & Day", and "Papa's Got A Brand New Bag". Bonus tracks include "Please Come Home For Christmas", "Bedisguitarist-A-Rown", and 7" mixes of "Heard It Through The Grapevine (part 1)", "Do It Roger", "In The Mix", "I Want To Be Your Man", and "Midnight Hour (part 1)". CD

Partial matches6
CD, LP, Vinyl record album cover art
Gunter Kallmann ChoirKallman Choir Originals Vol 1 – Elisabeth Serenade/Serenade Im Schlosspark ... CD
Polydor/Verve (Germany), 1962/1964. Used ... $7.99
Dreamy vocals from the Gunter Kallmann Choir – two early albums back to back on a single CD! Elisabeth Serenade has the mixed male/female ensemble taking on a host of tunes that sometimes have traditional roots, other times are more contemporary German numbers – but still a bit different than the groovier songs they'd cut later in the 60s. Arrangements are by Kurt Edelhagen and Werner Twardy – and while the vocals are pretty straightforward, they do have a wonderfully lush vibe that prefigures the sound of later groups like Singer Unlimited. Titles include "La Montanara", "Serenade Aus Die Millionen Des Harlekin", "Traum Melodie", "Elisabeth Serenade", and "Bei Walzermusik". Serenade In Schlosspark is a batch of tunes set in a castle garden – served up with a slightly regal feel in the arrangements, in ways that almost have the Gunter Kallman ensemble singing with an even more heavenly sound than usual! A few numbers have playful melodies, with almost some Alpine touches – while others are more staid – and titles include "Indian Song", "Kerzen Serenade", "Liebe Die Nie Vergeht", "Tiritomba", "Wiegenlied", and "Concerto D'Amour". CD

Partial matches7
CD, LP, Vinyl record album cover art
✨✧ Ray ConniffAlone Again Naturally/Theme From The Godfather ... CD
Columbia/Vocalion (UK), 1972. New Copy ... Temporarily Out Of Stock
A pair of groovy albums from Ray Conniff – both with a wonderful 70s vibe! Alone Again Naturally takes its title from the leadoff version of the great Gilbert O'Sullivan tune – and Ray conducts his group with a surprisingly bouncy vibe at times – mostly a sing-song mode that has the voices of the Conniff Singers hitting all their best bright modes. The mix of male and female voices is almost recorded in Singers Unlimited modes – but without as much harmonic interplay – and titles include "Because", "Alone Again Naturally", "Run To Me", "Brandy", "Too Young", "Day By Day", and "Daddy Don't You Walk So Fast". Theme From The Godfather has Ray Conniff taking on a host of mellow tunes from the mid 70s – mixing his full arrangements with a few electric touches, and really using the Ray Conniff Singers to their best effect! The whole thing has that subtle sensual quality that easy listening was hitting during the sexual revolution – quite a change from the Conniff groove of a generation before, and one that seems an even better fit for the vocals. Titles include "A Horse With No Name", "First Time I Ever Saw Your Face", "The Way Of Love", "Shaft", "Living In A House Divided", and "Without You". CD
(Hybrid Super Audio CD pressing – also works on standard CD players!)

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