The album's titled after an old Jimmy Giuffre song from the 50s, but the sound is very much in his best mode of the 70s – a much freer exploration of earlier ideas, still very rich in tone, but put together quite differently in terms of rhythm! The album's got Jimmy working in a trio with Kiyoshi Tokunaga on bass and Randy Kaye on drums – both players who make things swing, albeit in an offbeat way – so that Giuffre's work on reeds almost has a bit more melodic approach here – strong and soulful on numbers that have him using tenor, more carefully creative on flute or clarinet selections. Titles include "Tree People", "The Tide Is In", "River Chant", "Elephant", "Tibetan Sun", and "Celebration". CD

The first-ever live album from Joni Mitchell – and a record that sounds a fair bit different than a concert set might have during the Reprise years – as Joni's got plenty of help from Tom Scott & The LA Express, who bring a tight yet intimate vibe to the proceedings! Joni's definitely a superstar at this point – as you might guess from the size of the amphitheater on the cover – but she's also got an even stronger ability to come across with a personal, pointed style – one that's very different than the overblown hype of so many other 70s live albums. The set includes a few tracks not yet on albums, and a nice mix of material – including the live version of "Big Yellow Taxi" that ended up as a hit single – and the cuts"You Turn Me On I'm A Radio", "Blue", "Woman Of Heart & Mind", "Both Sides Now", "Real Good For Free", "Jericho", "Circle Game", "Cactus Tree", "The Last Time I Saw Richard", "People's Parties", and "Woodstock". LP, Vinyl record album

A key second chapter in the long and wonderful career of Joni Mitchell – a set that brings together the four albums she recorded for the Asylum label in the mid 70s – a post-Blue period that really had Joni opening up and exploring a lot in her music – including a jazzier side of the spectrum that never showed up as strongly before! First up is For The Roses – a sometimes-overlooked album in the career of Joni Mitchell – but a set that's every bit as great as the two huge hits that bracket it! Joni's really finding a great way forward, sounding more mature, and bringing some jazzier currents into her music – thanks in part to help from reedman Tom Scott and bassist Wilton Felder of The Crusaders – and a style of songwriting that's sometimes more fluid than before, and often a lot more biting too! Titles include "Woman Of Heart & Mind", "You Turn Me On I'm A Radio", "For The Roses", "Barbangrill", "Cold Blue Steel & Sweet Fire", "Let The Wind Carry Me", "Lesson In Survival", and "Judgement Of The Moon & Stars". Court & Spark is a key record in the second chapter of Joni Mitchell on record – a set that has both her vocals and her overall music style flowing with all these amazing touches you might not have heard a few years before – jazzier currents in her music that really set the album apart from earlier work in Joni's career! Mitchell responds to the music with soaring vocals that are completely wonderful, and nicely changed up in character from tune to tune – given backing by a host of great jazz and studio players who include Tom Scott on reeds and Joe Sample on keyboards! Titles include her classic version of "Twisted" – a redone version of the old Annie Ross track – plus the classic hit "Help Me", and "Just Like This Train", "Car On A Hill", "Court & Spark", "Down To You", "Free Man In Paris", and "People's Parties". Miles Of Aisles is the first-ever live album from Joni Mitchell – and a record that sounds a fair bit different than a concert set might have during the Reprise years – as Joni's got plenty of help from Tom Scott & The LA Express, who bring a tight yet intimate vibe to the proceedings! Joni's definitely a superstar at this point – as you might guess from the size of the amphitheater on the cover – but she's also got an even stronger ability to come across with a personal, pointed style – one that's very different than the overblown hype of so many other 70s live albums. The set includes a few tracks not yet on albums, and a nice mix of material – including the live version of "Big Yellow Taxi" that ended up as a hit single – and the cuts"You Turn Me On I'm A Radio", "Blue", "Woman Of Heart & Mind", "Both Sides Now", "Real Good For Free", "Jericho", "Circle Game", "Cactus Tree", "The Last Time I Saw Richard", "People's Parties", and "Woodstock". Hissing Of Summer Lawns is a further step forward in the career of Joni Mitchell – a record that not only continues the jazzier currents she explored in the 70s, but also brings in a whole bunch of different modes as well – so much so, it's almost as if Joni's daring anyone to still call her a folk singer with the album! The themes are wonderfully sophisticated, as is the songwriting – the king of material that would keep Mitchell strong for decades, while so many of her contemporaries faltered – as you'll hear on the tracks "In France They Kiss On Main Street", "Sweet Bird", "Shadows & Light", "The Boho Dance", "Don't Interrupt The Sorrow", "The Jungle Line", and "Edith & The Kingpin". CD

Sunny wonderfulness from one of the grooviest vocal groups of all time! This is Free Design's legendary album for children – referred to in the title as "very important people" – and it's a strangely hip set of tracks designed to get the kids to open up in a groovy late 60s kind of way. Given that the Free Design always sounded like a bunch of hippy kids, the setting is perfect for them – and they dreamily make their way through a great set of nearly all original tracks that sparkle with an innocent charm that's slyly deeper than you'd guess from the kid-orientation of the set! Original titles include "Love You", "Kites Are Fun", "Daniel Dolphin", "Ronda 'Go Round", "Bubbles", "Little Cowboy", and "Scarlet Tree". CD features 2 bonus tracks – both outtakes from "For The Love Of Your Lips", a Chapstick commercial! CD

Sunny wonderfulness from one of the grooviest vocal groups of all time! This is Free Design's legendary album for children – referred to in the title as "very important people" – and it's a strangely hip set of tracks designed to get the kids to open up in a groovy late 60s kind of way. Given that the Free Design always sounded like a bunch of hippy kids, the setting is perfect for them – and they dreamily make their way through a great set of nearly all original tracks that sparkle with an innocent charm that's slyly deeper than you'd guess from the kid-orientation of the set! Original titles include "Love You", "Kites Are Fun", "Daniel Dolphin", "Ronda 'Go Round", "Bubbles", "Little Cowboy", and "Scarlet Tree". CD features 2 bonus tracks – both outtakes from "For The Love Of Your Lips", a Chapstick commercial! CD

Really nice work from The Four Tops – proof that they were still going quite quite strong after Motown! The album's got a hip sound that shows the group moving through a wider range of emotions than we ever remember – crafting rich deep harmonies that still stand apart from the big wave of sweet soul quartets of the early 70s, and which sparkle with all the emotion that Levi Stubbs' voice had to offer. Includes their great theme to Shaft In Africa, the track "Are You Man Enough" – plus loads of other great ones like "I Just Can't Get You Out Of My Mind", "It Won't Be The First Time", "Sweet Understanding Love", "Too Little, Too Late", "Peace Of Mind", and "Main Street People". LP, Vinyl record album

A wonderful single from Street People – one that's got soaring harmonies that almost take us back to earlier east coast soul, but which are also put together with a tighter groove for the clubs! The cut's one of their best – and it really has the group hitting on all burners. The flipside's great too – a sweet mellow harmony number, but one with a slightly smooth polish too! 12-inch, Vinyl record

Ultra-hip soul from the 70s – a brilliant collection of underground tunes that represents some of the best of the decade's indie scene! The title says "modern", but the groove here is also pretty darn deep – as many of the tracks on the set have nice touches of southern soul, despite the smoother 70s production overall. Vocals are extremely heartfelt, and most tracks are in a mellow or midtempo pace – making for a really wonderful batch of tunes that moves away from the more uptempo and clubby sounds you might hear on other modern soul compilations. This special LP pressing brings together tracks from the CD series – a number of which were never issued on vinyl, even back in the day – and two unreleased tracks appear here for the first time ever! Titles include "Gotta Be Loved (part 2)" by Herman Davis, "Never Felt This Way Before" by The New Experience, "Go Away" by The Hestitations, "Momma Had A Baby" by Street People, "Do You Really Love Me" by Darondo, "I Don't Play Games" by Nightchill, "Just A Little Ugly" by Gail Anderson, "It's The Same Old Story" by Act 1, "Two Wrongs Don't Make A Right" by The Mayberry Movement, "Shake Off That Dream" by Eddie Billups & The CCCs, and "If There Were No You" by The Natural Resources. LP, Vinyl record album

A sweet little set that definitely aims to stake out its own little territory – with a groove that lives up surprisingly well to the title! The music here is way funkier than you might expect – and comes from a time when many popular singers were working in studios staffed by cats who were pretty darn cool – and had a great ear for picking up some of the best musical undercurrents from other scenes – including some of the best soul and funk that was really breaking out in the US at the start of the 70s! As a result, many of these tracks have unexpectedly funky rhythms at the bottom – way different than the kind of backings that you might have heard in country soul records from a few years before – and different too than the redneck rock that was becoming more popular with some of the bigger acts on the charts. You're bound to recognize a few bigger names here – as the set's not just country artists – and as usual, the Light In The Attic crew have done a stunning job of putting the whole thing together. Titles include "LA Memphis Tyler Texas" by Dale Hawkins, "Georgia Mountain Dew" by Johnny Adams, "Light Blue" by Bobby Darin, "I Wanta Make Her Love Me" by Jim Ford, "Hawg Frog" by Gray Fox, "Fire & Brimstone" by Link Wray, "Street People" by Bobby Charles, "Bayou Country" by Gritz, "I Walk On Gilded Splinters" by Johnny Jenkins, and "Studspider" by Tony Joe White. CD

Music from Ohio Express, Tommy Boyce & Bobby Hart, The Cuff Links, The Fifth Estate, Street People, Tommy Roe, Edison Lighthouse, Dawn, Keith, Jefferson, and more. CD

Ultra-hip soul from the 70s – a brilliant collection of underground tunes that represents some of the best of the decade's indie scene! The title says "modern", but the groove here is also pretty darn deep – as many of the tracks on the set have nice touches of southern soul, despite the smoother 70s production overall. Vocals are extremely heartfelt, and most tracks are in a mellow or midtempo pace – making for a really wonderful batch of tunes that moves away from the more uptempo and clubby sounds you might hear on other modern soul compilations. This special LP pressing brings together tracks from the CD series – a number of which were never issued on vinyl, even back in the day – and two unreleased tracks appear here for the first time ever! Titles include "Gotta Be Loved (part 2)" by Herman Davis, "Never Felt This Way Before" by The New Experience, "Go Away" by The Hestitations, "Momma Had A Baby" by Street People, "Do You Really Love Me" by Darondo, "I Don't Play Games" by Nightchill, "Just A Little Ugly" by Gail Anderson, "It's The Same Old Story" by Act 1, "Two Wrongs Don't Make A Right" by The Mayberry Movement, "Shake Off That Dream" by Eddie Billups & The CCCs, and "If There Were No You" by The Natural Resources. LP, Vinyl record album

A much-needed look at the amazing underground jazz scene in LA – the richly creative spiritual and avant underground that flourished strongly in the 60s, 70s, and 80s! Although the city's best known for its cool jazz of the 50s, there's an even greater amount of left-field jazz that's come from LA – work that rivals eastern scenes like the AACM in Chicago or loft jazz world in 70s New York – but even more righteous and spiritual overall! The book does a great job of laying the groundwork for this scene to emerge – and offers an incredible amount of detail on its evolution – with an especially focused look at Horace Tapscott and his Pan-Afrikan Peoples Arkestra, as well as some of the artists who recorded for Nimbus Records. Plus, this updated edition does a wonderful job of showing the continuing legacy of the music well into the 21st century – and also includes an appendix by Roberto Miranda, for a larger volume running well over 420 pages! Book

Great later work from Eddie Harris – three albums in a single set! Live In Berlin is a surprisingly great concert – recorded by Eddie at the end of the 80s, with a fire and open approach that we wouldn't have expected! The album features Eddie on piano and tenor, with backing only by Ray Peterson on bass and Norman Fearrington on drums – and the spare setting really has Eddie taking charge of the set dynamically, hitting funky notes one moment, soulful notes another, and messing around in a tripped-out style that we haven't heard since his best Atlantic recordings of the early 70s. The set kicks off with the funky jamband number "Ambidextrous", rolls into the weird vocal tune "La Carnival", and contains other great numbers like "Scatting Unlyrically Simultaneously", "Airigen", "Walkin", "Lover", and "Eddie Who". Eddie Who is only a trio set, but one that often has all the full, soulful currents of some of the reedman's 70s material for Atlantic Records! Eddie plays piano and trumpet in addition to his usual tenor – and often does so at the same time, thanks to the magic of overdub – which also allows Harris to vocalize a bit next to his instrumental passages, with this very cool sound that's both an extension of the vocalizations he'd begun with Les McCann, but also some more familiar jazz singing as well. The whole album's not vocal, and the more instrumental passages feature some mighty nice tenor – and rhythm is from the team of Ralphe Armstrong on bass and Sherman Ferguson on drums. Titles include "Eddie Who", "Cedar Trees", "Silverplated", "Eddie Theme", and "Ambidextrous". People Get Funny is a later album from reedman Eddie Harris – but a set that still continues some of his best funky styles from the 70s Atlantic Records years! In fact, the record may well be the last that Eddie ever cut in this mode – a real surprise at a time when some of his other sessions were more traditional – and the record's filled with lots of very groovy surprises that include great Fender Rhodes from William Henderson, plus more electric piano from Eddie – who also sings a bit too, in that great raspy tone of his. Rhythms are often pretty great, too – funky, in an offbeat way – thanks to sweet basslines from Larry Gales and drums from Carl Burnett. Titles include "People Get Funny When They Get A Little Money", "Ski Ball", "Three Quarter Miles", "Silver Plated", "Hal Strange", and "Step Down To The Top". CD

Smoking work from Donald Byrd – post-Blue Note, post-Larry Mizell, and with a modern funk groove that's still pretty darn tasty! Not one to rest on his laurels – which he could have easily done with endless Mizell-based recordings – Donald shifts his groove here towards more of a boogie-styled 80s approach – one that's got the same sort of loping funk that was showing up in the work of Tom Browne and some of the younger players on the scene at the time. There's a fuller, richer, more soul-based approach to the set – but still some strands of the Mizell years – especially in the album's great keyboard work by Clare Fischer, and its use of chorus vocals on a number of tracks. Wade Marcus and George Bohannon helped with arrangements – and titles include a great funky remake of Fischer's "Morning" – plus "Veronica", "Gold The Moon, White The Sun", "Marilyn", "Pretty Baby", and "People Suppose To Be Free". CD

Smoking work from Donald Byrd – post-Blue Note, post-Larry Mizell, and with a modern funk groove that's still pretty darn tasty! Not one to rest on his laurels – which he could have easily done with endless Mizell-based recordings – Donald shifts his groove here towards more of a boogie-styled 80s approach – one that's got the same sort of loping funk that was showing up in the work of Tom Browne and some of the younger players on the scene at the time. There's a fuller, richer, more soul-based approach to the set – but still some strands of the Mizell years – especially in the album's great keyboard work by Clare Fischer, and its use of chorus vocals on a number of tracks. Wade Marcus and George Bohannon helped with arrangements – and titles include a great funky remake of Fischer's "Morning" – plus "Veronica", "Gold The Moon, White The Sun", "Marilyn", "Pretty Baby", and "People Suppose To Be Free". LP, Vinyl record album

Public Enemy at the height of their power – all the best cuts from their early years on Def Jam Records – from a time when they were really helping expand the scope and political power of hip hop! The group were essential in taking the music from the parties in the streets to the issues that really mattered to the people who were listening – and even after all these years, it's impossible to deny the impact and power of these cuts – many of which deal with issues that still haven't been resolved all these many decades later! Every track is a gem – and titles include "You're Gonna Get Yours", "Public Enemy #1", "Rebel Without A Pause", "Bring The Noise", "Don't Believe The Hype", "Prophets Of Rage", "Black Steel In The Hour Of Chaos", "Fight The Power", "Welcome To The Terrordome", "911 Is A Joke", "Brothers Gonna Work It Out", "Can't Truss It", "Can't Do Nuttin For Ya Man", "Hazy Shade Of Criminal", "Shut 'Em Down", "By The Time I Get To Arizona", and "He Got Game". CD

A never-issued performance from Horace Tapscott and his Pan Afrika Peoples Arkestra – the large ensemble that provided a perfect platform for the bigger ideas he was bringing into his music in the 70s! A record like this marks Tapscott as every bit the spiritual visionary as Charles Tolliver or Sun Ra at the time – as Horace is recording in California with a series of long, extended compositions – showcased beautifully by a lineup that includes Jessee Sharps on soprano sax, Adele Sebastian on flute, Gary Bias and Michael Session on alto, Linda Hill on piano, and both James Andrews and Charles Chandler on tenor saxes – many of them names you'll know from their own great recordings on the Nimbus label a few years later. Kamau Daaood provides a bit of spoken word on the set – and titles include "Ancestral Echoes", "Sketches Of Drunken Mary", "Eteral Egypt Suite", and "Jo Annette". CD

An amazing record from pianist Horace Tapscott – maybe one of his most ambitious projects ever, and a set that stands head and shoulders next to his classic work for the Nimbus label! As with some of those records, this set features his large Pan Afrikan Peoples Arkestra – performing live at LACMA in 1998, and also augmented by a vocal choir at times – working with a sense of pride and power that's very much in the best 70s spiritual jazz mode! We honestly didn't know that Tapscott had continued the group this far into the 90s – we've only heard them on record up through the early 80s – and the lineup really represents the maturing vision of the music, with some especially great work from Tapscott on piano, Phil Ranelin on trombone, and Michael Session on soprano, alto, and tenor – plus lead vocals from the mighty Dwight Trible. Titles include "Aiee The Phantom", "Fela Fela", "Listen Africa", "Caravan", and "Why Don't You Listen". CD

A fantastic look at the righteous current of energy that swept through American music at the end of the 60s – that huge wave of knowledge and political inspiration that still stands as one of our favorite moments in jazz and soul! The Civil Rights generation had gotten some things accomplished, but not everything – and a new wave of action arose in various scenes of the underground – not just pushing the musical formats past anything that had happened before, but also doing so with a strong message of pride and empowerment! This collection surveys some of the best tracks of that moment – and also provides a great batch of historical notes to put the whole thing in context – done in collaboration with the book of the same name, but equally great as a soundtrack and document on its own. The package is overflowing with Dusty Groove classics – and titles include "Sweet Songs" by Sarah Webster Fabio, "Surtal Ihklas" by Doug Carn, "Vibes From The Tribe" by Phil Ranelin, "Desert Fairy Princess" by Horace Tapscott & The Pan Afrikan Peoples Arkestra, "Sounds From The Bush" by The Mandingo Griot Society with Don Cherry, "Is It Too Late" by Duke Edwards & The Young Ones, "Strong Men" by David McKnight, "Black Narcissus" by Joe Henderson, "Malcolm X" by Phil Cohran & The Artistic Heritage Ensemble, "Mother Of The Future" by Carlos Garnett, "Red Black & Green" by Roy Ayers, "African Rhythms" by Oneness Of Juju, and "The Revolution Will Not Be Televised" by Gil Scott-Heron. CD

A great chapter in the career of trumpeter Donald Byrd – his post-Blue Note work with the group 125th Street NYC – which is kind of a second chapter to the jazzy fusion style he developed at the start of the 70s! This time around, there's an equal emphasis on soul and jazz – often with some strong vocals in the lead, but also plenty of room for Donald to stretch out and serve up the kind of perfect solos he worked out with the Mizell Brothers in the years before – modes that are continued here with some great guest help from singers and musicians who include Syreeta, Isaac Hayes, Jim Gilstrap, Wah Wah Watson, and Greg Phillinganes! If you like Donald Byrd albums like Places & Spaces or Stepping Into Tomorrow, you'll find that the sound here is a continuation of that mode – taken into the leaner funk territory that would come to play in the 80s. 2CD set features almost all the best tracks from those years, including some single mixes too – and titles include "Thank You For Funking Up My Life (12" disco version)", "Marilyn", "Butterfly", "Gold The Moon White The Sun", "Sexy Dancer", "Love Has Come Around", "Loving You", "Love For Sale", "Star Trippin", "I Love You", "Midnight", "Your Love Is My Ecstasy", "Have You Heard The News", "People Suppose To Be Free", "Morning", "I'm Coming Home", "Sunning In Your Love Shine", "Everyday", "Falling", "So Much In Love", and "Forbidden Love". CD

Darkly beautiful work from singer June Christy – a lesser-remembered gem from the end of her years at Capitol Records! The mood here is very much in keeping with the "night people" setting of the title – a lonely space of empty streets, open windows, and late night saloons – first brought to record so beautifully by June on the Something Cool album, and wonderfully revisited in this fantastic set! Arrangements are by husband Bob Cooper, and although they're a bit less arch-modern than some of Christy's work with Pete Rugolo, they still really get at the boozy genius of June's vocals at their best. Titles include "I Had A Little Sorrow", "Night People", "Make Love To Me", "Shadow Woman", "My Ship", and "Kissing Bug". CD also features 5 bonus tracks from the Do Re Mi album – including "Make Someone Happy", "Asking For You", and "All You Need Is A Quarter". CD

The world needs changing – and plenty of these tunes may well do it – thanks to infectious grooves and some very righteous message-oriented lyrics! The set's a great document of the positive, progressive energy going down in soul music during the heady days of the late 60s and early 70s – a time when the country was changing heavily, and the music was as well – moving into new styles, themes, and ideas – expressed here by a hip batch of cats who were working on some of the best indie labels of the underground! This set offers up a great mix of cool cuts from a variety of sources – a few gems from the Flying Dutchman label, some other obscure 45s, and even a few southern soul numbers that fit surprisingly well with the northern vibe of most of these numbers. Titles include "Walk Tall" by Esther Marrow, "Get Ready/Uptight" by Little Eva Harris, "All Power To The People (part 1)" by Joe Savage & The Soul People, "Soul Patrol" by The Original Soul Patrol, "Do It (inst)" by Johnny Griffith, "The World Needs Changin" by Hank Jacobs & Don Malone, "Sea Saw Affair" by Cesar 830, "Love Tones" by Melvin Sparks, "That's The Way It Goes" by Elaine Armstrong, "This Is The Me Me" by Brenda Jones with Groove Holmes, "Sissy Strut N American Woman" by The Willard Posey Reunion, and "Rudypoot" by Huck & The Soul Patrol. CD

What can we say? This is one of the greatest albums of all time! The record's got a sound that's completely unique – as crack LA garage punk rock meets Hollywood baroque production, and the result is an amazing bit of loud guitar noise backed by strings and horns, all graced by the godlike vocals of the great Arthur Lee. Forever Changes is a milestone in rock – an incredibly bleak document about insanity, escape, and the coming revolution that never happened. Think of all the best moments of Wild In The Streets, Zabriske Point, and Invocation of My Demon Brother rolled into one – and you'll only have a tiny slice of the picture! A record that will haunt us until the day we die – filled with incredible songs like "Alone Again Or", "Old Man", "Daily Planet", "Red Telephone", and "Maybe The People Would Be The Times Or Between Clark & Hilldale". LP, Vinyl record album

Round Two features the tracks "16 Bars (Live At The Lyricist Lounge 1993)" by The Notorious B.I.G., "Oh No" by Mos Def & Pharoahe Monch featuring Nate Dogg, "Makin It Blend" by Q-Tip & Words, "Get Up" by Cocoa Brovaz, "Let's Grow" by Royce Da 5'9", "Ms Fat Booty 2" by Mos Def & Ghostface Killah, "W.K.Y.A." by Saukrates featuring Redman, "Sharp Shooters" by Talib Kweli & Dead Prez, with production by Hi-Tek, "Legendary Street Team" by Kool G Rap & M.O.P., with production by Mighty Mi, "The Grimy Way" by Big Noyd & Prodigy, with production by The Alchemist, "Battle" by Erick Sermon featuring Sy Scott, "Still Here" by Big L featuring C-Town, with production by Hi-Tek, "Right and Exact" by Dilated Peoples, with production by The Alchemist, "I've Committed Murder (Gang Starr remix)" by Macy Gray, produced by Premier and featuring Mos Def, "Outro Live At The Lounge" by Q-Tip, "Da Cipha Interlude" featuring Punch, Cobra Red, Planet Asia, Guilty & Phil Da Agony, with production by Madlib – and more. CD

A heady second chapter of a legendary funk group that were only around for a few short years, but gave us some great music in the process – presented here with 16 unissued tracks from their years in Los Angeles, including work from members of the Watts 103rd Street Rhythm Band too! With so much unreleased music, the set's like a fresh discovery of Dyke & The Blazers – adding new takes and versions to the material they recorded in LA before Dyke passed all too quickly – making for a long-overdue addition to their small body of recorded work. Titles unissued stereo mixes of "We Got More Soul (full length)", "Funky Walk (full length)", "The Wobble (full length)", "Let A Woman Be A Woman Let A Man Be A Man", "Funky Bull (full length)", "Booga Jivin", "Stuff (full length)", "Runaway People (full length)", and "Moon" – plus the never-issued "The Walk (part 1 east)", "Do It Together (orig mix)", "WUFO Radio Spot", "Day Is Comin (demo)", and "I'm So All Alone (alt)". Also includes the cuts "Black Boy", "It's Your Thing", "You Are My Sunshine", and "Shot Gun Slim" – all very funky! LP, Vinyl record album