Robert Aaron is an unusual figure on the New York scene – a farther part of the no wave scene in its glory days, yet also a musician who was also playing outside on the streets around the town too – maybe something you wouldn't guess from his image on the cover! This set brings back Aaron's talents in a nicely respectful way – giving his work on saxes and organ a new vibe, thanks to a well-chosen array of musicians by the Heavenly Sweetness label – including the great Chieck Tidiane Seck on Hammond and Fender Rhodes, Roger Raspail on percussion, and Monette Sudler on some guest guitar! Anthony Joseph sings on one track too – and titles include "Trouble Man", "A Song For Monette", "Maimouna", "Thembi", "Bombo", "Sweet Obsession", and "Bombo". CD

Wonderfully fuzzy work from Amanaz – one of the trippiest, headiest groups of the Zamrock scene of the 70s! The guitars here are very full and present – not at a hit you over the head jamming label, but with this rich sonic element that has lots of bassy undercurrents – at a level that makes the album a head-nodding gem all the way through – poised perfectly between some of the more psyche styles of the African scene of the time, and some of the more thoughtful singer-songwriter material. The group have a quality that's surprisingly deep – very soulful, and with a subtle power that comes through strongly – thanks to a mostly-English batch of lyrics (although a few tunes here are in their native Bemba.) No cuts are all-out funky, but all have this great slow-funk sort of charm – and titles include "I Am Very Far", "Sunday Morning", "Khala My Friend", "Green Apple", "Africa", "Making The Scene", "Easy Street", "Big Enough" and "Kale". 2CD package features a full bonus "reverb mix" of the album – even trippier! CD

Funky African work from Fred Fisher – a Nigerian trombonist who crafted his own unique groove at the end of the 70s! Fred both sings and plays trombone – the latter with a Fred Wesley-like soulfulness – and his rhythms here are really wide-ranging, and embrace a host of new styles coming into play at the time – including a fair bit of influences from American soul! Some cuts have a rootsy groove, while others move into tighter dancefloor territory – never in a commercial style at all, but with traces of boogie and other 80s modes in the mix. Vocals are sometimes in English, which furthers the global appeal of the music – and the set brings together tracks from 4 different albums by Fisher. Titles include "Say The Truth", "Asa Sa", "Iye Ye Mu Elediamemisise", "No Way", "Let Love Free", "WTFS", "Beautiful Dancer", "Happy Blue Night", "The Beginning Ishan", "Ehimedede", "Babajoo", and "Ebi Lolo". 2CD set features 20 tracks in all. Note: The music on the whole set is great, but there are a few tracks that suffer sound-wise from some distortion in the masters used. Most of the other tracks are fine, though. CD

A great trio setting for the tenor of Rodrigo Amado – always a treat, but especially nice here in the company of bassist Goncalo Almeida and drummer Onno Govaert – both players who have this open, elliptical way of building things up alongside Amado's lead! The tenorist has a richly soulful sound throughout, and the way the bass and drums are used is a nice evolution past both early American avant modes and later European free jazz styles – rich in sound, but never too bombastic – while freed from rhythm, but also very respectful of the tenor too. Titles include "Outer Fields", "Love Ghosts", "Encounter", and "New Tone". CD

An incredible revamping of some of the most important material recorded by Albert Ayler in the years before his too-soon death – a package that adds in over two hours of new music to the original three volume Fondation Maeght recordings – which were usually issued in low-budget packages without the care that this set receives! Ayler is fantastic here – very spiritual, and bridging the gap between his early material for ESP and his later work on Impulse – less of the experiments of the studio sets of those later years, and more of the searing longform improvisation that he could deliver at his best! The group features wonderful work from Mary Parks (Mary Maria) on soprano sax, plus Call Cobbs on piano, Steve Tintweiss on bass, and Allen Blairman on drums – and Parks delivers a sublime vocal on a version of "Music Is the Healing Voice Of The Universe". Ayler blows both tenor and soprano – and the set features a whopping 29 tracks, recorded on July 25 and 27 in 1970 – titles that include "Spirits Rejoice", "Thank God For Women", "Revelations", "Holy Family", "A Man Is Like A Tree", "Zion Hill", "Truth Is Marching In", "Love Cry", "Ghsots", "Speaking In Tongues", "Heart Love", "Island Harvest", "Masonic Inborn", and a few versions of "Revelations". CD

Four of the more obscure RCA albums from the great Bobby Bare – all brought together here in a single set! First up is the very unusual English Countryside album – a special set that has the vocals of Bobby Bare paired with a group from the UK – Liverpool's Hillsiders, who sing with a style that's a bit folk, and a bit rock – but which takes on a very distinct country vibe amidst the RCA production of Chet Atkins! Both Bare and The Hillsiders sing solo on the record – but most of the set has them paired together, and the presence of all those voices on the tracks create a nice sense of spontaneity – maybe a hint at the more relaxed recording approach that Bobby would use on his big albums of the mid 70s! Titles include "Sweet Dreams", "Six Days On The Road", "Find Out What's Happening", "Love's Gonna Live Here", "Goin Home", "Blue Is My Lonely Room", and "I Washed My Face In The Mountain Dew". Margie's At The Lincoln Park Inn is a seminal album in the career of Bobby Bare – and the record that really has him turning from a young smiling country singer to the kind of more adult, mature talent that would really send him over the top! The album's promise of "controversial country songs" is certainly apt – as in addition to the great Tom T Hall title cut, the album also features Bare taking on great material from Kris Kristoffersen, Mel Tillis, and even the team of Spooner Oldham and Dan Penn – all set to arrangements that are nicely more sophisticated than those used on the more pop productions of some of Bobby's earlier albums. Titles include "Margie's At The Lincoln Park Inn,", "The Law Is For The Protection Of The People", "Watching The Trains Go By", "Skip A Rope", "Rainy Day In Richmond", "Cincinnati Jail", "Wild As The Wind", and "Drink Up & Go Home". I Hate Goodbyes is the record that marked the return of Bobby Bare to RCA Records in the early 70s – and one that also marks the start of a very different phase in Bare's career! This time around, Bobby's handling the production himself – working with the kind of thoughtful, mature material that would really let him open up – songs from Billy Joe Shaver, Mickey Newbury, the team of Bill Rice and Jerry Foster, and even an early tune from Shel Silverstein – who would soon become one of the biggest contributors to Bobby's records. The vibe is very different than his RCA material of the mid 60s, and in a great way – on titles that include "I Hate Goodbyes", "Restless Wind", "Ride Me Down Easy", "Send Tomorrow To The Moon", "You Know Who", "An Offer She Couldn't Refuse", "What's Your Mama's Name Child", and "Poison Red Berries". Last up is Cowboys & Daddys – an overlooked gem in the mid 70s RCA years of the great Bobby Bare – and a set that really shows the dedication that Bare had during these years to finding the most sophisticated material of the new country generation! The list of songwriters alone is great – as the set features tracks from Terry Allen, Shel Silverstein, David Hickey, and Tom T Hall – plus an early contribution from Bob McDill, with whom Bare would soon record a lot more material on albums to come. There's a mature, laidback vibe to the whole set – different than some of the more playful Bobby Bare albums of the time – and titles include "Chester", "The Cowboy & The Poet", "Amarillo Highway", "Speckled Pony", "Calgary Snow", "Last Dance At The Old Texas Moon", "Pretty Painted Ladies", and "The Stranger". CD

The only album ever by The Barrino Brothers – a stellar early 70s harmony group, and one who could sing with the best of the east coast scene of the time! The whole set's got a feel that's very much in the best mode of groups like The Modulations, Soul Generation, and even The O'Jays – as the group's got a deeper, more solid sound than some of the more fragile outfits of their era. Production is very strong – thanks to the Holland-Dozier-Holland powerhouse sound of the time – and the group's vocals are supported on a full groove that really helps send the whole thing over the top! The title cut "Livin High Off The Goodness Of Your Love" is a stone classic – and other nice tracks include "Rain", "I Had it All", and "It Doesn't Have to Be That Way". Loads of bonus tracks too – including "Trapped In A Love", "I Had It All (single)", "I Shall Not Be Moved", "Livin High Off The Goodness Of Your Love (inst)", "Livin High Off The Goodness Of Your Love (single)", "Born On The Wild (voc)", and "Born On The Wild (inst)". CD

A soaring set from the great Robbie Basho – one of the most unique artists of his generation! Basho's often mentioned in the same breath as John Fahey, but a record like this really shows his difference – as the record not only features wonderful work on both 6 and 12 string guitar from Basho, but also has lots of these oddly-sung, surprisingly heartfelt lyrics – in a mode that's quite far from folk roots, and which instead has this really soulful warbling that really adds a lot to the spirit of the tunes. The only other instrumentation is some very cool work on the South Indian log drum – and titles include "Omaha Tribal Prayer", "Sweet Medicine", "Roses & Gold", "Joseph", "Blue Corn Serenade", and "Wounded Knee Soliloquy". CD

Low-burning tenor from Jerry Bergonzi – a player we grow to appreciate more and more as the years go by! Jerry starts this set off with a great reading of Joe Henderson's "Inner Urge" – which is a very apt choice, as Bergonzi's tenor has all the deep soul and modern edges we loved in Henderson's early Blue Note work – a real breath of fresh air when Jerry first came on the scene, and still holding up beautifully over the years! Mulgrew Miller's piano provides some great support here, too – supporting Bergonzi's vibe beautifully with lots of dark, thoughtful lines – even on the ballad numbers – and the rest of the group features Adam Nussbaum on drums and Dave Santoro on bass. In addition to "Inner Urge", other titles include "Jones", "Red's Blues", "On The Brink", and "Everything Happens To Me". CD

This ultra-hip ensemble is celebrating its 10th Anniversary – and in doing so, has maybe given us their best album yet! The group's overflowing with work from an all-star lineup – Wayne Escoffery on tenor, Jeremy Pelt on trumpet, James Burton III on trombone, Victor Gould and Xavier Davis on pianos, Vicente Archer and Rashaan Carter on basses, and Johnathan Blake and Mark Whitfield Jr on drums – the last two pairs of whom shift in and out of the ensemble as the set moves on – but with such rock-solid energy, there's a unified vibe to the whole set. Some of the best tracks have this soaring, searching energy – and the whole album's got a very visionary approach, served up by musicians who are looking to do way more than just run through a few standards. Titles include "Black Heart", "Cold Switching", "Soliloquy", "Lookin For Leroy", "Coming Of Age", and "Truth To Power". CD

A sweet set of 70s spiritual jazz from Argentine tenor player Chivo Borraro – one of his best albums of the time, and a really wonderful session with lots of nice touches! The record features Borraro playing keyboard effects, in addition to his usual tenor – and it also features some additional keyboards by Fernando Gelbard, who plays both Fender Rhodes and ring modulator on the album, working things wonderfully as he did on his own albums of the time. This wealth of keyboards gives the album a spacious feel – keys soaring out into space, creating platforms for solo work on sax, and a space to showcase the talents of Stenio Mendes, who plays the 12-stringed craviola on the album. There's lots of post-Coltrane exploration to the record – and titles include "Mi Amgio Tarzan", "Cancion De Cuna Para Un Bebe Del Ano 2000", "Lineas Torcidas", and "La Invasion De Los Monjes". CD also features two bonus tracks – "Intro/Mi Amigo Tarzan" and "Mi Amigo Tarzan (alt take)". CD

Really cool work from the UK reggae scene of the early 70s – a set of obscure early albums from the hands of British producer Dennis Bovell – issued in a series of unassuming packages that were done to appear as obscure Jamaican imports – from the stripped-down packaging to the stripped-down sound in the grooves! The feel here is a bit looser and more laidback than some of the other UK productions of the time – roots work that has some occasional dub-style production at points, or a more straightforward groove at others – on many instrumental cuts that are perfect for blasting over a larger soundsystem! These records were a slight mystery at the time, and haven't been reissued much over the years – and together here in a single set, with fantastic notes from the Doctor Bird label, they are finally brought together as a whole! The set features four full albums – Ah Who Se Go Deh, Leggo A Fe We Dis, Scientific Higher Ranking Dubb, and Yuh Learn – plus 8 related bonus tracks too. CD

A 10th Anniversary performance by the Chicago Tentet – a wonderful group that's become the fruitful union of saxophonist Peter Brotzmann with a younger generation of players who were working heavily on the Chicago scene at the time! Back when the group first started, it was something of an experiment – but over the following decade, the ensemble won great attention for their playing, and for good reason too – considering the solo contributions of players like Ken Vandermark and Mats Gustafsson on reeds, Joe McPhee on trumpet and tenor, Johannes Bauer on trombone, Kent Kessler on bass, and Paal Nilssen Love on drums – all working under the visionary leadership of Peter Brotzmann! The tracks are all somewhat long and open-ended – almost more spacious than on other Chicago Tentet records, with a freely improvised feel. Titles include "Ten By Ten", "Little By Little", and "Step By Step". CD

A pair of King Jammy sets, both making their CD debut – and presented here with bonus tracks too! First up is The Exit – a stunning set from Dennis Brown, and the kind of record that shows why he was one of the most soulful singers of the early digital scene! King Jammy put the set together, and uses all these bits borrowed from dub, but in a sparing way – so that Dennis is allowed to step out strong, in a very straightforward way – crafting these wonderful vocals next to sweet electro bits and warmer rhythms – on titles that include "The Exit", "Too Late", "Dance All Night", "Tracks Of Life", "We Should Make Love", and "Material Girl". Added to the set is another great Jammy's production, but one that was never released at the time – the album Hold Your Corner, with vocals from Al Campbell – a mighty great singer, and one with a sweetly crackling style! Titles on that record include "Hot Love", "Big Wheel", "Equalise It", "Stop You Fussing & Fighting", and "Buss Them Shut". The CD also features four more Jammy's productions – on cuts that include "She's Done With It" and "I Love You" by The Mighty Rudo, and "She Only Want Something" and "Crucial Lover" by Leroy Smart. CD

A stunning double-length collection of work from dub producer Errol Brown – a massive 42 tracks in all, each of which definitely live up to the "tip top" promised in the title! The work here is from the years 1977 and 1978 – all originally issued on the High Note or Sky Note labels, at a time when Brown's talents in the studio were able to completely transform elements from contemporary tunes, and take them into all sorts of wonderful new directions with instrumentation help from The Revolutionaries! There's plenty of echo throughout, but most tunes also have a very straightforward vibe too – lean and forward-moving, without getting too bogged down in the production – just using the right elements to make everything sound super-cool throughout. The set features 25 tracks that have never been on CD amidst the total of 42 – and tracks include "Phase One Special", "Roots Man Dub", "Dancing Dub", "Wooga Man", "King Ruler", "Ital Dub", "Dub Walla", "Chapter 15", "Know Your Friend Version", "Strictly Roots"- "Lizard Version", and "Dub In Dreamland". CD

A pare of rare European sessions from saxophonist Marion Brown – back to back on a single set! First up is Gesprachsfetzen – a really wonderful collaboration between alto saxophonist Marion Brown and vibist/reedman Gunter Hampel – a set that's maybe one of the sharpest to come out of their work together! The music has maybe even sharper edges than some of Brown's previous records – a dose of some of the European modernism in which Hampel was steeping himself, but also with some more organic, spiritual qualities on the solos – not just Brown's, but the work of trumpeter Ambrose Jackson – who's pretty great here too. AACM legend Steve McCall is also in the group on drums and percussion, along with bassist Buschi Niebergall – and the set was recorded live, with titles that include "Gesprachsfetzen", "Exhibit A", "Babudah", "Tomorrow Is The Beginning Of The End Of Yesterday", and "Aba". In Sommerhausen is one of the key records that alto saxophonist Marion Brown made while working on the German scene at the end of the 60s – an incredibly fruitful period that seemed to unlock all this new energy in Brown's music in a mode that was similar to what happened when Don Cherry started making time on the European scene! Brown's key partner here is Gunter Hampel – who plays vibes, bass clarinet, and percussion – the latter of which is handled by the other members of the group too – a lineup that includes Ambrose Jackson on trumpet, Daniel Laloux on bass, and Steve McCall on drums – playing here before his better-known work with the AACM. Jeanne Lee brings some lovely vocalizations to the set – and titles include "Dance No 1", "Exhibit B", "Il Ne Chant Pas", "The Sound Of A Song", and "Malipieros Midnight Theater". CD

Alto saxophonist Rob Brown really shines in a setting like this – a record with a very open-ended vibe, as Brown improvises freely in tandem with Juan Pablo Carletti on the drums – spinning things out over two very long tracks that are full of delightful surprises at every twist and turn! Brown has a really great way of handling his horn – blowing freely, but almost with an inherent sense of structure – not playing changes, or hitting a rhythm, but creating these patterns that really hold the whole thing together – still the farther side of tuneful, but almost there at times. Titles include "6BC" and "Children's Magical Garden" – both nice and long! CD

An obscure little set, but a great one too – a joint effort from Charles and Barbara Burton – served up with a really wonderful blend of upbeat club and modern soul modes! The album's got all the indie soul charm you'd expect from its title and cover – a simple, straightforward approach to the music that's often got lots of personal touches and genre-crossing moments – a great antidote to more mainstream soul of the time, but done with a fair bit of skill throughout! Instrumentation includes some great keyboards next to Barbara's vocals – and a few numbers feature chorus vocals that come across with an especially shimmering kind of sound. Titles include "LA Will Make You Pay", "Sincerely Yours", "Who You Gonna Get", "You Know I Love You", "Groovin At The Night Club", and "Nation Song". CD

Butcher Brown move past their roots as a core funk combo here – opening the door to contributions from a whole host of guests, and moving even more strongly into the world of soul music than on their album with Triple Trey! There's an expansive sound here that seems to have the hardworking outfit finally getting their chance at more mainstream fame – not in a commercial way, but at a level that just opens up with the energies they've always had, given focus through contributions from Braxton Cook, Keyon Harrold, Jay Prince, Vanisha Gold, Julia Shuren, Nappy Nina, Pink Siifu, and others – on titles that include "This Side Of Sunshine", "Happy Hourrr", "Around For Awhile", "Pink Fur", "Run It Up", "Espionage", "I can Say To You", "Move (Ride)", "Turismo"- "Eye Never Knew", "Half Of It", "No Way Around It", and "DYKWYD". CD

The genius of Don Byas finally gets its due – served up here in a massive 10CD package that's overflowing with work from some of Byas' most fruitful years as a saxophonist! Byas is one of the sometimes-overlooked giants of his generation – a player with a tone and style that's every bit as distinct as that of Ben Webster and Lester Young. Yet for some reason, Byas has a much more checkered recording history – and one that sometimes doesn't really capture his strengths when he's completely on fire. That's definitely corrected here – as the package features some key recordings by Byas as a leader – then rolls into a stunning array of tenor performances in the groups of others – some originally issued on rare 78s, others never issued until this box – making the whole thing a mindblowing look at these seminal years in Don's career! The labels for some of the tracks include King, Manor, Jam, Savoy National, and HNS – and Byas blows as a leader in a few groups, and with other leaders who Hot Lips Page, Hank D'Amico, Cozy Cole, Earl Bostic, Joe Turner, Timmie Rogers, Oscar Pettiford, and Dizzy Gillespie – a really varied lot, which demonstrates the versatility that Byas could have as a performer. The box has 193 tracks in all, and a hugely detailed set of notes – a really ear-opening listen to this great tenorist! CD