An overlooked gem from the glory days of Virgin's Frontline series – a homegrown effort from UK singer Vivian Weathers – a really unique talent with a style that's very much his own! At some level, Vivian's got the warmth of the lover's rock generation, but mixes it with some of the deeper currents of contemporaries on the hipper side of the UK reggae spectrum – creating a record here that's stunningly soulful and deep, and very much at the highest level of British reggae for the period! This isn't crossover pop, but instead the kind of special, deeper current that only a rare few were crafting on the London scene – as you'll hear on cuts that include "Move Ghetto Children", "Hip Hug", "Gypsy Love", "Song Of Sufferation", "A Fool & His Baby", "The Way You Walk", and "Street Talk". Features a bonus track – "Hip Hug (12" mix)". LP, Vinyl record album

... LP, Vinyl record album

A classic greatest hits package from The Who – one that had almost as much life as any of their major full length albums, and a set that served to re-introduce new audiences to the group after the success of Tommy and Who's Next! Most of the tracks here predate those albums – pulled from the group's earliest years, and awash in mod rhythms, tight guitars, and lyrics that are quite edgey – even in the format of a two-minute pop tune. Titles include "Boris The Spider", "Happy Jack", "Pictures Of Lily", "My Generation", "The Seeker", "I Can't Explain", "The Kids Are Alright", "Anyway Anyhow Anywhere", "A Legal Matter", "Substitute", "I'm A Boy", and "Pinball Wizard". LP, Vinyl record album

An incredible album – and one of the most revolutionary rock albums of the late 60s! The Who recorded this one as a tribute to mainstream radio at the time – linking together some solid stand alone tunes with shorter, wittier tracks that were recorded as commercials for products that included baked beans, acne cream, and deodorant – as well as cool announcer bits too! The end result is one of the most sonically complex records issued by a mainstream rock act of the time – sort of like The Who said "yeah, everyone's trying to copy Sgt Peppers with big arrangements, but we'll take this concept album thing in a whole new direction!" Brilliant all the way through, and with tracks that include "Armenia City In The Sky", "Heinz Baked Beans", "Mary Anne With The Shaky Hand", "I Can See For Miles", "I Can't Reach You", "Rale", "Sunrise", and "Silas Stingy". LP, Vinyl record album

One of the records that really put saxophonist Scott Hamilton on the map – a well-matched set with reedman Bob Wilber, and a date that has each player taking a different end of the sonic spectrum! Wilber blows alto, soprano, and clarinet – often with a style that maybe hints at trade, but with more swing strengths overall – which Hamilton really amplifies with his well-blown, well-toned solo work. Other group members include Chris Flory on guitar, Phil Flanagan on bass, and Chuck Riggs on drums – and the use of a guitar instead of a piano really makes for a fresh flavor on the date. Titles include "Puggles", "Freeman's Way", "Riff", "Time After Time", "Treasure", "Jonathan's Way", and "144 West 54th". LP, Vinyl record album

A seminal jazz rock statement from drummer Tony Williams – one that has him stepping out quite far from his original "new thing" recordings of the mid 60s! The album's got a genre-forming sound that's incredibly fierce – a power trio churning of Williams drums, John McLaughlin's guitar, and Larry Young's free-thinking work on organ. The tunes are long and jamming, but also have a tight rhythmic focus that never gets too sloppy – and which virtually set the stage for a whole generation of 70s fusion players in years to come! Young and McLaughlin are especially great – working here with Williams to pound out sheets of sound in a cosmic trippy maze of riffs and grooves, certainly enough to inspire the most addled rocker to head over to the jazz section! Though this set was released as two separate volumes, this double LP version has both albums, and features 8 tracks in all "Emergency", "Beyond Games", "Where", "Vashkar", "Sangria For Three", "Something Spiritual", "Spectrum", and "Via The Spectrum Road". CD

A seminal jazz rock statement from drummer Tony Williams – one that has him stepping out quite far from his original "new thing" recordings of the mid 60s! The album's got a genre-forming sound that's incredibly fierce – a power trio churning of Williams drums, John McLaughlin's guitar, and Larry Young's free-thinking work on organ. The tunes are long and jamming, but also have a tight rhythmic focus that never gets too sloppy – and which virtually set the stage for a whole generation of 70s fusion players in years to come! Young and McLaughlin are especially great – working here with Williams to pound out sheets of sound in a cosmic trippy maze of riffs and grooves, certainly enough to inspire the most addled rocker to head over to the jazz section! Though this set was released as two separate volumes, this double LP version has both albums, and features 8 tracks in all "Emergency", "Beyond Games", "Where", "Vashkar", "Sangria For Three", "Something Spiritual", "Spectrum", and "Via The Spectrum Road". CD

A seminal jazz rock statement from drummer Tony Williams – one that has him stepping out quite far from his original "new thing" recordings of the mid 60s! The album's got a genre-forming sound that's incredibly fierce – a power trio churning of Williams drums, John McLaughlin's guitar, and Larry Young's free-thinking work on organ. The tunes are long and jamming, but also have a tight rhythmic focus that never gets too sloppy – and which virtually set the stage for a whole generation of 70s fusion players in years to come! Young and McLaughlin are especially great – working here with Williams to pound out sheets of sound in a cosmic trippy maze of riffs and grooves, certainly enough to inspire the most addled rocker to head over to the jazz section! Though this set was released as two separate volumes, this double LP version has both albums, and features 8 tracks in all "Emergency", "Beyond Games", "Where", "Vashkar", "Sangria For Three", "Something Spiritual", "Spectrum", and "Via The Spectrum Road". LP, Vinyl record album

An import collection of recordings by Tony Williams' jazz rock Lifetime project featuring John McLaughlin and Larry Young. Jack Bruce's photo is featured prominently on the cover of this album, but he's only on half the tracks, which were pulled from the group's second LP Turn It Over, while the rest are from their debut, Emergency. The album pulses with raw power that cannot be denied – a ferocity that must have been incredibly fresh at the time, and which is still, today, one of the clearest visions of a jazz rock fusion that was soon muddied too quickly in the heady waters of 70s jazz. 8 tracks in all, including "One Word", "A Famous Blues", "Vashkar", "Emergency", "Two Worlds", "Spectrum", "Big Nick" and "Vuelta Abajo". LP, Vinyl record album

A fantastic debut from Chicago soul singer Jamila Woods – the kind of artist that makes us very proud to be located in the Windy City! Woods is an extremely inventive lyricist – strongly inspired by poetry, but also immediately trying to communicate in a wider spectrum with her sound – at a level that's maybe even smarter and more sophisticated than you'd guess from her look on the cover, which might make you think that she's just another pretty face in mainstream music! Instead, Woods seems ready to reinvent the role of the female singer in soul music – getting help from hip collaborators who include our hometown hero Chance The Rapper, as well as Nico Segal, Saba, Lorine Chia, and Noname. Titles include "Bubbles", "In My Name", "Popsicle", "Assata's Daughters", "Blk Girl Soldier", "Emerald Street", "Breadcrumbs", "Stellar", "Holy", and Good Morning" – plus "LSD", a tribute to our city's great lakefront! CD

A lost southern soul album from the 70s – recorded down at Muscle Shoals by singer Sandra Wright, and originally intended for release on Stax Records – but never issued at the time! Sandra's a great singer – deep soul, but with a touch of class, too – and the approach here shows that maturing Muscle Shoals sound, recorded at the Broadway Studio by David Johnson – at a level that's a bit in the Ann Sexton side of the spectrum – a sparkling, sophisticated feel that almost reminds us of the best female soul coming from Detroit or Chicago at the time, but with a slightly deeper range. Stax issued a few singles, but never issued the full album – which makes this one even more of a treasure for collectors of that time! Titles include "Wounded Woman", "The Sha-La Bandit", "Midnight Affair", "I Come Running Back", "I'm Not Strong Enough To Love You Again", "Please Don't Say Goodbye", and "A Man Can't Be A Man". LP, Vinyl record album

Yabby You maybe wasn't one of the first to start experimenting in the studios of Kingston – but with work like this, he was certainly one of the best – especially in the classic period covered in the collection! The Yabby You approach often has a leaner, more stripped-down approach than some of his contemporaries – with less of the overall effects on the totality of a tune, and instead a nicely focused application to just a key instrument or element – sometimes an added bit of electronics, sometimes a way of messing up a solo in the middle! The Pressure Sounds label has always been great with work in this side of the spectrum, but they really knock it out of the park here – and bring together Yabby You versions of cuts from a variety of artists – including Wayne Wade, Michael Prophet, Ranking Trevor, and Samuel Patterson – titles that include "Creation Rock Version", "Now I Know Dub", "Warrior No Tarry Yah Version", "Heads A Roll Dub", "Repatriation Rock", "Death To All Racist", "Aggression Dub", "Chanting Version", "Yabby U Sound", "Man Of The Living Dub", "Black Is Our Colour Dub", and "Babylon A Fall Dub". LP, Vinyl record album

One of the most sensitively soulful records of the 70s from pianist Tsuyoshi Yamamoto – a set that still has him working in a trio format, but which also has a slightly more mellow feel overall – with some especially great work from the leader on the ballads! Yamamoto's style is maturing strongly here – and he's got this commanding spectrum of sound from the piano – gentle right hand passages and deep left hand lines – all nicely balanced with work from Tsutomo Okada on bass and Keiji Kishida on drums. Titles include "Billy Boy", "A Shade Of Love", "Midnight Sun", "Autumn Leaves", "Wave", "Blue Manhattan", and "Kid". CD

The Japanese scene had plenty of great artists in the 70s, but few were as fantastic as Tatsuro Yamashita – a singer who effortlessly captures some of the more soulful currents of the American scene at the time, has a way of forging a really universal groove! The production, instrumentation, and arrangements are top-shelf – in the more soulful side of the AOR spectrum, but not nearly as too-polished as chart hits of the year 1980 – and certainly served up with all the right sort of warmth in the instrumentation, which continues to create all sorts of jazzy currents throughout! Tracks include "Silent Screamer", "Rainy Day", "Clouds", "Kissing Goodnight", "Door Into Summer", "Ride On Time", and "Daydream". LP, Vinyl record album

The Japanese scene had plenty of great artists in the 70s, but few were as fantastic as Tatsuro Yamashita – a singer who effortlessly captures some of the more soulful currents of the American scene at the time, has a way of forging a really universal groove! The production, instrumentation, and arrangements are top-shelf – in the more soulful side of the AOR spectrum, but not nearly as too-polished as chart hits of the year 1980 – and certainly served up with all the right sort of warmth in the instrumentation, which continues to create all sorts of jazzy currents throughout! Tracks include "Silent Screamer", "Rainy Day", "Clouds", "Kissing Goodnight", "Door Into Summer", "Ride On Time", and "Daydream". CD

A really wonderful shift in sound for pianist Yosuke Yamashita – material that's still as full of energy and life as some of his groundbreaking trio sessions of the 70s, but which pitch the spirit in a slightly different way! Volume one of the set has songs that are maybe a bit tighter and more composed overall, but which still bristle with the kind of brilliant energy that Yosuke can bring to the piano – as he works in a quartet with lots of excellent work on tenor from Kazunori Takeda, plus drums from Shota Koyama, and bass from Katsuo Kuninaka – the latter of which is an instrument that Yamashita didn't always use in the 70s, but which really adds a lot here. Titles include "Chattering", "One For T", "Nimufa Star", "Jugem", "K's Lullaby", and "Chattering". Volume 2 has an approach that's even more different than usual for the piano of Yamashita – a larger combo that has guitar from Kazumi Watanabe and trombone from Shigeharu Mukai – both players from more mainstream sides of the jazz spectrum, but who provide some compelling sounds next to the much more freewheeling piano work of Yosuke! The album also features tenor work from three different players, each of whom play on different tracks – Kazunori Takeda, Seiichi Nakamura, and Yasuaki Shimizu – and with bass and drums in play, the original material by Yamashita is spun differently than on other sessions, but still very much with his trademark approach. Titles include "Jugemu", "Motion Picture", "First Bridge", and "Drifting On D". CD

The deepest jazz funk material Madlib has ever laid down – possibly the best album yet from Yesterday's New Quintet – featuring turns at freewheeling avant funk, electro jazz groove, furious sound library styles, a few chill moments, and a boundless sound overall! Yesterday's Universe features 15 unique tracks – purportedly played by 10 acts (The Last Electro, The Jahari Massamba Unit, The Eddie Prince Fusion Band, Young Jazz Rebels, etc), but in truth it's all from the feverishly talented mind of Madlib – with special guests including drummer Karriem Riggins and Azymuth precussionist Mamao! It's heavily steeped in fusion funk, but we're equally impressed by the cooler, slightly straighter moments – which display just how wide of a grasp Madlib has on the deepest, darkest corners of the spectrum. The wide range of influences flows naturally – amazing work from one of the most talented wizards in the game! Titles include a heady adaptation of "Bitches Brew", "Umoja (Unity)", "Slave Riot", "One For The Monica Lingas Band", "Street Talkin'", "Marcus, Martin & Malcolm", "Two For Strata East", "Cold Nights And Rainy Days", "Mtume's Song", "Vibes From The Tribes Suite (For Phil)", "Upa Neguinho" and more. CD

A UK live set from Neil Young, but one that features him working with his great Santa Monica Flyers group – the combo that included a young Nils Lofgren on guitar, whose work on lead is mighty nice next to Neil's own! There's a raw, edgey quality to the music that befits Young's look on the cover – that sadder, darker side of the Neil Young spectrum for the 70s – still a superstar, but with this moody quality that really blows away his earlier vibe – especially on the vocals, which are really haunting in the echoey space of the auditorium. Some tracks are nice and long – and titles include "Tonight's The Night", "Flying On The Ground Is Wrong", "Roll Another Number", "Human Highway", "Don't Be Denied", "Cowgirl In The Sand", "World On A String", and "Albuquerque". CD

A UK live set from Neil Young, but one that features him working with his great Santa Monica Flyers group – the combo that included a young Nils Lofgren on guitar, whose work on lead is mighty nice next to Neil's own! There's a raw, edgey quality to the music that befits Young's look on the cover – that sadder, darker side of the Neil Young spectrum for the 70s – still a superstar, but with this moody quality that really blows away his earlier vibe – especially on the vocals, which are really haunting in the echoey space of the auditorium. Some tracks are nice and long – and titles include "Tonight's The Night", "Flying On The Ground Is Wrong", "Roll Another Number", "Human Highway", "Don't Be Denied", "Cowgirl In The Sand", "World On A String", and "Albuquerque". LP, Vinyl record album

A silly title, but a pretty nice album overall! This 2CD set features a cool selection of downtempo and retro-styled grooves from some of the hipper overseas labels of the past few years. There's a number of cuts on here by artists that we stock and love, but there's even more by artists we haven't – including some pretty cool groups that we were happy to discover. The package was selected by 45 Dip, and not only includes a number of their own tracks, but also has a feel that's pretty much in keeping with their own end of the musical spectrum – laidback, funky, with elements of classic instrumentation. Titles include "Gorgeous George", "Docking", "Something In Space", and "Va Va Voom (Space Lounge mix)" by 45 Dip, plus "Buddha Cowboy" by John Howard, "Mooger Fooger" by Bermuda Triangle, "She's Groovy" by Akasha, "In Spring" by Les Hommes, "Bubble Love" by Chunking, "Sea Of Change" by Broadway Project, "Angel" by Zohar, "One Day Trip In An Elevator" by Hand Polished, "Love Is Incredible" by Bastian, and "Party" by Sporto Kantes. 29 tracks in all! CD

The hippest installment so far in the Brazilika series – a mad mix of musical styles from Finders Keepers mainman Andy Votel – all in a freaky, funky, fuzzy blend of sounds! The tracks here are much grittier than the work we're used to hearing from the Far Out label – as Votel's dug through the 60s and 70s vaults of RGE/Som Livre Records to come up with rare Brazilian rock, funk, and other heavy styles from back in the day! As with Votel's reissues on Finders Keepers, there's a sound here that's informed by beathead record collecting – a love of older grooves directed by current musical developments – all with a definite ear for the wilder side of the sound spectrum. Most tracks have a pretty heavy groove – and the styles run from psychedelic rock through Tropicalia-inspired tunes, to post-bossa, Bahian sounds, and more. Titles include "Funga Funga" by Trio Soneca, "Careta" by Betinho, "Modulo Lunar" by Os Brazoes, "Terra Livre" by Abilio Manoel, "Os Bichos" by Trio Soneca, "De Vera" by Novos Baianos, "Ciladas" by Pery Ribeiro, "Se Voce Pensa" by Moraes Moreira, "Flores Belas" by Tim Maia, "1974" by Gerson Conrad & Zeze Motta, "Gamboa" by Brazilian Octopus, "Deixe Entrar Um Pouco D'Agua No Quintal" by Os Mutantes, "Periscopio" by Azimuth, and "Gotham City" by Os Brazoes. CD

The great Jimmy Webb is one of our favorite songwriters of the 60s – a young man at the start, but one who could come across with a maturity that few of his contemporaries could match – arguably setting the scene for a key step into adult pop that would really explode in the 70s! Yet by that, we don't mean that Webb is any sort of "adult contemporary" figure from the softer side of the spectrum – as his tunes are open, honest, and filled with an understanding of the heart and its ability to break, delivered in ways that are still as powerful today as they were back when first written. The package features some of Jimmy's greatest songs, some in their famous recordings, but many more in lesser-known takes that only stand as further testament to Webb's words on the page – which really work some magic, no matter what the setting! In the best Ace tradition, the whole thing comes with a superb set of notes and details on the material – mostly late 60s tracks from Jimmy's key years, but a few gems from later too. Titles include "If This Was The Last Song" by Dee Dee Warwick, "I Keep It Hid" by The Supremes, "Carpet Man" by The Nocturnes, "I Need You" by Shane Martin, "Midnight Mail" by Joey Scarbury, "MacArthur Park" by Waylon Jennings, "Do What You Gotta Do" by Nina Simone, "The Worst That Could Happen" by BJ Thomas, "Requiem 820 Latham" by Mel Torme, "Magic Garden" by Dusty Springfield, "Rosecrans Blvd" by 5th Dimension, "Honey Come Back" by Chuck Jackson, "Wichita Lineman" by Tony Joe White, "Didn't We" by James Darren, "Which Way To Nowhere" by Brooklyn Bridge, and "Clowns Exit Laughing" by The Fortunes. CD

A now-legendary compilation – an early effort to reissue funk on the Stones Throw label – and a set that virtually gave birth to all the fantastic projects they've done under the Now Again banner over the years! Compiler Egon has gone through a range of rare singles, masters, and demos – and has come up with tunes that burn with a brightness that's undeniable. The grooves are all on the harder end of the James Brown Funky People side of the spectrum – and the whole thing is a massive dig into the funky 45 underground – featuring a few groups who rose to new fame over the years, thanks to the legendary status of this project! Titles include "Don't Go" by Aristocrats Organization, "Loaded To The Gills (edit)" by Michael Liggins & The Supersouls, "Mr Chicken (alternate)" by The Soul Seven, "Slipping Into Darkness" by Dayton Sidewinders, "James Brown Medley" by The Apollo Commanders, "Scorpio" by Kashmere Stage Band, "Sad Chicken" by Leroy & The Drivers, "Street Scene" by Leon Mitchinson, "Free Your Mind" by Amnesty, "The Thing" by Carleen & The Groovers, "Go For Yourself (edit)" by Kenny Smith & The Loveliters, and "The Stretch (edit)" by Detroit Sex Machines. LP, Vinyl record album

A now-legendary compilation – an early effort to reissue funk on the Stones Throw label – and a set that virtually gave birth to all the fantastic projects they've done under the Now Again banner over the years! Compiler Egon has gone through a range of rare singles, masters, and demos – and has come up with tunes that burn with a brightness that's undeniable. The grooves are all on the harder end of the James Brown Funky People side of the spectrum – and the whole thing is a massive dig into the funky 45 underground – featuring a few groups who rose to new fame over the years, thanks to the legendary status of this project! Titles include "Don't Go" by Aristocrats Organization, "Loaded To The Gills (edit)" by Michael Liggins & The Supersouls, "Mr Chicken (alternate)" by The Soul Seven, "Slipping Into Darkness" by Dayton Sidewinders, "James Brown Medley" by The Apollo Commanders, "Scorpio" by Kashmere Stage Band, "Sad Chicken" by Leroy & The Drivers, "Street Scene" by Leon Mitchinson, "Free Your Mind" by Amnesty, "The Thing" by Carleen & The Groovers, "Go For Yourself (edit)" by Kenny Smith & The Loveliters, and "The Stretch (edit)" by Detroit Sex Machines. LP, Vinyl record album

Mighty sounds from a legendary Detroit soul producer – the great Dave Hamilton, a talent who issued a number of key singles back in the day, but who's left behind an even larger legacy of excellent unreleased work! This collection draws from both sides of that spectrum – and features upbeat Northern Soul gems that were issued on small labels like Topper and Demo-Ristic – mixed with other tracks that lay in Dave's vaults until their discovery at some point in the 90s! Together, the tracks are a wonderful illustration of the deep deep trove of material that lurked in the Detroit scene far in the shadows of Motown – artists who were eclipsed by the big names at the time, but who sound mighty darn fresh all these many years later. Titles include "What Should I Do", and "Who Are You Trying To Fool" by Little Ann, "Sweep It Out The Shed" and "Challenge My Love" by Tobi Lark, "Love Friends & Money" by James Lately, "You Won't Miss The Water" by Chico & Buddy, "Talkin About My Baby" by Dottie & Millie, "You Got Me Turned Around" by OC Tolbert, "Shoop Doop" by Dave Hamilton, and "You Did" by Priscilla Page & Rony Darrell. LP, Vinyl record album

These guys just keep on digging and digging up more great soul music – and our record collections are certainly richer as a result! As with previous volumes, the focus here is on deep-burning, low-cooking tunes that are often heavily in the southern soul spectrum – the kind of tunes that lay hidden in the corners behind the bigger hits from labels like Atlantic or Stax, but which somehow strike a chord that's even richer, fuller, and less cliched than some of the overplayed styles of the genre. The set features 20 tracks in all – by the likes of Buddy Ace, Larry Davis, Richard Marks, Mavis Staples, Betty Harris and others. CD

Not much of a cover or title, but a pretty great little set – and one that features a fair bit of lesser-known gems from years back, despite its claim of classics! The tracks here are all at the higher end of the disco rhythmic spectrum – mostly quite upbeat, with soaring strings and tight instrumental flourishes – very much in the spirit of Paul Sabu, who produced some of the cuts on the set – or some of the bigger hits on TK Records from the time. Titles include "If You Could Read My Mind" by Viola Wills, "I'm Here & I'm Hot" by Vicki Sue Robinson, "Superman" by Celi Bee, "Love Rush" by Ann-Margret, "Do Your Best" by Carl Hahn, "Gimme Back My Love Affair" by Sister Power, "We're Gonna Rock" by Sabu, "Disco Dancin" by Rice & Beans Orchestra, "Magnifique" by Magnifique, and "Don't You Want My Love" by Debbie Jacobs. CD

This great series just keeps on getting better and better – serving up the rare disco and club tracks that we can never seem to find, and doing so in a way that's a heck of a lot hipper than the usual disco set! The groove here isn't really straight disco – it's more a mix of funky club, modern soul, and some of the better rhythms that bubbled around in the underground club scene years back – grooves that were way ahead of their time, and which have still continued to sound fresh over the years! The 2LP set features a total of a dozen tracks – nearly all of which would break your bank if you found them on the original vinyl – and titles include "We Want To Play" by Brief Encounter, "Rebel On The Run (rmx)" by Selection, "Let's Get It On (inst)" by Marini, "Remember To Remember" by Rick Holmes, "Never Gonna Let You Go" by Savana, "Feel So Good" by Mac Thornhill, "Slide Into Your Heart" by Time Spectrum, "Summer Groove" by The Joneses, "City Lights (rasta funk)" by Onyx, "Get It On The Ground" by Joe Coleman, "Ooh Wee Baby" by Ron Richardson, and "I Still Feel Like Dancing" by Newstar Band. LP, Vinyl record album

A totally great collection of rare material from the Bluestime label – a rare rootsy side of the Flying Dutchman imprint at the start of the 70s! Flying Dutchman is a well-remembered label for its rich array of funk and jazz titles – and although Bluestime worked in the blues side of the spectrum, most of these numbers are pretty darn funky too – thanks to some shared musicians and production talents with the main Flying Dutchman scene. In other words, the tracks are all pretty darn hip – and way way more than blues – really more funk tunes that have a gritty, raspy edge – like those rare few times when Chess Records' bluesmen got nice and funky. Titles include "I'm A Dues Payin Man" by Optis Spann, "Every Day I Have The Blues" by T-Bone Walker, "Plastic Man" by Joe Turner, "Love" by Harmonica Slim, "Paris Blues" by The Super Black Blues Band, "I Wonder Why" by Otis Spann, "Something So Bright" by Malcolm & Chris, "That's Alright" by Harmonica Slim, Chicago Charva Chapter" by The Plaster Caster Blues Band, "Disillusion Blues" by Leon Thomas, and "For BB King" by T-Bone Walker. CD

Killer soul from the Forte label of Kansas City – a tiny imprint, but a really great one too – and a company with an especially strong ear for the funkier side of the spectrum! This Numero set really gets back to the greatness that first made us fall in love with their collections in the first place – and brings together a really wonderful batch of rare singles that work perfectly as a whole album – no filler, no trans-genre stepping, and just a rock-solid batch of soul cuts that you'd have to dig deep in the American underground to find this strongly! The package is wonderful – plenty of notes, photos, and the usual Numero sense of history – but even without all that, the music is more than enough – a smoking pile of singles that includes "Whtever You Do" by Gene Williams, "I'm Gonna Get Your Thing" by Lee Harris, "Baby Your Love Is Amazing" by The Four Darlings, "I'll Never Be Satisfied" by Tony Ashley & The Delicates, "Baby Be Good" by The Rayons, "With Fun In My Life" by James Whitney, "Reaching For Our Star" by Sharon Revoal, "Daddy Don't Know About Sugar Bear" by Marva Whitney, and "Cry Night & Day" by The Fantasticks. CD

A huge package of work from a time when the Jewel/Paula label was a strong force in underground soul – an imprint whose home base was down in Louisiana, but who also had a reach that went up to the Windy City as well! The material here is on the deeper side of the spectrum – some New Orleans modes mixed with other southern soul styles – often recorded with nicely earthy production that really makes the singers come across at their best! Titles include "I Can't Stand To See You Go" by Joe Valentine, "Messed Around & Fell In Love" by Ricky Allen, "Nothing Takes The Place Of You" by Toussaint McCall, "What Is Love" by Jimmy Dobbins, "Cover Me" by Ted Taylor, I Want Everyone To Know" by Fontella Bass, "My Baby's Gone" by Wallace Brothers, "You've Got Me Tamed" by Clay Hammond, "Loosen These Pains & Let Me Go" by Albert Washington, "We Got A Good Thing Going" by Roscoe Robinson, and "Sweet Little Woman" by McKindley Sandifer. CD

Hardly the gospel of your father's generation – and hardly even the gospel of previous Numero releases either – as the set's a wonderfully offbeat batch of tracks that definitely lives up to the "apocryphal" in the title! Production sounds and musical styles go way past the mainstream – and lots of these numbers feel like secular soul from the definite left end of the spectrum in the 70s – especially the mellower cuts, which have a trippy quality that comes from weird instrumentation and unusual studio work – often matched by vocal presentation that's anything but spiritual, and which feels more like Darondo overall! These tunes are a real discovery – a deeper level of unusual gospel recordings than even the funk and or soul sides featured on other compilations – all pulled from the hinterland of self-released albums and singles from back in the day. As usual, Numero's done as great of job with the notes and packaging as they have with the music – really telling the full tale of this unusual stream of music – in a smoking set that features "That's All I Need" by Sensational Saints, "A Message Especially From God" by Robert Vanderbilt & The Foundation Of Souls, "Come Holy Spirit" by God's Band, "Faith" by Soul Superiors, "Can't Run This Race Alone" by Flying Eagles Gospel Singers, "Searching For The Truth" by Dwain Vinyard, "Get Involved" by Jonah Thompson, and "I Hear You Calling" by Francis Reneau & The Mission Singers. CD

Mad music from the Dutch scene of the 70s – music recorded either in The Netherlands, or the Dutch part of Belgium – pulled together here in a collection that's filled with ear-opening funky gems! The music here isn't straight soul, funk, or jazz – but rather criss-crossing musical styles that often have a little bit of each – often with these qualities that remind us of better-known soundtrack or folk-funk songs from the time – but which take on very different qualities, given the difference in language! There's plenty of great drums throughout, loads of killer keyboards, and basslines that can make just about any sort of song a funky nugget – and as with other titles on the Sdban label, the whole thing's a real revelation – a gateway to music that we never would have discovered otherwise – but now find that we can't live without. Titles include "Eva's Pakje" by Jimmy Frey, "Zomerliefde" by Laurentius, "Onheil" by Lamp & Lazerus, "Gemendg Gevoel" by Herman De Bruycker, "Wie Weet" by Spectrum, "Het Oink Beest" by Elly & Rikkert, "Maan Dag" by Daan Broos & Dapokaster, "Nooit Meer" by Josine Van Dalsum, "Handicap 2000" by Daan Broos, "Het Huis Van Wilde Tederheid" by Luk Bral, and "Hollandse Taal" by Moeder En Haar Jongens. LP, Vinyl record album

A great assortment of rare jazz and soul – and a set that you can totally dig, even if you don't know the meaning of Klinkhamer! The title's a reference to a Dutch record shop, whose owners compiled these tracks – but the music here has a very universal appeal, especially if you dig your music on the deeper side of the spectrum – as the cuts are mostly late 70s/early 80s numbers, served up in a blend of spiritual and funky jazz styles, with just a bit of vocals in the mix. Almost all the cuts here are pretty darn hard to track down on vinyl, which makes for a very essential set – and titles include "Kweenie" by Don Jules Pules Band, "Offshore Sounds" by Rene Van Heldingen, "Epitaph" by Gianno Basso, "Don't Let Love" by Oasis Band, "Funky Blues" by Sergio Coppotelli, and "Holy Ghost" by Eddie Holman. LP, Vinyl record album

A set that steps out with a Curtis Mayfield reference in the title, but which goes into much heavier territory all – black rock, often mixed with a bit of funk, in the best tradition of some of the Hendrix-inspired groups who rose up at the start of the 70s! If you know the trippy psychedelic style of Merda, you'll get part of the vibe here – but as usual with Numero, the span is much wider-ranging overall – and the label's done a great job of uncovering a range of obscure African-American acts from the 70s who were firmly committed to the headier, heavier, fuzzier, freakier side of the spectrum! Titles include "I Can't Believe" by Flying Wedge, "Sweet Poison" by Iron Force, "Message To Planet Earth" by Solid Gold, "Ringing Bells (part 2)" by The Young Senators, "Rolling Love (part 2)" by Three Days Ahead, "It's A Dream" by Little Ed & The Soundmasters Band, "Funky Music" by The Basement, and "Chrystal Illusion" by Creative Unlimited. LP, Vinyl record album

They weren't kidding about the title with this one – because the whole set's pretty darn swinging all the way through! But even better than that, the collection's filled with rare work from a variety of different labels in the Universal Music spectrum, especially MPS – including a fair number of tracks recorded overseas at the end of the 60s and start of the 70s – some really great numbers that offer an unusual side of familiar American players. Titles include "La Petite Mambo" by Billy Taylor, "Speak Low" by Tete Montoliu, "Blue Alexander" by Monty Alexander, "Dark Eyes" by Francy Boland, "How Could You Do A Thing Like That To Me" by Eddie Thompson, "I'm All Smiles" by Hampton Hawes, "Daahoud" by Red Gardland, and "The Oregon Grinder" by Hank Jones. CD

Great work from a series that always delivers excellent music – one with a hokey title and concept, but a rock-solid set of grooves from the Fantasy/Concord catalog! There's an especially righteous vibe to this edition of the series – which you might guess from the title – tunes that are in the more spiritual side of the spectrum, with a few great surprises thrown in along the way! Titles include the excellent "Afrika" by AK Salim – plus "Night Drums" by The Dungills, "Three Seeds" by Ran Blake, "Theme For A New Day" by Azar Lawrence, "Freedom One Day" by Gary Bartz, and "Afro Centric" by Joe Henderson. LP, Vinyl record album

A mighty nice collision of sounds – and one that really gets at the special spirit of music on the left side of the scene at the start of the 80s! Sure, punk broke things open in the late 70s – but a few years later, that initial shock gave way to a much more fluid, experimental sort of scene – one in which different sounds and styles could resonate with each other in a really great way – some barriers between rock and soul forever taken down, and the door from the artier side of the spectrum open to bring some fresh ideas into the mainstream! Writer Jon Savage was a very important part of the scene at the time – and here, he recalls the musical moment not just with a great array of tracks that leap between genres, but also with well-penned notes that get at the thought behind the tunes included on the 35 track set. Titles include "Hydraulic Pump (part 2)" by P Funk All Stars, "We're So Cool" by Au Pairs, "Planet Rock" by Afrika Bambaataa & The Soul Sonic Force, "Don't Make Me Wait" by NYC Peech Boys, "Poor Old Soul (part 2)" by Orange Juice, "Sound Of The Crowd" by Human League, "Underground" by The Bizarros, "Twist & Crawl" by The Beat, "These Days" by Joy Division, "The Apartment" by Giorgio Moroder, "She's Lost Control" by Grace Jones, "More Bounce To The Ounce" by Zapp, "Flight" by A Certain Ratio, "Euthenics" by Modern Eon, "Too Many Creeps" by Bush Tetras, "How We Gonna Make The Black Nation Rise" by Brother D with Collective Effort, "Mack The Knife" by Psychedelic Furs, "Pictures" by Josef K, "Adventures On The Wheels Of Steel" by Grandmaster Flash & The Furious Five, "Art On 45" by Royal Family & The Poor, and "Our Love" by Donna Summer. CD

With selections by King Oliver's Dixie Syncopators, New Orleans Rhythm Kings, Johnny Dodds' Black Bottom Stompers, Red Nicols & His Five Pennies, Jimmy Noone's Apex Club Orchestra, Jelly Roll Mortion, Pine Top Smith, James P Johnson, Elmer Schoebel's Friar Society Orchestra, Benny Goodman, Eddie Lang & Joe Venuti, and Duke Ellington. LP, Vinyl record album

Features track from Tito Rodriguez, Perez Prado, Jose Gomez and Miguelito Valdez. LP, Vinyl record album

A set that really gets at the full spectrum of the boogaloo groove – not just the Spanish Harlem sounds of the Latin Soul generation – but also the deeper roots of the style from across the USA! "Boogaloo" is a term that most folks use to refer to that New York uptown fusion of Latin rhythms and soulful vocals – and while the NYC styles were key to its fame, the music also burst forth from lots of points west, too – and came together in a flurry of fast rhythms, jazzy instrumentation, and hard-driving vocals that made for a completely infectious blend! This package is a fantastic testament to that mad musical moment – and is overflowing with a selection of gems that goes way past the obvious – not the Fania Records catalog that usually shows up on other boogaloo releases, but a huge batch of tracks from small labels and indie singles too. Titles include "Skate Boogaloo & Karate Too" by Lee Harris, "Block Party" by Jimmy Castor, "Boogaloo #3" by Roy Lee Johnson, "Do The Boo-Ga-Loo (part 1)" by Tom & Jerroo, "Playing It Cool" by Hector Rivera, "Ready Steady Go" by Prince & Princess, "Bar Kays Boogaloo" by The Bar-Kays, "What I Feel" by Richie & The PS 54 School Yard, "Have Some Boogaloo" by Timmy Thomas, "Bugalu" by Charlie Palmieri, "Boogaloo (part 1)" by The Bob & Earl Band, "Me & You Doing The Boogaloo" by Lou Courtney, "Boogaloo Zoo" by Shirley Butler, "Bugaloo Party" by Harold & Connie, "Boogaloo Investigator" by The Exotics, "Funky Funky Boogalo" by Jimmy Brown, and "Let's Do The Funky Boogaloo (part 1)" by Barry Jones. CD

Numero Records parodies both the Las Vegas Grind series of compilations, and the 50s sci-fi artwork of EC Comics – and turns out a surprisingly great set of tracks in the process! The material here is from the more garagey side of the Numero spectrum – tracks that are heavy on twang and guitars – sometimes instrumental, sometimes with raw early rock vocals – all laid out in a rock-solid collection that maybe beats some of the more long-running compilation series of this nature. In keeping with those, Numero has been completely restrained on including any real information on the tracks – just a groovy little comic insert that follows in the style of the cover – alongside titles that include "Classie's Whip" by Classie Ballou, "The Grasshopper Twist" by The Blazers, "Jump Back" by Eugene Blacknell, "Rock & Roll Guitar" by Johnny Knight, "The Boogie Twist (part 1)" by Cal Valentine, "Slap Stick" by Dino & The Deltones, "Bui Bui" by L Hollis & The Mackadoos, "Hot Links" by Soul Heirs, and "Aw Shucks" by JJ Jones. CD

Numero Records parodies both the Las Vegas Grind series of compilations, and the 50s sci-fi artwork of EC Comics – and turns out a surprisingly great set of tracks in the process! The material here is from the more garagey side of the Numero spectrum – tracks that are heavy on twang and guitars – sometimes instrumental, sometimes with raw early rock vocals – all laid out in a rock-solid collection that maybe beats some of the more long-running compilation series of this nature. In keeping with those, Numero has been completely restrained on including any real information on the tracks – just a groovy little comic insert that follows in the style of the cover – alongside titles that include "Classie's Whip" by Classie Ballou, "The Grasshopper Twist" by The Blazers, "Jump Back" by Eugene Blacknell, "Rock & Roll Guitar" by Johnny Knight, "The Boogie Twist (part 1)" by Cal Valentine, "Slap Stick" by Dino & The Deltones, "Bui Bui" by L Hollis & The Mackadoos, "Hot Links" by Soul Heirs, and "Aw Shucks" by JJ Jones. CD

A wonderfully groovy set – every bit as great as you might guess from the title and the cover – and the very first installment in the now-legendary Mood Mosaic series! The set's one of the few to bring together tunes from the groovier side of the spectrum at the end of the 60s – work from British, French, American, and German sources – all awash in a great blend of funky, easy, and pop-oriented modes! There's a nicely trippy feel throughout – and titles include "Hascisch Party" by George Garvarenz, "Kiss This" by Claude Denjean, "Acka Raga" by Shocking Blue, "Mas Que Nada" by Luiz Enriquez, "En Melody" by Serge Gainsbourg, "Love For Sale" by Marian McPartland, "Batucada" by Phil Crewe, "Marins Armins Amant Ou Maris" by Michel Legrand, and "Sitar Beat" by Klaus Doldinger. CD

Wonderfully tripped-out pop from the late 60s – served up by a few famous names and an even better band of lesser-knowns – all of whom recorded for Warner Brothers and related labels at the time! The package does a great job of showing the "pop" side of psychedelia – a sound that's a lot harder than the Sunshine Pop end of the spectrum, but which also shares a similar love of groovy themes, sweet vocals, and cool production techniques! A few of the tunes get a bit way out, but most of the numbers manage to pack a whole trip's punch within a short little 3 or 4 minute song – leaving us to marvel even more at the deft economy in the studio, and the wonderful quality this kind of music had before it succumbed to too many of its own excesses. Titles include "Her Name Is A Melody" by Adrian Pride, "It's Love" by The Misty Wizards, "Break Away" by Next Exit, "Hallucinations" by Baker Knight & The Knightmares, "That's The Way It's Gonna Be" by Lee Mallory, "Wildflowers" by The Holy Mackerel, "Smell Of Incense" by West Coast Pop Art Experimental Band, "My Mind Goes High" by MC2, "Straight Aero" by Jeff Thomas, and "The White Pony" by Ellen Margulies. CD

A great entry in this really wonderful series – one that's shifted a lot over the years, and in the best way possible! "Classiest" may be a tough word to peg down – but here, it refers to tracks that are well-done, and completely put-together – yet which have the kind of groove you'd expect from vintage Northern Soul of the 60s! There's a Motown influence felt throughout, but many tunes are nicely varied – a spectrum of acts from different US scenes, and a mix of arranging styles that match the well-penned songs – all handled in the usual Ace/Kent tradition, which means you'll find lots of rare singles, some unissued tracks, and great sound and notes throughout. Titles include "I Need Your Love" by Brothers Of Soul, "Girl Come On Home" by Major Lance, "I've Got To Come In" by Jean Battle, "So Glad" by The Lyrics, "Ready Or Not Here I Come" by Carolyn Crawford, "The Intruder" by Melvin Hicks & The Versatiles, "She's Supreme" by The Lovers, "I Wish I Knew" by Joe Buckner & Major IV, "I'll Fly To Your Open Arms" by The Family Brick, "Soul Kind Of Love" by The Hesitations, and "I Need A True Love" by Ray Gant & The Arabian Knights. CD

The second heady dip into the under-discovered underground of the late 60s – and a package that's every bit as ear-opening as the first Nuggets volume! As with that classic, there's material here that really shows the full spectrum of the American scene in the mid 60s – music that's bristling with new energy and excitement in the years before Woodstock, and done with a vibe that's heady, but never too heady – with a surprising amount packed into a very small space on plenty of these tunes! The set features a whopping 28 titles in all – and tracks include "Run Run Run" by The Gestures, "It's Cold Outside" by The Choir, "Free As The Wind" by The Myddle Class, "You Must Be A Witch" by The Lollipop Shoppe, "Blackout Of Gretely" by Gonn, "Spider & The Fly" by The Monocles, "Action Woman" by The Litter, "Talk Talk" by Music Machine, "Open Up Your Door" by Richard & The Young Lions, "I See The Light" by The Five Americans, and "Whatcha Gonna Do About It" by The Evil. LP, Vinyl record album

Work from a cool collective of musicians from the contemporary Finnish scene – music that's maybe in a slightly more spiritual side of the spectrum as work on the We Jazz label, but which also has some looser, more improvised moments too! Many of the tracks share similar musicians in different combinations – and players include Tuure Tammi on trumpet and percussion, Tero Kemppainen on bass, Simo Laihonen on drums, Sami Pekkola on tenor, Virginia Genta on keyboards, and Topias Tiheasalo on guitar – and although the individual artists are differently listed for each tune, there's plenty of crossover on the players throughout. Tracks include "Free Zing" by Kemppainen Tammi Tolvi, "Moon Water" by Oaagaada, "One More Freaky Tune" by Jooklo Sextet, "Doll No Sleep" by Pascal & Baya Rays, "Ain't No Answer" by Mush Tone Ensemble, "Live From The Joint" by Joronen & Sarkkola, and "Nette Or Nette" by Fagelbors. LP, Vinyl record album

Sam Dees is a hell of a singer, and he's a hell of a songwriter too – one who's worked not just with the southern soul stars of his roots, but also a much wider range of soul talents too! This wonderful collection really gets at the strength of Dees' amazing ability to pen a special soul tune – as it features work from a surprisingly huge array of talents from all sides of the soul spectrum – including a fair bit of vocalists we never knew worked with Sam's material. We love Dees' own records to death – and have enjoyed many of his demo recordings over the years, too – but a set like this really shows the important influence he had on soul music in the 70s – the way he touched so many folks, and helped them out with his meaningful lyrics. The set features great notes on Sam and his contribution – and 22 tracks that include "Where Did We Go Wrong" by LTD, "Vanishing Love (UK rmx)" by The Chi-Lites, "Girl Overboard" by Dorothy Moore, "So Your Love Finally Ran Out" by Les McCann, "Run To Me" by Sidney Joe Qualls, "Save The Overtime" by Gladys Knight & The Pips, "Seconds Of Your Love" by Johnnie Taylor, "One In A Million You" by Larry Graham, "Spoiled By Your Love" by Anita Ward, "What A Way To Put It" by The Temptations, "Good Guys Don't Always Win" by Ray Crumley, and "My World" by Sam Dees himself! CD

Warm, soulful sounds from a crucial time in the Japanese music scene – a 70s moment when the nation was finding a special groove of its own – but one that also drew heavily from American soul and jazz as well! It's no secret that the Japanese have always had a great love of American sounds – but by the mid 70s, that longtime love had also turned into some great homegrown sounds of their own – as Japan developed a number of its own strong soul singers, who were often backed by the ever-growing array of great jazz musicians, particularly those of the fusion side of the spectrum. Plus, there also seemed to be a lot more criss-crossing between Tokyo and US studios at the time – particularly those on the west coast – which resulted in a special blend of sounds that had all the class and cool of the Japanese urban scene, but also some of the sunniness of the west coast too. That special mix of music is perfectly summed up here – in a collection that offers up plenty of cuts that were never issued outside of Japan back in the day – with vocals both in English and Japanese, and plenty of grooves that are perfect for any fan of fusion-styled R&B. Titles include the classic "LA Nights" by Yasuko Agawa – plus "Say Goodbye" by Hiroshi Sato, "I Say Who" by Tomoko Soryo, "Sports Men" by Haruomi Hosoni, "Midnight Driver" by Minako Yoshida, "Machibouke" by Tazumi Toyoshima, "Exotic Yokogao" by Hitomi Tohyama, "Lady Pink Panther" by Shigeru Suzuki, "Drip Dry Eyes" by Yukihiro Takahashi, and "Bamboo Vendor" by Masayoshi Takanaka. CD

Warm, soulful sounds from a crucial time in the Japanese music scene – a 70s moment when the nation was finding a special groove of its own – but one that also drew heavily from American soul and jazz as well! It's no secret that the Japanese have always had a great love of American sounds – but by the mid 70s, that longtime love had also turned into some great homegrown sounds of their own – as Japan developed a number of its own strong soul singers, who were often backed by the ever-growing array of great jazz musicians, particularly those of the fusion side of the spectrum. Plus, there also seemed to be a lot more criss-crossing between Tokyo and US studios at the time – particularly those on the west coast – which resulted in a special blend of sounds that had all the class and cool of the Japanese urban scene, but also some of the sunniness of the west coast too. That special mix of music is perfectly summed up here – in a collection that offers up plenty of cuts that were never issued outside of Japan back in the day – with vocals both in English and Japanese, and plenty of grooves that are perfect for any fan of fusion-styled R&B. Titles include the classic "LA Nights" by Yasuko Agawa – plus "Say Goodbye" by Hiroshi Sato, "I Say Who" by Tomoko Soryo, "Sports Men" by Haruomi Hosoni, "Midnight Driver" by Minako Yoshida, "Machibouke" by Tazumi Toyoshima, "Exotic Yokogao" by Hitomi Tohyama, "Lady Pink Panther" by Shigeru Suzuki, "Drip Dry Eyes" by Yukihiro Takahashi, and "Bamboo Vendor" by Masayoshi Takanaka. LP, Vinyl record album

A completely obscure batch of tunes – so much so that only two of the cuts here have been reissued – and a set that's every bit as wonderful as previous entries in this long-running series! Overall, there's probably a bit more soul than jazz – but every track within is on the hipper side of the spectrum – the sort of work that easily blends genres, and which comes from 70s acts working far from the mainstream, in a wonderful groove that's very much their own! Most numbers have a midtempo groove – perfect for the jazzier elements in the soul cuts – and as with previous editions in the series, there's a righteous current that gives most of these tracks a very positive, uplifting vibe. Titles include "It's A Long Road" by Babe, "Bend A Little" by Mirage, "Slip Back Into The Magic" by Leaves Of Autumn, "I Got The Hots For You"b y Ronnie Miller, "Hey Flicka" by Mikael Neumann, "Future Shock" by Synot, "Oh Senor" by Jan Lewis Group, "Mister Jones" by Charles Vickers, and "The Ring" by Dianne Elliott. CD

A completely obscure batch of tunes – so much so that only two of the cuts here have been reissued – and a set that's every bit as wonderful as previous entries in this long-running series! Overall, there's probably a bit more soul than jazz – but every track within is on the hipper side of the spectrum – the sort of work that easily blends genres, and which comes from 70s acts working far from the mainstream, in a wonderful groove that's very much their own! Most numbers have a midtempo groove – perfect for the jazzier elements in the soul cuts – and as with previous editions in the series, there's a righteous current that gives most of these tracks a very positive, uplifting vibe. Titles include "It's A Long Road" by Babe, "Bend A Little" by Mirage, "Slip Back Into The Magic" by Leaves Of Autumn, "I Got The Hots For You"b y Ronnie Miller, "Hey Flicka" by Mikael Neumann, "Future Shock" by Synot, "Oh Senor" by Jan Lewis Group, "Mister Jones" by Charles Vickers, and "The Ring" by Dianne Elliott. LP, Vinyl record album

The title says "soul standards", but the music here is anything but – not familiar hits or well-worn classics, but instead a great array of lesser-known gems from the TK Records powerhouse of Florida soul! The music here really spans the spectrum of the excellent work that TK was doing at the time – and moves between southern soul, a bit of funk, and some of the more modern elements that TK was hitting at the time – bringing a new sort of sophistication to the southern scene. There's a few familiar cuts here, mixed with a lot more rare gems – and titles include "Jazz Freak" by Paulette Reaves, "You're The Song I've Always Wanted To Sing" by Timmy Thomas, "Gettin With My Baby" by Leon Debouse, "You Made Me Want To Dance" by Irene Reid, "Love The Way You Love Me" by Eddie Horan, "How Long" by Brandye, "Caught In The Act" by Facts Of Life, "Puttin It Down To You" by Jackie Moore, "You Can't See For Lookin" by Betty Wright, "Living For Today" by Jimmy Briscoe & The Beavers "Rock" by The JBs, "Best Part Of A Man" by Wilson Pickett, and "Let's Straighten It Out" by Latimore. CD

We're not sure if Santa makes the best dance instructor, but he definitely gets plenty of help from this groovy collection – a batch of 26 Christmas tunes that run the spectrum of soulful styles! Most numbers here are from our favorite stretch of Holiday soul – and although there's some tracks here you might have on other collections, there's plenty more unusual ones in the mix as well! Titles include "Santa Soul" by Rocki Lane & The Gross Group, "Christmas Joy" by The Soul Stirrers, "Santa Bring My Baby Back" by Joe Johnson, "Happy Birthday Jesus" by Sam Sweetsinger Bell, "Christmas Round The Corner" by Smuggy Williams, "Santa Teach Me To Dance" by Debbie & The Darnells, "Christmas In Viet Nam" by Charles Bowens & Gentlemen From Tigerland, "Spirit Of Christmas" by The Gospel Heavyweights, "Presents For Christmas" by Solomon Burke, "Christmas Time Is Coming" by The Storytellers, "Christmas Greeting" by The Elgins, "Christmas Time Baby" by The Organics, "Mama's Gift" by Stormy Weather, and "Alone On New Yers Eve" by The Manhattans. CD

A really great collection of unusual female soul and pop from the 60s – a package that features rare singles, unreleased tracks, and other gems we never would have heard otherwise! Few folks know 60s music as well as the folks at Ace/Kent Records in the UK – which means that you can really trust them to serve up the best when it comes to a collection of girl group music – the sort of tracks that go way past the obvious, and really get at the fantastic range of sounds that were transforming the female side of the spectrum in the US! The package features 16 tracks in all, and spans a nice mix of artists and styles – with titles that include "Too bad He's Bad" by Beverly Williams, "Cupid's Got A Hold On Me" by The Belles, "Whirlwind" by The Rev-Lons, "First Love Baby" by Lena Calhoun & The Emotions, "So In Luv" by Othello Robertson, "You Are My First Love" by Pat Hunt, "I Need A Guy" by The Lovettes, "He's All Right With Me" by The Mirettes, "Mr Everything" by Little Eva Harris, "Sing Me A Love Song" by Felice Taylor, "Sir Galahad" by The Elites, "I Say Yeah" by The Pets, "Summertime Is Surfin Time" by The Surf Bunnies, and "It's Better To Live Or Die" by Mary Saxton. LP, Vinyl record album

Another masterpiece from the Soul Jazz collective – a collection of tunes that bridges the secular and spiritual worlds, and brings together a mixture of gospel and soul tracks from the 60s and 70s! It's no secret that soul music has drawn quite a bit of inspiration from gospel (as well as more than its share of stars!) – but rarely has that inspiration been so clearly traced than in this wonderful set! The tunes include gospel numbers that have a classic soul sound, and classic soul tunes that really lean towards the gospel side of the spectrum – and most of the artists on the set are familiar ones, but heard here in a style that links them all nicely together. Titles include "Sometimes I Feel Like A Motherless Child" by Clarence Smith, "Let's Get Together" by Bobby Bland, "Grandma's Hands" by Marion Gaines Singers, "Every Day Will Be Like A Holiday" by The Sweet Inspirations, "Pastures Of Plenty" by Odetta, "Love Lifted Me" by Jesse Dixon, "I Don't Know Where We're Headed" by Sons Of Truth, "Eleanor Rigby" by Kim Weston, "In Between Tears" by Irma Thomas, "Lort Is It" by Gospel Artistics, "Tripping On Your Love" by Staple Singers, and "Mama" by Esther Marrow. CD

Soul and gospel, gospel and soul – a beautiful marriage in music that's summed up perfectly in this sweet little set! It's no secret that gospel music had plenty of influence on soul back in the early days – but as the genre went on, soul ended up throwing a mighty sound back at gospel too – so that by the late 60s, both musics were pretty well tied together in styles, themes, and spirit! This collection digs even deeper than the already-great first volume from Soul Jazz – and brings together a wide range of work that illustrates the powerful effect that soul had on gospel back in the late 60s and 1970s – righteous lessons learned from the secular side of the spectrum, folded back to make the spiritual even hipper than before! As always with Soul Jazz, plenty of care went into the set – and the music is provided with an extremely thoughtful track list that goes way past the obvious – as well as a good set of notes to back up the choices. Plus, the tunes here are often quite funky – almost making the package a "gospel funk" collection! 20 tracks in all – including "We Should All Thank The Lord" by The Lovers Of God, "I'll Keep A Light In My Window" by NYCC, "Why Am I Treated So Bad" by Sweet Inspirations, "Let Him Come In" by Howard Lemon Singers, "Keep Trying" by Mildred Clark, "Dead End Street" by Clara Ward, "Since I've Been Born Again" by Martha Bass, "You'd Better Get A Move On" by Louise McCord, "Do Your Thing" by Marion Gaines Singers, "Praise His Name" by The Stovall Singers, "Let Them Talk" by Meditation Singers, "When Will It End" by The Sensational Cymbals, and "After The Rain" by Pastor TL Barrett. CD

We couldn't think of a better name for this collection of futuristic grooves, compiled by Kirk Degiorgio and Ian O'Brien, two modern groove scientists who've always managed to infect their beat making machines with more than a little bit of soul. Spanning the spectrum from the classic fusion of Lonnie Liston Smith's "Love Beams" and Herbie Hancock's lost soundtrack number "The Spook Who Sat By The Door" to Syreeta's spacey soul take on Stevie's "I Love Every Little Thing About You" and Shuggie Otis' "XL30" to modern electronics and NuJazz like Seiji's "Into The Now" and Super-A-Loof's "Patience", plus tracks by David Axelrod, George Duke, Dunn Pearson Jr and more, 13 tracks in all. LP, Vinyl record album

Wild sounds in a range of different styles – jazz, rock, and more outside modes – all served up in support of a legendary list made years ago by the group Nurse With Wound! The list was a secret guide to all things weird and unusual – put together decades back, and now famous as kind of a Rosetta Stone for stepping into music from the farther left side of the spectrum – here served up from a range of German recordings from back in the day, most recorded during a key moment when the scene was really breaking down boundaries in styles! There's a fair bit of electric elements here, and you'll recognize a few artists as being heroes from the prog and MPS generations – on titles that include "Fritz Muller Traum" by Fritz Muller, "Jazzi Jazzi" by Tomorrow's Gift, "Output" by Wolfgang Dauner, "Black Sand" by Brainticket, "Trauma" by Gomorrha, "Big City" by Thirsty Moon, "Snakeskin Tango" by Brainstorm, "Scorpion" by Association PC, "The Executioner" by My Solid Ground, "It Loves Want To Have Done" by Anima Sound, and "It's So Nice" by Ex Magma. LP, Vinyl record album

The legendary Chess Records is best known as a home to important blues, soul, and gospel records from the postwar years – but back in the 50s, the label also did a pretty great job with the harder side of the rock and roll spectrum too! Maybe that's no surprise, given that the Chess Brothers always had a great ear for new and unusual music – to a point where they sometimes issued work that wasn't recorded in their Chicago studios, which is the case with a fair bit of the cuts on this collection – many of which hail from points farther south, from territory that was bristling with new energy from rockabilly pioneers at the time! There's a few more familiar Chess artists mixed in here with more obscure artists who only issued singles for the label – and the massive 33 track package comes with very detailed notes on all the tracks within. Titles include "Run Rose" by Billy Miranda, Good Morning Little Schoolgirl" by Don & Bob, "The Story Of My Life" by Big Al Downing, "So Long Goodbye" by JC Hill, "Baby Bye Bye" by Dickie & The Gees, "Make Believe Wedding Bells" by Dick Glasser, "I Found My Girl" by The Kents, "6:15" by The Galaxies, "I Am Ready" by Bobby Dean, "See You Soon Baboon" by Dale Hawkins, "No More" by Bobby Charles, and That's All You Gotta Do" by Jack Ford. CD

Tommy Boy Records takes a new step into the hip hop archeology game with this series of essential hip hop hits – tracks ranging from late 70s bedrock slabs of essential old school to the 90s party movers – going well beyond Tommy Boy label staples to include pioneering tracks and hugely influential hits from across the hip hop spectrum! 12 tracks in all: "Rebel Without A Pause" by Public Enemy, "Nobody Beats The Biz", by Biz Markie, "Goin' Back To Cali" by LL Cool J, "Looking At The Front Door" by Main Source, "Cinderfella" by Dana Dane, "Be A Father To Your Child" by Ed O G & The Bulldogs, "Just Buggin'" by Whistle, "F**k Compton" by Tim Dog and more! CD

An insanely fantastic look at the strong legacy of gospel music from Savoy Records – a company who were initially a powerhouse in the fields of jazz and R&B, but who moved into the gospel world and dominated that market for decades! Savoy is a bit like Chess Records – a company who really learned how to record blues singers and soulful styles from the secular world, then used that same ability to work some real magic on songs from the more spiritual side of the spectrum – an approach that really made for top-shelf music, even as the decades moved on! Savoy's gospel legacy has always been a bit underground – not nearly as reissued for larger audiences as their jazz and blues material – but this collection does a great job of correcting that lack, by presenting their music in a wonderful format – all in a mix of rare cuts and classics from the gospel underground. This second volume features work from Savoy's prime 70s gospel years – 20 tracks by artists who include The Metro Tones, Betty Hollins, Gene Martin, Swan Silvertones, Artistic Sounds, James Moore, Holy Lights Of Baltimore, Brooklyn Skyways, World Wonders, Myrna Summers, Brockingham Ensemble, Prof Charles Taylor, Exciting Supreme Highlights, and Highway QCs. LP, Vinyl record album

An insanely fantastic look at the strong legacy of gospel music from Savoy Records – a company who were initially a powerhouse in the fields of jazz and R&B, but who moved into the gospel world and dominated that market for decades! Savoy is a bit like Chess Records – a company who really learned how to record blues singers and soulful styles from the secular world, then used that same ability to work some real magic on songs from the more spiritual side of the spectrum – an approach that really made for top-shelf music, even as the decades moved on! Savoy's gospel legacy has always been a bit underground – not nearly as reissued for larger audiences as their jazz and blues material – but this collection does a great job of correcting that lack, by presenting their music in a wonderful format – all in a mix of rare cuts and classics from the gospel underground. Savoy kept going strong into the 80s, in a mix of styles that includes some funk and boogie – served up here on 17 tracks by artists that include Solomon Burke, Genobia Jeter, World Wonders, Edith Moreno, Glenn Jones & The Modulations, Hollywood Stars, James Cleveland, Holy Lights Of Baltimore, Sensational Williams Brothers, Gospelaires Of Dayton, Helen Hollins Singers, Edith Moreno, and The 4th Of May. LP, Vinyl record album