... LP, Vinyl record album

... LP, Vinyl record album

A really unusual group from the early 70s – one who have roots in the Pennsylvania scene, record here for soul indie Scepter Records, and get some surprisingly strong treatment in the studio from a young Rupert Holmes – who handles most of the arrangements, and wrote about half the songs on the set! The group have a style that's more polished than their image on the cover – not pop, really – but the kind of post-hippie harmonies that were working so well on the charts, and which hide some of the darker currents of some of the lyrics. Biggest of these is the cannibal-themed tune "Timothy" – which Holmes wrote assuming it would get banned, yet which became a minor hit – alongside other tunes that include "Memories", "Give Up Your Guns", "Prince Of Thieves", "Bloodknot", and "Absent Friend". LP, Vinyl record album

... 7-inch, Vinyl record

... 7-inch, Vinyl record

... 7-inch, Vinyl record

A nice collection of tracks from this classic girl group, and one that has some nice lesser-known cuts mixed in with the chart busters. 15 tracks in all, including "Will You Love Me Tomorrow", "Stop The Music", "Dedicated To The One I Love", "Everybody Loves A Lover", "What A Sweet Thing That Was", "Welcome Home Baby", "Baby It's You", "The Things I Want To Hear", "Soldier Boy" and "Mama Said". LP, Vinyl record album

Quite an unusual album for Dionne Warwick – a late 60s effort that has her returning to her gospel roots, and singing with backing from The Drinkard Sisters – a group originally founded by Dionne's mother, and which featured a young Cissy Houston! The sound here isn't as strictly gospel as you might expect – and in a way, it's almost an exploration of some of the more spiritual themes that echoed on some of Dionne's earlier hits written by Burt Bacharach – those slow-building and soulful moments that were themselves a reflection of Warwick's earlier roots. The arrangements aren't credited here, but they're also not as "churchy" as you might expect – and still have some of the sophistication of Bacharach backings from previous albums. Titles include "Somebody Bigger Than You & I", "The Magic Of Believing", "Steal Away", "Grace", and "In The Garden". LP, Vinyl record album

The monumental debut of BT Express – and an excellent funk album that often gets overlooked by fans of the music because of the band's bigger fame as a disco group! This first record has the combo grooving hard and instrumentally – in the mode of a tight blacksploitation soundtrack, with plenty of tight wah wah guitar riffing, conga beats, and funky flute and sax – topped off by just the right amount of strings to make the set soar even more! The album's best known for the title track "Do It (Til You're Satisfied)" – which was a big hit, but is still an excellent groover – and the set also includes loads of other great cuts too – like "Express", which was the original song that the created the JBs' response track "Monorail"; "This House is Smokin'", which has lots of funky descending horn bits; and other great tunes that include "Mental Telepathy", "If It Don't Turn You On", and "Do You Like It". LP, Vinyl record album

A real lost treasure from Art Farmer – a tremendous album that hardly ever shows up in the history books, and which, to our knowledge, has never properly been reissued! The set's a rare jazz side for the mostly-pop Scepter label – featuring Farmer at the head of a small group working with Tommy Flanagan on piano, Charles McPherson on alto, and either Steve Swallow or Ron Carter on bass. The album was done under the direction of Tom McIntosh – the brilliant young composer who had a magical talent for blending together modern and lyrical modes while still keeping a strong degree of soul. McIntosh contributed a few tunes to the set, as did Dennis Sandole – the nearly-forgotten trumpeter from the Philly scene of the 50s. There's a dark beauty to this session that surpasses even many other Farmer sides from the time – and titles include "Hyacinth", "Ally", "Happy Feet", "Minuet In G", and "Saucer Eyes". LP, Vinyl record album

Fantastic! This is the kind of soul that we still collect vinyl for! Freddie Hughes is one of the great lost voices of the 60s, and this sparkling album of soulful tunes is a real gem! He's not the same singer as the Freddie Hughes from Chicago – and he hailed from San Francisco, a very unlikely source for such great soul music. The session was recorded with Lonnie Hewitt (Cal Tjader's funky piano player) in SF – but it's got that perfect New York Wand/Scepter "deep soul meets uptown" sound. The tracks are mostly written by Hughes or Hewitt – and they are all pretty amazing, filled with hooks that just don't quit, and some heartbreaking verses that match the work of writers like Curtis Mayfield or Garland Green. Titles include "Send My Baby Back", "He's No Good", "Tonight I'm Gonna See My Baby", and "I Gotta Keep My Bluff In". LP, Vinyl record album

A unique concert album from Dionne Warwick – proof that her talents weren't always restricted to Burt Bacharach arrangements in the studio! The setting is the classy Olympia Theater in Paris, and the style is a bit more open than on Dionne's studio albums – with less material by Bacharach & David than before, and a wider range of tunes that not only includes a few songs sung in French, but also a duet with Parisian popper Sacha Distel! The audience is oddly mic'ed up very high in the mix at times – crashing into the start of most tunes with the ferocity of radio static or a swarm of bees – but Warwick quickly takes over with her own vocals once the songs get going. Titles include "I Love Paris", "C'Est Si Bon", "Walk On By", "You'll Never Get To Heaven", "O Yeah Yeah Yeah", "The Good Life", "La Vie En Rose", and "What'd I Say". LP, Vinyl record album

Sensitive, but never sleepy – a perfect balance between gentle pop and deeper soul – served up with masterful arrangements and production from Burt Bacharach! The album's an early treasure in Dionne's 60s run for Scepter Records – an album that features a bit less Bacharach/David tunes than some of the previous records, but which still has all of the best elements firmly in place – thanks to Burt's growing understanding of the studio, and his ability to create orchestrations that are filled with enough space for an artist like Dionne to really do her thing. Titles include "Wives & Lovers", "You Can Have Him", "That's Not The Answer", "Forget My Love", "Where Can I Go Without You", "How Many Days Of Sadness", and "Don't Say I Didn't Tell You So". LP, Vinyl record album

A great collection of 60s gems from the Lone Star state – raw rock and a bit of soul – with work from Sunny & The Sunliners, Traits, Joey Long, Roy Head, and J Frank Wilson & The Cavaliers! LP, Vinyl record album

Fantastic! This great Burt Bacharach score to an obscure film has some of his most fantastic orchestrations ever. The sound is cool, breezy, and with some amazing changes that make you gasp anew at his genius. Dionne Warwick sings on some tracks, and it's nice to hear her do material that you're not too familiar with. Titles include "He's Moving On" and "Amanda", and it has a gatefold cover. LP, Vinyl record album

... 7-inch, Vinyl record

A nice collection of tracks from this classic girl group, and one that has a lot of lesser-known material that's pretty darn nice! Includes their very groovy "It's A Mad, Mad, Mad World" – plus the tracks "Boys", "I Met Him On A Sunday", "Don't Go Home (My Little Darlin)", "Maybe Tonight", "What Does A Girl Do", and the classic "To Know Him Is To Love Him". LP, Vinyl record album

Can 60s pop get any better than this? It's hard to think so – given the near-perfect sound of this album, and its unique blend of soul, vocal, and mainstream modes! The album's only the second in the career of Dionne Warwick, but she's already at the top of her game – singing with a sense of grace and poise that's simply tremendous, and getting some equally great backing from a young Burt Bacharach – who himself co-wrote most of the tunes here with Hal David. There's a sense of completeness to the record that few other pop albums of the time could boast – a mature, thoughtful presentation of the material that certainly set a new standard for many artists to come! Titles include "Anyone Who Had A Heart", "Don't Make Me Over", "Getting Ready For The Heartbreak", "Any Old Time Of Day", "Mr Heartbreak", "Put Yourself In My Place", and "Please Make Him Love Me". LP, Vinyl record album

One of the earliest albums of 60s girl group soul by the lovely Shirelles! Thankfully, the "trumpets & strings" in the title is a bit of a misnomer – hardly the brass and violin session you might expect, and more of a deeper soul set overall! The girls do a great job of mixing the rough with the smooth – usually by balancing a strong lead with supporting harmony vocals – and the production from Luther Dixon really keeps things fresh – often using just a bit of backings well behind the vocals, and keeping things far from the too-pop modes of other girl groups of the time. Titles include "Mama Said", "The First One", "What A Sweet Thing That Was", "Rainbow Valley", and "What's Mine Is Yours". LP, Vinyl record album

One of the hippest records from the Sesame Street scene – a set of tracks that all feature vocals from the lovely Susan – aka Loretta Long! The tunes are all early gems penned by Joe Raposo – who also arranged and produced the set – and although done for a kiddie show, there's a sense of poise, class, and subtle soul on most numbers that goes way beyond their use on the show. Titles include "ABC Song", "Here Are Some Things That Belong Together", "Children", "Happiness", "Draw Me A Circle", "Right In The Middle Of My Face", and "Happy Talk". LP, Vinyl record album

... LP, Vinyl record album

A career spanning compliation that includes recordings for Scepter in 1965, Crazy Cajun in the mid 70s, and a previously unissued cut. LP, Vinyl record album

A key album in Dionne Warwick's career revival at Arista Records – a set that's filled with the kind of fuller sounds and maturing modes that worked quite well for her shifts in styles over the years! Warwick's a bit less fragile than in the Scepter years, but also not trying as hard to be an all-out soul singer as she was at Warner Brothers – instead nicely laying back into the album's grooves, which usually have a smooth, modern soul approach – almost in Phyllis Hyman territory at times, yet with more of the mainstream modes that were more appropriate for Warwick's audience. Production is by Steve Buckingham, and titles include "Sweetie Pie", "How You Once Loved Me", "It's The Falling In Love", "Easy Love", "We Had This Time", "When The World Runs Out Of Love", and "Somebody's Angel". LP, Vinyl record album