Two tracks from this great New York group – one who recorded during the very early years of disco for the Event label – and who only really got the appreciation they deserve in later years! "I Can See Him Loving You" has fast funk grooves that are wonderful and mixed with a touch of strings – almost Sigma Sound in approach, but with a more underground vibe! "What Did I Do Wrong" is billed to "Mayberry Music" – and has a nicely different vibe – a laidback, slow-stepping quality – almost sweet soul, but with a bit more polish – and a heartbreaking mellow groove that's really wonderful! 7-inch, Vinyl record

Incredible sounds from the postwar avant scene in France – a small record, but one that's had huge impact over the years! This 3 track EP features compositions based around the "structures sonores" of Jacques Lasry and Bernard Baschet – both of whom create and play these amazing Harry Partch-esque instruments that are part sculpture, part percussive tools – very groundbreaking at the time, and still pretty amazing after all these years. Even more than the instruments, though, the high point of the album is the way that the orchestrations and sonic structures work together – as the whole thing feels like an otherworldly batch of space songs that recalls some of Moondog's work, and some of the other early Musique Concrete composers from the 50s. Tracks include "La Mort Du Clown", "La Danse Du Resort" and "Bolide". 7-inch, Vinyl record

Incredibly memorable stuff – and one of the greatest moments in Atlantic soul history! The Soul Clan is an assemblage of Atlantic's biggest male singers at the time – Joe Tex, Ben E King, Don Covay, Arthur Conley, and Solomon Burke – and the team trade lines back and forth in this perhaps first-ever "supergroup" recording! "Soul Meeting" is a party cut, with all the singers talking about how they have to go somewhere and break up their meeting. "That's How It Feels" is a mellower tune, sung together as a harmony track – with the voices coming together on the chorus passages, and breaking out beautifully on the other parts. Great stuff – and even though Atlantic did release a Soul Clan LP, these were the only 2 original cuts on the record! 7-inch, Vinyl record

Four of the best tracks from one of the greatest Roy Ayers albums of all time – and one of the rarest! The record is right in the same vein as Roy's groundbreaking He's Coming LP – a righteous mix of soul jazz, subtle funk, and some of the cosmic wisdom that Roy was spreading among the jazz funk underground – all wrapped up beautifully, but never in a way that's like commercial soul of the time. There's a few instrumental tracks on the album, plus some vocal ones that show that off-beat male/female style that Roy would use more famously in later tracks like "Everybody Loves The Sunshine" or his work with Ramp. Players include Harry Whitaker on electric piano, Edwin Birdsong on organ, Alphonse Mouzon on drums, Jumma Santos on congas – and titles include a version of Nat Adderley's "Hummin", done as "Hummin In The Sun", and very much in the Ramp vein. Other titles include "I Can't Help Myself", "Love", and "The Fuzz" – all great too! 7-inch, Vinyl record

One of the most incredible soul cuts of all time! "Thin Line" has a sound, a style, and approach that we can't even begin to describe – sad, slow, almost falling apart, and one of the most heartbreakingly honest soul songs ever recorded. In fact, the cut's so great, the Persuaders were never able to match it again! "Thigh Spy", as you might guess from the title, is a very different sort of tune – uptempo and grooving, with kind of a silly dancefloor approach. 7-inch, Vinyl record