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Paul Quinichette Edit search Phrase match

 
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Exact matches: 3
Exact matches1
CD, LP, Vinyl record album cover art
Paul QuinichetteFor Basie ... CD
Prestige/OJC, 1957. Used ... $6.99
Basie tribute by Basie alum playing tunes from the Count's book, this hard swinging side exemplifies the earlier swing orientation of the Prestige label, before they moved into other realms of soul jazz, bop and avant garde. Long tracks, with strong solos. CD
(Out of print.)

Exact matches2
CD, LP, Vinyl record album cover art
✨✧ Paul Quinichette, Buck Clayton, Nat Pierce, et alBasie Reunion ... CD
Prestige/OJC, 1958. Used ... Temporarily Out Of Stock
The title tells the tale on this one – as the session's a studio meeting of players all associated with Count Basie over the years – captured here in a style that's much more laidback and relaxed than the usual Basie set! The album's got the feel of some of Prestige's best work in the Swingville series, but also has an approach that's almost in the blowing session mode – with long tracks on the album that really let each player step out in their own voice. The lineup includes Paul Quinichette on tenor, Buck Clayton and Shad Collins on trumpet, Jack Washington on baritone sax, Nat Pierce on piano, Freddie Greene on guitar, and Jo Jones on drums – and titles include "Blues I Love To Hear", "Love Jumped Out", "John's Idea", and "Baby Don't Tell On Me". CD

Exact matches3
CD, LP, Vinyl record album cover art
✨✧ Charlie Rouse & Paul QuinichetteChase Is On ... CD
Bethlehem/Solid (Japan), 1957. New Copy ... Temporarily Out Of Stock
A killer – and one of the greatest records ever cut on Bethlehem! Charlie Rouse and Paul Quinichette go head to head in a hard-blown session that's very different than most of the work on Bethlehem – grooving in a free-wheeling "chase" mode, as you might guess from the title – with lots of heavy tenor in the lead, cooking at a level that's more like a Prestige or Savoy session from the 50s! The group's as tight as can be – with some killer drum work from Ed Thigpen, and piano by either Wynton Kelly or Hank Jones. Titles include "The Chase Is On", "You're Cheating Yourself", "Knittin", "Tender Trap", and "When The Blues Come On". CD
 
Possible matches: 12
Possible matches4
CD, LP, Vinyl record album cover art
Gene AmmonsBig Sound ... CD
Prestige, Mid 50s. Used ... $5.99
Classic Jug, playing in a laidback open-ended blowing session, with other strong Prestige players – like Coltrane, Jerome Richardson, Paul Quinichette, Art Taylor, and Mal Waldron, who always seems to be the driving force between most Prestige sides like this. The album has only 4 tracks, and they're all long and nice and soulful. The titles are "Blue Hymn", "The Real McCoy", "Cheek To Cheek", and "That's All". CD

Possible matches5
CD, LP, Vinyl record album cover art
Billie HolidayLady Sings the Blues ... LP
Verve, 1956. Very Good+ ... $39.99
Possibly one of the most essential Billie Holiday albums for Verve – a set that carries the same title as her famous autobiography, and which also features many key numbers from her songbook at the time! The feel here is quite easygoing and relaxed – with small group backing behind Billie's vocals, which themselves are recorded cleanly and clearly throughout. One side features backing by a combo that includes Wynton Kelly on piano, Kenny Burrell on guitar, Charlie Shavers on trumpet, and Paul Quinichette on tenor – and the other features a group that includes Bobby Tucker on piano, Charlie Shavers on trumpet, Barney Kessel on guitar, and the great Willie Smith on alto sax. Titles include plenty of classics – including "God Bless The Child", "Strange Fruit", "Lady Sings The Blues", "No Good Man", "Good Morning Heartache", "I Must Have That Man", and "Trav'lin' Light". LP, Vinyl record album
(MGM pressing. Cover has light wear.)

Possible matches6
CD, LP, Vinyl record album cover art
Johnny Smith with Stan GetzMoonlight In Vermont ... CD
Roulette, 1952/1953. Used ... $1.99
A beautiful document of some of the most laidback jazz ever recorded – the sublime 50s recordings of the Johnny Smith group, done at a time when the lineup included Stan Getz! The tunes on the set feature Johnny's mellow electric guitar setting the pace, alongside wonderfully-blown early solos from Stan, plus some other tenor work from Zoot Sims and Paul Quinichette, who also sit in the tenor chair on a few of these recordings. The tunes are mostly standards, but done in a great style that's not exactly cool jazz, but which has a groundbreakingly easy groove that's simply sublime! CD features a number of bonus and unreleased cuts, with 19 tracks that include "What's New", "Yesterdays", "Vilia", "Ghost Of A Chance", "Jaguar", "Moonlight In Vermont", "Tabu", and "Where Or When". CD

Possible matches7
CD, LP, Vinyl record album cover art
✨✧ Eddie VinsonEddie Vinson Sings (Cleanhead's Back In Town) ... CD
Bethlehem, 1958. Used ... $5.99
Classic King R&B material from Vinson, featuring some great backing by a surprising amount of jazz players! The album includes playing by Frank Foster, Joe Newman, Charlie Rouse, Ed Thigpen, Freddie Green, Paul Quinichette, and Nat Pierce – and the sound owes a lot to Joe Turner's work with Basie. Titles include "Cherry Red", "That's The Way To Treat Your Woman", "Kidney Stew", "Hold It Right There", and "Your Baby Ain't Sweet Like Mine". Plus the CD reissue includes the following bonus tracks in stereo: "Trouble In Mind", "Kidney Stew", and "Hold It Right There". CD
(Out of print.)

Possible matches8
CD, LP, Vinyl record album cover art
Dinah WashingtonAfter Hours With Miss D ... CD
EmArcy, Early/Mid 50s. Used ... $7.99
Dinah's in a perfect setting here – one that gets more jazz out of her style than other records at the time! The "after hours" setting has Dinah singing with a relaxed jazz combo – one that features Eddie Lockjaw Davis and Paul Quinichette on tenor, Clark Terry on trumpet, and Junior Mance on piano – as well as some other nice touches, like congas from Candido, and a bit of organ work from Jackie Davis! The tunes still have the slightly bluesy feel of Dinah's other work, but are more jazz-based in their phrasing and presentation – and titles include "A Foggy Day", "Bye Bye Blues", "Am I Blue", "Blue Skies", and "Love For Sale". CD features one bonus track – an unedited "Blue Skies", which runs over three minutes longer than the originally released version! CD
(Out of print Verve Master Edition.)

Possible matches9
CD, LP, Vinyl record album cover art
✨✧ Gene AmmonsBig Sound ... LP
Prestige, Mid 50s. Used ... Temporarily Out Of Stock
Classic Jug, playing in a laidback open-ended blowing session, with other strong Prestige players – like Coltrane, Jerome Richardson, Paul Quinichette, Art Taylor, and Mal Waldron, who always seems to be the driving force between most Prestige sides like this. The album has only 4 tracks, and they're all long and nice and soulful. The titles are "Blue Hymn", "The Real McCoy", "Cheek To Cheek", and "That's All". LP, Vinyl record album
(Blue label pressing. Cover has ring & edge wear, a half split top seam, and split spine.)
Also available Big Sound ... CD 5.99

Possible matches10
CD, LP, Vinyl record album cover art
✨✧ Sarah VaughanSarah Vaughan (aka Sarah Vaughan With Clifford Brown) ... CD
EmArcy/Polygram, 1954. Used ... Temporarily Out Of Stock
A jazz vocal masterpiece from Sarah Vaughn – one of her greatest albums ever, and a record that raised the bar for countless vocal sessions in years to come! Sarah's working here in an intimate group arranged by Ernie Wilkins, and featuring some sublime solo work from Clifford Brown, Paul Quinichette, and Herbie Mann – alongside rhythm from the trio of Jimmy Jones, Joe Benjamin, and Max Roach. Sarah's vocals are incredible – curving, turning, and lilting with a tremendous amount of jazz-based inflection – and titles include "Lullaby Of Birdland", "April In Paris", "September Song", "He's My Guy", and "I'm Glad There Is You". CD
(Verve master edition.)

Possible matches11
CD, LP, Vinyl record album cover art
✨✧ Mal Waldron with John ColtraneDealers ... LP
Status, Late 50s. Used ... Temporarily Out Of Stock
Less of a Waldron session than one of those great late 50s Prestige blowing sessions – one that features Waldron, Coltrane, and Art Taylor on all tracks – plus work by Jackie McLean and Bill Hardman on the tunes "Blue Calypso" and "Falling In Love With Love", and Paul Quinichette and Frank Wess on the tracks "Dealin #1" and "Wheelin #1". The notes don't give much help, but we think these tunes were cut around the same time as the earlier Wheelin & Dealin album, but are different takes. LP, Vinyl record album
(Orange label Status pressing with Van Gelder stamp. Cover has a stained and flaky corner.)

Possible matches12
CD, LP, Vinyl record album cover art
✨✧ Dinah WashingtonAfter Hours With Miss D ... LP
EmArcy, Early 50s. Used ... Temporarily Out Of Stock
Dinah's in a perfect setting here – one that gets more jazz out of her style than other records at the time! The "after hours" setting has Dinah singing with a relaxed jazz combo – one that features Eddie Lockjaw Davis and Paul Quinichette on tenor, Clark Terry on trumpet, and Junior Mance on piano – as well as some other nice touches, like congas from Candido, and a bit of organ work from Jackie Davis! The tunes still have the slightly bluesy feel of Dinah's other work, but are more jazz-based in their phrasing and presentation – and titles include "A Foggy Day", "Bye Bye Blues", "Am I Blue", "Blue Skies", and "Love For Sale". LP, Vinyl record album
(Blue label EmArcy pressing with deep groove. Cover has splitting and tape. Vinyl has some oxidation and plays with some surface noise.)
Also available After Hours With Miss D ... CD 7.99

Possible matches13
CD, LP, Vinyl record album cover art
✨✧ Frank Wess & John ColtraneWheelin' & Dealin' ... CD
Prestige/OJC, Late 50s. Used ... Out Of Stock
One of the great Prestige jam session sides, featuring a host of their great players – Coltrane, Mal Waldron, Paul Quinichette, Art Taylor, and Wess – running through some long tracks in fairly free form. Deep, slow grooving, and with lots of nice solos. 4 tracks, and all of them long. Titles include "Wheelin", "Dealin", and "Things Ain't What They Used To Be". CD

Possible matches14
CD, LP, Vinyl record album cover art
✨✧ Bob BrookmeyerKansas City Revisited ... LP
United Artists, Late 50s. Used ... Out Of Stock
A very unusual session – especially considering Bob Brookmeyer's more modernist modes of the 50s! This album has Bob going back to roots you might not guess that he had – picking up bits of a Kansas City sound that (as he tells in the liner notes) clearly inspired him in the early days, and which is presented here surprisingly well by a septet that includes Bob on valve trombone, Al Cohn and Paul Quinichette on tenor, Nat Pierce on piano, Jim Hall on guitar, Addison Farmer on bass, and Osie Johnson on drums – all playing long and lean on some real Basie-styled numbers. Quinichette's presence really sets the tone for the record, and seems to pull out earthy qualities in the other players that we didn't even know they had – and on 2 numbers, Big Miller delivers some bluesy vocals as well. Titles include "Jumping At The Woodside", "A Blues", "Blue & Sentimental", and "Moten Swing". LP, Vinyl record album
(Blue label pressing with deep groove. Cover has some wear and tape on the back.)

Possible matches15
CD, LP, Vinyl record album cover art
✨✧ Billie Holiday5 Original Albums (Lady Sings The Blues/Body & Soul/Songs For Distingue Lovers/Stay With Me/All Or Nothing At All) (5CD set) ... CD
Verve (Germany), Late 50s. New Copy 5 CDs ... Out Of Stock
5 late albums from Billie Holiday – all collected in one sweet set, in tiny LP-styled sleeves, too! First up is Lady Sings The Blues – possibly one of the most essential Billie Holiday albums for Verve – a set that carries the same title as her famous autobiography, and which also features many key numbers from her songbook at the time! The feel here is quite easygoing and relaxed – with small group backing behind Billie's vocals, which themselves are recorded cleanly and clearly throughout. One side features backing by a combo that includes Wynton Kelly on piano, Kenny Burrell on guitar, Charlie Shavers on trumpet, and Paul Quinichette on tenor – and the other features a group that includes Bobby Tucker on piano, Charlie Shavers on trumpet, Barney Kessel on guitar, and the great Willie Smith on alto sax. Titles include plenty of classics – including "God Bless The Child", "Strange Fruit", "Lady Sings The Blues", "No Good Man", "Good Morning Heartache", "I Must Have That Man", and "Trav'lin' Light". Body & Soul is a great late small combo session by Billie – recorded in Hollywood with a group that includes Harry Edison, Ben Webster, Jimmy Rowles, Barney Kessel, Red Mitchell, and Alvin Stoller. The songs are short and swinging – with Billie at the top of her form on familiar standards like "Comes Love", "Darn That Dream", "Body & Soul", "They Can't Take That Away From Me", and "Embraceable You". A few tracks crack the 5 minute mark, making for some nice solos from Webster and Edison! Songs For Distingue Lovers is classic Verve work by Billie – and an album that probably brought the word "distingue" into the vocabulary of more people than any other use! (And in fact, probably also caused a lot more trouble with mispronunciation than any other Billie Holiday album title!) The tracks are slightly longer than usual – familiar songs like "Day In Day Out", "Stars Fell On Alabama", "A Foggy Day", and "Just One Of Those Things" – all given the amazing Holiday take, in a way that opens them up with more emotion than you might have thought possible! On Stay With Me, Billie sings in a warm relaxed setting, with great small combo backing, and piano by Mal Waldron. The record is one of the best we could recommend on the label – and it includes lots of nice tracks like "Everything Happens To Me", "I Wished On The Moon", and "Say It Isn't So". All Or Nothing At All is beautiful Billie from the last years of her life. The material was recorded in 1956 and 1957 in Hollywood, featuring Barney Kessel, Ben Wesbster, Harry Edison, and Jimmy Rowles – all grooving nicely in small group formation. The tracks have a wonderfully fragile quality – and although standards, are still some of Billie's nicest work for Verve. Titles include "April In Paris", "All Or Nothing At All", "We'll Be Together Again", and "But Not For Me". Great David Stone Martin cover, too! CD
 
 
 



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