Includes "I Sold My Heart To The Junkman", "You'll Never Walk Alone", "Where Are You", "Down The Aisle", "Tear After Tear", "Danny Boy", "Have I Sinned", "C'est La Vie (You Never Can Tell)", "One Phone Call", and "I Believe". LP, Vinyl record album

Fantastic longform work from organist Don Patterson – exactly the kind of record that shows why Don's approach was so different than Jimmy Smith or Jimmy McGriff! Patterson works here in a trio – with frequent partner Billy James on drums, and the more surprising Jerry Byrd on guitar – and the tunes really open up and take the right time to find their groove – and open up nicely with solos from Don on the Hammond. Cuts include "Satisfaction", "Walkin", and "Bowl Full of Yok". LP, Vinyl record album

A massive pairing of the tenor of Booker Ervin and Hammond of Don Patterson – a record that's got a very famous cover image, and which marks for one of the greatest meetings of soul and modernism at mid-60s Prestige Records! There's no bass at all on the set – just lots of quick, tight rhythm lines from Patterson on the pedals of the Hammond – mixed with drums from Billy James, and served up with plenty of space for Ervin to open up on tenor – blowing with more soul than on some of his modernist sides of the time! The title cut – "Hip Cake Walk" – is a 16 minute groover, and other tracks include "Rosetta", "Sister Ruth", and "Donald Duck". Very cool cover, too! LP, Vinyl record album

A great groover from organist Don Patterson – cut in a trio format, with an open-ended style that lets the players kick back and play, in the sort of free and easy setting you'd hear in a hip small club. Patterson's organ is backed by his usual drummer Billy James, and 4 of the album's 5 tracks feature tenor work, either by Booker Ervin or Sonny Stitt. The last track, "Theme For Dee", is a spare mellow ballad that features mostly just organ by Patterson, with some subtle drum fills by James. The other tracks groove a bit harder, and include "Love Me With All Your Heart", "42639", and "Sentimental Journey". LP, Vinyl record album

... LP, Vinyl record album

A surprisingly witty record for the Cook label – a live recording of a burlesque performance, where no cameras were admitted – complete with strip tease and crowd noise too! Back cover has an annotated copy of a letter from the sherrif – further proof of the album's sense of humor. LP, Vinyl record album

... LP, Vinyl record album

A killer moogy club classic! Cloud One were part of the whole Patrick Adams/Peter Brown cluster of groups who used tight club grooves and spacey production styles to forge a legendary disco sound that's finally getting its due these days. This single, the obscure "Patty Duke", is one of the most compelling chapters in that legacy – as it's a strange bubbly track, with a tight hard groove, and lots of weird little moogy and keyboard bits! Very nice, and issued here in the 2-part instrumental version! 12-inch, Vinyl record

A seminal album from the great Patti Labelle – a set that allowed the singer to mature strongly and find her own voice away from the funky, rockish style of Labelle – this sophisticated style that marked a whole new level of the singer's career! The Philly International label turned out to be a perfect setting for Patti – as they too were also growing past some of their earlier styles – moving past the chart soul of the 70s, and some of their bigger disco hits – and finding just the right place to allow their artists to keep on growing strongly over the years. The album's an all-adult affair – no clunky commercial moments at all, and instead this great blend of jazzy currents and sophisticated soul – all handled with the excellent second generation Philly International approach! Titles include "I'm In Love Again", "Love Lives", "Love Need & Want You", "I'll Never Never Give You Up", "If Only You Knew", "Body Language", and "When Am I Gonna Find True Love". LP, Vinyl record album

A late 70s gem from Patti Labelle! Although the album's recorded right in the height of the disco years, Patti's really shining on the mellower cuts – hitting a serious soulful side that shows that her move to a solo act really let her move into more sophisticated material. There are definitely some dance tracks like "Music Is My Life" but the real highlights are mellow tunes like "What'cha Doing To Me" and "You & Me". Other titles include "It's Alright With Me", "Love & Learn", "My Best Was Good Enough", and "Deliver The Funk". LP, Vinyl record album

Smooth early 80s work from Patti – a bit over the top at times, but nicely restrained at others. Despite the fact that Patti's in the hands of top Philly International talents like Gamble & Huff, and Dexter Wansel – the effort's still very much her own, in full diva mode over a range of styles, from uptempo to mellow. Titles include "Family", "Boats Against The Current", "Shoot Him On Sight", "Over The Rainbow", "The Spirit's In It", and "I Fell In Love Without A Warning". LP, Vinyl record album

... 12-inch, Vinyl record

... 12-inch, Vinyl record

A nice lost soundtrack that accompanied this film about a Patty Hearst-type character from the mid 70s! The Stang/All Platinum label was in charge of the music, and the soundtrack features a bunch of exclusive cuts by Rhetta Hughes, The Moments, The Rimshots, and Chuck Jackson. Best of these are the Rimshots instrumentals, especially "Takin It" and "Do What You Feel". Also includes a version of "Sexy Mama", the Moments' big hit! Other tracks include "Look At Me" by Rhetta Young, "Patty" by The Moments, and "Gotta Get A Gun" by Chuck Jackson. LP, Vinyl record album

A Holiday set so sweet, you'll be playing it all year long – as the record's got all the same soul jazz charms as the other Prestige Records albums from Hammond legend Don Patterson! True, the cover is red and green – and true, the songs are all Christmas numbers – but Don and the trio really take off on them, and create that wonderful interplay of grooves that makes their work so wonderful! Patterson handles the basslines with the pedals on the Hammond – alongside Pat Martino on guitar and Billy James on drums – who play with a wonderfully open flow that sets Don free with plenty of flights on the keyboard! Tracks are loose and groovy – and titles include "Merry Christmas Baby", "Rudolph the Red Nosed Reindeer", "Silent Night", "O Holy Night", and "Jingle Bells". LP, Vinyl record album

A brilliantly bubbling session from Hammond genius John Patton – and a set that serves as a real link between the gutbucket soul of his early years, and some of the fresher phrasing he was beginning to explore at Blue Note! Patton's lines on the keys are a wonderful thing to behold (and behear!) – as they're both rhythmic, but extremely fluid and exploratory – more conceived around some of the new ideas on tenor at the time, and pushing forward roughly into the same territory as Larry Young – but with more of Patton's rootsy soul still intact. Junior Cook is in the group on most tracks on tenor – sounding quite fresh himself in this context as he leaps around with new energy – and the rest of the group features Jimmy Ponder on guitar and Clifford Jarvis on drums. The cuts are all originals, further proof of Patton's genius through his writing – and titles include "String Bean", "I Want To Go Home", "Dirty Fingers", and "Daddy James". LP, Vinyl record album

Among the best of the best of early Patti Smith albums – the Easter LP from 1978 – also her biggest hit ever! Easter splits the difference between accessible, if rawly impassioned rock & roll and more raucous and in yer face rebellious poetry. There's a stylistic gulf between the more delicate songs and the rawer ones, and that tension makes for a more amazing record overall. Titles include "Till Victory", "Space Monkey", "Because The Night", "Ghost Dance", "Privelege (Set Me Free)", "We Three", "25th Floor", "Easter" and more. LP, Vinyl record album

... LP, Vinyl record album

... LP, Vinyl record album

... LP, Vinyl record album

One of the rarest Johnny Griffin albums ever – a set recorded as a side project when Griff was working with the Clarke Boland Big Band – in a lineup that features some of the best members from that great ensemble! The style's a bit more laidback and soulful than other CBBB projects – more in the mode of Johnny's roots in Chicago during the 50s, but still inflected with some of the sharper touches he picked up during his 60s years in Europe. Other players here are all wonderful – and include Benny Bailey on trumpet, Sahib Shihab on baritone sax, Ake Persson on trombone, Francy Boland on piano, Jimmy Woode on bass, and both Kenny Clarke and Kenny Clare on drums – seemingly playing together on some tracks, which creates a nicely skittish rhythm in the set! Titles include "The Turk's Bolero", "Deep Eight", "A Handful Of Soul", "Foot Patting", and "Lady Heavy Bottom's Waltz". LP, Vinyl record album

A unique 2LP set from Blue Note Japan – all jazz organ gems from the label – with a number of tracks each by Baby Face Willette, Jimmy Smith, Lonnie Smith, Larry Young, John Patton, and Freddie Roach! LP, Vinyl record album

A killer set from Sonny – recorded in a very stripped down setting that has him blowing over organ lines by Don Patterson and drums by Billy James, with no other accompaniment! Tunes aren't that long, but they do have a freer feel than usual – and titles include "Answering Service", "Night Crawler", "Star Eyes", and "Who Can I Turn To?". LP, Vinyl record album

A nice little 2-fer collecting two great meetings of two greats! Jug and Stitt go head to head on Boss Tenors, a classic album of tracks that perfectly captures the joy and fury of their live performances from years before! The record was cut in Chicago with a very hard rhythm section that includes John Houston on piano, Charles Williams on bass, and George Brown on drums – and it's way heavier than the usual Verve "meeting of the masters" session, and feels more like a record that should have been issued on Prestige or Argo. Both players are impeccable, and the solos stretch out for a long long very live time. Titles include "Blues Up & Down", "The One Before This", and "Counter Clockwise" – but these guys even groove amazingly on standards like "Autumn Leaves" and "No Greater Love". Boss Tenors In Orbit was a follow up one year later, an obscure little session with the pair once again recreating the energy of their live shows – as they stretch out nicely on very long tracks that have spare backing by the Don Patterson trio! The cuts are mostly standard stuff – "John Brown's Body", "Walkin", "Long Ago And Far Away" – but the twin-tenor sound is great, and Patterson's free organ lines riff away nicely! LP, Vinyl record album

A really wonderful record, and one that's very different than any sort of piano trio album we've ever heard – as there's this richly textural quality to the album that has all the elements resonating in a very special way, with an overall sonic palette that's beautiful! Sure, there's piano on the set, but the bass is often almost higher in the mix, and more melodic too – while the drums move between soft fills and gentle rhythms – with occasional moments that are more powerful, and kick up the bass too – but again with this production approach that has these really amazing sound patterns between all the instruments. Titles include "Bird Flew By", "Drizzling Rain", "Siciliano", "Stefano", "Doppio Movement", "Abacus", and "Wonderful One". LP, Vinyl record album

A sublime second chapter of work from Booker T & The MGs – pulled from a time when Stax Records was stepping out of the influence of Atlantic, and really opening the door to a wide variety of new soul sounds! That approach is definitely in place here – as the tracks really evolve past the early hits of the group – with more unusual rhythmic patterns, laid down by the great Al Jackson on drums and Donald Duck Dunn on bass – while Steve Cropper provides all the riffing genius on his guitar, and Booker T pushes things over the top with completely sublime work on organ! All players are really changing up their groove, especially as the singles here progress from the 60s into the 70s – and the package features a-sides and b-sides, and even a few post-Booker T cuts by the MGs. Titles include "Kinda Easy Like", "Melting Pot", "Sunday Sermon", "Something", "Fuquawi", "Sugarcane", "Blackside", "Neckbone", "Soul Clap 69", "Slum Baby", "Meditation", "Johnny I Love You", "Time Is Tight", "Jamaica This Morning", "Over Easy", "Heads Or Tails", "Mrs Robinson", and "Soul Limbo. LP, Vinyl record album

Modern Hammond hero Brian Charette gets some great help here – tenor legend George Coleman, whose presence in the group makes an already-solid combo really sound great! Coleman was never a tenor player to work with an organ back in the 60s and 70s – but his work here is really wonderful, and turns that depth of soul that he can bring from the horn into a perfect match with Charette's great sense of phrasing and timing on the Hammond B3 – a pairing that might recall the match of either Booker Ervin or Sonny Stitt with organist Don Patterson back in the Prestige Records heyday. As with those sessions, there's also a great guitarist providing a whole new layer of color here – the mighty Vic Juris – and drums on the set are handled by George Coleman Jr. Titles include "Autumn Leaves", "Stella By Starlight", "On A Misty Night", "Body & Soul", and "Tenor Madness". LP, Vinyl record album

The name of the group may be obscure, but it's one of the key ensembles who recorded as part of the legendary Deram jazz series at the turn of the 70s – directed by cellist Paul Buckmaster, and featuring trumpet from Ian Carr and soprano sax from Brian Smith! The style here mixes together strings and freer jazz styles – in a tightly scored way that makes for shifting patterns in sound and mood. Overall, there's a quality to the work that always seems to be yearning for the next level – especially on the earlier tracks on the album, which kind of set the stage – and then open up at the final half of the record in some especially groovy numbers that feature Chris Karan on tabla! Other players include Peter Robinson on electric piano, Diana Lewis on acoustic piano, and Barry Morgan on drums – and titles include "Chitinous", "Dance", "Aldebaranian Song", and "Ronkproat'tn". LP, Vinyl record album

The second album by Cortex – the obscure French jazz group that's been a favorite of funky collectors for years! The group's got a strong fusion-driven groove on this set – with plenty of tight drumming, hard riffing, and spacey keyboards that give the tunes a nicely soulful finish. The best tracks are actually the mellower ones, which have a nice use of space and sound – creating strong little patterns of groove that stand out from the rest of the tracks. Lots of work on Fender Rhodes, mini korg, Hammond, and clavinette – and titles include "Poxa", "Datura", "Regina", "Mister J", "Efficace Swing", "Oh Lord", and "Devil's Dance". LP, Vinyl record album

The group's no ensemble, but they're definitely analog – as the one-man combo Charif Megarbane handles a whole host of cool electric sources for the music – a mix of mellotron, Rhodes, Wurlitzer, Farfisa, Moog, and other keys – mixed with an electric koto, flute, vibes, theremin, and field recordings too! There's also key use of acoustic guitar, which warms up and humanizes the sound wonderfully – as do the French vocals, which appear from time to time, and make the whole thing sparkle like some underground Parisian project from years back – almost building a bridge from the 70s Saravah scene forward to the music of Stereolab and Laetitia Sadier. The album's every bit as great as those two references would imply – and titles include "The Patterns Of A Hand", "Ainsi Souffle Le Vent", "Sens Dessus Dessous", "Passe Compose", "Les Orpailleurs", and "Octopolis". LP, Vinyl record album

One of those records that was a classic from the moment it was first released – the legendary second effort from the trio of David Crosby, Stephen Stills, and Graham Nash – with added bonus of Neil Young in the mix, which gives the whole thing a current of darkness that's completely mindblowing – especially in comparison to the harmonies of the quartet! These aren't the vocal patterns of the Sunshine Pop generation of a few years before – and CSNY find a way to capture all the darkness of the fading light of the 60s, while finding a special space for more thoughtful, sensitive sounds that never would have gotten a chance a few years before. Every track's a classic – and titles include "Carry On", "Our House", "Almost Cut My Hair", "Deja Vu", "Country Girl", "Everybody I Love You", "Woodstock", and "Teach Your Children". LP, Vinyl record album

There's a real Escape From New York look to the cover here – and the music by Guido & Maurizio DeAngelis has a very strong John Carpenter vibe – lots of spare, stark numbers that shift between electro funk and moodier numbers – really setting up the action with a dose of horror, and maybe having a depth that can last longer than the film itself! Instrumentation is very 80s, in the best way possible – lots of keyboards and electro drum patterns – at a level that certainly make the DeAngelis brothers a key precursor to the sort of sounds that are very much favored by the Stranger Things generation. 17 tracks in all – and very strong all the way through. LP, Vinyl record album

One of the hardest to find Astrud Gilberto records on Verve – and one of the best! Deodato, Don Sebesky, and Pat Williams did the arrangements – and the sound here is a bit different than some of the straighter Gilberto sets of the time – still very bossa-inspired, but also in a style that mixes in some great Sunshine Pop and 60s easy influences too – particularly on the tracks arranged by Williams! Tracks are all quite short, but get a heck of a lot of magic into a tiny space – and the album features some really wonderful songs that break Gilberto's pattern a bit – including versions of the Marcos Valle tracks "Crickets Sing For Anamaria" and "Chup Chup, I Got Away" – plus takes on "Windy", "Sing Me A Rainbow", "Never My Love", and "Where Are They Now?" LP, Vinyl record album

An album with as much power as you'd expect from the title – and a set that's billed as featuring "Music To The Limits Of Audibility"! The limits explored are the farther ones in sound – not the lower tones at the end of hearing – and Marty Gold does a very good job of hitting the heights with his bold orchestrations, captured here in dramatic RCA sound of the time! Orchestrations are often a bit more complicated than the usual bachelor pad record – with lots of complex horn patterns especially, instead of driving rhythms – and titles include "Stella By Starlight", "The Moon Was Yellow", "I'll Remember April", "A String Of Pearls", "Without A Song", and "Misty". Very dramatic – and bound to make your speakers pop! LP, Vinyl record album

One of the coolest, grooviest albums that pianist Vince Guaraldi ever recorded – a set that's got the same Peanuts theme as his earlier dates for Fantasy Records, but which also features some sweet electric touches that only make things even better than before! In addition to his warmly vamping piano, with all those lyrical touches we love so much, Vince is playing an electric harpsichord too – which makes for some very groovy moments – in a cool quartet that features guitar from Eddie Duran, bass from Stanley Gilbert, and drums from the great Carl Burnett! All tunes are Peanut-themed – the music that Guaraldi wrote for the TV specials – but they're sometimes taken at a looser style that's even jazzier overall – as you'll hear on the classic "Linus & Lucy", plus "Red Baron", "Peppermint Patty", "Great Pumpkin Waltz", and "Rain Rain Go Away". LP, Vinyl record album

Post-Labelle solo work from Nona Hendryx – and a set that very much shows that she's the one who brought all the raw funky power to the group! Unlike Patti Labelle's work from the same time, which was getting smoother and classier, Nona's work here is almost in the vein of rock music – working the lead guitar hard in a style that's a bit Betty Davis, but more crossover too – in ways that helped Hendryx gain a huge audience for her groove in the 70s! The core group is super-tight, and also helps Nona with all the arrangements too – a nicely unified set that includes a version of Russ Ballard's "Winning", plus "Everybody Wants To Be Somebody", "Once Again", "Problem", "Will You Be There?", "Leaving Here Today", and "Take A Chance". LP, Vinyl record album

Uncensored is right! Millie's live shows during the 70s were a lot raunchier than any of her records – and were usually filled with profanity, off-color jokes, and plenty of frank and foxy references to sex. She'd built her name on record through sweet heartbreaking southern soul sides – but this album gives the at-home listening crowd one of their first tastes of Millie in the raw, and it contains many classic monologues and lots of witty patter that Millie still uses in live shows to this day. Includes a great version of "If Loving You Is Wrong", with a hip rap in the middle; a nice take on "Keep The Home Fire Burnin", with a similar monologue to that used by Latimore in his live sets; a version of "Do Ya Think I'm Sexy?", the "Phuck U Symphony"; a piece on "The Soaps", and "Didn't I Blow Your Mind". LP, Vinyl record album

Call it a love of dancers or just plain Quincy Jones groove – this album's filled with tight tracks that are a perfect showcase for the ways in which Quincy had such a huge influence on jazz in the 60s! The tunes are often old standards, but done here in a style that's nicely syncopated – taking on that Jones love of space and sound, and working it through some big band tracks at a level that creates grooves that are a lot hipper than you'd hear on albums like this from most of his contemporaries! Players are all top-notch – and include Benny Bailey and Freddie Hubbard on trumpets, Melba Liston and Curtis Fuller on trombones, Jerome Richardson and Oliver Nelson on tenor, Sahib Shihab on baritone sax, Patti Brown on piano, and Les Spann on guitar and flute. Heck, even liner notes from Dorothy Kilgallen can't keep this one from being nice – and titles include "Chinese Checkers", "Tone Poem", "G'Wan Train", "Pleasingly Plump", and "A Sunday Kind Of Love". LP, Vinyl record album

A really all-star performance from Quincy Jones – one done at the Budweiser Superfest, and which features vocal contributions from James Ingram, Patti Austin, Ashford & Simpson, and Michael Jackson! Q is at the height of his R&B production years here – and he translates that studio magic into a stunning live performance, with help from all-star giants in the instrumental lineup – including Greg Phillinganes and Rod Temperton on keyboards and a bit of vocals too! The set was originally recorded for radio broadcast – and titles include "Love Is In Control", "Razzamatazz", "Stuff Like That", "Ai No Corrida", "Just Once", "Do You Love Me", and "One Hundred Ways". LP, Vinyl record album

A record that's definitely got plenty of layers, as Khalab works with a different collaborator on just about every track – which makes for a nicely varied vibe throughout the album! Tunes are often upbeat, but more complicated than clubby – layered with a nice sense of sound that has the collaborators' contributions shifting through subtle sonic patterns as the record moves on – in a lineup that includes "Romantic Loco" with Tenderlonious, "Drone Ra" with Yazz Ahmed & Alessi Obino, "Acid Vaccine" with Clap Clap, "Layers" with Joshua Idehan, "Mental Coach" with Gabin Dabire, "Female Side" with Tommaso Cappellato, and "Tunnel Of Jealousy" with Lady Blue Eyes. LP, Vinyl record album

The second album from Kid Creole & The Coconuts – a mad mix of grooves with a very unique style! The album follows August Darnell's pattern of blending 20s retro styles with early 80s dancefloor trends, touched with elements of the exotic – in keeping with the record's title – but the set's also filled with tunes that show that Kid Creole had a more soulful side, with a lot more to offer than just a novelty act. Titles include "With A Girl Like Mimi", "Table Manners", "Dear Addy", "In The Jungle", "Going Places", "I Stand Accused", "Latin Music", and "Musica Americana". LP, Vinyl record album

Evocative fusion work from Japanese guitarist Osamu Kitajima – a record that mixes together LA electric with some folksier elements, in the continuing exploration of cross cultural patterns that drifted across Kitajima's work from this time. The album's got a compelling blend of electric and acoustic instrumentation, and features work by players that include Clare Fischer, Victor Feldman, Stix Hooper, John Klemmer, and Bobby Hutcherson. Titles include "Floating Garden", "Wild Monk", "Golden Mean", and "Whoga". LP, Vinyl record album

A real breakthrough in female soul for the 70s – the initial album from Labelle – a set that's very different material than the group were doing on their girl group singles in the 60s! The trio here is legendary – Patti Labelle, Nona Hendryx, and Sarah Dash – three tremendous singers all working together at a level that really sets the standard for bad-rapping female soul in the 70s! We're not sure what happened with Patti and the group between their 60s material and this set – but whatever it was, it was something great – a turn towards a style that would keep them in the record racks for years! Titles include "Too Many Days", "Running Out Of Fools", "When The Sun Comes Shining Through", "Heart Be Still", and a nice version of "Time & Love". LP, Vinyl record album

One of the greatest albums ever by Labelle – known especially for the massive funky title cut, which has been an in-demand groover for years! "Moonshadow" begins with a nice funky piano intro, then rolls into a 10 minute groove that's really tasty – filled with lots of jazzy riffing, tasty conga, and a weird monologue by Patti that runs through different parts of the body and why you should appreciate them! The cut was lost on American audiences of the 70s, but became a huge one in the European jazz dance scene of the late 80s, probably because most of them couldn't understand how silly Patti's vocals were! The cut's nice and funky, though – and there's some other nice ones on the record, too, including "Sunday News", "Touch Me All Over", and "Peace With Yourself". Much more interesting than most of their stuff, with a hip mixture of jazz, soul, and hard grooving! LP, Vinyl record album

Music of a very different style than some of Laraaji's other work – more tuneful and song-based – with shorter tracks that show a whole different side of his talents! Laraaji's gotten great acclaim for his homespun spiritual sounds – long tracks that first found a home in Brian Eno's Ambient series, then came out on a variety of self-released records, and have even seen a big new revival in recent years. But the music here is a mixture of echoey vocals and rhythm patterns – songs that almost feel like special prayers of motivation and uplift – a karmic legacy stripped down more for an 80s generation, but still filled with a rich amount of spirit! The man's a surprisingly strong singer, with a trippy quality that really fits his lyrics – and almost gives some of the songs a late 60s sort of LA underground vibe. Titles include "Is This Clear", "Hare Jaya Jaya Rama", "Great Bells", "Laws Of Manifestation", "Cosmic Joe", "We Shall Be Lifted", and "I Can Only Bliss Out". LP, Vinyl record album

Damon Locks and Rob Mazurek are no musical strangers to each other – their paths have crossed often on the Chicago and global scenes over many years of creative activity. Yet this project is also the first they've co-led, and it's an incredible document of how much both artists have grown in recent years – especially when they let their talents flow together on a project like this! At some level, the core of the work is the voice that both artists have discovered – Locks, his own more focused message and ability to find other voices to sample in with his own – Mazurek, a way of using his own voice more directly, in addition to his well-known work on trumpets and electronics. Both Rob and Damon are in the forefront here, criss-crossing electric and acoustic elements with voices live and sampled – mixed with guest voices from others, in a swirlingly creative project that not only lives up to the current legacy of International Anthem and the Chicago scene, but also advances it a few notches too. Titles include "Breeze Of Time", "New Future", "Yes", "The Sun Returns", "Future City", "Las Ninas Estan Escuchando", "Support The Youth", "10 Mins Past The Hour", and "Polaris Radio". LP, Vinyl record album

A fantastic set from The Monkees – maybe the record that really had them coming together and finding that special groove that was all their own! The set features their completely sublime "Pleasant Valley Sunday" – but also has this great range of unusual material that seems to let everyone get some great space in the spotlight, while also hinting at trippier inclinations too – on other cuts that include "Love Is Only Sleeping", "She Hangs Out", "Cuddly Toy", "Hard To Believe", "What Am I Doing Hangin Round", "Star Collector", "Salesman", "Star Collector", and the completely bizarre "Peter Percival Patterson's Pet Pig Porky". LP, Vinyl record album

A definite New York groove from bassist Teuro Nakamura – and a set that really takes us back to some of the best American/Japanese fusion sessions of the late 70s! Like some of those classics, this one was recorded in the US, with a Japanese player in the lead – bassist Nakamura – and the sound is wonderfully smooth and soulful, with a wickedly spacious take on jazz funk – and this open groove set up by the basslines, which then allow plenty of room for the other musicians to take flight! The album features guitar from Joe Berger, Bill Washer, and William Spaceman Patterson – plus loads of sweet keyboards and Fender Rhodes from Ron Thompson, whose work on the record is almost worth the price of admission! The set also features a bit of soprano sax from Antoine Roney, and some tenor from Jay Rodriguez – and titles include "Bushman Song", "Sequoia Forest", "Sweet Romance", "Midnight Song", and "Certain Doubt". LP, Vinyl record album

Hip hop for the Gainsbourg fan? This Handsome Boy Modeling School spin off has Nathaniel Merriweather, aka Dan The Automator, working in his smoothest, sexiest, loungiest mode ever! Like Handsome Boy, Lovage is packed to the rafters with mysterious guest appearances, including the turntable and mixing skills of Kid Koala, Chest "Prince Paul" Rockwell, Afrika Bambaataa, and Maseo of De La Soul. Guest vocalists include Jennifer Charles of Elysian Fields, Damon Albarn, and Mike Patton. Tracks include "Ladies Love Chest Rockwell", "Pit Stop (Take Me Home)", "Anger Management", "Everyone Has A Summer They Want To Remember", "To Catch A Thief", "Lies And Alibis", "Book Of The Month", "Strangers On A Train", "Sex (I'm A)", "Tea Time With Maseo", "Herbs, Good Hygiene, & Socks", and the best song named after a bad Burt Reynolds movie ever, "Stroker Ace". LP, Vinyl record album

Exactly the kind of record that reminds us why we love Oddisee so much – and why he continues to be one of the freshest talents around – both from a lyrical and musical perspective! At some level, the album's as understated as the look of its cover – with a stripped-down vibe that never needs to push too hard, and which just moves perfectly with the vocal flow that the man himself delivers – with a simple, subtle quality that almost takes us back to that early moment when MCs were starting to break free of simple patterns in the 80s, and also allow some of themselves into their lyrics too. Titles include "Waiting Outside", "Rain Dance", "Things", "Built By Pictures", "Hold It Back", "Digging Deep", and "Things". LP, Vinyl record album

Famous radio recordings of the legendary Charlie Parker – captured at the Royal Roost nightclub in the late 40s – blasting out with incredible power over the airwaves in the New York scene! The presentation of the material here includes bits of announcer patter – mostly from Symphony Sid, who's really one of those guys that you've gotta hear to believe – a surprisingly wonderful combination with Bird's famous alto sax – presented here in a milieu that really lets you hear the raw power of both Parker's music and the way in which he was put forward to audiences at the time! LP, Vinyl record album

Maybe the coolest album so far in the Red Hot series – even amidst the unique Sun Ra subgroup – as the album's the brainchild of Meshell Ndegeocello, and comes together with all the complex soulfulness of her own recent albums! Back in the 90s, Meshell was a great but more mainstream soul artist – and over the years, she's developed into a really fascinating talent – one able to reach out with a complex blend of jazz, funk, and soul elements – woven into patterns that are always very much her own – a musical legacy that the great Sun Ra might have appreciated! Ndegeocello leads a very diverse lineup here – playing bass and keyboards, and singing a bit – next to other players who include longtime Arkestra giant Marshall Allen on alto and EWI, plus Immanuel Wilkins on alto, Christopher Bruce on guitar, Darius Jones on saxes, Daniel Mintseris on keyboards, and Justin Hicks, Pink Siifu, Kenita Miller, Nio Levon, and Hanna Benn on vocals. The album channels Ra's spirit through territory that's very much Meshell's own – and titles include "Yet Differently Not Mars Hall", "El Soul The Companion Traveler", "The World Of Shadow", "Reproductive Manatees/Sunny Said Up", "Bedlam Blues", "#9 Venus The Living Myth", and "Departure Guide Of The 7 Sisters". LP, Vinyl record album

A masterful fusion set from guitarist Lee Ritenour – one that expands his sound a bit more than usual by adding in vocals on a number of tracks – but in a way that really gets at the mainstream soul influences that bubble through his jazz work! The set features key vocal appearances from Patti Austin, Tom Baylor, and Bill Champlin – all singers who really know how to respect the instrumental side of a tune, too – which is great, given that the record also features keyboards from Dave Grusin and Patrice Rushen too. Titles include "That's Enough For Me", "Sugarloaf Express", "What Do You Want", "Matchmakers", "Morning Glory", and "The Storm". LP, Vinyl record album

A damn great early moment from David Sanborn – a record that really shows the reedman at his best – working some tight solos over soulful backings in the same 70s manner as Tom Scott or Wilton Felder! Like both of those players, David's got the chops to step out in front of the backings strongly – blowing some of his best notes with surprisingly little flourish, and crafting a soulful lead that's supported by work from Hiram Bullock on guitar, Rosalinda De Leon on keyboards, and Victor Lewis on drums. There's a bit of vocals on the album – courtesy of Patti Austin, Lain Groves, Phoebe Snow, and Paul Simon – and titles include "Indio", "Smile", "Concrete Boogie", "Mamacita", and "7th Ave". LP, Vinyl record album

Excellent work from Setenta – a Parisian combo who work with a great blend of Latin roots and funk – served up with lots of percussion at the core, topped with Fender Rhodes and other keyboards from jazz genius Florian Pellissier! The acoustic percussion and electric keys are perfectly balanced – as you might find on a mid 70s album from Mongo Santamaria, but with a different flavor too – given that these guys explore some Afro roots in their music as well, which creates shifting patterns of rhythms throughout the set. Most tracks have vocals, and titles include "If We Ever Get There", "Permiso", "Mecanica Bestial", "DIA (parts 1 & 2)", "Materia Negra", and "Llego El Malo". LP, Vinyl record album

A really important early album from this groundbreaking pianist – a set that initially got plenty of exposure at the time, thanks to its placement on the Infinite Zero label – even though Matthew Shipp's piano work was very far from the mainstream! The trio here is tremendous – and the work of William Parker on bass is especially wonderful, as is the subtle drum handling of Whit Dickey – as the group perform lne long suite of tracks that flow together in haunting patterns of criss crossing lines that describe seem to really bring a sense of spirituality back to the world of improvising music in the early 90s! LP, Vinyl record album

One of the few solo albums ever cut by organist Chester Thompson – a player who's known to most as the keyboardist in Tower Of Power, but one who's also remembered by a select funky few for this killer record for the Black Jazz label! The album's a stripped-down quartet session – with labelmate Rudolph Johnson on tenor, blowing some beautiful lines alongside long, drawn-out Hammond solos from Thompson! The overall feel is similar to some of the great late 60s Prestige sessions – especially Don Patterson dates – with the group free swinging away in a very live format, just like you might have heard if you caught them in some hip southside club. Other players include Al Hall Jr on trombone and Ray Pounds on drums – and the album features four long jamming tracks, with titles that include "Mr T", "Trip One", "Weird Harold", and "Powerhouse". LP, Vinyl record album

A set that strongly continues the special spirit that Grover Washington brought to his music during the Elektra Records years – as one of the few artists who really found a way to move forward from the style of 70s jazz funk, but not fall into some of the smoother jazz cliches that were about to envelop his contemporaries! Part of the strength of the record lies in Grover's strongly soul-based sense of timing – allowing for just the right amount of space between the notes to remind you that you're listening to a jazz soloist first and foremost, even when a guest like Patti Labelle might step in for a bit of vocals. Titles include "Brazilian Memories", "Mixty Motions", "Can You Dig It", "I'll Be With You", "Things Are Getting Better", and "The Best Is Yet To Come". LP, Vinyl record album

A tasty little set from Andrew White – not as "fonky" as you might think from the title, but an excellent batch of soul jazz tunes that rank with some of his best self-released work! The group on the album features Blackbyrds Keith Killgo on drums and Kevin Toney on piano, plus excellent bass work by the great Steve Novosel – whose round warm tones really make the album groove! The record features a nice 3 part version of "Who Got De Fonk?" – shifting mood over the part to hit a number of soulful moments. Even better is a long modal take on "Afro Blue" – one that features some incredible piano from Toney, stepping out over a very nice set of drum patterns. Other tracks include "Theme 3", "Say When Are You Coming Back", and "From Shangai To Bangkok". LP, Vinyl record album

A seminal moment on the west coast scene of the 60s – a record that has the great Gerald Wilson pulling together some of the best elements that were going on at the time, and also pointing the way towards changes to come in the future! The set's not the first effort by Wilson on record, but it's maybe one of his most classic – and begins with superb selection of members for the ensemble – a lineup that includes Carmell Jones on trumpet, Lou Blackburn on trombone, Teddy Edwards and Harold Land on tenors, Joe Pass on guitar, and the great Jack Wilson on piano! But key to the set are the rhythms – with the wonderful bassist Jimmy Bond setting up a groove that seems to pull out the best from drummer Mel Lewis – as the pair help ground the larger group with a rock-solid groove that keeps things soulful throughout! Nearly every track's an original, and the album includes Wilson's killer track "Viva Tirado" – a tight jazzy stepper that was covered by many artists over the years, most famously El Chicano – with a Latin-tinged groove that really opens up a new sound in Los Angeles jazz! There's lots of other great cuts too – including "Moment of Truth", "Latino", "Josefina", and "Patterns". LP, Vinyl record album

A record with maybe the sharpest edge of any of the titles in this excellent series – a set that's certainly more jazz-based than most, thanks in part to the presence of the legendary Henry Franklin on bass, and some superb work on guitar from the great Jeff Parker! Although Franklin is best known for his famous 70s albums on the Black Jazz label, he's continued to be a strong force on the west coast scene for decades, and has issued some sublime records on his own label – and this time around, it's almost as if the team of Adrian Younge and Ali Shaheed Muhammad have stepped back a bit, and let Franklin act more as a leader than some of the other artists on previous Jazz Is Dead recordings. Tracks are long, and filled with a sense of exploration that's nicely different than some of Franklin's own records, but equally inspired – with work from other players who include Clinton Patterson on trumpet, David Urquidi on alto, Scott Mayo on tenor and flute, and Nicholas Baker on percussion. Titles include "African Sun", "Feedback", "Cafe Negro", "People's Revolution", "Karibu", "The Griot", and "Memories Lost". LP, Vinyl record album

The great drummer Tony Allen left our planet all too soon – but not before cutting this fantastic album as part of the Jazz Is Dead series – a killer record that may be one of the best he's given us in the past decade or so! The format here is different than some of Tony's other records, but also different than the other Jazz Is Dead records – as the instrumentation is fuller than those, with a brace of horns that really fills things up – while Tony delivers these amazing rhythm patterns on the bottom, supported with basslines from Adrian Younge, who also adds in all sorts of very cool keyboards! There's more noise and darkness at times than we've heard on some of Allen's bigger label sets – and we mean that in a really great way – and the drummer is maybe most up in the mix of all the instruments, so you can really hear Tony going to town at his funky best. Titles include "Don't Believe The Dancers", "Steady Tremble", "Ebun", "Oladipo", "No Beginning", "Lagos", and "Makoko". LP, Vinyl record album

Includes selections by Glenn Frey, Patti La Belle, Pointer Sisters, Rick James, Shalamar, Danny Elfman, Junior, and The System. LP, Vinyl record album

A lost legacy of work from Black Jazz Records – the important 70s imprint that's best known for its groundbreaking albums of spiritual and funky jazz – and a company who also issued some rare 45s back in the day! The cuts here represent some of the coolest, funkiest tracks these artists recorded for Black Jazz – all originally issued as 7" singles, some with a two-part approach that has both parts of a longer track spread out over both sides of the wax. The presentation here is as top-shelf as the other Black Jazz reissues handled by Real Gone – complete with notes by Pat Thomas – and titles include "Little B's Poem" and "Peace" by Doug & Jean Carn, "Chi Town Theme" by Cleveland Eaton, "Soul Daddy" and "Be All Your Own" by Kellee Patterson, "You Are The Sunshine Of My Life" and "Me & Mrs Jones" by Gene Russell, "Coral Keys (parts 1 & 2)" by Walter Bishop, "Moon Child (parts 1 & 2)" by Doug Carn, "Mr TJ (single edit)" and "Devon Jean" by Rudolph Johnson, "Gee Gee (parts 1 & 2)" by Calvin Keys, and "Powerhouse (parts 1 & 2)" by Chester Thompson. LP, Vinyl record album

A massive batch of mixes from dancefloor maestro John Luongo – a set that's heavy on cuts from the 80s in many styles, and which has some other surprises in the mix as well! Luongo was one of those talents who did a great job of bringing underground dancefloor modes to a more mainstream audience – and he finds grooves in cuts that might not normally have gotten such strong club treatment on their own, or in the hands of another remix talent! This 2LP set features some of the best work that Luongo did back in the day – titles that include "The Best (ext mighty mix)" by Tina Turner, "Suspicious Minds (suspicious mix)" by Fine Young Cannibals, "The Chinese Way (New York rmx)" by Level 42, "Out In The Night (12" version)" by Serge Ponsar, "Give It Up (12" version)" by KC & The Sunshine Band, "Missing You (ext version)" by John Waite, "Eyes Without A Face (full length version)" by Billy Idol, "Look Of Love (part 3 – dance version)" by ABC, "Fade To Grey (US 12" version)" by Visage, "Blind Vision (ext version)" by Blancmange, "Shy Boy (US ext version)" by Bananarama, "Tarzan Boy (ext dance version)" by Baltimora, "Relight My Fire (historical 1979 rmx)" by Dan Hartman with Loleatta Holloway, "You Stepped Into My Life (John Luongo rmx)" by Melba Moore, and "Music Is My Way Of Life (John Luongo rmx)" by Patti Labelle. 2LP set features 16 tracks – and includes rare photos and an essay on Luongo's music! LP, Vinyl record album

Greasy Mike's at it again – and while he might not make any dates by flashing his vinyl collection to the gals on the street, he more than wins us over with his cool collection of rare and offbeat gems from the glory days of the 7" single! This time around, the tunes are all by female singers – some jazzy, some more soulful, some with a very unusual approach – and as always with Mike's collections, it's important to take the presentation and politics with a grain of salt! Titles include "Melancholy Mood" by Wini Beatty, "The Wrong Guy" by Patti Dane, "Interlude" by Anna Marie, "Dark Midnight" by Helen Alvey, "Out Of This World" by Marilyn Ross, "Nobody But Me" by Ann Cole, "Leave My Heart" by Tommie Jean Whitley, "Come Back Pretty baby" by Mecie Jenkins, "I Walk The Streets" by Lyn Avalon, and "Red Wine For My Blues" by Miss Johni Naylor. LP, Vinyl record album

The cover image should give you a great idea of what you're in for here – rare soul from the funky 45 underground of the late 60s/early 70s generation – presented in a wonderful selection of hand-picked cuts! Most of these numbers were recently reissued as limited run 7" singles by Acid Jazz and partner label Miles Away – but those singles, already expensive at the time, are mostly out of print and fetching money as if they were vintage releases – which makes this full-length set as much of a economic treasure as it is a musical one – a chance to enjoy these gems without breaking the bank! Titles include "Family Tree" by Family Tree with Sharon Brown, "We Got Good Lovin" by The Fantastics, "Time Is Long" by Rick Hickman, "Dancing Close" by Rita Joyce, "When You Lose Your Groove" by The Tom Emmanuel & Ron Experience, "Thank You Lord" by Lamont Butler, "Two Can Make It Together" by Tony & Tandy with Fleur De Lys, "This is The Beginning" by Leon's Creation, "Gonna Find A True Love" by Patterson Twins, and "One More Chance Lord" by Delores Fuller. LP, Vinyl record album

A nice selection of classic 60s soul numbers, focusing on women who like to exercise their pipes, and while we had remembered this set hewed close to the mainstream, there's a few nice little nuggets on here that they dug a little deeper for. 14 tracks in all: "The Nitty Gritty" by Shirley Ellis, "Tell Mama" by Etta James, "Hard To Handle" by Patti Drew, "Bold Soul Sister" by Ike & Tina Turner, "Lee Cross" and "You Send Me" by Aretha Franklin, "Heartbeat" by Gloria Jones, "Stay With Me" by Lorraine Ellison, "Wang Dang Doodle" by Koko Taylor, "I Know (You Don't Love Me No More)" by Barbara George, "Rescue Me" by Fontella Bass, "Hypnotized" by Linda Jones, "Why (Am I Treated So Bad)" by the Sweet Inspirations, and "Ask Me" by Maxine Brown. LP, Vinyl record album

From the vaults of Liberty and United Artists, with selections by Jay & The Americans, Bertell Dache, Johnny Maestro, The Belmonts, Patty Duke, Mike Clifford, Gary Lewis & The Playboys, Bobby Vee & The Johnny Mann Singers, The Fleetwoods, Patience & Prudence, Johnny Burnette & The Johnny Mann Singers, and Jan & Dean. LP, Vinyl record album

Includes tracks by Glen Cambell, Bill Champlin, Betty Buckley, Wintly Phipps, Marie Osmond, Dobie Gray, Mark Isham, Sandi Patti, and more. LP, Vinyl record album

Duo recordings of original compositions by Coryell and Keane, with titles that include "Brazilia", "La Pluie", "A Piece For Larry", "At The Airport", "Waltz No 6", "Just Like Being Born", "Logical Solution", "Warm Weather", "Patty's Song", and "Lines". LP, Vinyl record album

An insanely wonderful record from De La Soul – a set that's sometimes eclipsed by its legendary precursors, but which would easily stand as the best record in the catalog by any other group! Prince Paul's production is impeccable – leaner than before, likely due to new restrictions on samples – but with a focus that really hones in on the incredible word play that De La have developed even more strongly than before! That strong sense of whole album presentation the group really helped forge in hip hop is definitely in place here – on titles that include the classics "Ego Trippin' (Part 2)" and "Breakadawn", "Eye Patch", "En Focus", "Patti Dooke", "I Be Blowin'", "3 Days Later", "Area", "I Am I Be", "In The Woods", and "Stone Age". LP, Vinyl record album

A groovy little live album from The 5th Dimension – not nearly as smoothly polished as their studio albums, in a way that really makes the set stand out nicely! The vocals are still completely top-shelf – a heavenly sound that's hard to believe comes from five mere mortals – but the musical backings are a bit more rough-edged and soul-based – a harder groove than the group gets on their full albums, in a way that provides a great contrast to the harmonies on the lyrics! There's also a great sense of "liveness" to the set – patter from the group before the tunes, and some upbeat medleys of some of their bigger hits – strung together in ways that are a lot nicer than just simple live remakes of familiar songs. Titles include "I Just Want To Be Your Friend", "Eli's Coming", "Never My Love", "Shake Your Tambourine", "Ode To Billie Joe", "I Want To Take You Higher", and two longer medleys of hits! LP, Vinyl record album

A mindblowing album from Ahmad Jamal – a fantastic start to the 70s, and a set of music that shows just how far the pianist had come in just a few short years! The album's all acoustic, but has some of that spacious flow that Jamal would bring to his work on Fender Rhodes – with an approach that's even more open in terms of song structure than his earlier trio material – as if Jamal's choosing to omit more notes than he's including – but all with a quality that still keeps the music very full and rhythmic – pulsating with a special sort of energy that's neither Bill Evans, nor McCoy Tyner – but instead this really amazing sound that's all Ahmad's own. The trio features equally wonderful work from Jamil Nasser on bass and Frank Gant on drums – and titles include "The Awakening", "I Love Music", "Patterns", "Wave", and "Dolphin Dance". LP, Vinyl record album

One of the wildest sets ever recorded by Japanese guitarist Ryo Kawasaki – and that's saying a lot, given some of his other work! The vibe here is fusion, but with a definite 80s spacey twist that's hinted at by the cover – as Kawasaki handles most of the instruments himself, mixing his cool guitar lines with keyboards, rhythm patterns, and other elements – all in a wonderful wave of sound, almost similar to some of the Japanese electronic instrumental work of the time, but still very jazz-oriented overall! Titles include a nice reading of "Concierto De Aranjuez" – plus "Cancion Del Fuego Fatuo", "Introduction From Schelomo", "A Felicidade", "Marilyn", "Mercy Of The Dragon", "Hawaiian Caravan", and "Twilight Song". LP, Vinyl record album

The rich 70s legacy of the Lovelites – a Chicago trio who first sprang onto the soul with some wonderfully fragile work when they were young, and who continued to record some really great music – even though they never fully got their due at the time! The music here was all done after the girls got their one shot at an LP on the Uni label – and the set features rare work for a variety of different labels, all issued only as 7" singles – plus a few tracks that were never released at the time. All the strength of their early vocals is still in place here, but guided by a sense of maturity that makes the music even more powerful – and which seems to indicate that the trio have already lived a lot of life in the time since their first records – all of which they bring to play in the music. Most tracks have a groovy vibe – midtempo and mellow, but with a gentle groove too – one that brings out the best in lead singer Patti Hamilton, in a set of 16 tracks that includes "My Conscience", "Love So Strong", "Got To Be There", "Oh What A Day", "Get It Off My Conscience", "My Baby Loves Me", "Bumpy Road Ahead", "Man In My Life", "Love Is Pretty", "I'm The One You Need", "Come & Get It", and "Cravin For Your Love". LP, Vinyl record album

The only full length album ever cut by this amazing Chicago girl group! The Lovelites first broke onto the charts with their stunning track "How Can I Tell My Mom & Dad" – a sad slow tune about teen pregnancy, sung in a strange otherworldly style that's also quite soulful – with a catchy hook and a way of referring to the problem at hand that's vague, and makes for a strange approach to the material. That track, and the others on the set, are very different than the usual girl trio material – rougher, more honest, with a quality that's emotive, yet not overly drippy. Part of the thanks for this goes to arranger Johnny Cameron, who handled the tracks on the set – but a lot of the credit should also go to lead singer Patty Hamilton, who co-wrote some of the tracks, and who has a fantastic way of putting over the songs. Titles include "This Love is Real", "Certain Kind Of Lover", "Who You Gonna Hurt Now", "Shy Boy", "I've Got Love", "Gotta Let You Go", "Oh My Love", and "How Can I Tell My Mom & Dad". LP, Vinyl record album

A mindblowing album from James Moody – of the sort that opens up a whole new facet of his career! The record takes off from Moody's early 60s work for Chess – his post-bop recordings that started displaying a deeper side of his musical consciousness – and which occasionally featured work by composer/arranger Tom McIntosh. McIntosh's presence is felt very strongly here – as he produced the whole session, and contributed a few tracks – working in the Nola Penthouse studios at a level of hipness we never would have expected! Moody plays tenor, alto, and flute – working with a really great group that includes Patti brown on piano, Albert Heath on drums, Reggie Workman on bass, and Thad Jones on trumpet – and the scope of the work is far beyond anything you'd expect! The record's got a stunning early funk track by Edward Bland – "If You Grin You're In", which features a tripped-out organ line mostly just holding one note – while drums pound hard, and Moody blows it over the top – all set to this flattened production that makes the whole thing sound really eerie! Other great tracks include the loping groover "Capers", the wonderfully moody flute number "Wayward Plaint" (written by Dennis Sandole, of the oft-overlooked Sandole Brothers), and the tracks "Em Prean Shore" and "Buster's Last Stand". Tremendous throughout – and completely essential, whether you already like Moody or not! LP, Vinyl record album

Includes tracks by Roxy Music, Damned, Jan Hammer, Jackson Browne, Phil Collins, Gladys Knight & The Pips, Steve Jones, Patti La Belle & Bill Champlin, and Andy Taylor. LP, Vinyl record album

A rhythmic, moody and moving set from Nik Bartch's Ronin for ECM – somewhat relaxed material that still has an something of sinister melodic undercurrent. Bartch's piano leads some dynamtic, and quite wonderful drum work by Kaspar Rast and percussion by Andi Pupato, with bass by Bjorn Meyer and alto sax and bass clarinet by Sha. Patterns repeat for hypnotic effect, but it's an ever evolving landscape. 7 pieces including "Modul 48", "Modul 52", "Modul 55", "Modul 47", "Modul 53", "Modul 51" and "Modul 49_44". LP, Vinyl record album