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Partial matches: 500
Partial matches1
CD, LP, Vinyl record album cover art
Roland AlexanderPleasure Bent ... LP LP format
New Jazz/Prestige, 1961. New Copy (reissue)... $9.99
One of the few albums ever cut by this incredible tenor sax player – a wonderful talent that we only know from a handful of records – all of which we love! This date's got a bold sound that very much lives up to its cover, and Alexander's placement on Prestige's New Jazz label – a vibrant sound that's got elements of the 60s underground of Eric Dolphy or Ken McIntyre, but which also has a more flowing, soulful vibe as well – almost a precursor to later spiritual jazz elements of the 70s. No surprise, the great Marcus Belgrave is in the quintet on trumpet – as is Ronnie Mathews on piano, with rhythm support from Gene Taylor on bass and Clarence Stroman on drums. Almost all tracks are originals – and titles include "I'll Be Around", "Dorman Road", "Lil's Blues", and "Orders To Take Out". LP, Vinyl record album

Partial matches2
CD, LP, Vinyl record album cover art
Archie WhitewaterArchie Whitewater ... CD CD format
Cadet/RPM (UK), 1970. New Copy ... $8.99
A damn legendary record from the last years of Chess Records – and for good reason, too! Archie Whitewater were a group that was years ahead of its time – a rock combo, but one with real genre-crossing sensibilities that made them perfect for the experimental styles at the Cadet/Concept side of Chess – the same slice of the musical universe that gave us Rotary Connection and important productions from Charles Stepney! The sound here has some surprisingly soulful elements at times – especially the instrumentation, which features some great break moments that get nice and funky, and strands of soulful jazz and blues that really make the music way different than most other groups we can think of – or maybe a bit like a rare elite who shared such visionary territory with Archie Whitewater, such as Shades Of Joy on their first Fontana record. The keyboards and sax lines are as great as the drums – and the vocals have a melancholy undercurrent that's a really refreshing change from some of the overly-postured modes you'd get from other groups in 1970. Titles include the sublime sample cut "Cross Country" – but there's loads of other nice ones with the same stripped-down "Dusty Fingers" sort of groove – and other titles include "Life Is A River", "Home Again", "Lament For The Walking Dead", "Seacoast", "Country To the City", "Friends & Neighbors", and "Mist Of The Early Morning". CD

Partial matches3
CD, LP, Vinyl record album cover art
Louis ArmstrongGreat Original Performances 1923 to 1931 ... CD CD format
Louisiana Red Hot Records, 1920s/Early 30s. Used ... $6.99
CD
(Out of print.)

Partial matches4
CD, LP, Vinyl record album cover art
Jack AshfordHotel Sheet ... CD CD format
Magic Disc/Creole Stream (Japan), 1977. New Copy ... $22.99
One of the coolest club records ever cut – and one with a great gimmick too! That gimmick is the "hotel sheet" – an instrument created by percussionist Jack Ashford, which is a light piece of metal that's snapped back and worth to create these cool wibbly, wobbly waves of sound – almost like a moog at times, which gives some of these tracks a bit of a P&P Records vibe! Ashford was a member of The Funk Brothers – and a percussionist on countless classic Motown sessions – but this album was recorded in LA with a sweet electric groove, and a mix of strings and funk that almost rivals Jack's only other full album – a rare blacksploitation soundtrack. The set features full arrangements from Paul Riser, orchestrations from Gordon Staples, and the whole thing was recorded at the Marvin Gaye studios – which you can almost hear in Ashford's surprisingly great vocals. The title cut "Hotel Sheet" has this wonderful popping moogy sound that's very nice – and other tracks include "Funky Disco Party", "Shar", "Hi Mom, Hi Al", and "Get Right On Top". CD

Partial matches5
CD, LP, Vinyl record album cover art
Georgie AuldDancing In The Land Of HI-FI ... LP LP format
Mercury, 1956. Very Good ... $4.99
Plenty of dancing here – romping rhythms that are a nice change for Georgie Auld, and which make for a perfect foil for his deeper sounds on the tenor! The record's got a bit of Mercury Records rock in the mix – almost a Red Prysock approach at points, mixed with some of the sweeter swing of Georgie's roots – and other players include Ray Linn and Maynard Ferguson on trumpets, and Frank Rosolino on trombone. Titles include "Blue Lou", "I Get A Kick Out Of You", "Rosetta", "Sweet Lorraine", "Prisoners Song", "Got A Date With An Angel", and "Too Marvelous For Words". LP, Vinyl record album
(Drummer logo pressing. Cover has some peeling of the gloss.)

Partial matches6
CD, LP, Vinyl record album cover art
Australian Jazz QuintetAustralian Jazz Quintet In Free Style ... CD CD format
Bethlehem/Solid (Japan), 1958. New Copy ... $9.99
The style's never too free here – not in an avant jazz way – but the group's definitely opening up a bit more than before, and making even more magic with their music! The lineup has changed a bit from earlier albums from this combo – but key Australian players are still very much on hand – the great Bryce Rhode on piano, Jack Brokensha on vibes, and Errol Buddle on reeds! Rhode is one of the best pianists of the time – sadly overlooked upon his 60s return to Australian (where he made some wonderful records) – and his careful sense of tone really starts things off wonderfully – and brings more out of the vibes than we've ever heard on Brokensha's later records. Titles include the long "Take Three Parts Jazz" suite – plus "Detour Ahead", "I'll Remember April", "Bewitched", and "Swingin Goatsherd Blues". CD

Partial matches7
CD, LP, Vinyl record album cover art
Australian Jazz QuintetAustralian Jazz Quintet In Free Style ... LP LP format
Bethlehem, 1958. Very Good ... $4.99
The style's never too free here – not in an avant jazz way – but the group's definitely opening up a bit more than before, and making even more magic with their music! The lineup has changed a bit from earlier albums from this combo – but key Australian players are still very much on hand – the great Bryce Rhode on piano, Jack Brokensha on vibes, and Errol Buddle on reeds! Rhode is one of the best pianists of the time – sadly overlooked upon his 60s return to Australian (where he made some wonderful records) – and his careful sense of tone really starts things off wonderfully – and brings more out of the vibes than we've ever heard on Brokensha's later records. Titles include the long "Take Three Parts Jazz" suite – plus "Detour Ahead", "I'll Remember April", "Bewitched", and "Swingin Goatsherd Blues". LP, Vinyl record album
(Cover has a stereo sticker, and some clear tape on the bottom seam.)

Partial matches8
CD, LP, Vinyl record album cover art
David AxelrodDavid Axelrod Anthology II ... CD CD format
Stateside (UK), Late 60s/Early 70s. Used ... $11.99
Genius work from one of the greatest arranger/producers ever! David Axelrod isn't what you'd exactly call a household name, but over the past 40 years, he's had an undeniable influence on modern music! This set documents some of Axelrod's greatest work – his time at Capitol records during the late 60s and early 70s, when he was working some very unusual magic under the guise of simple pop records. The core of the package features tracks from David's own albums of the time – rare instrumental gems that mix together jazz, funk, and complicated soundscapes – and which have gone onto have a huge impact on the sound of hip hop production. Other tracks include Axelrod-handled productions for some other Capitol artists – surprisingly little tunes that break out with wonderful little twists, turns, and sly funky bits! Titles include "Tensity" by Cannonball Adderley, "Good Day Sunshine" by Ray Brown, "The Edge" by David McCallum, "Theme From Che" by Don Randi, "House Of Mirrors" by David McCallum, "Your Good Thing" and "Dead End Street" by Lou Rawls, "Happy People" by Cannonball Adderley, and "Warning Part 2", "Song Of Innoncence", "Merlin's Prophecy", "I Fall To Pieces", and "A Divine Image" by Axelrod himself! CD
(Out of print.)

Partial matches9
CD, LP, Vinyl record album cover art
Albert AylerImpulse Story ... CD CD format
Impulse, Late 60s. Used ... $6.99
Our favorite work by Albert Ayler – material we love even more than his better-known sides for ESP! Although Ayler at ESP definitely set a new level in 60s jazz, we actually really treasure his later sides for Impulse – records that are sometimes not as focused, often a bit failed, but extremely compelling in their use of new modes to explore avant garde jazz! The Ayler heard here is one that's definitely searching – a player who starts out in the bold energy of free solos and limitless expression, but who reigns things in to try to reach new ears – blending influences from soul, rock, and early fusion with his horn – often hitting tones and notes that were never present on sessions for other labels. In a way, the searching quality here is even stronger than in the work of John Coltrane or Archie Shepp from the time – and the 10 track CD is a great introduction to this really compelling chapter of Ayler's career. Titles include "Love Cry", "Bells", "Truth Is Marching In", "Angels", "New Grass/Message From Albert", "Music Is The Healing Force Of The Universe", "Free At Last", and "Water Music". CD
(Out of print, BMG music club pressing.)

Partial matches10
CD, LP, Vinyl record album cover art
Ray BarrettoEye Of The Beholder/Can You Feel It ... CD CD format
Atlantic/Expansion (UK), 1977/1978. New Copy ... $16.99
Two massive records from Ray Barretto – both from a time when he was really opening up his groove! Eye Of The Beholder is a really wonderful album from Barretto – more jazz fusion than his usual 70s salsa – but in a way that we really really love! The album's a crossover gem that has Ray working with Stix Hooper, Joe Sample, and Wilton Felder of The Crusaders – a trio who produced the record, and add in some of their instrumental help as well – which helps Ray find this bouncy, sometimes funky sort of groove – a sublime blend of LA fusion and New York Latin! There's still loads of great percussion from Barretto – but the set also has some wicked keyboards, guitar, and lots of jazzy inflections too. Titles include the killer cut "Here We Go Again" – a great midtempo number with a perfect steppers groove – plus the cuts "Tumbao Africano", "Leti", and "Expresso". Can You Feel It offers sweet sounds from the days when Fania Records was one of the greatest things going on the New York scene – and some of its key artists got a chance to work for other labels! This set's one of the best examples of that moment – as Ray Barretto steps out here in some sweet soulful territory for Atlantic Records – on an album that mixes his Latin roots with warmer soul backings that have the same sort of full, rich sound of the best Atlantic R&B of the time. Ray's conga is still part of the sound – especially on the funkier cuts – but the album's also got some strong soul vocals, too – sung by Prince Phillip Mitchell on one of the album's best cuts, and by Cissy Houston and Googie Coppola on a few others. Tracks include "Sting Ray", "Can You Feel It", "What Part Of Heaven Do You Come From", "Stargazer", and "Confrontation". CD

Partial matches11
CD, LP, Vinyl record album cover art
Richard BaronePrimal Dream ... LP LP format
Paradox Records, 1990. Near Mint- ... $4.99
LP, Vinyl record album
(Cover has a factory sticker and a few creases.)

Partial matches12
CD, LP, Vinyl record album cover art
Ray BarrettoCan You Feel It ... CD CD format
Atlantic (Japan), 1978. New Copy ... $13.99
Sweet sounds from the days when Fania Records was one of the greatest things going on the New York scene – and some of its key artists got a chance to work for other labels! This set's one of the best examples of that moment – as Ray Barretto steps out here in some sweet soulful territory for Atlantic Records – on an album that mixes his Latin roots with warmer soul backings that have the same sort of full, rich sound of the best Atlantic R&B of the time. Ray's conga is still part of the sound – especially on the funkier cuts – but the album's also got some strong soul vocals, too – sung by Prince Phillip Mitchell on one of the album's best cuts, and by Cissy Houston and Googie Coppola on a few others. Tracks include "Sting Ray", "Can You Feel It", "What Part Of Heaven Do You Come From", "Stargazer", and "Confrontation". CD

Partial matches13
CD, LP, Vinyl record album cover art
Beach BoysFriends ... LP LP format
Capitol, 1968. Very Good- ... $14.99
An under-discovered album from The Beach Boys – and one of our favorite records by the group! The set's kind of a slinking back to the personal, quirky territory of Smile, but with a somewhat more intimate, less-ambitious feel – one that comes off like a tapestry of simple expressions from the group – surprisingly heartfelt at times, fragile at others, and always with a soul-bearing quality that's really wonderful. This one's light years from their surfer pop of a few years before – even a strong maturation from the Pet Sounds set of just two years back – and the harmonies really have the group hitting new strides – hardly a copycat of earlier male group modes, pure harmony heaven for the late 60s! The whole thing's wonderful – and titles include "Friends", "Transcendental Meditation", "Anna Lee The Healer", "Wake The World", "Meant For You", "Busy Doing Nothin", "Little Bird", "Be Here in the Mornin'", and "Diamond Head". LP, Vinyl record album
(Rainbow label stereo pressing. Cover has some wear, a split spine, splitting and flaking on the bottom seam, and a couple of small stains.)
Also available Friends (180 gram pressing) ... LP 16.99

Partial matches14
CD, LP, Vinyl record album cover art
Beach BoysFriends (180 gram pressing) ... LP LP format
Capitol, 1968. New Copy (reissue)... $16.99 22.98
An under-discovered album from The Beach Boys – and one of our favorite records by the group! The set's kind of a slinking back to the personal, quirky territory of Smile, but with a somewhat more intimate, less-ambitious feel – one that comes off like a tapestry of simple expressions from the group – surprisingly heartfelt at times, fragile at others, and always with a soul-bearing quality that's really wonderful. This one's light years from their surfer pop of a few years before – even a strong maturation from the Pet Sounds set of just two years back – and the harmonies really have the group hitting new strides – hardly a copycat of earlier male group modes, pure harmony heaven for the late 60s! The whole thing's wonderful – and titles include "Friends", "Transcendental Meditation", "Anna Lee The Healer", "Wake The World", "Meant For You", "Busy Doing Nothin", "Little Bird", "Be Here in the Mornin'", and "Diamond Head". LP, Vinyl record album
Also available Friends ... LP 14.99

Partial matches15
CD, LP, Vinyl record album cover art
Beach BoysStack O Tracks (UK pressing) ... LP LP format
Capitol, 1968. Very Good+ ... $2.99
Beach Boys karaoke – or kind of a "music minus one" album – but whatever the case, the set's a pretty unique outing in the field of 60s pop! The record's exactly what the title promises – a "stack o tracks" from the group's earlier records – rhythm parts, some instrumental bits – all laid out with key guitar parts missing and no vocals at all – so that you can pick up your instrument and play along with the record – and maybe get your friends to harmonize too! At the time, the approach seemed somewhat crazy – but after spending decades tracking down Smile-era bootlegs of Brian Wilson studio tracks just like this, the record's got a surprising sort of brilliance – almost as if Brian had guessed there's be a market for his "studio progress" sort of material. Titles include "Darlin", "Salt Lake City", "Wild Honey", "Catch A Wave", "Wouldn't It Be Nice", "Surfer Girl", "God Only Knows", "Little Honda", and "Let Him Run Wild". LP, Vinyl record album
(Includes the heavy inner sleeve.)

Partial matches16
CD, LP, Vinyl record album cover art
Captain BeefheartSun, Zoom, Spark – 1970 to 1972 (Lick My Decals Off/Spotlight Kid/Clear Spot/Outtakes) (4CD set) ... CD CD format
Reprise/Rhino, Early 70s. New Copy 4CD ... $54.99 59.98
The Reprise Records run of Captain Beefheart – presented here in a special package that also features a full album of never-issued rare material as well! Beefheart at Reprise was a real high point – as the Captain was still full of all the primal, gritty elements of the previous years – but also refining the sound of the Magic Band as well – to a point where the increased musicianship only got more complex, yet helped focus the energy of the songs as well! The whole thing's worth it alone for the mindblowing combination of roots and modern on the guitar work – and the progression over three albums is one of the most striking you'll see at the time for any artist, in any style. The package features the full three albums Lick My Decals Off Baby, The Spotlight Kid, and Clear Spot – and the bonus Outtakes CD features titles that include "Little Scratch", "Kiss Where I Kain't", "The Witch Doctor Life (inst take)", "Harry Irene", "Alice In Blunderland (alt)", "Two Rips In A Haystack/Kiss Me My Love", "Nowadays A Woman's Gotta Hit A Man (early mix)", "Dirty Blue Gene (alt 1)", "Pompadour Swamp/Suction Prints", and "I Can't Do This Unless I Can Do This/Seam Crooked Sam". CD
(Limited edition!)
Also available Sun, Zoom, Spark – 1970 to 1972 (Lick My Decals Off/Spotlight Kid/Clear Spot/Outtakes) (4LP set – 180 gram pressing) ... LP 89.99

Partial matches17
CD, LP, Vinyl record album cover art
Captain BeefheartSun, Zoom, Spark – 1970 to 1972 (Lick My Decals Off/Spotlight Kid/Clear Spot/Outtakes) (4LP set – 180 gram pressing) ... LP LP format
Reprise/Rhino, Early 70s. New Copy 4LP ... $89.99 99.98
The Reprise Records run of Captain Beefheart – presented here in a special package that also features a full album of never-issued rare material as well! Beefheart at Reprise was a real high point – as the Captain was still full of all the primal, gritty elements of the previous years – but also refining the sound of the Magic Band as well – to a point where the increased musicianship only got more complex, yet helped focus the energy of the songs as well! The whole thing's worth it alone for the mindblowing combination of roots and modern on the guitar work – and the progression over three albums is one of the most striking you'll see at the time for any artist, in any style. The package features the full three albums Lick My Decals Off Baby, The Spotlight Kid, and Clear Spot – and the bonus Outtakes CD features titles that include "Little Scratch", "Kiss Where I Kain't", "The Witch Doctor Life (inst take)", "Harry Irene", "Alice In Blunderland (alt)", "Two Rips In A Haystack/Kiss Me My Love", "Nowadays A Woman's Gotta Hit A Man (early mix)", "Dirty Blue Gene (alt 1)", "Pompadour Swamp/Suction Prints", and "I Can't Do This Unless I Can Do This/Seam Crooked Sam". LP, Vinyl record album
(Limited edition.)
Also available Sun, Zoom, Spark – 1970 to 1972 (Lick My Decals Off/Spotlight Kid/Clear Spot/Outtakes) (4CD set) ... CD 54.99

Partial matches18
CD, LP, Vinyl record album cover art
Harry BelafonteCalypso Carnival/Warm Touch ... CD CD format
RCA/Vocalion (UK), 1971. New Copy ... $11.99
Early 70s work from Harry Belafonte – and two records that are surprisingly groovy, and surprisingly ahead of their time! Calypso Carnival mixes Belafonte's older groove with a sunnier, more swinging 70s style – arranged by Ralph MacDonald and Frankie Francis with a surprising degree of soul at times – particularly that mix of Caribbean elements and American grooves that others like Johnny Nash would score big with in a few years. Ralph's arrangements are wonderful – and titles include "Lena", "Chinita", "Don't Stop The Carnival", "Elegant Donkey", "Season For Carnival", and "Black & White". Warm Touch has Harry Belafonte hitting a mode that's a bit warm, but a bit soulful too – a mix of styles that comes from arrangers William Eaton and Robert Freedman, each of whom do slightly different things with that magnificent Belafonte voice! Some tunes are laidback and mellow, and the record mixes in elements from some of the better singer-songwriters of the time – a nice change that gets past the calypso modes that Belafonte had maybe recorded a bit too much by this time. Titles include "Circle Round The Sun", "No Regrets", "Cycles", "The Circle Game", "Rainy Day Man", "Fare Thee Well", "Her Song", and "The Paris Song". CD

Partial matches19
CD, LP, Vinyl record album cover art
Roger Bennett & Josh KunAnd You Shall Know Us By The Trail Of Our Vinyl – The Jewish Past As Told By The Records We Have Loved & Lost (hardcover) ... Book Book
Crown, 2008. New Copy ... $3.99 24.95
A really cool look at Jewish album covers – with commentary by some great writers! It's got art decades old albums, many of which aren't in print or available commercially in any format – from the 40s to 80s. Features commentary by Aimee Bender, Etgar Keret, Shalom Auslander and others, performers including Sandra Bernhard and Lamont Dozier, plus critics Oliver Wang, Anne Powers and TV legend Norman Lear. Hardcover, 240 pages. Book

Partial matches20
CD, LP, Vinyl record album cover art
Han Bennick/Terrie ExLaughing Owl ... CD CD format
Atavistic, 2000. Used ... $9.99
Duets between drummer Bennink and guitarist Ex – spare, free, and very much a meeting of the two minds. Terrie's raw guitar has always been one of the best things about Ex records – and it sounds pretty cool next to Bennink's tippling work on the kit. Titles include "Skots & Skeef", "Dug", "The Laughing Owl", "Knijt", "Twototango", and "Fik". CD
(Out of print. Barcode has a cutout hole.)
 
 
 



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