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Partial matches: 500
Partial matches1
CD, LP, Vinyl record album cover art
Roland AlexanderPleasure Bent ... LP
New Jazz/Prestige, 1961. New Copy (reissue)... $9.99
One of the few albums ever cut by this incredible tenor sax player – a wonderful talent that we only know from a handful of records – all of which we love! This date's got a bold sound that very much lives up to its cover, and Alexander's placement on Prestige's New Jazz label – a vibrant sound that's got elements of the 60s underground of Eric Dolphy or Ken McIntyre, but which also has a more flowing, soulful vibe as well – almost a precursor to later spiritual jazz elements of the 70s. No surprise, the great Marcus Belgrave is in the quintet on trumpet – as is Ronnie Mathews on piano, with rhythm support from Gene Taylor on bass and Clarence Stroman on drums. Almost all tracks are originals – and titles include "I'll Be Around", "Dorman Road", "Lil's Blues", and "Orders To Take Out". LP, Vinyl record album

Partial matches2
CD, LP, Vinyl record album cover art
Lorez AlexandriaFor Swingers Only ... LP
Argo, 1963. Good+ ... $24.99
One of the greatest albums ever from Lorez Alexandria – an ultra-hip singer who recorded for Impulse and King, but who sounds especially wonderful on this rare date for Chess Records! The album's got a groove that definitely lives up to its title – a jazzy, bouncy sort of rhythm that's definitely "for swingers only", and which is a nice contrast to overdone torch or standard jazz vocal modes. Alexandria's singing is completely sublime – quite fluid, yet with a soulful depth that's really amazing – and her backing combo is equally hip – a group led by John Young on piano, and also featuring George Eskirdge on guitar, Jimmy Garrison on bass, Phil Thomas on drums, and Ronald Wilson on flute and tenor – an obscure player whose reed work really makes the album sparkle! The song choices are great too – a mix of some under-recorded gems and a few blue-toned classics – all redone amazingly by Lorez with a sound that's quite unique. Titles include her classic Argo reading of "Baltimore Oriole", which begins with an amazing drum/bass passage that's worth the price of the album alone – and other tracks include "The End Of A Love Affair", "Baltimore Oriole", "All Or Nothing At All", "Mother Earth", "Love Look Away", and "Traveling Down A Lonely Road". LP, Vinyl record album
(Original gray label Argo pressing. Cover has some wear.)

Partial matches3
CD, LP, Vinyl record album cover art
Joey AltrudaCocktails With Joey ... CD
Will Records, 1995. Used ... $2.99
CD
(Out of print, punch through barcode.)

Partial matches4
CD, LP, Vinyl record album cover art
AnalogySuite ... CD
Ohrwaschl Records, 1980. Used ... $6.99
CD
(Out of print.)

Partial matches5
CD, LP, Vinyl record album cover art
Anti Pop ConsortiumFluorescent Black ... CD
Big Dada (UK), 2009. Used ... $4.99
Anti Pop Consortium is back after a lengthy hiatus – and it's a blast – laser cauterized funk beats, squealing synth funk, and innovative rhymes from Beans, Blaize, Hi Priest and Sayyid! The crew is in a unique position for this comeback record, in that they can pick up pretty close to where they left off, and have it called an epic win. They worked within thei own sound from the get go, and no one else really picked up the baton twhen they hung it up for solo records. There's too much of a coherent vibe to tag this as experimental hip hop, there's a masterplan to it, and it's a brilliant one. Titles include "Lay Me Down", "New Jack Exterminator", "Reflections", "Shine", "C Thru U", "Volcano", "Timpani", "Get Lite", "NY To Tokyo" feat Roots Manuva, "Born Electric", "End Game", "Capricorn", "Dragunov", "Fluorescent Black" and more. CD

Partial matches6
CD, LP, Vinyl record album cover art
ApartmentsEvening Visits (with bonus tracks) ... CD
Rough Trade/Captured Tracks, 1985. New Copy ... $13.99
An overlooked 80s pop masterpiece – the first full album from The Apartments, one of the most blue-tinged groups of the decade! Ex-Go Between Peter Milton Walsh heads the group, which is a showcase for his wonderfully-penned songs – unique little tracks that show his Australian roots, but which also share links with some of the smartest UK pop of the period – no surprise, given the original release of the record on Rough Trade. There's a subtle genius here, but one that grabs you right away – given Walsh's distinct vocals, and the album's blend of jangle pop guitars with sadder elements like cello and flugelhorn, which help push things slightly towards 4AD territory, but without any goth. The whole thing's wonderful – one of those records we've loved for decades, from the moment we first heard it – and titles include "Sunset Hotel", "Mr Somewhere", "All The Birthdays", "Great Fool", "Speechless With Tuesday", "Cannot Tell The Days Apart", and "Lazarus Lazarus". Beautiful double-length package features almost a whole extra album – early singles, demos, and more – with tracks that include "All You Wanted", "Fever Elsewhere", "Refugee", "Help", and "Nobody Like You". CD

Partial matches7
CD, LP, Vinyl record album cover art
Louis ArmstrongGreat Original Performances 1923 to 1931 ... CD
Louisiana Red Hot Records, 1920s/Early 30s. Used ... $2.99
CD
(Out of print.)

Partial matches8
CD, LP, Vinyl record album cover art
Art Ensemble Of ChicagoBap-Tizum ... CD
Koch/Atlantic, 1973. Used ... $12.99
A seminal moment for the Art Ensemble Of Chicago – one of their first albums for a widely-distributed label, and an exceptionally strong live performance that really gets to the core of the group's unique approach! The material was recorded at the Ann Arbor Festival in 1972 – and has the Ensemble playing with a sense of focus and power that's even stronger than their previous indie and European records – really hitting their stride before a large live audience who totally gets their groove, and really eggs them on with enthusiastic support! As usual, the range of instrumentation is great – lots of different reeds, percussion, and brass – handled by the legendary lineup of Lester Bowie, Roscoe Mitchell, Joseph Jarman, Malachi Favors, and Don Moye. Titles include "Oouffnoon", "Ohnedaruth", "Unanka", "Immm", and "Odwalla". CD
(Out of print.)

Partial matches9
CD, LP, Vinyl record album cover art
Georgie AuldDancing In The Land Of HI-FI ... LP
Mercury, 1956. Very Good ... $1.99
Plenty of dancing here – romping rhythms that are a nice change for Georgie Auld, and which make for a perfect foil for his deeper sounds on the tenor! The record's got a bit of Mercury Records rock in the mix – almost a Red Prysock approach at points, mixed with some of the sweeter swing of Georgie's roots – and other players include Ray Linn and Maynard Ferguson on trumpets, and Frank Rosolino on trombone. Titles include "Blue Lou", "I Get A Kick Out Of You", "Rosetta", "Sweet Lorraine", "Prisoners Song", "Got A Date With An Angel", and "Too Marvelous For Words". LP, Vinyl record album
(Drummer logo pressing. Cover has some peeling of the gloss.)

Partial matches10
CD, LP, Vinyl record album cover art
Albert AylerImpulse Story ... CD
Impulse, Late 60s. Used ... $2.99
Our favorite work by Albert Ayler – material we love even more than his better-known sides for ESP! Although Ayler at ESP definitely set a new level in 60s jazz, we actually really treasure his later sides for Impulse – records that are sometimes not as focused, often a bit failed, but extremely compelling in their use of new modes to explore avant garde jazz! The Ayler heard here is one that's definitely searching – a player who starts out in the bold energy of free solos and limitless expression, but who reigns things in to try to reach new ears – blending influences from soul, rock, and early fusion with his horn – often hitting tones and notes that were never present on sessions for other labels. In a way, the searching quality here is even stronger than in the work of John Coltrane or Archie Shepp from the time – and the 10 track CD is a great introduction to this really compelling chapter of Ayler's career. Titles include "Love Cry", "Bells", "Truth Is Marching In", "Angels", "New Grass/Message From Albert", "Music Is The Healing Force Of The Universe", "Free At Last", and "Water Music". CD
(Out of print, BMG music club pressing.)

Partial matches11
CD, LP, Vinyl record album cover art
✨✧ AzymuthAzimuth (Linha Do Horizonte) ... CD
Som Livre/Far Out (UK), 1975. New Copy ... $16.99
One of the sweetest electric records to come from 70s Brazil – the fabulous first effort from the Azymuth trio, and work that's hardly been matched again! Although the group here have plenty of the warm keyboard touches of their more famous later work, they're also moving in territory that's a bit more abstract as well – using some noisier electronics amidst the smoother ones, to create a style that's somewhere between fusion, electric funk, and some of the more soaring Brazilian rhythms of the post-bossa years! The keyboards of Jose Roberto Bertrami are worth the price of admission alone – and include Fender Rhodes, Arp, and clavinet – plus bits of Hammond organ too! There's more than a few great breaks and samples on the set – and titles include "Brazil", "Caca De Conta", "Melo Dos Dois Bicudos", "Manha", "Periscopio", and "Montreal City". CD
(40th Anniversary edition.)

Partial matches12
CD, LP, Vinyl record album cover art
✨✧ AzymuthAzimuth (Linha Do Horizonte) (180 gram vinyl) ... LP
Som Livre/Far Out (UK), 1975. New Copy Gatefold (reissue)... $16.99
One of the sweetest electric records to come from 70s Brazil – the fabulous first effort from the Azymuth trio, and work that's hardly been matched again! Although the group here have plenty of the warm keyboard touches of their more famous later work, they're also moving in territory that's a bit more abstract as well – using some noisier electronics amidst the smoother ones, to create a style that's somewhere between fusion, electric funk, and some of the more soaring Brazilian rhythms of the post-bossa years! The keyboards of Jose Roberto Bertrami are worth the price of admission alone – and include Fender Rhodes, Arp, and clavinet – plus bits of Hammond organ too! There's more than a few great breaks and samples on the set – and titles include "Brazil", "Caca De Conta", "Melo Dos Dois Bicudos", "Manha", "Periscopio", and "Montreal City". LP, Vinyl record album

Partial matches13
CD, LP, Vinyl record album cover art
Richard BaronePrimal Dream ... LP
Paradox Records, 1990. Near Mint- ... $2.99
LP, Vinyl record album
(Cover has a cutout notch.)

Partial matches14
CD, LP, Vinyl record album cover art
Ray BarrettoCan You Feel It ... CD
Atlantic (Japan), 1978. New Copy ... $9.99
Sweet sounds from the days when Fania Records was one of the greatest things going on the New York scene – and some of its key artists got a chance to work for other labels! This set's one of the best examples of that moment – as Ray Barretto steps out here in some sweet soulful territory for Atlantic Records – on an album that mixes his Latin roots with warmer soul backings that have the same sort of full, rich sound of the best Atlantic R&B of the time. Ray's conga is still part of the sound – especially on the funkier cuts – but the album's also got some strong soul vocals, too – sung by Prince Phillip Mitchell on one of the album's best cuts, and by Cissy Houston and Googie Coppola on a few others. Tracks include "Sting Ray", "Can You Feel It", "What Part Of Heaven Do You Come From", "Stargazer", and "Confrontation". CD

Partial matches15
CD, LP, Vinyl record album cover art
Ray BarrettoEye Of The Beholder/Can You Feel It ... CD
Atlantic/Expansion (UK), 1977/1978. New Copy ... $12.99
Two massive records from Ray Barretto – both from a time when he was really opening up his groove! Eye Of The Beholder is a really wonderful album from Barretto – more jazz fusion than his usual 70s salsa – but in a way that we really really love! The album's a crossover gem that has Ray working with Stix Hooper, Joe Sample, and Wilton Felder of The Crusaders – a trio who produced the record, and add in some of their instrumental help as well – which helps Ray find this bouncy, sometimes funky sort of groove – a sublime blend of LA fusion and New York Latin! There's still loads of great percussion from Barretto – but the set also has some wicked keyboards, guitar, and lots of jazzy inflections too. Titles include the killer cut "Here We Go Again" – a great midtempo number with a perfect steppers groove – plus the cuts "Tumbao Africano", "Leti", and "Expresso". Can You Feel It offers sweet sounds from the days when Fania Records was one of the greatest things going on the New York scene – and some of its key artists got a chance to work for other labels! This set's one of the best examples of that moment – as Ray Barretto steps out here in some sweet soulful territory for Atlantic Records – on an album that mixes his Latin roots with warmer soul backings that have the same sort of full, rich sound of the best Atlantic R&B of the time. Ray's conga is still part of the sound – especially on the funkier cuts – but the album's also got some strong soul vocals, too – sung by Prince Phillip Mitchell on one of the album's best cuts, and by Cissy Houston and Googie Coppola on a few others. Tracks include "Sting Ray", "Can You Feel It", "What Part Of Heaven Do You Come From", "Stargazer", and "Confrontation". CD

Partial matches16
CD, LP, Vinyl record album cover art
Count BasieComplete Roulette Studio Recordings Of Count Basie & His Orchestra (10 CD set) ... CD
Roulette/Mosaic, Late 50s/Early 60s. Used 10CDs ... $299.99
Killer work from an incredibly productive (and soulful!) period in Count Basie's career – mostly recorded between 1958 and 1962! Features material from a huge number of albums – including rare tracks from some Roulette compilations and samplers, and records with Joe Williams and Maynard Ferguson too! CD
(Out of print – limited and numbered! Very nice shape, too.)

Partial matches17
CD, LP, Vinyl record album cover art
Count Basie with Lester YoungLester Leaps In ... CD
Epic (Japan), Late 30s/1955. Used ... $9.99
A beautiful mid 50s issue of some of the classic material that Lester Young recorded with Count Basie during the late 30s – all nicely packaged with a great cover, and annotated in a way that offers a lot more information than the original release of the material on 78rpm discs! These are the records that made Lester a giant – and for good reason, as the Basie setting seems to propel Young's horn with even more force than it might have on its own – allowing a great setting for the fresh voice that would go onto transform generations of tenor players to come! The set features 12 tracks in all – and titles include "Moten Swing", "Taxi War Dance", "Dickie's Dream", "Jump For Me", "Song Of The Islands", and "Lester Leaps In". CD
(Out of print.)
Also available Lester Leaps In ... LP 29.99

Partial matches18
CD, LP, Vinyl record album cover art
Captain BeefheartSun, Zoom, Spark – 1970 to 1972 (Lick My Decals Off/Spotlight Kid/Clear Spot/Outtakes) (4LP set – 180 gram pressing) ... LP
Reprise/Rhino, Early 70s. New Copy 4LP ... $69.99 99.98
The Reprise Records run of Captain Beefheart – presented here in a special package that also features a full album of never-issued rare material as well! Beefheart at Reprise was a real high point – as the Captain was still full of all the primal, gritty elements of the previous years – but also refining the sound of the Magic Band as well – to a point where the increased musicianship only got more complex, yet helped focus the energy of the songs as well! The whole thing's worth it alone for the mindblowing combination of roots and modern on the guitar work – and the progression over three albums is one of the most striking you'll see at the time for any artist, in any style. The package features the full three albums Lick My Decals Off Baby, The Spotlight Kid, and Clear Spot – and the bonus Outtakes CD features titles that include "Little Scratch", "Kiss Where I Kain't", "The Witch Doctor Life (inst take)", "Harry Irene", "Alice In Blunderland (alt)", "Two Rips In A Haystack/Kiss Me My Love", "Nowadays A Woman's Gotta Hit A Man (early mix)", "Dirty Blue Gene (alt 1)", "Pompadour Swamp/Suction Prints", and "I Can't Do This Unless I Can Do This/Seam Crooked Sam". LP, Vinyl record album
(Limited edition.)

Partial matches19
CD, LP, Vinyl record album cover art
Harry Belafonte/Lord FleaEarly Years At Capitol ... CD
Capitol/DRG, 1949/1957. Used ... $6.99
Two early calypso albums on Capitol Records – both pretty unique! First up are some of the first-ever recordings by Harry Belafonte – material recorded in 1949, with Pete Rugolo backings that are really amazing – as jazzy and modern as anything Rugolo did for other singers of the time, with only a hint of calypso in the rhythms. Belafonte sounds quite different on the sides than in later years – still with those tremendous vocals, but almost more of a jazz singer at points – which is a really surprising discovery! This aspect's supported strongly by the choice of tunes – which includes "Deep As The River", "Farewell To Arms", "Close Your Eyes", "The Didn't Believe Me", and "I Still Get A Thrill". Next up is a full album of straighter calypso material by Lord Flea & His Calypsonians – but one that also has a bit of a Capitol Records groove! Flea plays acoustic guitar and sings, and percussion is nice and tight – but there's also a fuller sense of space on the record, one that really sets it apart from other 50s efforts of this type – kind of a Capitol clarity that really adds a lot of charm. Titles include "Out De Fire", "Mister Give Me De Rent", "It All Began With Adam & Eve", "Jump In The Line", "Run Run Run", "Love", and "Monkey". CD

Partial matches20
CD, LP, Vinyl record album cover art
Tony Bennett/Bill EvansTony Bennett Bill Evans Album ... CD
Fantasy/OJC, 1975. Used ... $4.99
If you've ever doubted the real jazz sensibility of Tony Bennett, then this is an album to change your mind – because Tony's working here in a marvelously unadorned setting – with only the piano of Bill Evans to back him up! The record's a rare gem from years after Bennett was cracking the pop charts, but was willing to pull back to the jazz of his roots – and the session's equally rare for Evans, who rarely worked with vocalists at this point in his career. The simplicity of the album is its strength – and together, the pair really sound tremendous – slightly faltering at times, but in a way that exposes a sense of humanity you might not find in other records, especially those by Bennett. Titles include "When In Rome", "Some Other Time", "The Touch Of Your Lips", "My Foolish Heart", "Waltz For Debby", and "Young & Foolish". CD
(Out of print.)
 
 
 



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