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Exact matches: 11
Exact matches1
CD, LP, Vinyl record album cover art
Alice Green & Ramon Dixon/Alice Green with OrpheusWill You Remember?/Just A Voice To Call Me Dear ... 78 RPM
Victor, Late 10s. Good+ ... $0.99
78 RPM, Vinyl record

Exact matches2
CD, LP, Vinyl record album cover art
OrpheusAscending ... LP
MGM, 1968. Very Good- ... $7.99
LP, Vinyl record album

Exact matches3
CD, LP, Vinyl record album cover art
✨✧ OrpheusJoyful ... LP
MGM, 1969. Used ... Out Of Stock
Produced and arranged by Alan Lorber – who brings in some nice trippy touches! LP, Vinyl record album
(Yellow label promo pressing. Cover has light wear and a promo sticker.)

Exact matches4
CD, LP, Vinyl record album cover art
Hartmut GeerkenOrpheus ... LP
Holidays (Italy), 1996. New Copy ... $24.99
Billed as a "live recorded dream play" – the set features Hartmut Geerken re-striking the amazing sun harp that he was given by Sun Ra in 1971 – an instrument with 55 strings that Geerken reworks here in very un-harply ways! The music features percussive notes from the instrument as much as other sounds that sometimes include the whole thing resonating together – and Geerken vocalizes oddly, almost in a dadaistic way while working on the whole thing. Beautifully packaged – and one of his most unusual recordings. LP, Vinyl record album
(Limited edition of 200 copies – in a great carboard cover, with insert too!)

Exact matches5
CD, LP, Vinyl record album cover art
Vince GuaraldiCast Your Fate To The Wind – Jazz Impressions Of Black Orpheus ... CD
Fantasy/OJC, 1962. Used ... $3.99
A beautiful record of light, lyrical piano jazz – and one of the best-selling jazz albums ever on Fantasy Records! Vince Guaraldi started the set as a tribute to the film Black Orpheus – and some of the album features his nice renditions of Jobim/Bonfa tunes like "Manha De Carnaval" and "Samba De Orpheus". However, Guaraldi also managed to pen his own amazing track – "Cast Your Fate To The Wind" – a lyrical romping piano instrumental that went onto become a huge charting instrumental hit during the 60s. The track's been heard a million times over the years, but it's still pretty darn great – and it's surrounded in a nice set with other tunes that have the same feel – including "O Nosso Amour", "Alma-Ville", "Since I Fell For You", and "Moon River". CD

Exact matches6
CD, LP, Vinyl record album cover art
Antonio Carlos Jobim & Luiz BonfaBlack Orpheus – Original Soundtrack ... CD
Verve, Early 60s. Used ... $13.99
One of the all time great ones! This mad bit of music was composed for the film by Luiz Bonfa and Antonio Carlos Jobim, and it's a crazy mix of batucada, samba, and a bit of bossa nova. The soundtrack takes all of the musical bits, and it mixes them up into an insane collage of sound effects, speaking, and music. It sounds incredible, and it's even more spooky than the movie. With loads of classics that you'll recognize – but done in a crazy crazy way – like "Felicidade", "O Nosso Amor", and "Manha De Carnaval". Plus, this CD also includes a 13-minute medley of tracks from the score, performed by Bola Sete at the 1966 Monterey Jazz Fest! CD
(Out of print. BMG Direct pressing.)

Exact matches7
CD, LP, Vinyl record album cover art
Antonio Carlos Jobim & Luiz BonfaBlack Orpheus – Original Soundtrack (Epic) ... LP
Epic, Early 60s. Near Mint- ... $19.99
One of the greatest soundtracks ever – a record that set a whole new standard for audio representation of a film! The mad music for the set was composed by Antonio Carlos Jobim, with lyrics by Vincius De Moraes – and performed by Luiz Bonfa on guitar – but despite such prime bossa pedigree, the whole thing's got a sound that goes way beyond the familiar – a crazy mix of batucada percussion, samba rhythms, bossa guitar, and loads of sound effects from the film – so much so that the first half of the record is almost a sound-for-sound replication of the first 20 minutes of the movie! The sound collage is amazing – an extremely unique approach to soundtrack representation, and one that's never been done so beautifully since. A truly breathtaking record, filled with mindblowing sounds – and an early example of the genius that would explode in 60s music in Brazil. Some key bossa classics are represented here in early versions – including "Felicidade", "O Nosso Amor", and "Manha De Carnaval" – but they're wrapped up in odd sounds and rhythms that really make them sound different! LP, Vinyl record album
(Original yellow & black label pressing with deep groove.)

Exact matches8
CD, LP, Vinyl record album cover art
SchoenbergVerklaerte Nacht Op 4/Chamber Symphony Op 9 For Solo Instruments/Chamber Symphony No 2 Op 38 – Orpheus Chamber Orchestra ... CD
Deutsche Grammophon, 1989. Used ... $4.99
CD
(Out of print.)

Exact matches9
CD, LP, Vinyl record album cover art
✨✧ Antonio Carlos Jobim & Luis BonfaOrfeu Negro (Black Orpheus) ... LP
Doxy, 1959. New Copy ... Temporarily Out Of Stock
One of the greatest soundtracks ever – a record that set a whole new standard for audio representation of a film! The mad music for the set was composed by Antonio Carlos Jobim, with lyrics by Vincius De Moraes – and performed by Luiz Bonfa on guitar – but despite such prime bossa pedigree, the whole thing's got a sound that goes way beyond the familiar – a crazy mix of batucada percussion, samba rhythms, bossa guitar, and loads of sound effects from the film – so much so that the first half of the record is almost a sound-for-sound replication of the first 20 minutes of the movie! The sound collage is amazing – an extremely unique approach to soundtrack representation, and one that's never been done so beautifully since. A truly breathtaking record, filled with mindblowing sounds – and an early example of the genius that would explode in 60s music in Brazil. Some key bossa classics are represented here in early versions – including "Felicidade", "O Nosso Amor", and "Manha De Carnaval" – but they're wrapped up in odd sounds and rhythms that really make them sound different! LP, Vinyl record album
(140 gram vinyl pressing!)

Exact matches10
CD, LP, Vinyl record album cover art
✨✧ Martinu/McLean/Voormolen/Harrison/Andriessen/GlinsOverture To Orpheus – Music Written For The Women Who Gave Wing To The Muse – Elaine Funaro ... CD
Centaur, 1999. Used ... Out Of Stock
CD

Exact matches11
CD, LP, Vinyl record album cover art
✨✧ Masabumi KikuchiBlack Orpheus ... CD
ECM (Germany), 2016. New Copy ... Out Of Stock
A beautiful final performance from pianist Masabumi Kikuchi – one that features a long-drawn, spun-out solo that stands as a wonderful testament to his many years of wonderful records – and which has this sense of completeness and complexity that makes it a haunting last message from the musician! The performance is a live one – recorded in Tokyo, with a style that's carefully complex, yet very organic too – more subtle energy than some of Kikuchi's earliest work, and with a masterful sense of tone and shading that creates this growing wave of darkness that really fits the album's title, too. The core album features the multi-part "Tokyo" – a long improvisation – plus the bonus encore "Little Abi". CD
 
Close matches: 3
Close matches12
CD, LP, Vinyl record album cover art
Alex Bugnon107 In The Shade ... CD
Orpheus, 1991. Used ... $2.99
CD

Close matches13
CD, LP, Vinyl record album cover art
✨✧ Keith RobinsonPerfect Love ... CD
Orpheus, 1989. Used ... Temporarily Out Of Stock
CD
(Out of print.)

Close matches14
CD, LP, Vinyl record album cover art
✨✧ Freddie JacksonDo Me Again ... CD
Capitol/Orpheus, 1990. Used ... Out Of Stock
Freddie Jackson in full effect – stepping out in a set of smooth, mellow, and midtempo numbers – all very much in that 80s male soul sound he helped forge in the first years of his career – still very much in place at the time of this set! The record's not one to rewrite the pages of soul music history, but it is a great example of that solid, in the pocket approach that still worked well at this point in time – a sound that was certainly pop-oriented, but also not as excessive as some of Jackson's contemporaries. Production is full and rich, but Freddie's vocals still get plenty of chance to flow out in the mix, even when beats are strong – and titles include "Don't Say You Love Me", "Do Me Again", "Live For The Moment", "Second Time For Love", "I'll Be Waiting For You", "Main Course", "It Takes Two", and "Don't It Feel Good". CD
(Out of print.)
 
Possible matches: 6
Possible matches15
CD, LP, Vinyl record album cover art
✨✧ Charlie ByrdByrdland ... LP
Columbia, 1966/1967. Very Good ... $2.99
Byrdland features Charlie in small group settings – grooving with sax by Teo Macero, trumpet by Hal Posey, and bass by Joe Byrd. The tracks are a mix of bossa tunes and pop numbers – including "Meditation", "Samba De Orpheus", "Arabesque", "Work Song", "Mr Lucky", and "Manha De Carnaval". LP, Vinyl record album
(360 Sound mono pressing.)

Possible matches16
CD, LP, Vinyl record album cover art
Donald ByrdTimeless ... CD
Savoy, 1955/1957. Used ... $2.99
A nice little overview of work by Donald Byrd for the Savoy label in the 50s – a set that mostly features material from his one Savoy side as a leader, plus some bonus tracks! The core of the set is from the Byrd's Word date, recorded in 1955 – one of Donald's earliest sessions as a leader, and a hard and heavy all-star set that features a quintet with Frank Foster on tenor, Hank Jones on piano, Kenny Clarke on drums, and Dave Chambers on bass. The tracks all are long and have that almost-blowing session Savoy approach – free and easy, and a very different style that Byrd's more composed work with Gigi Gryce from the same time. Titles include "Star Eyes", "Long Green", "Winterset", and "Someone To Watch Over Me". The remaining 2 tracks on the CD – "Honeylike" and "Orpheus" – are both from a 1957 album recorded with John Jenkins on alto sax – the great Jazz Eyes session, which featured additional work from Curtis Fuller on trombone and Tommy Flanagan on piano. CD
(Out of print.)

Possible matches17
CD, LP, Vinyl record album cover art
✨✧ Paul DesmondTake Ten (plus bonus tracks) ... CD
RCA, 1963. New Copy ... $5.99 6.98
That's "Take Ten", not "Take Five" – a great title cut that echoes Paul Desmond's previous work with Dave Brubeck – but which then gives way quickly to some sweet bossa-styled grooves done with guitar from Jim Hall! The album's one of the strongest of the Hall/Desmond collaborations for RCA – A sublime showcase not just for Paul's impeccable alto, but also for the amazing tones and chromes that fly freely from the strings of Jim's guitar! Both players are set up with just a bit of gentle backing – light percussion from Connie Kay, and a bit of bass from Gene Cherico or Gene Wright. The whole thing's a well-conceived study in economy, as the two players craft sly and subtle lines around spare drum and bass backings – slowly hanging sound in space to weave a rich web of sound that's as compelling as it seems to be effortless! Titles include "Take Ten", "El Prince", "Embarcadero", "Samba De Orfeu", "Theme From Black Orpheus", and "Alone Together". CD also features alternate takes of "Embarcadero" and "El Prince". CD

Possible matches18
CD, LP, Vinyl record album cover art
Antonio Carlos Jobim & Vinicius De MoraesBrasilia – Sinfonia Da Alvorada ... LP
Doxy, 1958. New Copy ... Just Sold Out!
Not the usual bossa nova you might expect from Antonio Carlos Jobim – but instead a larger, more ambitious piece of music – written for the opening of the city of Brasilia, to mark a whole new generation in Brazilian modernism! The music is often orchestral, and shows the wonderful ear for a score that Jobim would develop in later 60s arrangements – a style that hints at the bossa backings to come, but which also has some of the darker currents of the Black Orpheus soundtrack, although less percussion. Vinicius De Moraes adds in some great spoken bits – and titles include "O Planalto Deserto", "O Homem", "Coral", "A Chegada Dos Candangos", and "O Trabalho E A Construcao". LP, Vinyl record album
(140 gram vinyl pressing!)

Possible matches19
CD, LP, Vinyl record album cover art
Ramsey LewisRamsey Lewis Trio In Person Vol 2 – 1965 to 1967 (Hang On Ramsey/Dancing In The Street) ... CD
Cadet/Rev-Ola (UK), 1965/1967. New Copy ... $3.99 13.99
A double-dose of live material from Ramsey Lewis – tracks from 2 60s classic live albums for Cadet! First up is material from the classic Hang On Ramsey – easily one of Ramsey Lewis' most successful records – featuring the hit soul jazz style that he forged with the Young/Holt rhythm combo, honed to perfection before a live crowd at The Lighthouse in Hermosa Beach. The record's a key part of Ramsey's live recorded output – showing the trio in pyrotechnic form before the kind of packed-house audiences they were playing to nightly at the time. Includes swinging versions of "Hard Day's Night", "He's A Real Gone Guy", "And I Love Her", and "Hang On Sloopy" – plus the original cut "Movin Easy". Almost even better is the material from Dancing In The Street – a late 60s groover from the second Ramsey Lewis trio – the one that features Cleveland Eaton on bass and Maurice White on drums, both doing a pretty great job of filling the spot vacated by Eldee Young and Red Holt! The album's a live one, cut in the successful mode of Ramsey's records with the Young/Holt group – mostly featuring familiar numbers transformed by the Lewis Trio's hard-grooving approach to their work! It's great to hear Maurice White in a pre-Earth Wind & Fire jazz setting – and the album's got a slightly more open sound than some of Ramsey's earlier live dates – especially on the Brazilian tinged numbers that include "Quiet Nights Of Quiet Stars" and "Medley From Black Orpheus". Other tracks include "Dancing In The Street", "You Don't Know Me", and "What Now My Love". Note that the CD only features partial tracks from both albums involved. CD

Possible matches20
CD, LP, Vinyl record album cover art
✨✧ Johann JohanssonOrphee ... CD
Deutsche Grammophon (Germany), 2016. New Copy ... Out Of Stock
A beautiful re-interpretation of the myth of Orpheus – handled here by composer Johann Johannsson in a beautiful style that recalls some of the best Deutsche Grammophon projects from Max Richter! The composer plays a variety of keyboards – including electric and pipe organ – in shifting settings that either feature the American Contemporary Ensemble's strings, the cello of Hildur Guonadottir, the AIR Lyndhurst String Orchestra, or the shifting Theater Of Voices conducted by Paul Hillier – all musical elements which are sampled and used carefully alongside Johannsson's keyboards and a bit of electronics – with results that seem to take the generation of 4AD and advance it more than a few steps with a new sort of complexity and emotional depth. The blend of the compositional and personal here is wonderful – maybe even more so than in Richter's work – and titles include "A Pile Of Dust", "Flight From The City", "The Radiant City", "Fragment II", "The Burning Mountain", "Good Morning Midnight", and "Orphic Hymn". CD
 
Partial matches: 4
Partial matches21
CD, LP, Vinyl record album cover art
MorpheusThat's Evil Man (Take A Trip) (freakout overture/club, radio, radio rapless, repete's revenge, acapella, freakoutapella) ... 12-inch
Zoo, 1992. Near Mint- (pic cover)... $2.99
12-inch, Vinyl record

Partial matches22
CD, LP, Vinyl record album cover art
Miles Davis5 Original Albums (Miles Davis & Horns/Collectors Items/Blue Haze/Walkin/Steamin) (5CD set) ... CD
Prestige/Universal (Germany), Late 50s/Early 60s. New Copy 5CD ... $24.99
5 classic Miles Davis albums from the 50s – all packaged together in tiny LP-styled sleeves! First up is Miles Davis & Horns – a batch of all-star sessions that has him playing with some really tremendous contemporaries! The set compiles early Miles Davis sides from two different Prestige sessions of the early 50s – material originally issued as 10 inch LPs, but brought together here in a very cool full length package with a cover image by Mad Magazine's Don Martin! Side one features Miles with a sextet that includes Sonny Rollins, Bennie Green, John Lewis, Percy Heath, and Roy Haynes – on the tracks "Morpheus", "Down", "Blue Room", and "Whispering" – all taken in a boppish mode, but with slight modern touches. Side two features the compositions of Al Cohn – "Tasty Pudding", "Floppy", "Willie The Wailer", and "For Adults Only" – played by a septet that features Cohn, Zoot Sims, John Lewis, Kenny Clarke, Leonard Gaskin, and Sonny Truitt – a very nice match to the sound of side one, and a surprisingly unified record overall! Next is a set of Collectors Items that Miles Davis recorded for Prestige in the 50s – both dates that were too short to be issued as albums by themselves, combined here into one full length record! The first batch of material is from 1953 – and features Davis working with Sonny Rollins and Charlie Parker (playing here under his "Charlie Chan" session name) – all in a mode that steps off a bit from the boppishness of Davis' Blue Note recordings. Titles include 2 takes of "Serpent's Tooth", plus "Round Midnight" and "Compulsion". The second half of the record is from 3 year later, 1956 – and again features Rollins, plus Tommy Flanagan on piano, Paul Chambers on bass, and Art Taylor on drums. Tracks are a bit longer and more mature in the Davis idiom – and titles include "In Your Own Sweet Way", "Vierd Blues", and "No Line". Blue Haze is an early full-length album issued under Miles Davis' name – one that brings together some earlier 10" and single recordings for Prestige! The feel here is quite similar to Davis' work of the time for Blue Note – done with tracks that are short and tight, and very boppish – less of the glistening Davis style of later years, but still quite strongly voiced nonetheless. Players include Horace Silver on piano on most tracks, plus a bit of keys from John Lewis – and one track even features Charles Mingus on piano! Other players on the sessions include Art Blakey, Max Roach, or Kenny Clarke on drums – plus Percy Heath on bass, and a bit of alto from Davey Schildkraut. Titles include "I'll Remember April", "Old Devil Moon", "Tune Up", "Miles Ahead", "Four", and "Smooch". Walkin is as classic an early album by Miles Davis as you can find – truly filled with the "all star" players billed in the title, and a session that has the sharpness of Davis' bop work for Blue Note, yet also lets him stretch out in a slightly more relaxed format! The album features Miles trumpet with 2 different groups – one a sextet with Horace Silver, JJ Johnson, and Lucky Thompson; the other a quintet with Silver and the obscure altoist Davey Schildkraut! Tracks are long, with lots of solo room – and titles include his classic takes on "Walkin", "Blue N Boogie", and "Solar" – plus versions of "You Don't Know What Love Is" and "Love Me Or Leave Me". Steamin is an early pairing of Miles Davis & John Coltrane – one of the duo's mid 50s classics for Prestige, as you might guess from the verb in the title! And although "Steamin" might be a word that's a bit too firey to describe the action going on here, the album's got a tremendous sense of presence throughout – as Davis' cooler trumpet is matched with Trane's earthier solo work – all supported by Red Garland trio backing in a style that's as near-classic as it comes for 50s jazz. Titles include "Diane", "Something I Dreamed Last Night", "When I Fall In Love", and "Salt Peanuts". CD

Partial matches23
CD, LP, Vinyl record album cover art
Tales Of JustinePetals From A Sunflower – The Complete Recordings 1967 to 1969 ... CD
EMI/Grapefruit (UK), Late 60s. New Copy ... $14.99
A criminally neglected group from the UK scene of the 60s – a cool psychedelic trio who recorded at Abbey Road in the same generation as The Beatles and Pink Floyd, but never got the fame they deserved! The tunes are very creative and clever – never overblown, but filled with as much fantastic imagery as catchy hooks – performed by a group who are able to do plenty with just a few elements, and get all the right sort of help from the larger set of studio musicians at EMI. The group were brought to the studio by the young partnership of Tim Rice and Andrew Lloyd Webber – but apart from that strong professional step up, they're very much their own thing – and have a wonderfully fresh sound that's really ripe for rediscovery. CD presents 21 tracks in all – the group's complete recordings, with a few even taken from a rare acetate – with titles that include "Eleventh Obsolete Incident", "Pathway", "Saturn", "Morpheus", "Albert", "Monday Morning", "Sitting On A Blunestone", "Sunday School", and "Music To Watch Us By". CD

Partial matches24
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMiles Davis & Horns ... CD
OJC, Early 50s. Used ... Temporarily Out Of Stock
Don't let the "horns" in the title put you off – because the record's not a hokey "with horns" record by Miles, but a batch of all-star sessions that has him playing with some really tremendous contemporaries! The set compiles early Miles Davis sides from two different Prestige sessions of the early 50s – material originally issued as 10 inch LPs, but brought together here in a very cool full length package with a cover image by Mad Magazine's Don Martin! Side one features Miles with a sextet that includes Sonny Rollins, Bennie Green, John Lewis, Percy Heath, and Roy Haynes – on the tracks "Morpheus", "Down", "Blue Room", and "Whispering" – all taken in a boppish mode, but with slight modern touches. Side two features the compositions of Al Cohn – "Tasty Pudding", "Floppy", "Willie The Wailer", and "For Adults Only" – played by a septet that features Cohn, Zoot Sims, John Lewis, Kenny Clarke, Leonard Gaskin, and Sonny Truitt – a very nice match to the sound of side one, and a surprisingly unified record overall! CD features 1 bonus track! CD
 
 
 



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