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Possible matches: 6
Possible matches1
CD, LP, Vinyl record album cover art
✨✧ Miles DavisTribute To Jack Johnson ... CD
Columbia, 1971. Used ... Temporarily Out Of Stock
A masterful tribute from one bad cat to another – and easily one of Miles Davis' greatest electric albums ever! The album's got a powerful, epic sort of feel – a renewed focus after the looser style of Bitches Brew, and the 70s live albums – and one that mixes a deeper funky sound with the raw, exploratory style Davis had let loose a few years before. Michael Henderson's bass is a big part of the power of the record, and John McLaughlin's guitar has never sounded better, or sharper. Teo Macero made the whole thing magic in the studio, and titles include two sidelong funkdafied jams – "Right Off" and "Yesternow". CD
(Out of print. Columbia Jazz Contemporary Masters pressing.)

Possible matches2
CD, LP, Vinyl record album cover art
✨✧ Miles DavisTribute To Jack Johnson ... CD
Columbia, 1971. Used ... Temporarily Out Of Stock
A masterful tribute from one bad cat to another – and easily one of Miles Davis' greatest electric albums ever! The album's got a powerful, epic sort of feel – a renewed focus after the looser style of Bitches Brew, and the 70s live albums – and one that mixes a deeper funky sound with the raw, exploratory style Davis had let loose a few years before. Michael Henderson's bass is a big part of the power of the record, and John McLaughlin's guitar has never sounded better, or sharper. Teo Macero made the whole thing magic in the studio, and titles include two sidelong funkdafied jams – "Right Off" and "Yesternow". CD
(Out of print.)

Possible matches3
CD, LP, Vinyl record album cover art
✨✧ Miles DavisTribute To Jack Johnson ... LP
Columbia, 1971. Used ... Temporarily Out Of Stock
A masterful tribute from one bad cat to another – and easily one of Miles Davis' greatest electric albums ever! The album's got a powerful, epic sort of feel – a renewed focus after the looser style of Bitches Brew, and the 70s live albums – and one that mixes a deeper funky sound with the raw, exploratory style Davis had let loose a few years before. Michael Henderson's bass is a big part of the power of the record, and John McLaughlin's guitar has never sounded better, or sharper. Teo Macero made the whole thing magic in the studio, and titles include two sidelong funkdafied jams – "Right Off" and "Yesternow". LP, Vinyl record album
(70s pressing. Cover has light wear. Label has some marker.)

Possible matches4
CD, LP, Vinyl record album cover art
✨✧ Sonny RollinsAlfie ... CD
Impulse, 1965. Used ... Temporarily Out Of Stock
A beautiful soundtrack to the dark British comedy of the same name – starring a young Michael Caine! You might expect it to be a bit schmaltzy, but it's pure jazz all the way through, and features strong inside playing by Rollins over lively orchestrations by Oliver Nelson – filled with moody colors, great changes, and a vibrant sense of energy that's far deeper than the actual film! The group includes Phil Woods, Kenny Burrell, and J.J. Johnson, and they swing hard on all tracks. Titles include the 10 minute workout of "Alfie's Theme", plus a shorter "Differently" version" – plus "On Impulse", "Transition Theme", and "He's Younger Than You". Nice stuff throughout, and much more of a jazz album than a soundtrack! CD
(Digipack has some edge wear.)

Possible matches5
CD, LP, Vinyl record album cover art
✨✧ VariousLight On The Southside – Photographs Of Chicago Southside Nightlife 1975 to 1977 (hardcover book with 2LP set) ... LP
Numero, Late 70s/2009. New Copy 2LP & Book ... Out Of Stock
Quite possibly the most beautiful record we've ever seen from the folks at The Numero Group – and that's saying a lot, given the quality of all their top-shelf releases! This beautiful edition features a hardcover book of vintage black and white photographs taken on Chicago's south side in the mid 70s – images of patrons and proprietors from long-lost nite spots that include Perv's House, Pepper's Hideout, The High Chaparral, and The Showcase Lounge – all the kind of clubs that were likely to feature the sort of Chicago funk and soul that Numero's been reissuing for the past few years! The images are amazing – a really rare look into the community that supported this sort of music – caught far far from the mainstream, in placed that were almost even private, compared to more well-travelled entertainment outlets. Photographs come from the collection of Michael Abramson – and are beautifully reproduced on LP-sized pages, in a book that also features some vintage flyers, posters, and business cards from the clubs! And if that's not enough, Numero also throws in some great notes of their own, and a bonus 2LP set with music that includes "I'm A Streaker Baby" by Arelean Brown, "No Better Time Than Now" by Ricky Allen, "The Same One" by Malcolm Simmons, "You Made Me Suffer" by Andrew Brown, "This Is My Prayer" by Lady Margo, "It's A Dream" by Little Ed & The Soundmasters Band, "I Sayed That" by Slim Willis Band, "Bring It Down Front" by Hugh Hawkins, "Womans Lib" by Lucille Spann, "Gimmie Some Of Yours" by Artie White, "Baby" by Walter Butterball Davis, "Is It Because I'm Black (inst)" by Syl Johnson, "Goose Walk" by Little Mack, "Young Blood" by Detroit Jr, "California Lady" by James Kinds & Stack, and "I Learned My Lesson" by Willie Davis. The albums are packaged in their own Numero-like cover – then nestled in a slipcover with the book – a hell of a sweet set at this price, and it also comes with an introduction by Nick Hornby! LP, Vinyl record album

Possible matches6
CD, LP, Vinyl record album cover art
✨✧ VariousSweetest Tabu – Ballads & Slow Jams Collection ... CD
Tabu/Ultra Vybe (Japan), Late 70s/1980s. New Copy ... Out Of Stock
Great mellow soul from the legendary Tabu Records label – home to a fair bit of groovers back in the day, including important work from Jimmy Jam and Terry Lewis – but an imprint that was also great with a ballad or love song too! The range of work here illustrates the shifting sound of the soul ballad through the 80s – a move from some of the more fragile or overwrought modes of the decade before, into mature, sophisticated territory that sometimes drew a lot from the Quiet Storm generation. The set features 15 great mellow jams – including "If You Were Here Tonight" by Alexander O'Neal, "Tell Me If You Still Care" by SOS Band, "Saying It With Music" by Michael Boothman, "All For You" by Anacostia, "Can We Do It Again" by James Robinson, "Stay" by Art Wilson, "Misty Eyes" by Woods Empire, "Hey Girl (7" version)" by Lamont Johnson, and "Nothing Else Means More To Me Than Our Love" by Sharon Ridley. CD
 
 
 



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