Michael Brecker on tenor saxophone and electronic wind instrument – with Pat Metheny on guitar, Brad Mehldau and Herbie Hancock on piano, John Patitucci on bass, and Jack DeJohnette on drums! CD

A great showcase for the talents of a young Michael Brecker – rich orchestrations by Claus Ogerman, topped by Brecker's sharp-edged, and well-stated lines on tenor! The album predates Brecker's first record as a leader by a number of years, and it shows a serious side to his playing that's quite different than some of his 70s jazz funk with his brother – a deeper, more modern sound that comes off surprisingly well – in full Ogerman orchestrations that are quite moody, and filled with dark colors. Side one features three shorter tunes – "Cityscape", "Habanera" and "Nightwings" – and side two features the three-part suite "In The Presence & Absence Of Each Other". CD

Features Michael Brecker on saxophones, electronic wind instruments, and keys – with Joey Calderazzo on piano, Jim Beard on synths, Victor Bailey on bass, Adam Nussbaum on drums, and Don Alias and Milton Cardona on percussion. CD

Michael Brecker on tenor saxophone and electronic wind instrument – with Pat Metheny on guitar, Brad Mehldau and Herbie Hancock on piano, John Patitucci on bass, and Jack DeJohnette on drums! CD

A quintet session with Jack Dejohnette on drums, Charlie Haden on bass, Kenny Kirkland on keys, Path Metheny on guitar, and Brecker on tenor sax. CD

Features Pat Methney on guitar, Jack Dejohnette on drums, and Dave Holland on bass – plus guest piano from McCoy Tyner. CD

With Michael Brecker on tenor sax, Pat Metheny on guitar, Larry Goldings on organ, and Elvin Jones, Bill Steward, and Jeff Tain Watts on drums. CD

With Joey Calderazzo on piano, James Genus on bass, Jeff Tain Wats on drums, and Don Alias on percussion. CD

Michael Brecker on tenor saxophone, Alex "Sasha" Sipiagin on trumpet, Robin Eubanks on trombone, Robin Eubanks on trombone, Joyce Hammann and Mark Feldman on violin, Lois Martin on viola, John Patitucci on bass, Iain Dixon on bass clarinet, Erik Friedlander on cello, Iain Dixon on clarinet, Antonio Sanchez on drums, Charles Pillow on English horn, Steve Wilson on flute, Peter Gordon on French horn, Adam Rogers on guitar, Charles Pillow on oboe, and Daniel Sadownick on percussion. CD

The Brecker brothers meet the WDR Big Band. Tracks include "Shanghigh", "Freefall", "Song For Barry", "Wayne Out", and "Some Skunk Funk". CD

Nice late larger arrangements by Claus Ogerman – with tenor solos from Michael Brecker! CD

A killer electric piano jam from the great Mike Longo – stone funky, and one of his best albums ever! The whole thing's done in a really laidback style that's simply amazing – a lot like the best CTI work of the time, but somehow rougher, and with a darker edge. Longo riffs out on the keys over rhythm by Ron Carter, Mickey Roker, and Ralph MacDonald – and Joe Farrell and Randy Brecker add in some great horn work that fleshes out the tunes with a deeply soulful jazzy feel. The whole album's great, with a range of moods, emotions, and grooves that Longo hardly ever hit again – and titles include "Summers Gone", "El Moodo Grande", "Like a Thief In the Night", "Ocean Of His Might", and "Magic Number". CD

Michael Feinberg on bass, Godwin Louis on alto saxophone, Noah Preminger on tenor saxophone, Billy Buss and Randy Brecker on trumpet, Orrin Evans on piano, Leo Genovese on keyboards and organ, Jeff "Tain" Watts on drums, and Gabriel Globus-Hoenich on percussion. CD

Michael Brecker on saxophone and Randy Brecker on trumpet and flugelhorn. CD

Three great 70s albums from keyboardist Mike Longo! First up is Awakening, killer electric piano work from the mighty Mike Longo – recorded at a time when he was definitely at the height of his powers! The album sports a rare Mainstream Records appearance from James Moody – who was a frequent partner of Longos on sessions at the time – particularly on some of Dizzy Gillespie's funky records – which bear a lot of similarity to the sharp-edged grooves on this one! The rhythm section is wonderfully tight, and a big part of the success of the set – as they keep things grooving with a slightly sharper edge than some of Longo's other records – thanks to bass from Ron Carter, drums from Mickey Roker, and even a bit of extra congas from Dizzy Gillespie, of all people! Other players include Moody on alto, tenor, and flute – plus Virgil Jones on trumpet and Curtis Fuller on trombone. Titles include "Just To Let You Know", "A Piece Of Resistance", "The Awakening", "Pass It", and "Bitchin". Funkia is quite possibly the greatest record ever by Mike Longo – a wicked batch of electric funky piano tunes, recorded with a sublime 70s feel! The set's got a really stripped down group – with Ron Carter on bass, Mickey Roker on drums, and Patato Valdez on percussion – all grooving behind Longo's work on electric and acoustic piano, creating some magical rhythms that snap a groove out of just about every single tune! The whole set's great – not just a "one number" funky jazz set – and titles include versions of Marvin Gaye's "What's Going On", Dizzy Gillespie's "Ole' For the Gypsies", Les McCann's "Samia", and Longo's own "Southern Soul" and "Funkia". 900 Shares Of The Blues is stone funky, and one of his best albums ever! The whole thing's done in a really laidback style that's simply amazing – a lot like the best CTI work of the time, but somehow rougher, and with a darker edge. Longo riffs out on the keys over rhythm by Ron Carter, Mickey Roker, and Ralph MacDonald – and Joe Farrell and Randy Brecker add in some great horn work that fleshes out the tunes with a deeply soulful jazzy feel. The whole album's great, with a range of moods, emotions, and grooves that Longo hardly ever hit again – and titles include "Summers Gone", "El Moodo Grande", "Like a Thief In the Night", "Ocean Of His Might", and "Magic Number". CD

With Michael Brecker on tenor saxophone, Kenny Kirkland and Tommy Flanagan on piano, Dave Holland and Buster Williams on bass and Daniel Humair on drums. CD

With guests Michael Brecker and Najee on tenor sax, Terence Blanchard on trumpet, Kevin Eubanks on guitar, Marcus Miller on bass, Wayne Shorter and Branford Marsalis on soprano sax, Donald Harrison on alto sax, and Richard Tee on Hammond organ. CD

Joe Beck on electric guitar, Michael Brecker on tenor saxophone, Don Grolnick on piano and Fender Rhodes, Jay Leonhart on acoustic bass, Mark Egan on four and eight-string fretted and fretless basses, and Steve Gadd on drums. CD

Highlights from a three week stand at the Blue Note in New York City – including collaborations with Bobby McFerrin, Gary Burton, Gonzalo Rubalcaba, Roy Haynes and Miroslav Vitous, Michael Brecker, and Corea's own Akoustic Band. CD

The legendary meeting of the two biggest Brazilian keyboard talents of the 70s – Joao Donato and Eumir Deodato – coming together in beautifully funky formation! The sound is a great blend of the moody electric work of Donato's classic Quem E Quem album, and some of the fuller, funkier grooves on Deodato's work for CTI – served up here in a double-keyboard blend with help from a host of great guest musicians! Other players include Randy Brecker on trumpet, Romeo Penque on flute, Mauricio Einhorn on harmonica, and Michael Gibson on guitar – plus plenty of percussion from Airto and Ray Barretto, who both join in to round out this all star session. Tracks are nicely long, and very jamming at times – and titles include the funky "Whistle Stop", plus "Where's JD", "Capricorn", "Nightripper", and "Batuque". CD

A great bit of soulful fusion from drummer Peter Erskine – one of the few albums he made as a leader of this nature, even though his playing graced lots of other wonderful records at the time! The approach here is tight, but never too much so – smooth, but never slick – a warmly electric groove that's really a lot more in a mid-70s sort of style than you'd expect from the early 80s date of the album. Other players here are all well-suited for the set – and include Randy Brecker on trumpet, Michael Brecker on tenor, Bob Mintzer on tenor, Don Grolnick on electric piano, Eddie Gomez on bass, Don Alias on percussion, and Mike Mainieri on vibes – and titles include "Leroy Street", "In Statu Nascendi", "All's Well That Ends", "My Ship", and "ESP". CD

A really lovely album from pianist Masaru Imada – a set that has some elements of the great Japanese fusion scene of the time, but a record that also has some warmer more acoustic moments too! Imada does a great job of balancing between upbeat groovers and some more personal, lyrical songs – and although he plays a bit of keyboards, most of his work is on acoustic piano – in a lineup of players that also includes Grovewr Washington Jr on soprano sax, Steve Khan or Kazumi Watanabe on guitar, Michael Brecker on tenor, and Steve Jordan on drums. There's some great interplay between the American and Japanese players – and titles include a version of Azymuth's "Carnival", plus "Morning Dream", "Blue Marine", "Secret Sounds", "Jumpin Dolphin", and "Andalusian Breeze". CD

Features Nils Landgren on trombone and trumpet, Per Johansson on saxophones, Henrik Janson on guitar, Esbjorn Svensson on keys, Magnum Coltrane Price on synth and vocals, and Lars Danielsson on bass – plus special guests Bernard Purdie, Michael and Randy Brecker, Airto Moreira, and Till Bronner. CD

Steve Million on piano, Randy Brecker on trumpet, Chris Potter on tenor and soprano sax, Michael Moore on bass, and Ron Vincent on drums. CD

A set of incredible records from Charles Mingus – all presented together in one mighty nice package! First up is Mingus Moves – a fantastic fresh new chapter in the career of Charles Mingus – a set that features the addition of two key players who would really shape his sound in the 70s – Don Pullen on piano and George Adams on tenor, both completely wonderful here! The group also features excellent trumpet from Roland Hampton, a player we don't know from many other settings – and the set also features some really nice vocal work from Honi Gordon and Doug Hammond. Titles include "Canon", "Moves", "Wee", "Flowers For A Lady", "Opus 3", and "Newcomer". CD also features bonus tracks – "Big Alice" and "The Call". Changes is key 70s work from Charles Mingus – an album that was recorded over the course of three days of creative activity at the end of 1974, but somehow split into two different albums under the Changes name! The lineup here is prime 70s Mingus – George Adams on tenor, Jack Walrath on trumpet, and Don Pullen on piano – young players who really give a fresh voice to Mingus' musical ideas, and help him find this beautiful late life sense of color, tone, and timing that's completely sublime! Titles on this second volume include "Sue's Changes", "Devil Blues", "Remember Rockefeller At Attica", "Free Cell Block F Tis Nazi USA", "Black Bats & Poles", "For Harry Carney", and "Duke Ellington's Sound Of Love" – which features a guest appearance by Marcus Belgrave on trumpet and Jackie Paris on vocals. On 3 Or 4 Shades Of Blues, Charles Mingus is returning to the soulful gospel-influenced mode he swung big in the early 60s! The record's something of a later predecessor of the classics Blues & Roots for Atlantic and Mingus (x5) for Impulse – and the style is slightly less dramatic, but still quite steeped in soulful explorations that feature plenty of notes from the bluer side of the spectrum! Players include George Coleman and Ricky Ford on tenor, Jack Walrath on trumpet, and Larry Coryell on guitar – and titles include new takes on "Better Git Hit In Your Soul" and "Goodbye Porkpie Hat" – plus"Nobody Knows", "Noddin Ya Head Blues", and "Three Or Four Shades Of Blues". Next is Cumbia & Jazz Fusion – one of the most enigmatic albums that Charles Mingus ever recorded – especially in his later years! The set features two very long tracks done by Mingus for use in a film about cocaine traffic between New York and Columbia – but considering the nature of the music, and the freely exploratory style, both numbers here stand very well on their own! Although touched with some of the Latin influences you might expect from the title, the sounds are often darker and more brooding than, say, the Mingus style on the classic Tijuana Moods set. And instead, there's a very serious soundtrack-like vibe going on through most of the set – larger jazz orchestrations used to beautifully underscore subtle themes, and breakout solo moments from players who include Mauricio Smith on flute, Paul Jeffrey on tenor sax, Jack Walrath on trumpet, and Jimmy Knepper on trombone. The album also features a fair bit of added percussion – and features two long tracks, "Cumbia & Jazz Fusion" and "Music For Todo Modo". Me Myself An Eye is complicated later work from Charles Mingus – a great illustration of the way his power to command a large ensemble never wavered as the years went on! The album features two different large groups of players – filled with modernists young and old – including Ricky Ford, George Coleman, and Michael Brecker on tenors; Ronni Cuber and Pepper Adams on baritone; Randy Brecker and Jack Walrath on trumpets; Lee Konitz on alto, Larry Coryell on guitar, Slide Hampton on trombone, and Eddie Gomez on bass. Side one features the 30 minute track "Three Worlds Of Drums", and side two contains a remake of "Wednesday Night Prayer Meeting", plus "Devil Woman" and "Carolyn Keki Mingus". Something Like A Bird is one of the last albums Charles Mingus ever gave us – before departing this planet way way too soon! The set shows the increasing sophistication of Mingus' music in these later years – a mode that almost echoes the path that Duke Ellington would take in his final decade – a move towards some larger-form material that still holds onto all the raw energy of the early days, but finds a way to not only bridge larger musical ideas – but musical generations as well! As part of this, the set's got a wonderful lineup – with Lee Konitz on alto, Pepper Adams on baritone sax, George Coleman on tenor, Eddie Gomez on bass, and Joe Chambers on drums – and titles include the long title track, "Something Like A Bird", split up over 2 sides of the LP, plus "Farewell Farwell". CD

A set that's especially sexy, and especially jazzy too – as Jun Miyake works here with a whole host of American fusion players – a really great lineup who make the record soar! Jun's definitely in the more fusion-oriented side of his music here – blowing trumpet and flugelhorn, and handling keyboards too – with a shifting array of great sidemen who include Michael Brecker on tenor, David Sanborn on alto, Victor Bailey on bass, and Poogie Bell on drums – plus some especially nice work from guitarist Bobby Broom, who's very much in the mode of his best Arista records, and even sings a bit on one cut too! Titles include "JFK Express", "Becoming To You", "Wish", "June Night Love", "Twist To Open", "Crossing", and "Sea Born Mind". CD

Features Michael Brecker on tenor, Bob Mintzer on tenor and soprano, Peter Erskine on drums, and Don Alias on congas! CD

With Michael Brecker and Chris Potter on tenor sax, John Scofield on guitar, and Bill Stewart on drums. CD

Featured soloists include Michael Brecker, James Carter, and Joe Lovano. CD

Bernard Purdie takes a trip down 40 years of soul jazz history – starting with late 50s jazz experiments by Art Blakey, Cannonball Adderley, and others – and working his way up through 60s soul and 70s funk! The set's got a slightly polished feel, but still plenty of nice moments – with soloists that include Michael and Randy Brecker, Eddie Harris, and Nils Landgren, plus larger arrangements by the WDR Big Band, conducted by Gil Goldstein. Titles include "Moanin", "Superstition", "Iko Iko", "Senor Blues", "Sidewinder", "Freedom Jazz Dance", "Work Song", "Land Of 1000 Dances", and "Brother Where Are You". CD

A buttery smooth set of Japanese fusion from the 70s – featuring all-star American players like Eric Gale, Steve Gadd, Ralph MacDonald, Cornell Dupree, Michael Brecker, and keyboardist Will Boulware. The strength of the set lies on the interplay between Boulware's work on Fender Rhodes and Arp, and Michael Brecker's tightly crafted tenor lines that nicely dot the album's lively soulful tunes – and the whole thing sparkles with the same mix of R&B and jazz that you'd expect from late 70s work by The Crusaders. Titles include "Hossan", "So True", "It Ain't No Use", "I Like It", and a smooth soulful cover of "Feel Like Makin Love". CD