Russell Kranes on pinao, Alex Levine on guitar, Sam Weber on bass, and Jay Sawyer on drums. CD

Really unique work from the team of Kevin Sandbloom and Melany Bell – both sweetly soulful singers who intertwine their vocals nicely on the tunes in the set! Kevin's got a bit of a jazzy approach, and Melany a deeper sound overall – and paired together, they really sound great – with this full range that unfolds nicely over spare backings that often just feature a bit of acoustic guitar and percussion – quite a change from the usual indie soul set! Sandbloom's clearly going for some deeper tones with his vocals, and Bell helps bring a good sense of focus to the record when she joins in – and the overall sound is surprisingly sophisticated, given the simplicity of the setting. Titles include "Viva Los Angeles", "Lovechild", "Always", "All That Money", "Smooth Assassination", "Let's Stay Together", "Echoplex", and "Devotion Time". CD

Produced by Siggi Schwarz a group consisting of Chris Thompson, Michael Schenker, Steve Lukather, Geoff Whitehorn, Alex Conti and others cover hits from the original Woodstock. CD

A great tribute to Lalo's classic years with Dizzy Gillespie – performed by himself and the WDR Big Band, with players that include Jon Faddis, Paquito D'Rivera, Alex Acuna, and Markus Stockhausen. Faddis handles most of the trumpet parts, and with a style that's different enough from Diz to open the work up nicely – yet still hearken back to the sweet and Latinesque style of the early 60s Gillespie group that included Schifrin. Titles include "Blues", "Panamerica", "Africana", "Tocata", and "Bachianas Brasileiras No 5". CD

A mad mix of loud guitar, wild samples, and heavy Brazilian percussion – all nicely topped with the soulful vocals of Chico Science! The record's one of the group's earlier ones, and it's filled with a sense of raw power and experimentation that easily demonstrates why the band grabbed so much attention so quickly. Forget all those cliches you keep hearing about the postmodern power of Tropicalia – this stuff's equally as complex, and filled with bits and pieces you wouldn't even imagine! Titles include "Da Lama Ao Caos", "Salusatiano Song", "Riso Flora", "Coco Dub", "Rios, Pontes & Overdrives", and "A Cidade", which has a nice little snippet from Mark E Smith! LP, Vinyl record album

With Clancy Hayes, Alexander's Jazz Band, Darnell Howard, Bob Scobey's Frisco Band, and Darnell Howard's Frisco Footwarmers. CD

Some of the best material ever recorded by singer Jimmy Scott – presented as a lovely 3 disc package with copious notes, and a lot of bonus material too! The bulk of the sides were cut during the earliest years of Jimmy's career – from 1952 to 1960, all with great small group, jazz-based backing – very nicely handled by the folks at Savoy Records – with just the right sort of pitch to work well with Scott's unique voice. There's a lot of unreleased cuts from these sessions – which makes the package essential even if you own the records – and titles include "If You Only Knew", "If I Ever Lost You", "Once", "What Good Would It Be", "I'll Never Deceive You", "Please Forgive Me", "Guilty", "Anytime Anyday Anywhere", and "The Talk Of The Town". The set then ends with the full album Can't We Begin Again, from Jimmy's "lost" period in 1975 – ne of the most obscure albums we've ever seen from Scott – and that's saying a lot, given how obscure most of his career was before his relatively recent revival! This session – billed in the notes as his "umpteenth comeback" – was recorded in Chicago in 1975, but has a feel that's in keeping with some of Jimmy's more traditional work from earlier years. The set was done by producer Fred Mendelsohn, who'd recorded some of Jimmy's earlier work – and features backings by pianist Ace Carter, plus additional string arrangements from Alex Hamilton. Jimmy's voice is actually a bit less fragile and somewhat deeper than usual – possibly even more confident – and the "jazz with strings" format brings a full feel to the session, but one that never dominates the vocals. Titles include "The More I See You", "I'll Be Around", "Anchored By My Side", "You've Changed", "Can't We Begin Again", "Close Your Eyes", and "What Are You Doing The Rest Of Your Life". Box features 66 tracks in all! CD

Great later work from Jimmy Scott – sides recorded for Milestone Records near the end of his life – at a time when Jimmy's music was finally getting its due, and reaching wide exposure to a whole new audience! The sound is pretty laidback and mellow on most numbers – and Scott gets some great accompaniment from a host of musicians who include Eric Alexander on tenor, Hank Crawford on alto, Wynton Marsalis on trumpet, and Joe Beck on guitar – on titles that include "You Don't Know What Love Is", "Smile", "Moonglow", "Without A Song", "Please Send Me Someone To Love", and "Strange Fruit". CD

A record that really comes on with a hell of a lot of power – tight, fast drums from Gerald Cleaver – matched with fuzzy, chromatic work on guitar from Brandon Seabrook – all punctuated with work from Cooper Moore on the diddley bow! The drums and guitar are the driving engine of the record, though – and really come on with a full, pulsating sort of vibe – very kinetic in energy, and served up on a range of shorter tracks that maintain a stronger fire than if the trio were working in longer improvisations. Titles include "Dank Esseintes", "Along Comes Diddley", "Absurdities IN Bondage", "Essential Exultations", "Flexing Fetid & Fecund", and "Dark Bogs". CD

A serious later session from Don Sebesky – one that shows that he's still capable of plenty of darkness in his music, even after scoring some smoother sets in the 70s! The album's definitely got something of a "jazz orchestra" feel – with a full orchestra that initiates the proceedings, and sets the scene with a low-toned, rumbling sort of style – before the album then opens up into some much more jazz solo-based work that has a much more redemptive feel! Players include Alex Foster on tenor, Jon Faddis on trumpet, Gordon Beck on piano, Richard Davis on guitar, and Joe Beck on guitar – all of whom get some nice space to state their cases as the album rolls on – on three long tracks that include "Bird & Bela In B", "Rite Of Spring", and "Sebastian's Tune". LP, Vinyl record album

A fantastic record from The Seeds, and one that definitely earns its title – as it points the way towards a psychedelic future that would have made the group giants on the international scene, had they continued in this direction! The sound is very different than the garage punk of their previous two albums – a lot more complex, yet still never overdone – a real testament to the genius of Sky Saxon and the rest of the group as they opened up their minds, and allowed all sorts of new ideas to spring forth! And if you like the earlier records, you'll still find plenty to love here, as the whole thing still has a mighty sinister edge – as you'll hear on the cuts "Travel With Your Mind", "Flower Lady & Her Assistant", "Fallin'", "Six Dreams", "Two Fingers Pointing On You", "Now A Man", "Painted Doll", "Out Of The Question", and "Where Is The Entrance Way To Play". LP, Vinyl record album

We've always loved the music of pianist Bernie Senesky – a Canadian musician with a richly lyrical, expressive style – one that doesn't always get the recognition it deserves on our side of the border! And we've also always loved the tenor of Eric Alexander – a player we've been following since his start, and who has had some amazing moments of growth in recent years – one of them on this record with Bernie, a player who seems to bring out all this warmer, more sensitive elements in Alexander's horn – as the two of them work together in a very unexpected pairing, but one that we'd love to hear more of on future recordings! Other players on the date include Kieren Overs on bass and Joe Farnsworth on drums on most tracks, save for two, which feature Morgan Childs on drums and Dave Young on bass. Titles include the originals "Blues For EJ", Alexander's Realtime Band", "Stand Pat", and "Make Believe" – plus a nice take on "Matchmaker". CD

70s geekazoid hi-fi culture at it's finest! The folks at JBL put together this 2LP set as sort of a "bible" of a 70's understanding of hi-fi – and it's a weird mix of documentary discussion, speaker demonstration, and rock tracks by the likes of Alex Harvey and Hoyt Axton. Nutty, and chock full of open drum breaks! LP, Vinyl record album

Features work from Eric Alexander on tenor, Joe Beck on guitar, and Cedar Walton on piano! CD

An overlooked gem in the career of tenorist Archie Shepp – one of those fantastically soulful European recordings that sometimes get missed, given that Shepp was recording so much and in so many ways overseas during these later years! The style here is a wonderful distillation of the modes he was exploring in his post-Impulse years – a small group rendition of the spiritual ideas of that earlier moment, but refined with more of a focus on Shepp's tremendous tone on tenor – even more maturely expressive here than before, at a level that makes us really love this period more and more as the years go on! The group features Horace Parlan on piano, Clifford Jarvis on drums, and Harry Emmery on bass – the last of whom does a wonderful job of filling the space left empty by Wilbur Little, with round tones that echo the soulfulness of Archie's tenor, and really live up to the tribute promised in the title. Tunes include a really wonderful reading of "Steam" – plus "Arrival", "Manhattan", and "Reflexions". CD

An overlooked gem in the career of tenorist Archie Shepp – one of those fantastically soulful European recordings that sometimes get missed, given that Shepp was recording so much and in so many ways overseas during these later years! The style here is a wonderful distillation of the modes he was exploring in his post-Impulse years – a small group rendition of the spiritual ideas of that earlier moment, but refined with more of a focus on Shepp's tremendous tone on tenor – even more maturely expressive here than before, at a level that makes us really love this period more and more as the years go on! The group features Horace Parlan on piano, Clifford Jarvis on drums, and Harry Emmery on bass – the last of whom does a wonderful job of filling the space left empty by Wilbur Little, with round tones that echo the soulfulness of Archie's tenor, and really live up to the tribute promised in the title. Tunes include a really wonderful reading of "Steam" – plus "Arrival", "Manhattan", and "Reflexions". CD

A mindblowing little record – one of those jazz meetings you might never have thought possible, and every bit as great as you'd expect! By the time of this set, Lars Gullin had already reached the heights of jazz in Scandinavia – one of the hippest players of the 50s, ready to branch out into even new ideas and expressions in the 60s! Enter Archie Shepp, quite young at the time, but already a fiercely creative talent on the tenor – blowing here alongside Gullin in the relaxed, open format of a live date at the Club Montmartre in Copenhagen – a well-recorded performance that was done for Swedish radio, and which has both players taking very long solos. It's great to hear Lars really stretch out – sounding looser and grittier than on some of his studio work – and Shepp's really on fire blowing through the standards on the date – almost hinting at that approach he'd use in the late 70s, but with all the burning quality of his youth! Other players include Tete Montoliu on piano, Niels Henning Orsted Pedersen on bass, and Alex Riel on drums – and titles include "You Stepped Out Of A Dream", "The House I Live In", "I Should Care", and "Sweet Georgia Brown". LP, Vinyl record album

One of the first European recordings from Sahib Shihab – a classic set that's the start of an amazing 60s run on the continent! Shihab here is quite different than his American dates of the 50s – bolder, and blowing with a really open, fluid sort of groove that marks a great development in his sound – using baritone sax, soprano, and flute – a range of instruments that really creates a wide range of feeling in the set! The performance is a live one, and the group is great too – with Allen Botschinsky on flugelhorn, Ole Molin on guitar, Niles Henning Orsted Pedersen on bass, and both Alex Riel and Bjarne Rostvold on drums. Rhythms are a key part of the set – really free and open, setting the scene for Sahib's modal genius to come – and titles include "47th Blues", "Billy Boy", and the 3-part track "Conversations". CD

A perfect illustration of the rich new directions Wayne Shorter was taking at the start of the 70s – an amazing flurry of sounds and styles that's light years ahead of where he began in the 60s! Shorter's one of those players who was already great at the start – an amazing tenorist, both on his own and with the groups of Art Blakey and Miles Davis – yet by the time of this record, he'd absorbed a huge amount of influences from Brazilian music, modal jazz, the spiritual underground, and even the free European scene – all of which come to play on the long, complex tunes on the set! The record has Shorter working with some other key contemporaries of this new moment in jazz – John McLaughlin on 12 string guitar, Chick Corea on marimba and percussion, Dave Holland and Miroslav Vitous on bass, and Ron Carter on cello – all players who have the same open, exploratory vibe as Wayne's own lines on tenor and soprano sax. Titles include an excellent cover of Milton Nascimento's "Vera Cruz", plus the tracks "Antiqua", "Iska", and "Montezuma". CD

Easily the best-remembered album by Labi Siffre – thanks to some well-used sample tracks over the years! But over and above the fame of the funky tunes "The Vulture" and "I Got The", the record's a key part of Siffre's 70s catalog – a record that's as great for its complex songwriting and deeply personal lyrics as it is for its Fender Rhodes lines, and tight musical backings from the combo of Big Jim Sullivan. All titles here are originals, and even when the groove slows down there's a depth that clearly marks Labi as one of the best singer/songwriters of the 70s – a talent who's been finally rediscovered in recent years, although sometimes only remembered for a few jazzy hooks from these tunes, and not the strength of the whole magilla! Here's your chance to dip into the Siffre sound at its fullest – on tracks that include "The Vulture", "I Got The", "Another Year", "Down", "Old Time Song", "Sadie & The Devil", "Remember My Song", and "Turn On Your Love". LP, Vinyl record album