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Exact matches: 13
Exact matches1
CD, LP, Vinyl record album cover art
Kenny DorhamArrival Of Kenny Dorham ... LP
Jaro, 1960. New Copy (reissue)... $9.99
One of Kenny Dorham's best records ever – and one of his rarest too! The set was cut for the short-lived Jaro label, home to a few great jazz sides during its short-lived American tenure – and the set features Kenny grooving at a level that's extremely tight, very much in the best spirit of his work for Blue Note or Prestige – and recorded here with equally top-shelf sound! The record shows Kenny at his lyrical best – working alongside the piano of Tommy Flangan, who really helps enforce this side of his music – and also getting some help from Charles Davis on baritone, who brings in some darker edges to the record. Other players include Butch Warren on bass and Buddy Enlow on drums – on tracks that include the original entitled "Stage West", plus another sweet tune by Davis entitled "Turbo" – as well as the numbers "Butch's Blues", "Six Bits", and "Stella By Starlight". LP, Vinyl record album

Exact matches2
CD, LP, Vinyl record album cover art
Kenny DorhamBlues In Bebop ... CD
Savoy, Late 40s. Used ... $3.99
Some of the earliest recorded work from trumpeter Kenny Dorham – presented here in an overstuffed set that brings together most of his appearances on the Savoy label! The core standout tunes here are 10 numbers recorded in 1946 by The Bebop Boys – a combo that featured Dorham, Sonny Stitt, and Bud Powell coming together on tight, short, very upbeat bop material that ranked with some of the best early 78s of the genre. Titles by this group include "Seven Up", "Bebop In Pastel", "Serenade To A Square", "Fools Fancy", and "Bombay". Other material on the CD includes a solo by Kenny on "The Jitney Man" by Billy Eckstine, plus 3 tracks with the Milt Jackson Sextet from 1949 – including "Conglomeration", "Bruz", and "Roll Em Bags". Kenny also plays on three 1949 recordings with Charlie Parker – "Barbados", "Scrapple From The Apple", and "Bebop" – as well as four 1956 numbers with Cecil Payne – including "Grooving High", "Man Of Moods", and "Saucer Eyes". CD

Exact matches3
CD, LP, Vinyl record album cover art
✨✧ Kenny DorhamBut Beautiful ... LP
Milestone, Late 50s/1976. Near Mint- 2LP Gatefold ... $7.99
Nice 2 LP collection of some of Kenny Dorham's beautiful lyrical trumpet work for the Riverside label from the late 50's. The set features material from the albums Jazz Contrasts, Two Horns/Two Rhythms, Blue Spring, and This Is The Moment – plus one track from Abbey Lincoln's album That's Him. The focus is largely on Dorham's sweeter moments, and the set features a host of great original compositions by him, including "Poetic", "Spring Cannon", "La Villa", and "Blue Spring". There's a good set of notes, too, which were written not too long after Dorham's early death in 1972. LP, Vinyl record album

Exact matches4
CD, LP, Vinyl record album cover art
✨✧ Kenny DorhamJazz Contemporary ... CD
Time/Bainbridge, 1960. Used ... $2.99
Great work from one of the hippest jazz contemporaries of the late 60s – trumpeter Kenny Dorham, a player who was really coming into his own by the time of this album! The record has Kenny with a nice sort of edge – not as boldly experimental as his 60s work for Blue Note, but definitely pushing things forward from the 50s – shaking off the sweet for a bit more bite, and working with a great lineup that includes Steve Kuhn on piano, Charles Davis on baritone sax, and either Jimmy Garrison or Butch Warren on bass. Kuhn and Davis really bring some interesting elements to the record – and titles include "Tonica", "Monk's Mood", "In Your Own Sweet Way", and "Horn Salute". CD
(Out of print. Spine has a cutout notch. Booklet has a spot of sticker residue.)
Also available Jazz Contemporary (with bonus tracks) ... CD 10.99

Exact matches5
CD, LP, Vinyl record album cover art
Kenny DorhamJazz Contemporary (with bonus tracks) ... CD
Time/Solid (Japan), 1960. New Copy ... $10.99
Great work from one of the hippest jazz contemporaries of the late 60s – trumpeter Kenny Dorham, a player who was really coming into his own by the time of this album! The record has Kenny with a nice sort of edge – not as boldly experimental as his 60s work for Blue Note, but definitely pushing things forward from the 50s – shaking off the sweet for a bit more bite, and working with a great lineup that includes Steve Kuhn on piano, Charles Davis on baritone sax, and either Jimmy Garrison or Butch Warren on bass. Kuhn and Davis really bring some interesting elements to the record – and titles include "Tonica", "Monk's Mood", "In Your Own Sweet Way", and "Horn Salute". Plus, the CD features some extra bonus tracks – alternate takes from the sessions! CD
Also available Jazz Contemporary ... CD 2.99

Exact matches6
CD, LP, Vinyl record album cover art
Kenny DorhamShowboat ... CD
Time/Solid (Japan), 1960. New Copy ... $16.99
Not the Broadway record that you might guess from the title, but a great showboat for the hipper talents of trumpeter Kenny Dorham! The album is made up of tunes from the famous show, but the presentation here is quite strongly hardbop – blown by Kenny with the same mix of sweet and modern you might hear on his Blue Note records, but a bit looser too – almost with the rougher edges of a Prestige date. Other players include Jimmy Heath on tenor, Kenny Drew on piano, Jimmy Garrison on piano, and Art Taylor on drums – one hell of a great group – and although the titles are familiar – "Can't Help Lovin Dat Man", "Ol Man River", "Why Do I Love You", and "Nobody Else But Me" – they're recast by Kenny as thoughtful little showpieces, rich with imagination, and played as if they were his own compositions. CD
Also available Showboat ... LP 13.99

Exact matches7
CD, LP, Vinyl record album cover art
✨✧ Kenny DorhamShowboat ... LP
Time, 1960. Very Good+ Gatefold ... $13.99
Not the Broadway record that you might guess from the title, but a great showboat for the hipper talents of trumpeter Kenny Dorham! The album is made up of tunes from the famous show, but the presentation here is quite strongly hardbop – blown by Kenny with the same mix of sweet and modern you might hear on his Blue Note records, but a bit looser too – almost with the rougher edges of a Prestige date. Other players include Jimmy Heath on tenor, Kenny Drew on piano, Jimmy Garrison on piano, and Art Taylor on drums – one hell of a great group – and although the titles are familiar – "Can't Help Lovin Dat Man", "Ol Man River", "Why Do I Love You", and "Nobody Else But Me" – they're recast by Kenny as thoughtful little showpieces, rich with imagination, and played as if they were his own compositions. LP, Vinyl record album
(Original gatefold US pressing. Cover has a split top seam & staining along the bottom 2 inches.)
Also available Showboat ... CD 16.99

Exact matches8
CD, LP, Vinyl record album cover art
✨✧ Kenny Dorham with Cannonball AdderleyBlue Spring ... LP
Riverside, 1959. Near Mint- ... $14.99
A pretty warm and lyrical set by Kenny – accompanied here by a larger group that includes Cecil Payne, David Amram, and Cannonball Adderley on horns, plus a young Cedar Walton on piano. Dorham wrote 4 of the album's tracks, and they provide a perfect showcase for his polished trumpet style. Titles include "Spring Cannon", "Blue Spring", "Poetic", and "Passion Spring". LP, Vinyl record album
(OJC pressing.)

Exact matches9
CD, LP, Vinyl record album cover art
✨✧ Kenny DorhamJazz Contrasts (Keepnews collection) ... CD
Riverside, 1957. Used ... Temporarily Out Of Stock
Early work by Kenny Dorham as a leader – a Riverside session recorded in two "contrasting" moods that both perfectly show his young talents on the trumpet! Side one is a bit more in a hardbop mode – with two long lyrical tracks ("Falling In Love With Love" and "I'll Remember April") – recorded with a quintet that features Sonny Rollins on tenor, Hank Jones on piano, Oscar Pettiford on bass, and Max Roach on drums – with plenty of space for all players to solo nicely! Side two features the same group, but also adds in some work on harp by Betty Glamman – an unusual player, but one who works well in the setting – and really helps to emphasize the sweeter sounds in Kenny's horn! Titles on that side include "La Villa", "Larue", and "My Old Flame". CD
(Barcode has a cutout hole.)

Exact matches10
CD, LP, Vinyl record album cover art
✨✧ Kenny DorhamRound About Midnight At The Cafe Bohemia Vol 1 ... LP
Blue Note, 1956. Used ... Temporarily Out Of Stock
One of our favorite albums ever by Kenny Dorham – and a really different session than his usual studio work! The album captures Kenny in a relaxed live setting, with a bit more dirt on his horn than usual – blowing with a tone that's much more open and a bit less poised – in the company of a really great group that features JR Monterose on tenor, Kenny Burrell on guitar, Bobby Timmons on piano, Sam Jones on bass, and Arthur Edgehill on drums. The album features a really wonderful take on Dorham's boppish "Mexico City", plus other enigmatic compositions like "Monaco" and "Hill's Edge" – and versions of "Round Midnight" and "Autumn In New York". LP, Vinyl record album
(80s DMM pressing.)

Exact matches11
CD, LP, Vinyl record album cover art
✨✧ Kenny DorhamMatador ... LP
United Artists, 1962. Used ... Out Of Stock
A brilliant album from Kenny Dorham – one of his more far-reaching efforts, with the expansive compositional style that he started bringing to some of his Blue Note work of the early 60s. The record features a group with Jackie McLean on alto, Bobby Timmons on piano, Teddy Smith on bass, and JC Moses on drums – all working with Kenny in a slightly Latin tinged mode that features some really shimmering trumpet work! The record features a stunning 3 part reading of McLean's haunting tune "Melanie" (done under his name on the album A Fickle Sonance) – plus the tracks "Prelude", "El Matador", "Smile", and "There Goes My Heart". LP, Vinyl record album
(Japanese pressing, on King, with obi! Back cover has some very light aging, but is nice overall.)

Exact matches12
CD, LP, Vinyl record album cover art
✨✧ Kenny DorhamRound About Midnight At The Cafe Bohemia – Complete (RVG edition) ... CD
Blue Note, 1956. Used 2 CDs ... Out Of Stock
One of our favorite albums ever by Kenny Dorham – and a really different session than his usual studio work! The album captures Kenny in a relaxed live setting, with a bit more dirt on his horn than usual – blowing with a tone that's much more open and a bit less poised – in the company of a really great group that features JR Monterose on tenor, Kenny Burrell on guitar, Bobby Timmons on piano, Sam Jones on bass, and Arthur Edgehill on drums. The CD features a total of 17 tracks in all – titles from the original LP, plus rare extra material, and some bonus alternate takes – all remastered by Rudy Van Gelder. Titles include Dorham's boppish "Mexico City", plus other enigmatic compositions like "Monaco" and "Hill's Edge", and tracks that include "Round Midnight", "Riffin", "My Heart Stood Still", and "NY Theme". CD
(Out of print US pressing, small cutout through spine.)

Exact matches13
CD, LP, Vinyl record album cover art
✨✧ Kenny DorhamKD Is Here – New York City 1962 & 1966 ... CD
Uptown, 1962/1966. New Copy ... Out Of Stock
A fantastically hip performance from trumpeter Kenny Dorham – a never-heard live set, recorded for radio at a time when he was really stretching out! The group is as compelling as the performance – and features the excellent Sonny Red on alto, hitting some of those incredibly edgey notes he'd play with Donald Byrd – plus a young Cedar Walton on piano, John Ore on bass, and Hugh Walker on drums – the latter an overlooked genius on the kit, who gave us some great work with John Patton and Harold Mabern! This group is featured in a 1966 performance that takes up most of the CD – with long performances of the titles "Jung Fu", "Spring Is Here", "Somewhere In The Night", "Straight Ahead", and "The Shadow Of Your Smile" – with a few interview snippets by announcer Alan Grant. Grant also presents the remaining three tracks on the set – material from a 1962 date that is equally great, but also shows just how much Dorham had evolved in the four years that led up to the later recording. Kenny blows trumpet with Joe Farrell on tenor, Walter Bishop Jr on piano, Larry Gales on bass, and Stu Martin on drums – on "Woody N You", "If I Should Lose You", and an incomplete performance of "Au Privave". CD
 
Possible matches: 42
Possible matches14
CD, LP, Vinyl record album cover art
Kenny Burrell5 Original Albums (Introducing/Kenny Burrell/Blue Lights Vols 1 & 2/Five Spot Cafe) (5CD set) ... CD
Blue Note (Germany), Late 50s. New Copy 5CD ... $16.99
An amazing early run of music from guitarist Kenny Burrell – five albums in a single package, each with LP-style covers! First up is his Blue Note debut – Introducing Kenny Burrell – arguably one of the greatest Kenny Burrell albums ever! Unlike some of Kenny's other sessions, which hide his guitar in arrangements that are a bit too complicated – this one's a nicely stripped-down album that sets his hollow electric in a group with Tommy Flanagan on piano, Paul Chambers on bass, Kenny Clarke on drums, and Candido on conga. The tracks are nicely laidback, and Kenny hits some nice deep grooves on cuts like "Fugue N Blues", "Takeela", and "Delilah". Plus, the album also includes a totally cool percussion-only track – "Rhythmorama", which is a duet between Kenny Clarke and Candido! Next is the self-titled Kenny Burrell – Blue Note 1543 – early genius from Kenny – a set that features the guitarist sounding beautiful in a variety of settings, all of them great! The format really mixes things up nicely – almost showing a more diverse Kenny than in later years – as one track is solo, and the others feature quartet, quintet, and sextet lineups – with players who include JR Monterose or Frank Foster on tenor, Tommy Flanagan or Bobby Timons on piano, Oscar Pettiford or Sam Jones on bass, Kenny Dorham on trumpet, and Kenny Clarke or Shadow Wilson on drums. The solo track is a great version of "But Not For Me" – and other titles include "Mexico City", "Cheeta", "Phinupi", and "Now See How You Are". Next are the two records that make up Blue Lights Vols 1 & 2 – material that catches Kenny in the perfect Blue Note jam session mode of the late 50s – one used also with Jimmy Smith, and which features a number of the label's star players hitting hard with the main soloist. Players on the two volume set include Duke Jordan or Bobby Timmons piano, Junior Cook and Tina Brooks tenor, Louis Smith trumpet, and Art Blakey on Drums. The cuts have a very open-ended blowing session feel, and Kenny comes through surprisingly well, really picking up steam on a way you don't always hear in more restrained recordings. Titles include "Yes Baby", "Scotch Blues", "Rock Salt", "Chuckin", "Phinupi", and "Caravan". Last up is On View At The Five Spot Cafe – a smoking live session, and one that's got a bit more of an edge than some of his other records from the time! Kenny's guitar still has that impeccable tone throughout – but it's also matched by some wonderful tenor from the great Tina Brooks – making one of his few key Blue Note appearances here – in a massively cooking group that also features some piano from Bobby Timmons on three of the album's five tracks (Roland Hanna plays on the two others) – plus drums from Art Blakey, and bass from Ben Tucker – a pair wo work together wonderfully to create some really great grooves. Kenny himself seems to pick up great energy in the setting – and titles include "Lady Be Good", "Birk's Works", "36-23-36", and "Hallelujah". CD

Possible matches15
CD, LP, Vinyl record album cover art
✨✧ Kenny BurrellKenny Burrell (Blue Note 1543) ... LP
Blue Note, 1956. Used ... Temporarily Out Of Stock
Early genius from Kenny Burrell – a set that features the guitarist sounding beautiful in a variety of settings, all of them great! The format really mixes things up nicely – almost showing a more diverse Kenny than in later years – as one track is solo, and the others feature quartet, quintet, and sextet lineups – with players who include JR Monterose or Frank Foster on tenor, Tommy Flanagan or Bobby Timons on piano, Oscar Pettiford or Sam Jones on bass, Kenny Dorham on trumpet, and Kenny Clarke or Shadow Wilson on drums. The solo track is a great version of "But Not For Me" – and other titles include "Mexico City", "Cheeta", "Phinupi", and "Now See How You Are". LP, Vinyl record album
(70s pressing.)

Possible matches16
CD, LP, Vinyl record album cover art
Gloria ColemanSings & Swings Organ ... CD
Mainstream/Solid (Japan), 1971. New Copy ... $13.99
Great work from Gloria Coleman – an overlooked genius on the organ, and part of an elite group of female keyboardists that includes Shirley Scott, Rhoda Scott, and Trudy Pitts! Coleman almost never got the chance to record, but clearly had a sharpness that was honed from years in the clubs – a tight, soulful approach to the instrument that also has her working the bass pedals as strongly as the keys – and an ability to sing at all the right times, in a soul-drenched mode that's even deeper than the vocalizations of Trudy Pitts on her late 60s albums for Prestige. The group's got James Anderson on tenor, Dick Griffin on trombone, Ray Copeland on flugelhorn, and Earl Dunbar on guitar – and titles include the funky "Bugaloo for Ernie" a great version of Kenny Dorham's "Blue Bossa", Blue Mitchell's "Fungi Mama", and the tracks "Blues For Youse", "Love Nest", and "You Better Go Now". CD

Possible matches17
CD, LP, Vinyl record album cover art
Eddie DanielsFlower For All Seasons ... LP
Choice, 1973. Very Good+ ... $1.99
Not the typical early 70s record from reeds player Eddie Daniels – a warmer, more appealing than a lot of his work! Blue Bossa finds Daniels working as duo with guitarist Bucky Pizzarelli , with Daniels on clarinet, bass clarinet, flute and alto flute on some really nice bossa inflected numbers, to more of a Latin style on others, and an easygoing jazz feel throughout. It's a pretty laidback effort, fitting nicely in the duo setting, but Daniels getting some nice little solo workouts, but always within the groove. Sweet stuff! Titles include Kenny Dorham's "Blue Bossa" and Les McCann's "Samia", plus "Wistful Moment", "Emily", "As Long As I Live", "Two For The Road", "Afterthought", "Shine", "A Flower For All Seasons" and more. LP, Vinyl record album
(Cover has light wear.)

Possible matches18
CD, LP, Vinyl record album cover art
Billy EckstineMister B & The Band ... CD
Savoy, 1945/1946. Used ... $1.99
Amazing work from the early, legendary years of Billy Eckstine – that time when he was fronting one of the hippest backing groups a vocalist could hope to have! Eckstine's voice was already becoming the stuff of legend by the time of these recordings – but thanks to contributions from a host of famous boppers, his band was getting equal fame, too – a really legendary lineup that includes such greats as Miles Davis, Dizzy Gillespie,Kenny Dorham, and Fats Navarro on trumpets; Wardell Gray, Dexter Gordon, and Gene Ammons on tenor; Leo Parker on baritone; Art Blakey on drums; and many other huge names too! The band was virtually a school for a whole generation of jazzmen to come – allowing them to play together, get to know each other, and spin off in important small groups – much in the way the Kenton group a few years later allowed so much development on the west coast. And amidst all this great music, Billy's vocals have never sounded better – much bolder and hard-swinging than in later years! CD
(Out of print.)

Possible matches19
CD, LP, Vinyl record album cover art
✨✧ Benny GolsonBlues On Down (The Modern Touch/The Other Side Of Benny Golson) ... LP
Milestone/Riverside, 1957/1958. Near Mint- 2LP Gatefold ... $9.99
A 2-in-1 package that features 2 of Benny's best late 50s albums in one set! The Modern Touch is a sublime late 50s album that features Benny with a sextet, working out amazing versions of the sorts of material that set him apart from every other jazz arranger of the time! The tracks here are complicated, yet have a rootsy soulfulness that makes them instantly compelling – and Benny's tone on tenor sax is sharp and angular, yet also has a raspiness that gives it a degree of honesty you wouldn't expect from a budding young modernist. The rest of the players – Max Roach, Paul Chambers, Wynton Kelly, JJ Johnson, and Kenny Dorham – are equally great, too – and amidst Benny's arrangements, they come together as if they'd been playing in this format for years! Titles include "Out Of The Past", "Venetian Breeze", "Reunion", "Hymn To The Orient", and "Blues On Down". The Other Side is a smokin' hard bop side from a sort of amalgamation of players who played in and out of the Jazz Messengers around this time, but Philly Joe's sittin' in the drummers seat, so though the rhythms cook hard, that not quite as bombastic as Bu's. We've always loved Benny Golson, and though his playing was at it's most sublime in the Jazztet, he got to stretch out just a bit more and played with just a touch more fire in other contexts, like this session. Barry Harris is on piano, with Jymie Merritt and Philly Joe rounding out the rhythm section and Curtis Fuller joins Golson in the front line for a spry quintet setting. Six tracks: "Strut time", "Jubilation", "Symptoms", "Are You Real?", "Cry A Blue Tear" and "This Night". LP, Vinyl record album

Possible matches20
CD, LP, Vinyl record album cover art
Milt JacksonInvitation ... LP
Riverside, 1962. Very Good+ ... $6.99
A very nice little Milt Jackson album – cut in the mode of some of his excellent soul jazz group sides from the mid 60s. This set pushes Milt past the format of much of his other work – especially that of the MJQ – as it features him in a very soulful sextet, working with Tommy Flanagan on piano, Kenny Dorham on trumpet, Jimmy Heath on tenor, Ron Carter on bass, and Connie Kay on drums. The presence of Dorham and Heath give the album a light lyrical swing that really opens things up – and there's a fair bit of modally-oriented tunes on the set that hint at the more soulful playing of most of the players in the 70s. Tracks include a great version of "Invitation", plus "The Sealer", "Poom A Loom", "Ruby", and "None Shall Wander". LP, Vinyl record album
(OJC pressing. Cover has light wear & a name in marker.)

Possible matches21
CD, LP, Vinyl record album cover art
Abbey LincolnThat's Him! ... LP
Riverside, 1957. Very Good+ ... $9.99
One of Abbey Lincoln's earliest albums – an all star session recorded with backing by Kenny Dorham, Sonny Rollins, Wynton Kelly, Paul Chambers, and Max Roach! Abbey's still pretty straight at this point – singing a variety of wispy love songs and emotional tunes – but she's also bringing a bit more feeling to the material than most singers of her generation – hinting at the sharper tones that would come just a few years later in her work! And given the strength of the sidemen alone, the album's already a cut above most jazz vocal records from the time – but really takes on a strong voice when Abbey opens up on some of the best numbers on the set. Titles include "Strong Man", "My Man", "That's Him", "Don't Explain", "I Must Have That Man", and "When A Woman Loves A Man". LP, Vinyl record album
(OJC pressing. Cover has light wear.)

Possible matches22
CD, LP, Vinyl record album cover art
✨✧ Herbie MannHerbie Mann's Big Band – Recorded Live In Brazil (aka Jazz Committee For Latin American Affairs) ... LP
Surrey, Early 60s. Very Good+ ... $4.99
An obscure package for a pretty obscure set to begin with – the famous Jazz Committee For Latin American Affairs album! The set is stone cooking hardbop – done with all the sharp edges of a New York session, even though the material was recorded live in Rio! The setting is an unusual one – a State Department tour of American jazz musicians – but a lineup that moves way past some of the overly-mainstream "ambassadors" out there – given that the players include Kenny Dorham on trumpet, Zoot Sims and Al Cohn on tenors, Curtis Fuller on trombone, Herbie Mann on flute, and even Ahmed Abdul-Malik on oud! Tracks are nice and long – very much in a jam session mode on the best numbers, but mixed with some well-played mellower moments too – and titles include "Wee Dot", "Red Door", "Autumn Leaves", and the haunting original "Ismaaa", which has a great Eastern feel, thanks to the oud! LP, Vinyl record album

Possible matches23
CD, LP, Vinyl record album cover art
✨✧ Hank MobleyHank Mobley Quintet Featuring Sonny Clark (unreleased material) ... CD
Blue Note (Japan), 1957. New Copy ... About December 6, 2017
Don't let the cover fool you – because the album's not the Hank Mobley album with John Jenkins on alto, nor the Blue Note 1550 quintet session – but instead some unreleased material with the great Sonny Clark on piano! The group's a five piece, with Kenny Dorham on trumpet – but Kenny bows out for one track, which lets Mobley hold his soulful own on a great bgallad reading of "Deep In A Dream". Almost all the other tracks are originals, though – driven strongly by Clark's deft work on piano, Jimmy Rowser on bass, and Art Taylor on drums. The material was all recorded in that key Hank Mobley year of 1957 – and titles include "Don't Get Too Hip", "The Mobe", "My Reverie", and "On The Bright Side". CD

Possible matches24
CD, LP, Vinyl record album cover art
Hank MobleyMessages ... LP
Prestige, 1956/1976. Near Mint- 2LP Gatefold ... $14.99
A 2LP reissue of very hard to find Hank Mobley sessions from the mid 50's – Mobley's Message, and Mobley's Second Message. The record's filled with damn great hard bop tenor material, with groups that include players like Donald Byrd, Art Taylor, Kenny Dorham, Doug Watkins, and Walter Bishop. All tracks are long, with that good Rudy Van Gelder "roominess" that graced most of the best Prestige albums of the late 50's. With the cuts "Bouncing With Bud", "Alternating Current", "Crazeology", "The Latest", and "Xlento". LP, Vinyl record album
(Cover has a cut corner.)

Possible matches25
CD, LP, Vinyl record album cover art
Charlie ParkerBroadcast Performances ... LP
Jazz Classics, 1948/1949. Near Mint- ... $4.99
Rare Charlie Parker material – including a 1948 Royal Roost performance with Miles Davis on trumpet and Tadd Dameron on piano – and a 1949 Roost performances with Kenny Dorham on trumpet and Al Haig on piano. LP, Vinyl record album
(Cover has some notes on back.)

Possible matches26
CD, LP, Vinyl record album cover art
Max RoachMax Roach + 4 ... LP
EmArcy, 1956. Very Good+ ... $9.99
An excellent album from Roach – who's rising here from the ashes after the death of Clifford Brown, to work with a crack new group that would drive him onto a whole new range of styles. The quintet features an all-star lineup: Kenny Dorham on trumpet, Sonny Rollins on tenor, Ray Bryant on piano, George Morrow on bass, and Roach on drums – and the tunes are a mixture of the hardbop that Roach forged with Brown, plus a growing sense of the spiritual, slyly sneaking in, and workin an agenda that was at once subtle and powerful. Titles include "Dr Freezee", "Mr X", "Woodyn You", and "Body & Soul". LP, Vinyl record album
(70s pressing on Mercury. Cover is stained on the bottom inch, with a cutout notch, and a name in marker on back. Labels have some marker.)

Possible matches27
CD, LP, Vinyl record album cover art
Max Roach & Art BlakeyPercussion Discussion (Tough/Max) ... LP
Chess/Cadet/Argo, 1957/1958. Near Mint- 2LP Gatefold ... $8.99
A 70s issue of 2 late 50s hard bop sides released by Argo and Cadet. Though the title and packaging might lead you to believe Max and Art are performing side by side, it's really just two albums slapped together, and not necessarily inappropriately, in a gatefold sleeve to sell easily. The first set is Blakey's Tough, one of those obscure sessions recorded during the years after the time he and Horace Silver split, with a transitional early lineup of the Jazz Messengers featuring Jackie McLean and Bill Hardman up front with Sam Dockery and Spanky DeBrest filling out the rhythm section. Included are a swinging Gershwin medley and two Duke Jordan tunes "Scotch Blues" and the classic "Flight to Jordu". Max's sides were issued as Max, a killer set of bop tracks recorded by Max with Hank Mobley and Kenny Dorham – plus a guest appearance by Ramsey Lewis on piano, in one of his few non-Chicago, non-trio sides! The record's got that great kind of energy that Roach could hit when he really was kicking his group into gear – and although the overall approach is mostly hard bop, there's plenty going on under the surface. Tracks include "CM", "Four X", "Crackle Hut", and "Speculate". LP, Vinyl record album
(Cover has ring & edge wear.)

Possible matches28
CD, LP, Vinyl record album cover art
Sonny RollinsMovin' Out ... LP
Prestige, 1954. Near Mint- ... $29.99
Key recordings from Sonny's breakout year of 1954 – tracks from 2 different sessions, brought together into one album that packs a hell of a punch! The modernist Rollins tenor is at its early peak here – fresh, bold, and highly creative – yet equally concerned with the role of the ensemble as well. And with players like Kenny Dorham, Elmo Hope, Thelonious Monk, and Art Blakey helping things out, the sessions are both cookers all the way through! Titles include 4 by a group with Dorham, Hope, and Blakey – "Solid", "Movin Out", "Swingin For Bumsy", and "Silk N Satin" – plus 1 more by a quartet with Monk, Tommy Potter, and Art Taylor – the longer "More Than You Know". LP, Vinyl record album
(Japanese Victor pressing, with insert.)

Possible matches29
CD, LP, Vinyl record album cover art
Sonny RollinsSonny Rollins ... CD
Prestige, Mid 50s. Used ... $3.99
A bit different than the usual Prestige Records two-fer of this type – as the collection brings together tracks from a variety of different sessions by Sonny Rollins – instead of just combining two full LPs! Rollins recorded for Prestige in a variety of formats during the 50s, and this collection offers up a good deal of them – including work with the MaxRoach/Clifford Brown group, collaborations with the Red Garland Trio and the Modern Jazz Quartet, and numbers recorded with Thelonious Monk, Art Blakey, Kenny Dorham, Elmo Hope, and others. The double-length package features 13 tracks in all – including "St Thomas", "The Way You Look Tonight", "Tenor Madness", "Valse Hot", "Count Your Blessings", "Mambo Bounce", "Newk's Fadeaway" and "No Moe". CD
(Punch through barcode.)

Possible matches30
CD, LP, Vinyl record album cover art
Cedar WaltonCedar Walton Plays Cedar Walton ... CD
Prestige/OJC, Late 60s/1988. Used ... $4.99
Cedar's working here on a great set of his own compositions – pulled from Prestige albums of the late 60s, and presented here as an "All Walton" outing! Even from the start, Walton showed a tremendous ability to compose – and in his early days with the Jazz Messengers, his tunes were some of the most deeply soulful in Blakey's book. By the time of this set, Cedar had emerged as one of the freshest new voices writing in 60s jazz – capable of holding onto the soul jazz sound of the early 60s, but also stretching it out into a hipper, more exploratory vein that set a tone for the post-Coltrane years. Players on the record include Kenny Dorham, Junior Cook, Leroy Vinnegar, Blue Mitchell, Clifford Jordan, and Billy Higgins – and titles include "Spectrum", "Jake's Milkshakes", "Higgins Holler", Twilight Waltz", "Head & Shoulders", and "Short Stuff". CD
(Out of print.)

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CD, LP, Vinyl record album cover art
Randy WestonLive At The Five Spot ... LP
United Artists, 1960. Near Mint- ... $44.99
A tremendous live set from Randy Weston – and one of the best illustrations of the unique approach he brought to modern jazz at the end of the 50s! The set has Weston working in very Monk-like territory – not just musically, but at the legendary Five Spot Cafe, Monk's old stompin grounds – where Randy's leading a complex septet that features great tenor work from Coleman Hawkins – who's hitting those arch-modern notes he forged so nicely with Monk – plus Kenny Dorham on trumpet, Wilbur Little on bass, and Roy Haynes on drums. Melba Liston wrote the arrangements, but unfortunately couldn't make the date herself – and titles include Randy Weston classics "High Fly", "Where", "Beef Blues Stew", "Spot Five Blues", and "Lisa Lovely". LP, Vinyl record album
(Japanese pressing, with obi! Cover is great, save for some light age spots on back. Front looks wonderful.)

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CD, LP, Vinyl record album cover art
Barney Wilen/Alain GouraguerJazz In Paris – Jazz Et Cinema Vol 1 – Un Temoin Dans La Ville/J'irai Cracher Sur Vos Tombes ... CD
Universal (Japan), 1959. New Copy ... $9.99
It's no secret that some of the greatest jazz soundtracks ever were recorded in Paris – and this CD contains 2 of them! First up is the landmark Un Temoin Dans La Ville – recorded under the leadership of tenor sax player Barney Wilen, who had made such a huge contribution to Miles Davis' famous score for Acenseur Pour L'Echafaud. Wilen's score features 12 incredible tracks that are just dripping with black and white cinematic mood – played by a group that includes Kenny Dorham, Duke Jordan, and Kenny Clarke. Titles on that set include "La Pendaison", "Sur L'Antenne", "SOS Radio Taxis", "La Vie N'est Qu'Une Lutte", and "Ambiance Pourpre". The remaining 6 tracks on the CD are from the very rare soundtrack to J'Irai Cracher Sur Vos Tombes – written and arranged by pianist Alain Goraguer, with a group that includes trumpeter Roger Guerin, vibist Michel Hausser, and bassist Pierre Michelet. The soundtrack recalls a lot of Davis and Wilen's work together – and tracks include "Theme De Liz", "Blues De Memphis", and "Surprise Partie Au Bord De L'Eau". CD

Possible matches33
CD, LP, Vinyl record album cover art
VariousBlue Bossa – Vols 1 to 3 – Cool Cuts From The Tropics (3CD set) ... CD
Blue Note (Germany), Late 50s/1960s/Early 70s. New Copy 3CD ... $22.99
The Latin side of Blue Note Records – and the Brazilian one, too – served up here in a series that brought together classic work from the label in a special sort of groove – tunes that are maybe more influenced by south of the border rhythms than you'd expect from the soul jazz and hardbop artists who originally made the records! There's a bit of bossa here, but the rhythms open up into a fair bit more, too – and it's great to hear the difference in these musicians as they change things up from straighter bop modes, and use the new grooves to open up their solos and rework their phrasing too! This side of Blue Note was sometimes buried in a world of collectors looking for more familiar hardbop, but it really lives again, thanks tot he Blue Bossa collection. 3CD set features 41 tracks in all – including "Afreaka" by Lee Morgan, "Avila & Tequila" by Hank Mobley, "Chitlins Con Carne" by Kenny Burrell, "Congalegre" by Horace Parlan, "Back Down To The Tropics" by Charlie Rouse, "Latona" by Big John Patton, "Girl From Ipanema" by Lou Rawls, "La Fiesta" by Stanley Turrentine, "Headin South" by Horace Parlan, "La Malanga" by Bobby Hutcherson, "Mama Inez" by Grant Green, "Swingin The Samba" by Horace Silver, "Upa Neguinho" by Duke Pearson, "Mambo Inn" by Grant Green, "Ghana" by Donald Byrd, "Love For Sale" by Dexter Gordon, "Samba De Orfeu" by Charlie Rouse, "Afrodisia" by Kenny Dorham, "Sambop" by Cannonball Adderley with Bossa Rio, "Loi" by Ike Quebec, "Sandalia Dela" by Duke Pearson, "Congo Lament" by Ike Quebec, "Corcovado" by Grant Green, "Tin Tin Deo" by James Moody, "El Gaucho" by Wayne Shorter, and "Stormy" by Duke Pearson. CD
 
 
 



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