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Exact matches: 8
Exact matches1
CD, LP, Vinyl record album cover art
Kenny DorhamArrival Of Kenny Dorham ... LP
Jaro, 1960. New Copy (reissue)... $9.99
One of Kenny Dorham's best records ever – and one of his rarest too! The set was cut for the short-lived Jaro label, home to a few great jazz sides during its short-lived American tenure – and the set features Kenny grooving at a level that's extremely tight, very much in the best spirit of his work for Blue Note or Prestige – and recorded here with equally top-shelf sound! The record shows Kenny at his lyrical best – working alongside the piano of Tommy Flangan, who really helps enforce this side of his music – and also getting some help from Charles Davis on baritone, who brings in some darker edges to the record. Other players include Butch Warren on bass and Buddy Enlow on drums – on tracks that include the original entitled "Stage West", plus another sweet tune by Davis entitled "Turbo" – as well as the numbers "Butch's Blues", "Six Bits", and "Stella By Starlight". LP, Vinyl record album

Exact matches2
CD, LP, Vinyl record album cover art
Kenny DorhamJazz Contemporary (with bonus tracks) ... CD
Time/Solid (Japan), 1960. New Copy ... $16.99
Great work from one of the hippest jazz contemporaries of the late 60s – trumpeter Kenny Dorham, a player who was really coming into his own by the time of this album! The record has Kenny with a nice sort of edge – not as boldly experimental as his 60s work for Blue Note, but definitely pushing things forward from the 50s – shaking off the sweet for a bit more bite, and working with a great lineup that includes Steve Kuhn on piano, Charles Davis on baritone sax, and either Jimmy Garrison or Butch Warren on bass. Kuhn and Davis really bring some interesting elements to the record – and titles include "Tonica", "Monk's Mood", "In Your Own Sweet Way", and "Horn Salute". Plus, the CD features some extra bonus tracks – alternate takes from the sessions! CD

Exact matches3
CD, LP, Vinyl record album cover art
Kenny DorhamKD Is Here – New York City 1962 & 1966 ... CD
Uptown, 1962/1966. New Copy ... $14.99 16.99
A fantastically hip performance from trumpeter Kenny Dorham – a never-heard live set, recorded for radio at a time when he was really stretching out! The group is as compelling as the performance – and features the excellent Sonny Red on alto, hitting some of those incredibly edgey notes he'd play with Donald Byrd – plus a young Cedar Walton on piano, John Ore on bass, and Hugh Walker on drums – the latter an overlooked genius on the kit, who gave us some great work with John Patton and Harold Mabern! This group is featured in a 1966 performance that takes up most of the CD – with long performances of the titles "Jung Fu", "Spring Is Here", "Somewhere In The Night", "Straight Ahead", and "The Shadow Of Your Smile" – with a few interview snippets by announcer Alan Grant. Grant also presents the remaining three tracks on the set – material from a 1962 date that is equally great, but also shows just how much Dorham had evolved in the four years that led up to the later recording. Kenny blows trumpet with Joe Farrell on tenor, Walter Bishop Jr on piano, Larry Gales on bass, and Stu Martin on drums – on "Woody N You", "If I Should Lose You", and an incomplete performance of "Au Privave". CD

Exact matches4
CD, LP, Vinyl record album cover art
Kenny DorhamRound About Midnight At The Cafe Bohemia – Complete (RVG edition) ... CD
Blue Note, 1956. Used 2 CDs ... $9.99
One of our favorite albums ever by Kenny Dorham – and a really different session than his usual studio work! The album captures Kenny in a relaxed live setting, with a bit more dirt on his horn than usual – blowing with a tone that's much more open and a bit less poised – in the company of a really great group that features JR Monterose on tenor, Kenny Burrell on guitar, Bobby Timmons on piano, Sam Jones on bass, and Arthur Edgehill on drums. The CD features a total of 17 tracks in all – titles from the original LP, plus rare extra material, and some bonus alternate takes – all remastered by Rudy Van Gelder. Titles include Dorham's boppish "Mexico City", plus other enigmatic compositions like "Monaco" and "Hill's Edge", and tracks that include "Round Midnight", "Riffin", "My Heart Stood Still", and "NY Theme". CD
(Out of print US pressing, small cutout through spine.)

Exact matches5
CD, LP, Vinyl record album cover art
Kenny DorhamShowboat ... CD
Time/Solid (Japan), 1960. New Copy ... $16.99
Not the Broadway record that you might guess from the title, but a great showboat for the hipper talents of trumpeter Kenny Dorham! The album is made up of tunes from the famous show, but the presentation here is quite strongly hardbop – blown by Kenny with the same mix of sweet and modern you might hear on his Blue Note records, but a bit looser too – almost with the rougher edges of a Prestige date. Other players include Jimmy Heath on tenor, Kenny Drew on piano, Jimmy Garrison on piano, and Art Taylor on drums – one hell of a great group – and although the titles are familiar – "Can't Help Lovin Dat Man", "Ol Man River", "Why Do I Love You", and "Nobody Else But Me" – they're recast by Kenny as thoughtful little showpieces, rich with imagination, and played as if they were his own compositions. CD

Exact matches6
CD, LP, Vinyl record album cover art
Kenny DorhamUna Mas ... CD
Blue Note, 1963. Used ... $4.99
An excellent groover from Kenny Dorham – possibly one of his best ever albums for Blue Note – a record that shows how much he was pushing past his bop roots in his later years! The tracks are extremely long, and done with a complexity in rhythms that mixes Latin elements with hardbop modes – all set up in a style that really stretches out, and drives Dorham's trumpet with a fire he'd hardly had before. The rest of the group is super-sharp – key young players who really help keep an edge the the whole thing – with Herbie Hancock on piano, Joe Henderson on tenor, Butch Warren on bass and Tony Williams drums. Tracks are all long, incredible Dorham originals – "Una Mas" fills up side one, and "Straight Ahead" and "Sao Paulo" cover the flip. Also includes a bonus track, a sweet warm take of "If Ever I Would Leave You". CD
(Out of print first CD pressing.)

Exact matches7
CD, LP, Vinyl record album cover art
✨✧ Kenny DorhamBlues In Bebop ... CD
Savoy, Late 40s. Used ... Out Of Stock
Some of the earliest recorded work from trumpeter Kenny Dorham – presented here in an overstuffed set that brings together most of his appearances on the Savoy label! The core standout tunes here are 10 numbers recorded in 1946 by The Bebop Boys – a combo that featured Dorham, Sonny Stitt, and Bud Powell coming together on tight, short, very upbeat bop material that ranked with some of the best early 78s of the genre. Titles by this group include "Seven Up", "Bebop In Pastel", "Serenade To A Square", "Fools Fancy", and "Bombay". Other material on the CD includes a solo by Kenny on "The Jitney Man" by Billy Eckstine, plus 3 tracks with the Milt Jackson Sextet from 1949 – including "Conglomeration", "Bruz", and "Roll Em Bags". Kenny also plays on three 1949 recordings with Charlie Parker – "Barbados", "Scrapple From The Apple", and "Bebop" – as well as four 1956 numbers with Cecil Payne – including "Grooving High", "Man Of Moods", and "Saucer Eyes". CD

Exact matches8
CD, LP, Vinyl record album cover art
✨✧ Kenny DorhamWhistle Stop ... LP
Blue Note, 1961. Used ... Out Of Stock
Maybe one of the greatest albums ever from trumpeter Kenny Dorham – a set that has him really stretching out as a musician – not just showing off that impeccable sense of tone that marked his important records of the 50s, but also coming up with new ways of phrasing, and a sometimes-unique approach to rhythm as well! The set's about as all-star as you can get for a Blue Note date of the time – and that's really saying a lot – with the mighty Hank Mobley on tenor, whose work here is as important as Dorham's – and the rock-solid rhythm trio of Kenny Drew on piano, Paul Chambers on bass, and Philly Joe Jones on drums – who perfectly echo Kenny's new sense of changes in his music. Titles include the great "Sunrise In Mexico" – a very unique tune – plus "Buffalo", "Sunset", "Windmill", "Philly Twist", and "Dorham's Epitaph". LP, Vinyl record album
(90s 180 gram Connoisseur pressing, still in the shrink.)
 
Possible matches: 33
Possible matches9
CD, LP, Vinyl record album cover art
Kenny Burrell5 Original Albums (Introducing/Kenny Burrell/Blue Lights Vols 1 & 2/Five Spot Cafe) (5CD set) ... CD
Blue Note (Germany), Late 50s. New Copy 5CD ... $21.99
An amazing early run of music from guitarist Kenny Burrell – five albums in a single package, each with LP-style covers! First up is his Blue Note debut – Introducing Kenny Burrell – arguably one of the greatest Kenny Burrell albums ever! Unlike some of Kenny's other sessions, which hide his guitar in arrangements that are a bit too complicated – this one's a nicely stripped-down album that sets his hollow electric in a group with Tommy Flanagan on piano, Paul Chambers on bass, Kenny Clarke on drums, and Candido on conga. The tracks are nicely laidback, and Kenny hits some nice deep grooves on cuts like "Fugue N Blues", "Takeela", and "Delilah". Plus, the album also includes a totally cool percussion-only track – "Rhythmorama", which is a duet between Kenny Clarke and Candido! Next is the self-titled Kenny Burrell – Blue Note 1543 – early genius from Kenny – a set that features the guitarist sounding beautiful in a variety of settings, all of them great! The format really mixes things up nicely – almost showing a more diverse Kenny than in later years – as one track is solo, and the others feature quartet, quintet, and sextet lineups – with players who include JR Monterose or Frank Foster on tenor, Tommy Flanagan or Bobby Timons on piano, Oscar Pettiford or Sam Jones on bass, Kenny Dorham on trumpet, and Kenny Clarke or Shadow Wilson on drums. The solo track is a great version of "But Not For Me" – and other titles include "Mexico City", "Cheeta", "Phinupi", and "Now See How You Are". Next are the two records that make up Blue Lights Vols 1 & 2 – material that catches Kenny in the perfect Blue Note jam session mode of the late 50s – one used also with Jimmy Smith, and which features a number of the label's star players hitting hard with the main soloist. Players on the two volume set include Duke Jordan or Bobby Timmons piano, Junior Cook and Tina Brooks tenor, Louis Smith trumpet, and Art Blakey on Drums. The cuts have a very open-ended blowing session feel, and Kenny comes through surprisingly well, really picking up steam on a way you don't always hear in more restrained recordings. Titles include "Yes Baby", "Scotch Blues", "Rock Salt", "Chuckin", "Phinupi", and "Caravan". Last up is On View At The Five Spot Cafe – a smoking live session, and one that's got a bit more of an edge than some of his other records from the time! Kenny's guitar still has that impeccable tone throughout – but it's also matched by some wonderful tenor from the great Tina Brooks – making one of his few key Blue Note appearances here – in a massively cooking group that also features some piano from Bobby Timmons on three of the album's five tracks (Roland Hanna plays on the two others) – plus drums from Art Blakey, and bass from Ben Tucker – a pair wo work together wonderfully to create some really great grooves. Kenny himself seems to pick up great energy in the setting – and titles include "Lady Be Good", "Birk's Works", "36-23-36", and "Hallelujah". CD

Possible matches10
CD, LP, Vinyl record album cover art
Art Blakey & The Jazz MessengersAt The Cafe Bohemia Vol 1 (Non RVG remaster edition) ... CD
Blue Note, 1955. Used ... $3.99
A classic early set featuring the Jazz Messengers back when the group still included Horace Silver, Hank Mobley, and Kenny Dorham – one of the earliest and purest versions of Blakey's hardbop vision, touched with the slightly exotic lyricism of Silver, which gives the tracks a wonderful edge. The playing is excellent throughout – and the album's the kind of live stormer that shows why the group were such a huge draw right out of the box, and why they performed as well (if not better) in a live setting than they did ain a studio one! Tracks include "Minor's Holiday", "The Theme", "Prince Albert", and "Deciphering The Message" – and the CD features 3 bonus tracks, all long, plus great remastering! CD

Possible matches11
CD, LP, Vinyl record album cover art
Betty CarterOut There With Betty Carter ... LP
Peacock, Late 50s. Very Good ... $69.99
A fantastic album by Betty Carter – and certainly her rarest – not nearly as "out there" as you might guess from the title, but still a sparkling set of modern jazz vocals! The album was recorded with arrangements by Gigi Gryce, plus some help from Melba Liston – and a all-hip cast of players that includes Kenny Dorham, Sam Jones, Sahib Shihab, Benny Golson, and Wynton Kelly – all coming together in small group formation and swinging along magically with the Betty Carter groove. Betty's voice is in fantastic form – way more swinging and free than on some of her earlier sides, in a way that points the direction towards some of the groundbreaking work she'd do on her own label two decades later! Titles include "All I've Got", "Make It Last", "Foul Play", "Babe's Blues", and "You're Driving Me Crazy". LP, Vinyl record album
(Original Peacock pressing! Cover some splitting on the top seam, but is nice overall – and vinyl is nice and clean.)

Possible matches12
CD, LP, Vinyl record album cover art
Gloria ColemanSings & Swings Organ ... CD
Mainstream/Solid (Japan), 1971. New Copy ... $13.99
Great work from Gloria Coleman – an overlooked genius on the organ, and part of an elite group of female keyboardists that includes Shirley Scott, Rhoda Scott, and Trudy Pitts! Coleman almost never got the chance to record, but clearly had a sharpness that was honed from years in the clubs – a tight, soulful approach to the instrument that also has her working the bass pedals as strongly as the keys – and an ability to sing at all the right times, in a soul-drenched mode that's even deeper than the vocalizations of Trudy Pitts on her late 60s albums for Prestige. The group's got James Anderson on tenor, Dick Griffin on trombone, Ray Copeland on flugelhorn, and Earl Dunbar on guitar – and titles include the funky "Bugaloo for Ernie" a great version of Kenny Dorham's "Blue Bossa", Blue Mitchell's "Fungi Mama", and the tracks "Blues For Youse", "Love Nest", and "You Better Go Now". CD
Also available Sings & Swings Organ ... LP 19.99

Possible matches13
CD, LP, Vinyl record album cover art
Gloria ColemanSings & Swings Organ ... LP
Mainstream, Early 70s. Very Good+ Gatefold ... $19.99
Great work from Gloria Coleman – an overlooked genius on the organ, and part of an elite group of female keyboardists that includes Shirley Scott, Rhoda Scott, and Trudy Pitts! Coleman almost never got the chance to record, but clearly had a sharpness that was honed from years in the clubs – a tight, soulful approach to the instrument that also has her working the bass pedals as strongly as the keys – and an ability to sing at all the right times, in a soul-drenched mode that's even deeper than the vocalizations of Trudy Pitts on her late 60s albums for Prestige. The group's got James Anderson on tenor, Dick Griffin on trombone, Ray Copeland on flugelhorn, and Earl Dunbar on guitar – and titles include the funky "Bugaloo for Ernie" a great version of Kenny Dorham's "Blue Bossa", Blue Mitchell's "Fungi Mama", and the tracks "Blues For Youse", "Love Nest", and "You Better Go Now". LP, Vinyl record album
(Cover has unglued seams.)
Also available Sings & Swings Organ ... CD 13.99

Possible matches14
CD, LP, Vinyl record album cover art
Eddie DanielsFlower For All Seasons ... LP
Choice, 1973. Very Good+ ... $4.99
Not the typical early 70s record from reeds player Eddie Daniels – a warmer, more appealing than a lot of his work! Blue Bossa finds Daniels working as duo with guitarist Bucky Pizzarelli , with Daniels on clarinet, bass clarinet, flute and alto flute on some really nice bossa inflected numbers, to more of a Latin style on others, and an easygoing jazz feel throughout. It's a pretty laidback effort, fitting nicely in the duo setting, but Daniels getting some nice little solo workouts, but always within the groove. Sweet stuff! Titles include Kenny Dorham's "Blue Bossa" and Les McCann's "Samia", plus "Wistful Moment", "Emily", "As Long As I Live", "Two For The Road", "Afterthought", "Shine", "A Flower For All Seasons" and more. LP, Vinyl record album
(Cover has light wear.)

Possible matches15
CD, LP, Vinyl record album cover art
Benny GolsonModern Touch ... LP
Riverside, 1957. Good+ ... $14.99
The modern touch indeed! You can't get any more classic Benny Golson than this – a sublime late 50s album that features Benny with a sextet, working out amazing versions of the sorts of material that set him apart from every other jazz arranger of the time! The tracks here are complicated, yet have a rootsy soulfulness that makes them instantly compelling – and Benny's tone on tenor sax is sharp and angular, yet also has a raspiness that gives it a degree of honesty you wouldn't expect from a budding young modernist. The rest of the players – Max Roach, Paul Chambers, Wynton Kelly, JJ Johnson, and Kenny Dorham – are equally great, too – and amidst Benny's arrangements, they come together as if they'd been playing in this format for years! Titles include "Out Of The Past", "Venetian Breeze", "Reunion", "Hymn To The Orient", and "Blues On Down". LP, Vinyl record album
(Small blue label with silver text, microphone logo, and deep groove. Cover has wear & aging with masking tape along all seams.)

Possible matches16
CD, LP, Vinyl record album cover art
Joe Henderson5 Original Albums (Our Thing/In N Out/Inner Urge/State Of The Tenor 1 & 2) (5CD set) ... CD
Blue Note (Germany), Mid 60s/Mid 80s. New Copy 5CD ... $14.99
The start of a great run of genius from Joe Henderson – plus a seminal 80s return to form – served up here on five different albums recorded for Blue Note! First up is Our Thing – a classic straight session by Joe Henderson – cut during his early years, when he was breaking out of the box with a heck of a lot of fire! Kenny Dorham's subdued lyricism complements Joe's impassioned playing over the angular, yet still-swinging rythm section of Andrew Hill, Eddie Kahn and Pete La Roca. The track "Pedro's Time" reflects Joe's fascination with Latin-flavored pieces (as evidenced by Joe's previous effort Page One, and his work on Dorham's Una Mas), while pieces like "Teeter Totter", "Our Thing" and "Back Road" play with time and structure in subtle ways. In N Out is a stone killer from the early Blue Note years of tenorist Joe Henderson – a key example of why the label had so much faith in him right from the start, and why Henderson's horn was quite different than so many other players of the 60s! Echoes of "new thing" modes lie in the background of the record, but upfront things have a sharp 60s Blue Note punch – thanks in part to a great lineup that also includes Kenny Dorham on trumpet, McCoy Tyner on piano, Richard Davis on bass, and Elvin Jones on drums. Henderson's tone is rough and young – but in a great way, one that's perfect for the exploratory nature of his original tunes on the set, and which matches the mood of Dorham's compositions as well. Tracks include "In N Out", "Short Story", "Brown's Town", and "Punjab". Inner Urge is a fantastic session of 60s "new thing" jazz – and one of our favorite early records by Joe Henderson! The album features some incredibly hard playing from Joe – with a very dark edge to his solos that's nicely offset by McCoy Tyner's lyrical piano, and the supple rhythms of Bob Cranshaw and Elvin Jones. It's hard to look at the lineup and not feel this group is approaching the tunes in a very post-Coltrane mode, but Henderson's voice on the tenor is completely singular, and puts that short-sighted theory to rest with his first bold note of the session. The album features 5 numbers in all – 3 originals showcasing Henderson's strong songwriting "Inner Urge", "Isotope" and "El Barrio" – plus the great Duke Pearson ballad "You Know I Care" and the standard "Night & Day". Last up are the two live Village Vanguard albums State Of The Tenor Vols 1 & 2 – a real moment of genius for Joe Henderson from the 80s – a spare trio session, recorded live at the Village Vanguard, in a mode that recalls Sonny Rollins classic sets there for Blue Note! And while Sonny often performed heavily in a trio setting, unfettered by chords in the rhythm section – this is a unique date for Joe, and he sounds brilliant throughout! Ron Carter and Al Foster provide a crisp but elastic foundation for Henderson's burnished melodies and solos in a very spacious setting. Titles include"The Bead Game", "Soulville", "Portrait", "Beatrice", "Friday The Thirteenth", "Happy Reunion", "Loose Change", "Ask Me Now" and "Isotope". CD

Possible matches17
CD, LP, Vinyl record album cover art
✨✧ Joe HendersonPage One (Non-RVG remastered edition) ... CD
Blue Note, Mid 60s. Used ... $3.99
One of Joe Henderson's first true moments of greatness – a landmark session recorded with a quintet that includes Kenny Dorham on trumpet, McCoy Tyner on piano, Butch Warren on bass, and Pete LaRoca on drums! LaRoca's very free on the drum kit, and gives the set a rhythmic looseness that's a bit of a hint at some of Joe's 70's recordings – and that style's even further supported by Tyner's long flowing lines on piano, and Dorham's sparkling work on the trumpet! Includes the classic reading of Kenny's "Blue Bossa", plus the titles "Recorda-Me", "Jinrikisha", "La Mesha", and "Homestretch". CD
(Out of print.)

Possible matches18
CD, LP, Vinyl record album cover art
Andrew HillPoint Of Departure ... LP
Blue Note, 1964. Very Good+ ... $149.99
A classic "new thing" album recorded with the cream of Blue Note's avant 60s players – like Eric Dolphy, Joe Henderson, and Tony Williams – standing out with Hill as some of the most adventurous players for the label at the time! The album's awash with jagged piano likes from Hill – supported by a modernist 3 horn frontline of Henderson, Dolphy, and Kenny Dorham – skittishly working their way into territory that's never truly free, but wonderfully expressive and exploratory – a clear summation of the sense of "modern" in modern jazz! The set features 5 excellent Andrew Hill compositions, including "New Monastery", "Flight 19", and "Spectrum" LP, Vinyl record album
(New York stereo pressing with Van Gelder stamp, & "ear". Cover has some wear with flaking along the spine. Label has some wear.)

Possible matches19
CD, LP, Vinyl record album cover art
Milt JacksonInvitation ... LP
Riverside, 1962. Very Good+ ... $9.99
A very nice little Milt Jackson album – cut in the mode of some of his excellent soul jazz group sides from the mid 60s. This set pushes Milt past the format of much of his other work – especially that of the MJQ – as it features him in a very soulful sextet, working with Tommy Flanagan on piano, Kenny Dorham on trumpet, Jimmy Heath on tenor, Ron Carter on bass, and Connie Kay on drums. The presence of Dorham and Heath give the album a light lyrical swing that really opens things up – and there's a fair bit of modally-oriented tunes on the set that hint at the more soulful playing of most of the players in the 70s. Tracks include a great version of "Invitation", plus "The Sealer", "Poom A Loom", "Ruby", and "None Shall Wander". LP, Vinyl record album
(OJC pressing. Cover has light wear & a name in marker.)

Possible matches20
CD, LP, Vinyl record album cover art
Abbey LincolnThat's Him! ... LP
Riverside, 1957. Near Mint- ... $14.99
One of Abbey Lincoln's earliest albums – an all star session recorded with backing by Kenny Dorham, Sonny Rollins, Wynton Kelly, Paul Chambers, and Max Roach! Abbey's still pretty straight at this point – singing a variety of wispy love songs and emotional tunes – but she's also bringing a bit more feeling to the material than most singers of her generation – hinting at the sharper tones that would come just a few years later in her work! And given the strength of the sidemen alone, the album's already a cut above most jazz vocal records from the time – but really takes on a strong voice when Abbey opens up on some of the best numbers on the set. Titles include "Strong Man", "My Man", "That's Him", "Don't Explain", "I Must Have That Man", and "When A Woman Loves A Man". LP, Vinyl record album
(OJC pressing.)

Possible matches21
CD, LP, Vinyl record album cover art
Hank MobleyHank Mobley's Second Message ... LP
Prestige, 1956. Very Good- ... $399.99
A strong second message from the mighty Hank Mobley – easily one of our favorite tenor talents of all time, sounding really wonderful here in a pre-Blue Note session for Prestige Records! The format's a bit looser than some of Hank's more famous dates from the late 50s or early 60s, but already shows the strong command of his tenor in the lead – a rock-solid approach to the instrument that's filled with soulful solo inflections throughout, and which seems to really bring out the best work in the quintet – a group that includes Kenny Dorham on trumpet, Walter Bishop Jr on piano, Doug Watkins on bass, and Art Taylor on drums. Tracks are longish, and Mobley's solos are wonderful – and titles include "Xlento", "Crazeology", "The Latest", and "Message From The Border". LP, Vinyl record album
(Yellow & black label pressing, with a 50th St NYC address, deep groove, and RVG etch! Vinyl has some very light surface marks from the old rice paper inner sleeve – but the record plays nice and loud. Cover looks great on front!)

Possible matches22
CD, LP, Vinyl record album cover art
Oliver NelsonMeet Oliver Nelson ... LP
New Jazz, 1959. Very Good ... $5.99
Although Nelson went on to become a very successful pop jazz arranger during the 1960s, this early 1959 album features him as a bright new jazz soloist – with a keen talent for blowing the alto with a tone that is at once soulful and lyrical, yet somehow darkly edgey. The session features a strong hardbop lineup – with Kenny Dorham on trumpet, Ray Bryant on piano, and Art Taylor on drums – and it's a nice tightening up of the looser blowing session format heard on Prestige a few years before. Titles include "Ostinato", "Jams & Jellies", "Don't Stand Up", and "Booze Blues Baby". LP, Vinyl record album
(OJC pressing. Cover has a name in marker. Label has some marker.)

Possible matches23
CD, LP, Vinyl record album cover art
Cecil PaynePatterns Of Jazz ... CD
Savoy/Nippon (Japan), 1956. Used ... $12.99
A warmly crafted set that features Cecil Payne at the height of his powers on baritone sax – blowing with a sense of soul and timing that's right up there with some of the hipper tenor players of his generation! Payne's sound on the instrument is amazingly precise and wonderfully fluid – blown beautifully in two different settings for the album – one in a quartet with Duke Jordan on piano, Tommy Potter on bass, and Art Taylor on drums – the other in the same group, but with Kenny Dorham added in on trumpet! Dorham's tones further emphasize the sweeter sound of Cecil on his chosen instrument – and titles on the set include "Arnetta", "Chessman's Delight", "Bringing Up Father", "Groovin High", "Saucer Eyes", and "Man Of Moods". CD
(Out of print.)

Possible matches24
CD, LP, Vinyl record album cover art
Max RoachJazz In 3/4 Time ... LP
EmArcy, 1957. Near Mint- ... $9.99
A great little album from Max Roach – one that has him finding a whole new voice in jazz! The set was recorded on the heels of Max's time with Clifford Brown – and it's a great little album that has him bouncing back nicely from the loss by moving into a new realm that shows off his more lyrical side! The group on the album features Kenny Dorham, Sonny Rollins, Billy Wallace, and George Morrow – and as you'd guess by the title, most tunes are in a jazz waltz mode, which gives them a nicely dancing quality, soft and a bit exotic – almost modal at times – and a nice change from Roach's more full-on hardbop style of the Clifford Brown years. Titles include "Little Folks", "Lover", "The Most Beautiful Girl In the World", and "Blues Waltz". LP, Vinyl record album
(Red label pressing. Cover has a cutout notch, light wear, and a name in marker. Labels have some marker.)

Possible matches25
CD, LP, Vinyl record album cover art
✨✧ Max RoachMax Roach + 4 ... LP
EmArcy, 1956. Very Good+ ... $9.99
An excellent album from Roach – who's rising here from the ashes after the death of Clifford Brown, to work with a crack new group that would drive him onto a whole new range of styles. The quintet features an all-star lineup: Kenny Dorham on trumpet, Sonny Rollins on tenor, Ray Bryant on piano, George Morrow on bass, and Roach on drums – and the tunes are a mixture of the hardbop that Roach forged with Brown, plus a growing sense of the spiritual, slyly sneaking in, and workin an agenda that was at once subtle and powerful. Titles include "Dr Freezee", "Mr X", "Woodyn You", and "Body & Soul". LP, Vinyl record album
(70s pressing on Mercury. Cover is stained on the bottom inch, with a cutout notch, and a name in marker on back. Labels have some marker.)

Possible matches26
CD, LP, Vinyl record album cover art
Max RoachMax Roach 4 Plays Charlie Parker ... LP
Mercury, 1957/1958. Very Good+ ... $29.99
A killer batch of hardbop tracks – no-nonsense, straight-ahead, and with all the fire of Roach's work with Clifford Brown! The set was recorded a few years after the untimely death of the Brown/Roach group – and although the album's got "Charlie Parker" in the title, there's a lot more going on here than just a bop revival mode. Players include Kenny Dorham, Hank Mobley, and George Coleman – and the album's got that Prestige Records feel from the late 50s, similar to some of Mobley's own work for that label at the time. Titles include "Yardbird Suite", "Confirmation", "Koko", "Billie's Bounce", and "Au Privave". LP, Vinyl record album
(Blue label Mercury pressing with deep groove.)

Possible matches27
CD, LP, Vinyl record album cover art
Horace SilverHorace Silver & The Jazz Messengers ... CD
Blue Note, 1954/1955. Used ... $4.99
A record with Horace Silver on the cover, but a set that's really more of a Jazz Messengers date overall – as it features a smoking quintet that not only includes Art Blakey on drums and Doug Watkins on bass – but which also has some great frontline work from Hank Mobley on tenor and Kenny Dorham on trumpet! The group's got the rougher, less-iconic feel of the Messengers at their start – similar to their early live dates – but all the right energy is firmly in place, and maybe given even more direction under Silver's leadership and great ear for a tune! The writing is superb, especially on classics like "Doodlin", "The Preacher", "Hippy", and the amazing "To Whom It May Concern" – one of our all-time favorite tunes in the 50s Blue Note catalog – and the solos are all top-shelf too. A real Blue Note classic! CD
(Out of print.)

Possible matches28
CD, LP, Vinyl record album cover art
Barney Wilen/Alain GouraguerJazz In Paris – Jazz Et Cinema Vol 1 – Un Temoin Dans La Ville/J'irai Cracher Sur Vos Tombes ... CD
Universal (Japan), 1959. New Copy ... $13.99
It's no secret that some of the greatest jazz soundtracks ever were recorded in Paris – and this CD contains 2 of them! First up is the landmark Un Temoin Dans La Ville – recorded under the leadership of tenor sax player Barney Wilen, who had made such a huge contribution to Miles Davis' famous score for Acenseur Pour L'Echafaud. Wilen's score features 12 incredible tracks that are just dripping with black and white cinematic mood – played by a group that includes Kenny Dorham, Duke Jordan, and Kenny Clarke. Titles on that set include "La Pendaison", "Sur L'Antenne", "SOS Radio Taxis", "La Vie N'est Qu'Une Lutte", and "Ambiance Pourpre". The remaining 6 tracks on the CD are from the very rare soundtrack to J'Irai Cracher Sur Vos Tombes – written and arranged by pianist Alain Goraguer, with a group that includes trumpeter Roger Guerin, vibist Michel Hausser, and bassist Pierre Michelet. The soundtrack recalls a lot of Davis and Wilen's work together – and tracks include "Theme De Liz", "Blues De Memphis", and "Surprise Partie Au Bord De L'Eau". CD
 
 
 



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