Some of the earliest work ever written by Elmore Leonard – a range of short stories from the 50s, some of which were even created while Leonard was working in the advertising business! The later Leonard style is definitely in effect here, but the stories are also shorter, more focused, and with a very sharp punch – more in line with postwar crime/detective pulp styles, with maybe a dose of Hemmingway – and without all the later twists, turns, and key complications that Leonard often brought to his famous books! The result is some great hard crime writing – with locales that stretch from Detroit jazz clubs to south of the border bullfight rings – all marked by a great sense of dialogue, which really moves the stories along sharply. 330 pages, softcover. Book

A very unusual issue of this long-running jazz magazine – one that offers up a special selection of 100 key albums that boast a two-horn quintet – that is, a five piece group with a trumpet and a sax player in the lineup! As with other issues, this one begins with a full color section that features full color thumbnails of all the albums featured, then moves into a black and white section that offers up more details – including players, labels, dates, titles, and other information in English – plus a short review in Japanese, which you can read using Google translate on your phone. The artists range nicely – albums run from 50s classics on Blue Note through 70s Japanese masterpieces, to some more contemporary albums – and there's also other features and reviews too – in a book-style package, 200 pages, with black and white images throughout. Book

The mighty Sun Ra is on the cover, and also famously named a record Magic City – which was also the nickname of his hometown of Birmingham, Alabama – a city that gets plenty of coverage here for its long musical legacy! Birmingham was given the "magic city" nickname late in the 19th Century, when it was experiencing a great economic boom – one that helped attract folks from all over the south, and made the city a cultural crossroads for many years to come – especially when it came to jazz, where Birmingham was one of the most important scenes in the south for part of the 20th Century. In addition to the relationship between the city and Sun Ra, the book also features a long lineup that includes Joe Guy, Teddy Hill, Erskine Hawkins, Fess Whatley, Avery Parrish, and others – in histories that criss-cross, overlap, and extend with influences far past the city. This softcover edition is 340 pages, with some very nice black and white images. Book

A really beautiful book, and one that's quite different than most other jazz books we can think of – in that it approaches its main subject matter from many different directions, in a way that actually proves to be more illuminating overall! As the title implies, the book looks at the huge run of recordings that avant pianist Matthew Shipp has done for the Rogue Art label – and author Clifford Allen begins with a look at Shipp himself, then his New York setting, then interviews with collaborators who include Whit Dickey, William Parker, Joe Morris, and Rob Brown – before then moving on to look at the Rogue Art label, through an interview with its founder – then ending with page after page of liner notes for Shipp albums on the label – including a few that haven't been released yet! The presentation is very smart, and really opens up Shipp's creative process in a great way – and this softcover edition is 207 pages, with some black and white images. Book

A very different sort of book on bebop – one that looks at the music during its key years of midcentury, but through a very different prism than the sorts of all-star players who usually get most coverage by jazz writers! Author Jonathan Leal digs very deep to uncover three obscure players who cross race, cultural, and creative lines – Raul Salinas, Harold Wing, and James Araki – figures who were not huge on the scene, but who intersected with some very big names – and whose experiences here really enrich an understanding of the social possibilities offered by jazz at the time. Leal gets past the platitudes about the music and opens up the communities and opportunities created by jazz – tracing the histories of each of these three unique and overlooked players, while also putting their individual experiences in a larger context too. The notes alone are huge – really showing the work that Leal put into the project – and the book is 238 pages, softcover, with a small amount of black and white images. Book

An incredible package – one that brings together four rare publications by Sun Ra – printed words that are every bit as groundbreaking as his music – and which together represent the farther-flung corners of his vast cultural enterprise! The set represents each of the texts in the manner in which it was originally presented – save for the yellowing paper of the originals – so that two are small pamphlets, one is a slightly larger booklet, and the last is a huge stapled publication – each with a size, feel, and presentation that's like their originals! First up are the pamphlets that came with two early Ra records – Jazz By Sun Ra and Jazz In Silhouette – the first a booklet of liner notes with some poems, the second much more poetic, and originally done as a mimeograph that quickly deteriorated. Next is the famous Immeasurable Equation – a book of poetry from the mid 60s, which also features some writings by Ra on both his career and politics. Last is the huge Immeasurable Equation Vol 2 – a much larger book of poetry from 1972, presented on full sheets of paper stapled together with a textured cover of artwork. All four are impossibly hard to find – and in the format here, it's as if you had the originals in your hands, but in mint condition! Book