Excellent work by Lonnie Smith – a free-flowing album of long jazzy grooves that's kind of an extension of his Blue Note albums, touched with more of the electricity of his 70s playing! There's some killer rhythms on the album – courtesy of drummers Jamey Hudad and Ben Riley, and electric bassists Ron Carter and Ralphe Armstrong – and Lonnie's on organ grooving alongside a young Joe Lovano, who plays some killer tenor and soprano sax – and the album's got these really long, open cuts that definitely hint at the more spiritual look of the cover. Titles include the 15 minute jammer "Spirits Free", plus "Afrodesia", "Favors", "Straight To The Point", and "The Awakening". CD

Excellent work by Lonnie Smith – a free-flowing album of long jazzy grooves that's kind of an extension of his Blue Note albums, touched with more of the electricity of his 70s playing! There's some killer rhythms on the album – courtesy of drummers Jamey Hudad and Ben Riley, and electric bassists Ron Carter and Ralphe Armstrong – and Lonnie's on organ grooving alongside a young Joe Lovano, who plays some killer tenor and soprano sax – and the album's got these really long, open cuts that definitely hint at the more spiritual look of the cover. Titles include the 15 minute jammer "Spirits Free", plus "Afrodesia", "Favors", "Straight To The Point", and "The Awakening". CD

Excellent work by Lonnie Smith – a free-flowing album of long jazzy grooves that's kind of an extension of his Blue Note albums, touched with more of the electricity of his 70s playing! There's some killer rhythms on the album – courtesy of drummers Jamey Hudad and Ben Riley, and electric bassists Ron Carter and Ralphe Armstrong – and Lonnie's on organ grooving alongside a young Joe Lovano, who plays some killer tenor and soprano sax – and the album's got these really long, open cuts that definitely hint at the more spiritual look of the cover. Titles include the 15 minute jammer "Spirits Free", plus "Afrodesia", "Favors", "Straight To The Point", and "The Awakening". LP, Vinyl record album

A stone killer from organist Lonnie Smith – one of his completely cooking early albums for Blue Note, and a hard-burner all the way through! Smith's working here with a really great group that includes Idris Muhammad on drums and Melvin Sparks on guitar – both of whom give the album a really heavy bottom, and almost make the set feel like one of those classic Prestige jammers from the same time. But added to them is a great horn section of Lee Morgan on trumpet, Julian Preister on trombone, and Bennie Maupin on tenor – all of whom give the record a slightly hipper, more modern feel – in keeping with the Blue Note groove of the time. Tracks are all nice and long – and titles include the originals "Turning Point" and "Slow High" – plus versions of "See Saw", "People Sure Act Funny", and "Eleanor Rigby". CD

A stone killer from organist Lonnie Smith – one of his completely cooking early albums for Blue Note, and a hard-burner all the way through! Smith's working here with a really great group that includes Idris Muhammad on drums and Melvin Sparks on guitar – both of whom give the album a really heavy bottom, and almost make the set feel like one of those classic Prestige jammers from the same time. But added to them is a great horn section of Lee Morgan on trumpet, Julian Preister on trombone, and Bennie Maupin on tenor – all of whom give the record a slightly hipper, more modern feel – in keeping with the Blue Note groove of the time. Tracks are all nice and long – and titles include the originals "Turning Point" and "Slow High" – plus versions of "See Saw", "People Sure Act Funny", and "Eleanor Rigby". CD

The amazing debut of Soft Machine! It's hard to find a more seminal moment of jazz rock from the British scene – and there's certainly few albums from its generation that stand up as well over the years as this one! The trio of Robert Wyatt, Kevin Ayers, and Michael Ratledge carve out the future of progressive playing on this excellent set of shorter tunes that still offer up all the hard jamming of later years. Beat group morphs into prog jazz before your very eyes – on tracks like "Hope For Happiness", "Why Am I So Short", "Save Yourself", "Priscilla", "So Boot If At All", "A Certain Kind", "Lullabye Letter", and "Why Are We Sleeping?". CD

The amazing debut of Soft Machine! It's hard to find a more seminal moment of jazz rock from the British scene – and there's certainly few albums from its generation that stand up as well over the years as this one! The trio of Robert Wyatt, Kevin Ayers, and Michael Ratledge carve out the future of progressive playing on this excellent set of shorter tunes that still offer up all the hard jamming of later years. Beat group morphs into prog jazz before your very eyes – on tracks like "Hope For Happiness", "Why Am I So Short", "Save Yourself", "Priscilla", "So Boot If At All", "A Certain Kind", "Lullabye Letter", and "Why Are We Sleeping?". CD

Pure genius from this hardly-heard group – a really wonderful little record that mixes soul and funk with some slight Latin touches as well – all in a blend that's as incredible as the record is rare! The group have this really warm vibe on the vocal numbers – a mix of female lead and chorus bits that's not unlike Voices Of East Harlem, and equally righteous too. But there's also some instrumental bits that are even harder and heavier – almost funky descarga numbers with some really jamming instrumentation, including some fuzzy vibes at one point that almost recall Stark Reality. Titles include "Getting It Down", "Through No Fault Of Our Own", "It's Wonderful Baby/Gina", "Come On And Stay With Me", "Stuff N' Thing", 'Keep On Keepin' On", "Babylon", "Reality", "Judgement Day", and "My People". LP, Vinyl record album

Very hip work from guitarist Chris Spedding – one of his first albums as a solo artist, but a set that was cut with some of his old bandmates from The Battered Ornaments! Like Spedding, most of the musicians here approach the record with an equal sense of jazz and rock – which often makes for very interesting rhythms and changes, and progressions in the tunes that are quite different both from the mainstream, and more commercial jazz rock albums from the UK scene at the start of the 70s. Spedding's vocals are subtle – usually a bit down in the mix next to the guitar, Hammond, and deft rhythms – and the tracks are shorter than you'd expect – nicely understated, and not nearly the progressive, jamming approach you'd expect from such a lineup. Titles include "Words Don't Come", "The Hill", "Session Man", "Please Mrs Henry", "Out To Be A Law", and "Should The Occasion Arise". LP, Vinyl record album

A lost jazz gem from guitarist Chris Spedding – a musician whose work was such a key component of many other important albums from the time, but who hardly ever made a record like this! The album's much more jazz than the rock you might normally expect from Spedding – strongly linked to his sessions with players like Mike Westbrook, Ian Carr, or Frank Ricotti – with an all-instrumental approach that's spun out on some beautiful extended tracks! Chris plays both acoustic and electric guitar, but the album's really a full group effort – and features material by Roger Potter on bass, John Mitchell on acoustic piano and Fender Rhodes, Paul Rutherford on trombone, and John Marshall on drums. There's a moody, understated vibe to the record – never jamming at all, and this very introspective side of Spedding that we really love. For some reason, although the set was recorded for the Harvest label in 1970, Spedding didn't want it issued at the time – and it initially was only released in Japan. Titles include "Plain Song", "Station Song", "Song Of The Deep", "The Forest Of Fables", and "New Song Of Experience". CD

A hell of a record from a Japanese band who answered to nobody else – a combo who could come on with the ferocity of James Gang or some of their contemporaries, but also hit some even wilder, more experimental moments too – something they definitely do here in the space of the double-length of the album – which mixes full-on jammers full of fuzz and bluesy riffs with some of the weirder moments you might find on the farther reaches of The Beatles' White Album! Vocals are all in English, and given that the album was issued on Atlantic, we're not sure why they never tried to push these guys bigger in the states – as they're better than most of the rest of the period. Titles include "Sniffin & Snortin", "Run And Hide", "Bad Woman", "Red Doll", "Flat Fret Swing", "Calm Down", "Search For Love", "Wanna Take You You", and "Song For An Angel". LP, Vinyl record album

One of the greatest rock albums to come out of Detroit in the 60s – even if these guys aren't as well known as The Stooges or MC5! There's a similar brilliance here, though – a heady brew of ripping guitars, burning Hammond, and massively pounding drums – all recorded with a slightly garagey edge and expansively searching quality that stretches things out without overindulging in too much jamming. There's also a really dark feel to the record too – one that has the same sense of danger and urgency as SRC's bigger contemporaries, yet never sounds forced. Titles include "Onesimpletask", "Daystar", "Exile", "Marionette", "Black Sheep", and "Refugeve". LP, Vinyl record album

Twin-saxophone magic from the team of Sonny Stitt and Booker Ervin – playing together here on some great long tracks that get plenty of support from Don Patterson on the Hammond! The set's got a very open, very jamming sort of quality – with Book on tenor, and Stitt on both tenor and alto sax – showing his talents strongly, and bringing a hard-edged confidence to the record that's really great. The quartet's remaining member is Billy James on drums – a frequent partner of Patterson, and a nice loose-edged rhythmic force that really matches the energy of the others. Titles include "Soul People", "Sonny's Book", "C Jam Blues", and a ballad medley of "I Can't Get Started" and "The Masquerade Is Over". CD

Dreamy dreamy pop psych from Strawberry Alarm Clock – a great late 60s group who skirted the worlds of Sunshine Pop and more jamming garage rock! This album's got a lot more to offer than you might guess from just the title hit – as the instrumentation sometimes gets nicely tripped out – with cool use of organ, harpsichord, and guitar – plus plenty of special effects in production – and even some of the song styles and lengths are unusual too, making the album way more than just a batch of cute little tunes. Titles include the classic "Incense & Peppermints", the 8 minute jammer "The World's On Fire", the instrumental "Pass Time With SAC", and the cuts "Paxton's Back Street Carnival", "Rainy Day Mushroom Pillow", "Strawberries Mean Love", and "Unwind the Clock". LP, Vinyl record album

A pair of classics from Strawberry Alarm Clock – back to back on a single CD! First up is their classic Incense & Peppermints – dreamy pop psych from Strawberry Alarm Clock – a great late 60s group who skirted the worlds of Sunshine Pop and more jamming garage rock! This album's got a lot more to offer than you might guess from just the title hit – as the instrumentation sometimes gets nicely tripped out – with cool use of organ, harpsichord, and guitar – plus plenty of special effects in production – and even some of the song styles and lengths are unusual too, making the album way more than just a batch of cute little tunes. Titles include the classic "Incense & Peppermints", the eight minute jammer "The World's On Fire", the instrumental "Pass Time With SAC", and the cuts "Paxton's Back Street Carnival", "Rainy Day Mushroom Pillow", "Strawberries Mean Love", and "Unwind the Clock". Next is Wake Up It's Tomorrow – a great little second set from Strawberry Alarm Clock – much headier and tripped-out than their first! For the record, the group's not just working off the success of a previous single – and instead is really taking time in the studio to try out new ideas, musically, lyrically, and (most importantly) in the range of cool production techniques used on the set! There's still a warm harmony vocal approach on some of the album's best tunes, but they're also matched here with some more progressive guitar parts and fuzzier instrumental touches – in a way that brings a bit of darkness into the sunshine, and creates the wonderful sense of counterpoint that was always the group's strongest suit. Most tunes are nicely unfamiliar, and titles include "Curse Of The Witches", "Black Butter – Past, Present, & Future", "Soft Skies No Lies", "They Saw The Fat One Coming", "Nightmare of Percussion", "Tomorrow", "Sit With the Guru", and "Pretty Song From Psych-Out". CD also features single mixes of "Tomorrow" and "Sit With The Guru". CD

Funky guitar from Kiyoshi Sugimoto – a Japanese player who really hits his groove on this rare album from the 70s! The set's got a perfect balance between some of the earlier Japanese guitar modes, which were often a bit more jamming – and some of the smoother styles of the late 70s – particularly those Japanese fusion albums that hit bigger on the global scale. Things here are still nice and open – almost spacey at points, but still tight enough to be funky – and Sugimoto himself handled most of the arrangements, which really work well for his long, stretched-out guitar lines. Titles include "Quiet Pulse", "Marmalade Sky", "Our Time", and "Jones Street". LP, Vinyl record album

A great bit of drawn-out fusion – played by a British trio that features electric keyboards, bass, and percussion! The tracks have a jamming jazz-rock approach – but never get too overindulgent, and never fall into the traps of some of the other British groups of the time. Instead, the groove is pure – with some nice dropped-out moments that have the keyboards working on lines that sound like they might have been lifted off of one of Sonny Fortune's great mid-70s albums. The lineup features Peter Robinson on Fender Rhodes and other keyboards, Alyn Ross on bass, and Morris Pert on drums and percussion – plus some guest soprano sax from Robin Thompson on three of the four songs. All tracks are long, and titles include "Stardance", "Orinoco", and "From The Region Of Capricorn". CD

One of the few solo albums ever cut by organist Chester Thompson – a player who's known to most as the keyboardist in Tower Of Power, but one who's also remembered by a select funky few for this killer record for the Black Jazz label! The album's a stripped-down quartet session – with labelmate Rudolph Johnson on tenor, blowing some beautiful lines alongside long, drawn-out Hammond solos from Thompson! The overall feel is similar to some of the great late 60s Prestige sessions – especially Don Patterson dates – with the group free swinging away in a very live format, just like you might have heard if you caught them in some hip southside club. Other players include Al Hall Jr on trombone and Ray Pounds on drums – and the album features four long jamming tracks, with titles that include "Mr T", "Trip One", "Weird Harold", and "Powerhouse". CD

One of the few solo albums ever cut by organist Chester Thompson – a player who's known to most as the keyboardist in Tower Of Power, but one who's also remembered by a select funky few for this killer record for the Black Jazz label! The album's a stripped-down quartet session – with labelmate Rudolph Johnson on tenor, blowing some beautiful lines alongside long, drawn-out Hammond solos from Thompson! The overall feel is similar to some of the great late 60s Prestige sessions – especially Don Patterson dates – with the group free swinging away in a very live format, just like you might have heard if you caught them in some hip southside club. Other players include Al Hall Jr on trombone and Ray Pounds on drums – and the album features four long jamming tracks, with titles that include "Mr T", "Trip One", "Weird Harold", and "Powerhouse". LP, Vinyl record album

An unusual group that we only know from this one Italian soundtrack – and a combo who's not nearly as electronic as you might guess from their Kraftwerk-sounding name! Instead, the approach here is a bit like that of Goblin on their horror scores from the same time – a style that uses keyboards, guitar, and bass that come from a more progressive music background than other Italian soundtrack composers – but which also comes off here with a lot less of the jamming modes that you'd hear in Goblin's work. Instead, the overall sound is relatively laidback – lessons learned from the great Italian composers of the early 70s, especially in their balance of subtle and more experimental sounds – all poised nicely to build over the course of the film. There's some great use of electric bass here – often quite spare and pulsating – and the CD reissue features 26 tracks in all, including a number of bonus tracks! CD

There's plenty of funky steps here, thanks to a lean 70s fusion groove – served up by a Japanese combo who are heavy on keyboards and guitar! There's almost a CTI-like vibe to the record at times, especially as the rhythms are nice and spacious, and avoid any of the full-on fusion modes that can come from a record that's too jamming – and instead really lets the elements of the instrumentation really find their best place in the groove! There's a horn section on the record, but used in ways that are nicely punctuated – just to augment the sound at all the right moments, yet never overwhelm. Titles include "Morning", "Moderato", "Largo", "Dream Of Love", and "Dance Ritual Of Fire" – all themes from classical, but really transformed via funky jazz – again another influence from CTI! LP, Vinyl record album

One of the best jazz rock combos to grace the Harvest label in the early 70s – a German trio who've got plenty of proggish inflections, and who really serve up some great keyboards and guitar over heavy drums! There's a bit of vocals on the set, natch, but the best tunes feature lots of jamming on a variety of keyboards that include moog, Hammond, and electric piano – spun out in a really pulsating set of rhythms. Rock break fans should find plenty of interesting bits on the set – and titles include "Last Dance", "Maze", "Lucky Girl", "Roundabout", "Million Dollars", "Triangle", "School Days", and "Flashback". LP, Vinyl record album

The first album from guitarist John Tropea – an ace 70s session musician, who played on countless records for other folks – and a surprisingly great leader and arranger in his own right too! Tropea's working here in a vibe that's clearly influenced by the CTI sound – smooth but funky fusion – laid down in prime studio conditions, but still nicely soulful throughout, and without any of the BS that crept into other overly-jamming or too-slick records from the time. Guitar's the lead solo instrument on the set, but the album has a lot of other strong work by players that Deodato, Steve Gadd, Rick Marotta, and Rubens Bassini – making for a very tight set that's stood up wonderfully through the years. Titles include "The Bratt", "Tambourine", "7th Heaven", "The Jingle", "Just Blue", "Muff", and "Dreams". LP, Vinyl record album

A great collection of groundbreaking early work from Michal Urbaniak – early European recordings that are very different than his American records from later years! First up is Paratyphus B – some of Michal Urbaniak's heaviest work of the 70s – an album of relatively free and exploratory fusion, recorded in Stuttgart with a group of Polish contemporaries who include Urszula Dudziak on voice and percussion, and Adam Makowicz on electric piano! Urbaniak plays soprano sax, tenor, and flute next to his more familiar electric violin – and many of the tracks are spacey explorations in sound, with some sort of rhythm, but really more a focus on the jamming of the keys, violin, and Dudziak's incredible voice. Titles include "Valium", "Irena", "Sound Pieces", "Winter Piece", and "Paratyphus B". Inactin is one of the greatest albums that Polish jazzman Michal Urbaniak ever cut – and a sparkling session of funky fusion recorded in Germany, at the studios of Horst Jankowski! The album feels like one of the great MPS electric albums from the 70s – and it's got loads of cool Fender Rhodes and clavinet playing, spacey electric violin, and some tight choppy soprano work. Urszula Dudziak lays down some incredibly spooky vocals on the best tracks – riffing away in an otherworldly way that matches the funk on the album. Includes the nice breakbeat tracks "Inactin" and "Ekim", plus the cuts "Lato", "Fall", and "Groovy Desert". 3CD set features 2CDs worth of rare bonus live material – a concert recorded in Bremen in 1972, with very long tracks that include "Introduction/Valium", "Sound Pieces", "Irena", and "Groovy Desert/Silence/Lato". CD

A groundbreaking blend of folksy elements and more driving prog – a perfectly balanced set that sums up the unique genius of Van Der Graaf Generator! The group is partly a showcase for the young Peter Hammill – who is vaguely in the territory of some of his acoustic contemporaries on Island Records – but the singer is also really able to open up and soar once the group gets going, and finds a way to ignite his energy amidst the more driving drums and organ lines! There's plenty of jamming instrumental moments to please the prog crowd, but also some more up-close and personal elements too – on titles that include "Octopus", "Afterwards", "Orthenian Street (parts 1 & 2)", "Black Smoke Yen", and "Ferret & Featherbird". LP, Vinyl record album

Three albums by this wonderfully unique keyboardist! First up is Eyeball – a really nice mix of modes from keyboardist Jasper Van'T Hof – as some cuts feature the heavy electric modes we know from his MPS recordings of the 70s – but others feature a much more personal approach on acoustic piano! As with other records from the time, Jasper plays a range of keyboards here – from piano to Fender Rhodes to organ – and the group shifts a bit from track to track, depending on the mood – and features Wim Overgaauw on guitar, John Lee on bass, Zbigniew Seifert on violin, and Gerry Brown on drums. Lee and Brown kick in heavily on the jamming cuts, but lay back more on the mellower ones – and titles include "One Leg Missing", "Bax", "Viper Snake", "Eyeball 1", "The Rev", and "Schwester Johanna". Next is Solo Piano – a record that's a bit more down to earth than some of the electric 70s material from Jasper Van't Hof, but equally great in its own sort of way! The session has Jasper playing solo acoustic piano, mixing a few standards with even cooler original material that really makes the record shine! Titles include "Eyes", "7th Day Ticket", "Dinner For Two", "Skyline", "The Dodge", and "New Bob". Tomorrowland is a cool trio set from pianist Jasper Van't Hof – one that has him joined by the great Bob Malach on tenor, a player Jasper's worked with for years, and who really gets some great space to open up here! The third member of the group is the wonderful JF Jenny Clarke on bass – and titles include "Ventre A Terre", "The Quiet American", "Round About", "Ma Belle", "Mr Woof", and "Rutherford" – all nice original material! CD

Classic work from this jamming band that did such a good job of freaking out familiar tunes! Titles include "Season Of The Witch", "You Keep Me Hanging On", "Shotgun", "Some Velvet Morning", "Ticket To Ride", "Take Me For A Little While", and "Illusions Of My Childhood (parts 1, 2, & 3)". CD

One of the coolest concepts for a record in the 60s – and a set that's the first, and maybe crowning achievement of Vanilla Fudge! The set's mighty trippy – and often offers up very weird, fuzzy remakes of songs that were more mainstream hits for other artists in the 60s – tunes by The Beatles, Zombies, Impressions, and others – taken into really weird new territory by the group's jamming fuzz guitar, stark rhythms, and dark sensibilities. Genius Shadow Morton produced and directed the whole thing – which is one of his crowning achievements, and a great commentary on some of the more mainstream pop he was producing at the time. Titles include "Illusions Of My Childhood", "Eleanor Rigby", "Ticket To Ride", "Bang Bang", "She's Not There", "Take Me For A Little While", and "You Keep Me Hanging On". LP, Vinyl record album

A really great fusion set from 70s Poland – a record that's got all these spare and spacious sounds – so that the music comes across with currents that are nicely funky at times, even if these guys aren't strictly a jazz funk outfit! The group have a great way of taking their time, never jamming too hard in a rockish mode – which makes all the great Fender Rhodes lines really sound great, especially when they're matched by reed work from guest Wilson De Oliveira – who blows tenor, soprano, and flute throughout! Most tracks are longish, and titles include "Lutella", "Fly Over", "Hole In The Clouds", "Lotos", and "Phillway". CD

A rare bit of modern jazz from Italy – featuring a group led by soprano/tenor sax player Eraldo Volante, and featuring trumpet, trombone, drums, and a piano-less double-bass rhythm team that gives the record a really unique sound! At some level, the feeling of the material is like ESP avant jamming – except for the fact that the freedom of the players is also firmly tethered to an ability to swing, as one of the bassists always seems to be working the rhythm, even when the other soloists are going quite far out. Tracks are all long – and titles include "Six For Arpo", "Free & Loose", "Dialogue", and "For Gaslini". CD

The second US album from Euro disco outfit Voyage – a group who manage to bring in some nice progressive and jazzy elements to the mix! There's almost a jamming rock-gone-disco approach to a few of the best numbers – thanks to a strong use of heavy guitars and keyboards, and a real rock-like phrasing at times. All tracks are longish, with TK-styled breakdowns on the better tunes – and lead vocals are handled by Sylvia Mason. Titles include "Souvenirs", "Kechack Fantasy", "Eastern Trip", "Let's Fly Away", "Golden Eldorado", and "Gone With The Music". CD

The second US album from Euro disco outfit Voyage – a group who manage to bring in some nice progressive and jazzy elements to the mix! There's almost a jamming rock-gone-disco approach to a few of the best numbers – thanks to a strong use of heavy guitars and keyboards, and a real rock-like phrasing at times. All tracks are longish, with TK-styled breakdowns on the better tunes – and lead vocals are handled by Sylvia Mason. Titles include "Souvenirs", "Kechack Fantasy", "Eastern Trip", "Let's Fly Away", "Golden Eldorado", and "Gone With The Music". LP, Vinyl record album

A stunning little record from Wappasou – a French group who might be dubbed prog, but who work in much more organic territory overall! The tracks are long and stretched out, but never in a jamming way – and instead seem to flow magically from these core organ lines and acoustic elements on guitar, flute, and violin – used in long layers that build nicely, a bit like the work of Popol Vuh at their more acoustic, folksy side. There's vocals on a few numbers – often used more like an instrument than with a lyrical focus – but with a subtle French flavor that really gives the music its own unique sort of charm. Titles include "Chatiment", "Melopee", "Trip", and "Rien". CD features two bonus tracks – "Borgia" and "Femmes Fleeurs". CD

War delivers the word, and a whole lot more as well – that amazing blend of styles that always made the group way more than just the sum of its parts! The classic groove is very firmly in place here – a great style that mixes jazz funk with a freer jamming style borrowed from Latin music – served up on a batch of long tracks that really let the band open up and groove! Vocals are part of the plan, but the instrumentation often gets as much time in the spotlight as well – and the set includes the classic jammer "Me & Baby Brother", plus "H2 Overture", "Blisters", "Southern Part Of Texas", "In Your Eyes", and "Gypsy Man". CD

War delivers the word, and a whole lot more as well – that amazing blend of styles that always made the group way more than just the sum of its parts! The classic groove is very firmly in place here – a great style that mixes jazz funk with a freer jamming style borrowed from Latin music – served up on a batch of long tracks that really let the band open up and groove! Vocals are part of the plan, but the instrumentation often gets as much time in the spotlight as well – and the set includes the classic jammer "Me & Baby Brother", plus "H2 Overture", "Blisters", "Southern Part Of Texas", "In Your Eyes", and "Gypsy Man". LP, Vinyl record album

A massive jammer from War – and a record that brought the group to a whole new generation of listeners – as well as a good number of later fans who discovered some of these jams in the club! The groove here isn't disco, but this tightening up of War's sweet jamming vibe – almost given a sort of Mizell Brothers twist here, with a focus on sharper rhythms, but still plenty of space for instrumental flourishes over the top. Tracks are long and open, but in different ways than the early years – and there's some rhythmic elements on the record that really have the group trying out something new – and definitely finding a sweet spot in the process! The whole thing's great – and titles include the great extended instrumental "The Seven Tin Soldiers", plus "Hey Senorita", "Baby Face", "Galaxy", and "Sweet Fighting Lady". LP, Vinyl record album

A huge moment for War – maybe the group's biggest album of the 70s, but a set that still has them holding onto everything that makes the great! Like Earth Wind & Fire at their best, War have this way of staying strong and righteous, while still able to hit a hook – jamming one minute, but finding sharp focus the next – and balancing it all out over the course of an album so that there's a sense of depth that really keeps on going once the familiar cuts draw you in. In this case, the familiar cuts are giants – the stunning Latin funk gem "Low Rider", which became an anthem for a generation, and the radio hit "Why Can't We Be Friends" – mixed with other nuggets like the jazzy "Don't No One Get You Down", the funky "Heartbeat", and the cuts "Lotus Blossom", "Smile Happy", "So", and "Leroy's Latin Lament". LP, Vinyl record album

The second half of the title gives this one away – as the album's a batch of progressive rock tracks from early 70s Bolivia – all very heavy on guitar and organ! Tracks are longish, but never too sloppy – and the keyboards and guitar jam together nicely in an exploration of themes that are slightly different than those that might have been used in a set like this of European origin. A few numbers add in a bit of strings or woodwinds – not much, just enough to push things past simple rock jamming – and titles include "Kenko", "Wara", "El Inca", "Realidad", and "Cancio Para Una Nina Triste". CD

One of the stranger chapters of the Holland-Dozier-Holland story of the early 70s – and one of the coolest, too! Warlock are a jazzy rock combo with plenty of soul – a bit like a twisted version of Blood Sweat & Tears, but with all the sinister energy you'd guess from the image on the cover! Most of the numbers have a nasty scratchy sort of vocal – almost Alice Cooper-ish, in keeping with the Warlock name of the group – but a few others get a bit more soulful and funky, belying the HDH connection of the group – sometimes even showing a righteous jazzy vibe, as kind of an odd echo of the Detroit Tribe Records scene. The best tracks have some jazzy phrasing in the mix, and let the guitars go off to the side – and titles include "Love Girl", "You've Been My Rock", "So Can Woman", "Thrills Of Love", and the 14 minute jammer "As You Die/Music Box", which almost has a Colosseum build to it! LP, Vinyl record album

Great work from the second chapter of Grover Washington's career – his post-Kudu run over at Elektra Records! The work here's a bit tighter than the Kudu sides, but still pretty great overall – thanks to that key Washington approach to a solo – a sense of space and soul that few other players could match! Most of the tracks were done with Ralph MacDonald at the production helm – in a similar blend of jazz and soul to his own work – and the tracks here are an excellent example of how a late 70s evolution in jazz funk created a keen sense of economy in the decade's best players! Titles include Grover's classic duet with Bill Withers, "Just The Two Of Us" – plus "Jammin", "Little Black Samba", "Let It Flow", "Jet Stream", "The Best Is Yet To Come", "East River Drive", "Can You Dig It", and "In The Name Of Love". CD

Grover Washington blows over some great arrangements from William Eaton – full, but lean too – and with the same sort of slinky groove that always worked best for Grover back at Kudu Records! The sound is tight, but never too slick – that magically soulful approach that always made Grover a real standout from his contemporaries – one of the few cats who could smooth out jazz without ever losing its soul – thanks to lots of well-crafted lead lines on soprano sax! Titles include "East River Drive", "Jamming", "Little Black Samba", "Be Mine", and "Reaching Out". LP, Vinyl record album

Sweet funky jazz from Grover Washington – an early standout session from his classic years on Kudu Records, put together with hip arrangements from the mighty Bob James! The record's got the same spacious sense of grooving as James' first few for CTI – a style that's funky fusion, but a bit more laidback than most – not nearly as jamming, and with almost as much focus on lean rhythms as on key solos from the players in the group! Most tracks have a long, open sort of feel – and in addition to alto and tenor from Grover, other instrumentation includes organ from Richard Tee, guitar from Eric Gale, drums from Idris Muhammad, percussion from Airto, and electric piano from Bob James himself. Titles include versions of "Mercy Mercy Me", "Ain't No Sunshine/Theme From Man & Boy", "Until It's Time For You To Go", and "Inner City Blues". LP, Vinyl record album

An overlooked bit of 70s big band jamming cut for Columbia by trombonist Bill Watrous, done in a mode that's partially like the funky Maynard Ferguson records for the label at the time, but which also has some of the hipper and more expansive approaches that you'd get on some of Woody Herman's best from the period, or (even better) some of the MPS big band classics of the time! LP, Vinyl record album

In the tradition of the Molemen and All Natural, another nice one from the Chicago underground. "Think U Jammin'?" uses a killer organ bassline and DJ Diamond Kut cutting up a line from Steady Serv's classic "You Know The Time" for the chorus, and of course straight up dope hip hop verses. 12-inch, Vinyl record

A legendary album from the Krautrock scene of the 70s – one that was put together by Walter Wegmuller – more of an artist than a key musician on the scene, yet one who was wise enough to open the door to a huge amount of collaborative talents from the generation! The album's really more of an all-star Krautrock effort overall – as it features contributions from Klaus Schulze, Manuel Gottsching, Harald Grosskopf, Dieter Dierks, and others from important German acts of the period – and the music is very much in a cosmic jamming mode, with some occasional vocals or spoken bits – stretched out over the double length space of the set! Tracks are all named after individual tarot cards – and include "Der Wagen", "Die Kraft, "Der Tod", "Der Magier", "Die Sterne", "Der Mond", "Die Sonne", and "Die Welt". CD

A landmark live set from The Who – a record that offers the group with a blistering intensity that blows away all their other studio albums of the time! Although offered during the Who's Tommy-era expansion into broader themes and more complicated instrumentation, the album's a real return to basics – and features a guitar-heavy version of the group performing a number of older rock n roll classics like "Summertime Blues", "Shakin All Over", and "Young Man Blues" – plus really extended jamming takes on their own "My Generation" and "Magic Bus", and a searing 2 minute take on "Substitute" that's probably everything you ever need to know about The Jam! CD

A landmark live set from The Who – a record that offers the group with a blistering intensity that blows away all their other studio albums of the time! Although offered during the Who's Tommy-era expansion into broader themes and more complicated instrumentation, the album's a real return to basics – and features a guitar-heavy version of the group performing a number of older rock n roll classics like "Summertime Blues", "Shakin All Over", and "Young Man Blues" – plus really extended jamming takes on their own "My Generation" and "Magic Bus", and a searing 2 minute take on "Substitute" that's probably everything you ever need to know about The Jam! CD

A landmark live set from The Who – a record that offers the group with a blistering intensity that blows away all their other studio albums of the time! Although offered during the Who's Tommy-era expansion into broader themes and more complicated instrumentation, the album's a real return to basics – and features a guitar-heavy version of the group performing a number of older rock n roll classics like "Summertime Blues", "Shakin All Over", and "Young Man Blues" – plus really extended jamming takes on their own "My Generation" and "Magic Bus", and a searing 2 minute take on "Substitute" that's probably everything you ever need to know about The Jam! LP, Vinyl record album

A landmark live set from The Who – a record that offers the group with a blistering intensity that blows away all their other studio albums of the time! Although offered during the Who's Tommy-era expansion into broader themes and more complicated instrumentation, the album's a real return to basics – and features a guitar-heavy version of the group performing a number of older rock n roll classics like "Summertime Blues", "Shakin All Over", and "Young Man Blues" – plus really extended jamming takes on their own "My Generation" and "Magic Bus", and a searing 2 minute take on "Substitute" that's probably everything you ever need to know about The Jam! Remastered Deluxe Edition includes the first release of the entire concert. CD

A trio of excellent albums from master drummer Tony Williams – all brought together in a single package! Believe It is crackling funky fusion from Tony Williams' "new" version of his classic Lifetime group – a quartet that featured some smoking guitar work by jazz rock legend Allan Holdsworth! The sound on the set is very full-on and jamming – fuzzed-out guitars taking over most of the tracks, and Tony jumping into the fray with some really frenetic work on drums – miles away from his earlier jazz work in the 60s, and really taking off with the best sort of rock/jazz fusion energy! Titles include "Snake Oil", "Fred", "Proto Cosmos", "Red Alert", and "Mr Spock". On Million Dollar Legs, Tony Williams is a million miles from his work with the Miles Davis Quintet on this record – grooving in a heavy rock/fusion mode with his New Lifetime group that includes Allan Holdsworth on guitar, Tony Newton on bass and vocals, and Alan Pasqua on keyboards! The tracks have a post Jeff Beck kind of approach – lots of heavy riffing in a way that does create a bit of funk at the right moments, almost in the Alphonze Mouzon/Tommy Bolin mode – and Williams' drums are right at home in the setting, and somehow filled with as much imagination and creativity as before! Titles include "Sweet Revenge", "Inspirations Of Love", "Lady Jade", "What You Do To Me", and "Joy Filled Summer". Joy Of Flying is a key record in the evolution of Tony Williams as a drummer – and kind of a powerful summation of all the changes he'd made in the 70s – before a return to straighter jazz in the next decade! Williams' drumming here is incredibly fierce at points – almost at a Billy Cobham level – but he also shows the sensitivity to deeper sounds that he first brought into play during the 60s – and manages to mix an ear for fusion modes with some freer elements too – thanks to help from a lineup of players that includes Herbie Hancock and Brian Auger on keyboards, Cecil Taylor on piano, Jan Hammer on Fender Rhodes, Stanley Clarke on bass, Ton Scott on lyricon, and Ronnie Montrose on guitar. Titles include "Tony", "Coming Back Home", "Morgan's Motion", "Eris", "Open Fire", and "Hittin On 6". Great CD reissue – full notes, and a 20 page booklet with the usual Reel Music attention to detail! CD

A seminal jazz rock statement from drummer Tony Williams – one that has him stepping out quite far from his original "new thing" recordings of the mid 60s! The album's got a genre-forming sound that's incredibly fierce – a power trio churning of Williams drums, John McLaughlin's guitar, and Larry Young's free-thinking work on organ. The tunes are long and jamming, but also have a tight rhythmic focus that never gets too sloppy – and which virtually set the stage for a whole generation of 70s fusion players in years to come! Young and McLaughlin are especially great – working here with Williams to pound out sheets of sound in a cosmic trippy maze of riffs and grooves, certainly enough to inspire the most addled rocker to head over to the jazz section! Though this set was released as two separate volumes, this double LP version has both albums, and features 8 tracks in all "Emergency", "Beyond Games", "Where", "Vashkar", "Sangria For Three", "Something Spiritual", "Spectrum", and "Via The Spectrum Road". CD

A seminal jazz rock statement from drummer Tony Williams – one that has him stepping out quite far from his original "new thing" recordings of the mid 60s! The album's got a genre-forming sound that's incredibly fierce – a power trio churning of Williams drums, John McLaughlin's guitar, and Larry Young's free-thinking work on organ. The tunes are long and jamming, but also have a tight rhythmic focus that never gets too sloppy – and which virtually set the stage for a whole generation of 70s fusion players in years to come! Young and McLaughlin are especially great – working here with Williams to pound out sheets of sound in a cosmic trippy maze of riffs and grooves, certainly enough to inspire the most addled rocker to head over to the jazz section! Though this set was released as two separate volumes, this double LP version has both albums, and features 8 tracks in all "Emergency", "Beyond Games", "Where", "Vashkar", "Sangria For Three", "Something Spiritual", "Spectrum", and "Via The Spectrum Road". LP, Vinyl record album

A bit smoother than early days, but still very nice and soulful – and did we expect any less from Stevie? The record's got a nicely flanged-out soul groove – with a style that kind of expands on the vocal and keyboard production of the early 70s, taking the groove towards a sound that many other bands would cop in the 80s. Proof of this is the cut "Master Blaster (Jammin)", which many bands would cover at the time – plus lots of nice LP cuts, like "Did I Hear You Say You Love Me", "Cash In Your Face", "All I Do", and "I Ain't Gonna Stand For It". LP, Vinyl record album

A classic testament to the genius of Stevie Wonder – a collection that brings together some of his most important work of the 70s, plus a few new tracks too – all graced with a back cover note that proudly states "written, arranged, and produced by Stevie Wonder"! That note is key to the strength of the set – as it documents Wonder's rise from child soul phenomenon to adult American composer – a voice that was one of the strongest of the 70s in finding a new sense of pride and power for the generation. The whole thing's great – as you'd expect – and even after all these years, the set stands as one of the best ways to jump into Stevie's work of the 70s. Titles include "Living For The City", "Superstition", "Front Line", "You Are The Sunshine Of My Life", "Superwoman", "I Wish", "Sir Duke", "Higher Ground", "Boogie On Reggae Woman", "Do I Do", "Ribbon In The Sky", "Master Blaster (Jammin)", and "Isn't She Lovely". LP, Vinyl record album

Stellar live Yes – recorded during their 1972 tour, when the group was at the height of their jamming powers! Sweet Roger Dean cover, too! LP, Vinyl record album

Incredible stuff from the jazz underground of Newark! This is one of the rarest albums ever recorded by jazz organist Larry Young – cut for the tiny Perception label during the early 70s, and featuring some of the cream of the New Jersey jazz underground. The album's got playing that bridges a number of Young's different styles – from his straighter soul jazz work at Blue Note, to his harder jamming with Santana and John McLaughlin, to his more fusion oriented albums for Arista. James Blood Ulmer's on guitar, but there's also a large ensemble of excellent players, and lots of other percussion and cool instrumentation that really gives the album an "out there" sound! Titles include "Sunshine Fly Away", "Saudia", "Hello Your Quietness", and "Khalid Of Space". CD

Incredible stuff from the jazz underground of Newark! This is one of the rarest albums ever recorded by jazz organist Larry Young – cut for the tiny Perception label during the early 70s, and featuring some of the cream of the New Jersey jazz underground. The album's got playing that bridges a number of Young's different styles – from his straighter soul jazz work at Blue Note, to his harder jamming with Santana and John McLaughlin, to his more fusion oriented albums for Arista. James Blood Ulmer's on guitar, but there's also a large ensemble of excellent players, and lots of other percussion and cool instrumentation that really gives the album an "out there" sound! Titles include "Sunshine Fly Away", "Saudia", "Hello Your Quietness", and "Khalid Of Space". LP, Vinyl record album

Titles include "Midnight Symphony", "DB Blues", "The Man I Love", "Blues For Marvin", "Sweet Georgia Brown", and "I Got Rhythm". CD

One of the most jamming Zappa albums from the early days – a set that's still got some of Frank's complicated musical leanings in play – but which features interpretation by a smoking group who no doubt helped the great one reach a much larger audience! George Duke plays lots of organ and heavy keyboards – and other players include Aynsley Dunbar on drums, giving the whole thing a great punch at the bottom – plus Mothers luminary Ian Underwood on more keyboards and electric alto sax, Jeff Simmons and Max Bennett on bass, and Frank himself on some mighty amazing guitar! Titles include "The Clap", "Chunga's Revenge", "Tell Me You Love Me", "The Nancy & Mary Music", "Twenty Small Cigars", and "Would You Go All The Way". LP, Vinyl record album

A set that's not entirely funky, but maybe not that far off either – as the whole thing features unreleased material that was recorded by Zappa in the studio after Hot Rats – including some nicely jamming cuts that really have the group letting loose in maybe a more spontaneous, organic sort of way! All that Zappa sharpness is still present in the instrumentation, but things are maybe a bit more soulful – which seems a strange word to use, but definitely fits at times – as the hip group features performances from Sugarcane Harris, as well as drums from Aynsley Dunbar! Titles include "Basement Jam", "I'm A Rollin Stone", "Tommy/Vincent Duo 1", "Funky Nothingness", "Work With Me Annie/Annie Had A Baby", "Khaki Sack", "Twinkle Tits", "Chunga's Revenge (basement version)", and "Tommy/Vincent Duo 2". LP, Vinyl record album

A set that's not entirely funky, but maybe not that far off either – as the whole thing features unreleased material that was recorded by Zappa in the studio after Hot Rats – including some nicely jamming cuts that really have the group letting loose in maybe a more spontaneous, organic sort of way! All that Zappa sharpness is still present in the instrumentation, but things are maybe a bit more soulful – which seems a strange word to use, but definitely fits at times – as the hip group features performances from Sugarcane Harris, as well as drums from Aynsley Dunbar! Titles include "Basement Jam", "I'm A Rollin Stone", "Tommy/Vincent Duo 1", "Funky Nothingness", "Work With Me Annie/Annie Had A Baby", "Khaki Sack", "Twinkle Tits", "Chunga's Revenge (basement version)", and "Tommy/Vincent Duo 2". 3CD set is overflowing with great material – CDs 2 and 3 feature session masters and bonus tracks from the Zappa/Hot Rats 70 recordings – 14 more rare tracks! CD

Frank Zappa & The Mothers, live at the Fillmore East – showing the world they've got plenty of greatness to offer away from the studio! The band here is super-tight – with the ferocity of Chunga's Revenge, but still enough room between the jamming for some mad bits of dialog and vocals – which are then offset by great keyboards and saxes from Ian Underwood, electronics from Don Preston, and heavy drums from Aynsley Dunbar! There's a focus to the sound of the group here that really draws together all the strands from the previous few years – and titles include "The Mud Shark", "What Kind Of Girl Do You Think We Are", "Willie The Pimp", "Happy Together", "Lonesome Electric Turkey", and "Tears Began To Fall". LP, Vinyl record album

A key record in showcasing Frank Zappa's blend of complicated compositions and all-out jamming – that mix of hard rock and serious songwriting that would direct his energy for most of the 70s – yet still pretty darn raw at this point! The album's a live one – with some of the same great spontaneous energy of the Fillmore set, but even less silliness – even amidst the album's longer songs and weirdass lyrics! The set begins with the extended "Billy The Mountain" – definitely a journey in music – then rolls into "Call Any Vegetable", "Eddie Are You Kidding", "Magdalena", and "Dog Breath". LP, Vinyl record album

Our favorite album by this Brit jazz rock combo from the mid 70s! The groove on this one is the most straightforward of any of the band's albums – and there's a number of nice cuts that have a strong funk sound with plenty of Afro soul influences – a great straightforward sound that gets past some of the more jamming modes of other work. The band's almost got a style that recalls Mandrill or Cymande, but with a bit more fusion overall – on titles that include "Mr J", "Mah Jong", "Spanish Fly", "Amuso Fi", and "Cobra Woman". LP, Vinyl record album

Early 80s funky soul from Zoom! Saturday, Saturday Night is crafted to be a good natured, party starting set – and it succeeds with charm to spare. It's a mix of uptempo club cuts and mellow modern soul ones with excellent harmonies by the group, and some nice hooks in all the right places! A blend of keys, bass, guitar, drums, trumpet and winds – with some spacier synth touches here and there. Our favorite cuts includes "Bye Bye Baby", a nice mellow stepper, but the album's also got other nice ones – like the soulful "Love Seasons, the uptempo jammer "Saturday, Saturday Night", the old school party rap styled "Move And Groove" and "I Believe In You".oulful "Love Seasons, the uptempo jammer "Saturday, Saturday Night", and "I Believe In You". LP, Vinyl record album

A way way deeper set than the first volume of Bay Area Funk – and a collection that shows that things got pretty heavy on the San Francisco and Oakland scenes of the 70s! A good number of the tracks here are instrumental, and show some wonderful interplay between the trippier sides of funky jazz and the harder sides of soul going on in the Bay Area back in the day – killer music from the fringes that often got lost in the shuffle of all the better-known music coming out on the bigger labels! The work here is all from very tiny labels – expertly selected and all officially cleared by the Luv N Haight team with keen respect for the artists involved – and in a way, the package has set a new high standard for the label! A tremendous discovery, and filled with tracks we'd never heard before – titles that include "Stop Look Listen" by Primevil, "Poor Sad Child (part 1)" by The Windjammers, "Born To Live With Heartache" by Mary Love, "Move In The Room" by Dawn & Sunset, "Ebony" by Project Soul, "Acid Lady" by San Francisco TKOs, "Hip Breakin" by Little Denise Stevenson, "Devil's On The Run" by Uptights Band, "Brute Strength" by Mile Selesia, and "Lenient With My Love" by The Relatives. CD

An overlooked gem from Blue Note – a special live performance that brings together some of the label's funkiest and most soulful artists of the 70s! The set's somewhat unusual for Blue Note at the time – especially given the label's increasingly studio-driven approach to jazz, with projects by the Mizell Brothers and others – yet given that bent, the whole thing's a great illustration of the vibrancy of all these artists always from the studio – playing live and extremely funky! As the title implies, the set was recorded live at the Roxy in LA – with players who include Donald Byrd, Ronnie Laws, Gene Harris, Bobby Hutcherson, and Alphonse Mouzon – all coming together in warm unity to show that the spacious sounds of Blue Note could also be crafted in a live setting, and not just under closely-watched studio help arrangers and producers. Carmen McRae sings on a number of tracks, and the album overall does a good job of presenting the material in concert-like setting – and some of the longer tracks feature some mighty nice jamming solos. Titles include "New York City", "Without A Reason", and "Just Like The Sun" by Alphonse Mouzon; "Them There Eyes", "Music" and "Paint Your Pretty Picture" by Carmen McRae; "Always There", "Captain Midnight", and "Night Breeze" by Ronnie Laws; "Blue Note 76" by Blue Note All-Stars; and "Places & Spaces" and "Dominoes" by Donald Byrd – both oddly recorded at Central Park! LP, Vinyl record album

Wonderful work from the later years of Brunswick Records – a time when the company briefly re-emerged as a surprising force on the hipper dancefloors of the time – thanks to a great run of funky club, soulful disco, and seminal boogie tracks! Brunswick didn't issue many albums at the time – and they were quite far from their hit years of the early 70s – but their 12" output from the period is wonderful, and way more than just the usual throwaway work for the discos – done with a real sense of quality, and a devotion to both funk and soul undercurrents that really keep things strong. Titles on this great 3rd volume include "Don't Say Goodnight" and "Love Me Today" by First Love, instrumental and vocal versions of "I Wanna Boogie With You" by Charlie Singleton & Stargasm, "Jammin Big Guitar" and "Rockin Big Guitar" by Vaughan Mason, vocal and instrumental versions of "Word Up" by Legacy, vocal and instrumental versions of "Gimme The Funk" by Charade, "Rock The House (parts 1 & 2)" by Elite, and the fantastic groover "You Are The One" by AM/FM. CD

An incredible document of a key genre in 50s jazz on record – the jam session tradition, recorded beautifully for Verve records by the legendary Norman Granz! The idea of a jam session was nothing new at the time, of course, but it was mostly a live phenomenon – known to players from concerts and club dates, or presented on vinyl by Granz, in his celebrated Jazz At The Philharmonic sessions. These dates mark a move into the studio by Granz – one that captures the same sort of energy and unique pairings of musicians that went down in the live sessions, with the added benefit of studio technology to make the work sound even clearer, and more intimate. The 5CD set brings together all 9 Jam Session albums – packaged beautifully in a slipcase with original album cover art, and a full 72 page booklet on the musicians, sessions, and titles included. Players include nearly everyone who might have worked for Verve in the 50s – Benny Carter, Charlie Parker, Johnny Hodges, Dizzy Gillespie, Stan Getz, Buddy DeFranco, and countless others – and titles include "Jam Blues", "Funky Blues", "Apple Jam", "Blues For The Count", "Jamming For Clef", "Rose Room", "Blue Lou", and "Lullaby In Rhythm" – all in very long versions! CD

Righteous roots reggae from the digital generation – a whole host of tracks produced by the legendary King Jammy – a force who was really able to keep the spiritual fires of the 70s burning well into the following decade! The selection of cuts here is great – and if anything, the crispness of the production seems to bring out the message in the music even more – really emphasizing the power of the lyrics, in a mix of work by 70s artists still working at a very relevant level, alongside some of the up-and-comers that Jammy was so good at searching out! 2CD set features 32 tracks in all – and titles include "Storm Is Coming" by Junior Delgado, "Why Should I" by Admiral Tibet, "Got To Be Strong" by Pad Anthony, "Up Full One" by Dennis Brown, "Only The Poor Man Feel It" by Kentucky, "World Inflation" by Junior Murvin, "Victim Of Babylon" by Admiral Tibet, "Cry For The Youths" by Wackad, "Stop The Violence" by Junior Delgado, and "Chain Grabber" by Johnny Osbourne. CD

Righteous roots reggae from the digital generation – a whole host of tracks produced by the legendary King Jammy – a force who was really able to keep the spiritual fires of the 70s burning well into the following decade! The selection of cuts here is great – and if anything, the crispness of the production seems to bring out the message in the music even more – really emphasizing the power of the lyrics, in a mix of work by 70s artists still working at a very relevant level, alongside some of the up-and-comers that Jammy was so good at searching out! Titles include "Storm Is Coming" by Junior Delgado, "Why Should I" by Admiral Tibet, "Got To Be Strong" by Pad Anthony, "Up Full One" by Dennis Brown, "Only The Poor Man Feel It" by Kentucky, "World Inflation" by Junior Murvin, "Victim Of Babylon" by Admiral Tibet, "Cry For The Youths" by Wackad, "Stop The Violence" by Junior Delgado, and "Chain Grabber" by Johnny Osbourne. LP, Vinyl record album

A really rare side of the legendary De-Lite Records – served up here in a range of obscure 45s before the company exploded into bigger fame with the success of Kool & The Gang! The work here puts De-Lite right on the same level as important indies on the east coast at the turn of the 70s – and shows an especially strong ability to capture the best group styles of the period – from the sublime harmony styles being crafted in New Jersey and Philly, to some of the growing funky styles in the pre-disco years! The set's a much-needed look at this early part of the label – and also features titles on the related Red Coach label too – in a wonderful package of 25 tracks that includes "I'll Never Let You Get Away" by Universal Mind, "So Long Sweet Little Girl" by Reggie Saddler Revue, "I'm At The Breaking Point" by The Trumains, "Girl (part 1)" by Philadelphia Ambassadors, "Gotta Let Some Sunshine Into My Life" by The Exceptionals, "I'll Always Love You" by The New Cymbals, "So Fine" by The Fiestas, "The Story Of Our Love" by The Carstairs, "Love You Can't Shake It" by Reggie Saddler & The Jammers, "Nothing In The World" by The Electras, "Back On The Road Again" by Richmond International, and "Love Foundation" by Electrified Action. CD

That's the great Grant Green on the cover – a hint that you're in for an all-masters set of funky guitar here – in a selection that's put together by the folks at Japan's Guitar Magazine! The package features 2CDs, and Grant gets one whole disc to himself – as the collection mixes together a fair bit of gems from the early 70s years when jazz guitar was finding much funkier currents, thanks to shifts that were taking place in the world of soul music – inspirations from the world of funky 45s, but taken to jazz territory with much longer grooves and extended solos! Tracks include "Brown Bag" and "No Way" by Ivan Boogaloo Joe Jones, "Bowlegs" and "Sister Janie" by Funk Inc, "Giblet Gravy" by George Benson, "Bambu" by Reuben Wilson, "Thank You" by Melvin Sparks, "Chunk A Funk" by Mel Brown, and "The Soul Roll" by Billy Butler – plus Grant Green cuts that include "Jan Jan", "Ain't It Funky Now", "Windjammer", "Sookie Sookie", "The Final Come Down", and "Hurt So Bad". CD

8 tracks from Rev Milton Brunson's Thompson Community Singers, Greg O'Quin-N-Joyful Noyze, Marvin Sapp, Kelli Williams, and CD Hawkins & Singers. CD

With selections by Ray Tellier's San Francisco Orchestra, Palais Royal Californians, Eric Pease & His Astoria Band, Jimmy Elkins & His Wintergarden Orchestra, Watson & His Green Mill Orchestra, Des Tooley, Cliff Clarke & His Kookaburras, Gil Deach, Maurice Gilman & His Orchestra, Frank Coughlans & His Trocadero Orchestra, Dudley Cantrell & The Grace Grenadiers, Seven Pearce Arrows, Jack Allen's Original Katzenjammers, and Les Welch & His Eight Beat Boys. LP, Vinyl record album

Deep, deep disco selected by Johnny "D" DeMairo – one of the more pivotal underground club music figures of the past couple decades, via his role in setting up the Henry Street imprint – here putting together an incredible set of the rare disco greatness! This the the expansive, floor-shaking, genre-straddling stuff that inspired the house and clubby soul scenes to come – and it's one of the best compilations of harder-to-find disco that's we've gotten our hands in years. The setlist features a divers mix of famous and lesser-remembered names – with styles ranging from straight forward disco stormers to strains of earlyish electro and 80s grooves – benchmark singles and inventive productions that bridge the eras! Tracks by Cerrone, Kasso, Skyy, The System, The O'Jays and more! Disc One of the 2CD edition feature 19 tracks mixed masterfully: "Ride On The Rhythm" by Mahogany feat Bernice Watkins, "Time For Live" by The Brooklyn, Bronx & Queens Band, "It's Passion" by The System, "Spank" by Jimmy Bo Horne, "Call Me" by Skyy, "Dance For Every" by Gaucho, "We're On The Right Track" by Ultra High Frequency and more. CD Two features 13 unmixed disco jams: "This Time Baby" by The O'Jays, "How To Win Your Love" by Spencer Jones, "Dub Till We Drop" by La Fluer, "I've Got To Find A Way" by Zena Djonay, "Think Fast" by Pamela Joy and more. CD

A key showcase of some of the fantastic groups who were starting to shape the sound of jazz on the Japanese jazz scene at the start of the 60s –a set that's a nice contrast to the first volume in this series, which featured all of the different musicians jamming together! Here, leadership is the focus – as each number has the musicians showing of the way that they were moving Japanese instrumental music past some of the more mood-based styles that were still pretty dominant in the mainstream, and instead taking very strong lessons from the 50s American wave of players who revolutionized the sound of jazz with hardbop! Nearly every player here is at the start of their career, but about to unfurl music that would shape Japanese jazz for decades to come – and titles include "Late At Night" played by the combo of pianist Masao Yagi, "With A Feeling Of Love" played by tenorist Akira Miyazawa, "Four On Six" by guitarist Shungo Sawada, "For Singers Only" by pianist Norio Maeda, "What's Now" by pianist Keitaro Miho, and "Alone Together" by altoist Sadao Watanabe. LP, Vinyl record album

A great collection of work from King Jammy's studios – all cuts recorded at the end of the 80s, with a definite digital feel – but a sound that's still a lot warmer and more soulful than bigger mainstream work of the time! As the title promises, there's plenty of dancehall in the mix – but many of the grooves are more laidback and mellow – bridging the space between the bigger global hits in the style, and a dubbier, rootsier generation of reggae too – which seems to bubble forth here on most tracks, and just get a slight digital reworking by Jammy. The 2LP set features a very well-selected batch of material from these years – titles that appeared on labels like Greensleeves, Superpower, and Unity Sounds, with titles that include "Icky All Over" by Wayne Smith, "In The Area" by Johnny Osborne, "The Exit" by Dennis Brown, "Don't Touch The Crack" by Little Kirk, "Dancehall Vibes" by Anthony Johnson, and "Jack Slick" by Junior Murvin. LP, Vinyl record album

An excellent box set that brings together all of the material recorded at the unique Newport Festival in 1972 – the historic shift to New York City after the previous year's effort in Rhode Island was shut down by demonstrators! The package features a whopping 6 albums in all – 4 of which are Jam session volumes, with material from players who include Charles Mingus, Jimmy Owens, Charles McPherson, Buddy Tate, Big Black, Milt Jackson, Max Roach, Jaki Byard, Nat Adderley, Art Blakey, Dexter Gordon, and many others – all playing long, open, live tracks. LP 5 features "The Jimmy Smith Jam" – a very jamming set of work by Smith, with help from Kenny Burrell on guitar and Zoot Sims on tenor. LP 6 is "The Soul Sessions" – featuring soul material from Roberta Flack, Curtis Mayfield, Les McCann, and Herbie Mann. LP, Vinyl record album

Tracks from Stanton Warriors, Basement Jaxx, Jammin', The Streets, Mr. Reds, Plump DJs, Sole Fusion, Biological, Renegade Soundwave, Azzido Da Bass, Jeremy Sylvester, and more. CD