A very cool little record that's exactly what it promises in the title – a killer combination of American jazz and Romanian roots – played here by a group with some especially nice work on reeds! At its best moments, the album's got a sound that takes us back to some of the best jazz-meets-world projects from the European scene of the late 60s and early 70s – as traditional Romanian numbers are reworked into jazzy groovers, with a nice emphasis on groovy rhythms, plus some exotic sounds from the soloists. Sam Newsome plays soprano sax throughout – working with Lucian Ban on piano, Alex Harding on baritone sax and bass clarinet, Sorin Romanescu on guitar, Arthur Balogh on bass, and Willard Dyson on drums. Titles include "Bucharest (parts 1 & 2)", "Colinda", "Home", "Carol", "Transilvanian Dance", and "Danube Stroll". CD

Soulful Chicago club steeped grooves from Anthony Nicholson – who brings more than that to the vibe of Year Of The Rebel – with guests William Kurk, Chester Gregory, Felena, J Rod Indigo and others! The beat is center stage, with keys and other elements that reflect 70s fusion and jazz, some Latin rhythms, and more – anchored by soul, thanks in no small part to the guest vocalists. Includes "Getaway" feat Felena, "Children Speaks" feat William Kurk, "Rebel 6 (Automation)", "Lost & Found (Inner Fusion), "Comfort Zone" feat J Rod Indigo, "Treavelin Song (Sonic Sensitivity)" and more. CD

One of the most striking, most unusual settings for the voice of Leon Thomas we've ever heard – a rare 1970 performance with the Brit group Nucleus – done right at the same time that Thomas was recording his classics with Pharoah Sanders! The initial approach is similar, and the songs are familiar – but the overall execution is quite different given the change in instrumentation – as the Nucleus lineup includes Ian Carr on trumpet, Chris Spedding on guitar, Karl Jenkins on piano and oboe, and Brian Smith on tenor, saxophone, and flute! Tracks are all nice and long, and rhythms begin with a slightly similar mode to Thomas' other records – but the use of Spedding's guitar is especially striking, as is Carr's trumpet – which has a very different quality than any American player that Thomas ever worked with. The sax and oboe lines are especially nice – often exotic, but in more of a European spiritual way than an American one – and throughout it all, Thomas really holds the course with some wonderful vocals – on long tracks that include "One", "Chains Of Love", "The Journey", "Echoes", "Damn Nam", and "The Creator Has A Master Plan". CD

A classic set from all-true Alexander O'Neal – and maybe one of his last great records for the Tabu label! The set's got a nice balance of groovers and mellower moments – really showing the growing diversity of O'Neal as an artist, as he tries to move away from some of his bigger ballads. The rhythms are often handled by Jimmy Jam and Terry Lewis – who themselves are going for a leaner style than in the 80s, yet still have that undeniable funky punch in the mix! At tines, Alexander's not leading the songs so much as stepping into the grooves – but at other times, he comes as the strong singer that first emerged in the mid 80s. Titles include "What Is This Thing Called Love", "The Yoke", "Time Is Running Out", "All True Man", "Midnight Run", "Used", "Shame On Me", and "The Morning After". CD

Wonderfully groovy work from Rim Kwaku Obeng – an artist with African roots, but working here in the San Francisco scene of the early 80s – where he's clearly picked up a very international vibe in his music! Rim definitely plays some traditional percussion on the tracks, but there's also a more contemporary funky club approach too – a mixing of modes that's totally great, and which almost represents an 80s step forward for the already-great Bay Area soul vibe of the 70s! The first half of the set features material from the Too Tough EP – which has very cool female vocals, both a lead and a chorus – the latter of whom move around with the rhythms in this totally great way that almost feels like some New York cuts from the Danceteria generation. The second half of the set loses the female singers, but is still every bit as wonderful as the first – with these long grooves from Rim & The Believers that have the percussion, basslines, and guitars criss-crossing in even more amazing ways. Titles include "Shine The Ladies", "Love Me For Real", "I'm Not Going To Let You", "Peace Of Mind", and "I'm A Song Writer". CD

A record with a very vintage-styled cover, but a set that's contemporary overall – jazzy work from Daniel Ogren, who plays all the instruments pictured around him on the cover – mixed with some occasional vocals from Anna Ahnlund, plus live drums and keyboards that almost hit a clubby sort of vibe at times! The record's got a sound that's really hard to peg – not really right for our jazz section, or new grooves – but certainly not rock, and not really global – although global elements clearly influence some of the rhythms on the record too. Most tunes have a melody that warms things up out of the darker corners of the rhythms – and titles include "Picasso", "Levi", "Hjalmarsfjorden", "Idag", "April", "Oktober", and "Annalena (album version)". CD

An unusual little turn for the Ohio Players – a record that's almost completely written and totally produced by Richard Dimples Fields – running here at the height of his early 80s fame! The record's still funky enough overall – but in the style of some of Fields' indie work from the 70s – slightly sharp edged, but also moving into some of the more compressed hook territory that mainstream funk acts were hitting in the early 80s. The best Fields cuts are actually the more laidback ones, which have some southern soul influences – but the real standout here is actually a remake of Charles Wright's "Do Your Thing", which comes off with all the rough vocals and funky rhythms of the original! Other tracks include "I'd Better Take A Coffee Break", "Devoted", "My Baby Gets The Best Of My Love", "Just Me", "Sweet Lil Lady", and "Star Of The Party". CD

Lost grooves from Spanish Harlem – an incredible set of Latin Soul from The 107th Street Stickball Team! With a name like that, the group certainly aren't as well-remembered as contemporaries like Joe Bataan or Willie Colon, but they've got a soulful groove that definitely fits the style of the time – a sweet uptown blend of Harlem soul and Latin rhythms – with the same blend of sweet soul ballads and uptempo groovers you'd find on some of Bataan's classic albums for Fania Records! Bobby Marin put the whole album together, with a tight groove that's very similar to his work for Speed Records – played here by a group that includes Orlando Marin, Louie Ramirez, Ozzie Torrens, and Joey Pastrana – all kings of Latin Soul at the time! Vocalists include Butch Johnson and Danny Agosto – but there's a real group feel to the record, with lots of harmonies behind the lead – the kind of streetcorner soul you might have heard while catching a stickball game on one of the side streets up north of Harlem. Titles include "Toma Guajira", "Look To Me", "You Put A Hurt In My Heart", "Rhythm & Soul", "Mojo Shingaling", "Barbara With The Kooky Eyes", "Tell Her I Love Her", and "Let Me Do My Thing". CD features 3 bonus tracks by The Nitty Sextet, all previously unissued – "Nitty Boo Boo", "Something New", and "Say Listen". CD