A fantastic live performance – one that not only lives up to the legacy of Don Cherry mixing together global elements in his music, but also echoing a brief point when pianist George Gruntz was interested in the rhythms of North Africa! The presentation is incredible – really stunning music that stands out from similar projects from both artists – maybe in part because the lineup is filled with all sorts of surprises – including these really incredible reed passages from Sahib Shihab, who also gets into the cross-cultural spirit of the music – blowing flutes and soprano sax with an amazing edge – echoed by work from Salah El Mehdi on ney and flute, Moktar Slama on bendir and soukra, Jelloud Osman on bendire and bagpipe, and Hattab Jouini on tabla and darbouka – four North African musicians who really bring a lot to the set. The rest of the lineup features Daniel Humair on drums and Henri Texier on bass – the latter of whom would experiment in this nature later on – and the whole thing is amazing! LP, Vinyl record album

A genius meeting of talents on late 60s MPS – as George Gruntz leads a group of drummers and percussionists that includes Charly Antolini, Daniel Humair, Pierre Favre, Mani Neumeier, and Alfred Sacher – alongside tenor and soprano from the great Nathan Davis, plus trumpet from Franco Ambrosetti and bass from Jimmy Woode! The set also features some musicians from Basel – as the set was part of the "jazz meets world" series on Saba. LP, Vinyl record album

An excellent MPS big-band session, in a mode that's sort of a mix between the firey hardbop of the Clarke-Boland ensemble, and the more modernist work of George Gruntz. The band is directed by Gruntz – and is co-led by Gruntz, Franco Ambrosetti, Flavio Ambrosetti, and Daniel Humair. The players are a mix of top-notch Americans and Europeans – also in the Clarke-Boland mode – and include Dexter Gordon, Woody Shaw, Dusko Goykovich, Benny Bailey, Virgil Jones, Ake Persson, Herb Geller, and Sahib Shihab. Tracks are all long originals, with a hard driving style that's a mix of modal jazz and hardbop – with slight touches of funkiness, thanks to some Fender Rhodes work by Gruntz. Titles include "Our Suite Dig", "Witch Stich", "Gravenstein", "Saint Charity", and "The Age Of Prominence". LP, Vinyl record album

A great Jean Luc Ponty album – quite possibly his best, with a hip approach that's more MPS than World Pacific! The record has Ponty working under the supervision of George Gruntz, with an incredibly hip group that includes Carmell Jones on trumpet, Leo Wright on alto and flute, Daniel Humair on drums, and Gruntz himself on piano – a really great lineup that brings together late 60s Europea and Cali groovy styles! Tracks are skittish, jaunty, exploratory, and even a bit funky – in that groovy late 60s MPS/Saba way – and the album features some nice originals that include "Pacific Drove", "Fort Ord Canon", "Pebble Beach Walk", and "3 + 2 = 1". LP, Vinyl record album