The music of George Gershwin, but taken in a very different way than you might expect – yet that's maybe no surprise, given the long legacy of creative piano work we've loved from the great Denny Zeitlin! The tunes are all familiar Gershwin standards, but Denny often uses them as rough inspirations, then transforms them into these beautiful sound paintings of his own – still faithful to the spirit and ideas of the originals, yet nicely abstracted, and filled up with the kind of incredible tones and colors that Zeitlin can give us when he's set free in a solo setting like this. In fact, the format may well be one of the most striking examples of Denny's longstanding talents that we've heard in years – and titles include "I Was Doing All Right", "The Man I Love", "Summertime", "Bess You Is My Woman Now", "I've Got A Crush On You", and "How Long Has This Been Going On". CD

A set that's dedicated to the famous Beatles producer George Martin, and which seeks to bring together a whole host of sounds and styles that not only influenced his work in the studio – but which also represent maybe the odder aspects of the British scene, in a way that really helps create a greater understanding of the more offbeat sounds of The Fab Four themselves! CD1 is titled In All Directions – and brings together jazz, skiffle, vocal tracks, and plenty more – in a nicely varied lineup that includes work from Basil Kirchin, John Dankworth, Bert Weedon, The Vipers, Christopher Logue, Temperance Seven, Ray Cathode, Ron Goodwin, and Cleo Laine. CD2 is titled Experiments With Pop – and has a bit of comedic moments mixed with more musical selections – in a lineup that includes Peter Sellers, John Dankworth, Flanders & Swann, Matt Monro, The Goods, Bernard Cribbins, and Ron Goodwin. CD3 is titled Comedy Surrealist, and continues that spirit – with more Goon Show material, Beyond The Fringe, The Alberts, Peter Cook & Dudley Moore, and other important pre-Monty Python acts from the UK – who often brought a lot of creativity to the production of their work in the studio. CD4 features straighter classical influences, but in a range of modes – tracks that begin with Bach, and move through Chopin, Ravel, Debussy, Holst, and even Gershwin. As always with these unusual sets on El Records, there's a lot of thought that goes into the choice of material – drawing lines between sounds that we really didn't expect! CD